SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Woodfall"/1) | (@(roleclean,performerclean) "Woodfall")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 36 matches on Event Comments, 18 matches on Performance Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 3 years. Afterpiece [1st time; MF 2, by William Pearce]: With new Music, Dresses, &c. The Music composed by Haydn, Sacchini, and Shield. The Scenery by Richards. Books of the Songs [W. Woodfall, 1792] to be had at the The Theatre. Public Advertiser, 20 Apr. 1793: This Day is published Hartford Bridge (1s.). Receipts: #294 17s. 6d

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hartford Bridge; or, The Skirts of the Camp

Performance Comment: Principal Characters by Quick, Munden, Incledon, Blanchard, Fawcett, Macready, Powel, Thompson, Cross, Rock, Farley, Rees, Mrs Harlowe, Mrs Cross, Mrs Clendining (1st appearance on any stage). Cast from text (W. Woodfall, 1793), and Larpent MS 960: Sir Gregory Forester-Quick; Peregrine Forester-Munden; Captain Fieldair-Incledon; Peter-Blanchard; Cartridge-Fawcett; Captain Forester-Macready; Travellers-Powel, Thompson, Cross, Rock; Waiter-Farley; Hostler-Rees; Susan-Mrs Harlowe; Mrs Jangle-Mrs Cross; Clara-Mrs Clendining.

Performances

Mainpiece Title: Ricimero

Performance Comment: [Principal Characters by Roncaglia, Ansani 1st appearance in England], Manzoletto, Micheli, Mrs Barthelemon, Mme LeBrun. [Morning Chronicle, 4 Dec. assigns Vitige-Roncaglia; [Public Advertiser, 4 Dec. Rodoaldo-Ansani. [Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125

Event Comment: Benefit the Author. Tickets as before. Regulus publish'd. As it is acted by his Majesties Servants at the Theatre Royal in Drury Lane, by Mr Havard, Author of King Charles the First. Inter omnes suos laudabiles & Virtutum insignibus illustres Viros, non preferunt Romani meliorem; quem neque Felicitas corruperit, nam in tanta Victoria, mansit pauperrimus; Nec Infelicitas fregerit, nam ad tanta Exitia revertit intrepidus. (St. Aust. de Regulo. Lib I. de Civitat. Dei.) Printed for H. Woodfall, Jr. in Little Britain, by Paul Vaillant facing Southampton Street in the Strand. J. Watts and B. Dodd also advertised King Charles the First, an Historical Tragedy, written in imitation of Shakespear, and Scanderbeg, a Tragedy. Both written by Mr Havard, author of Regulus

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Amorous Goddess

Event Comment: By His Majesty's Command (General Advertiser). Present The King and The Princess Amelia. Rec'd by overcharge in Woodfall's Bills Jan. 14: 5s. and 17 days at 1s. per day of Miss in Her Teens: #1 2s. Receipts: #188 5s

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: [Benefit for twelve on basis of varying percentages of tickets.] Benefit Banks, Trott, Carney, and Bianchini. Tickets deliver'd out by Sadler, Elliot and others will be taken. /For Pit Gallery Value Half-Value/Ruby 145 48 20 #45 9s. #22 14s. 6d./Banks 6 127 144 #34 19s. #17 9s./Carny 8 42 65 #13 11s. #6 15s. 6d./Bianchini 10 38 46 #12 16s. #6 8s. (two-thirds)/Sadler ... 11 28 #4 9s. #2 4s. 6d. (two-thirds)/Elliott 1 20 45 #7 15s. #3 17s. 6d. (two-thirds)/Mrs Hayman 4 22 35 #7 16s. #3 18s./Mrs Russell 7 27 26 #8 8s. #4 4s./Mrs Keene 3 20 23 #6 1s. #3 0s. 6d. (whole)/Mrs Hales ... 16 13 #3 14s. #1 17s./Mrs Hanmore 1 11 16 #3 10s. #1 15s./Mrs Griffiths ... 7 14 #2 9s. #1 4s. 6d./Totals 180 389 475 #150 17s. #75 8s. 6d./ (Account Books, Egerton 2268). Paid Woodfall, printer part of his bill for last season #52 12s. Paid Servandoni #10 10s., and Price (a Smith) for work at lif #9 5s. (Account Books, Egerton 2268)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Virgin Unmasked

Event Comment: Afterpiece: By desire. Powel: Rec'd of Mr Wolfall [Woodfall?] for a ticket for the season to admit one into any part of the house, behind the scenes and to Benefit nights excepted--#15 15s. N.B.: These tickets us'd to be no more than ten guineas each before Mr Garrick's time, as for example Mr Ibbeston upon Ludgate hill, and Mr Tinker gave no more for theirs. Receipts: #170 (Cross); #166 6d. (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Chinese Festival

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: Mainpiece: By Particular Desire. Receipts: #76 18s. Paid Woodfall for printing to 22 Dec. 1759, #126 19s. 6d

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fair

Event Comment: Receipts: #132 14s. Paid Woodfall for printing to 26 Jan. last #47 15s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Spirit of Contradiction

Event Comment: By Command of the Prince of Wales. Receipts: #115 18s. 6d. Present Prince of Wales at #5 5s., with Duke of York; Princess of Wales at #5 5s., with Lady Augusta, Lady Caroline, Lady Louisa. Paid Woodfall for printing #46 18s. 6d. and another printing bill #31 12s. 6d

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Knights

Event Comment: Last time of Company's performing this season. Receipts: #83 18s. Paid Kemp 7 nights #11 4s.; Paid Sarjant on acct of his salary; Paid Martin in full for salary #10; Whitfield for 3 months #7 10s. Advanced to Poitier Jr #5 5s. Paid for 7 doz. wax candles #10 17s. Paid Potter for his attendance this season 181 nights at 2s. per night, #18 2s. Paid Mr Tarriot for his daughter's dancing this season #21. Advanc'd to Mrs Viviez #3 3s. Paid Pattinson 2 bills #31 12s. 6d. Paid Woodfall in full #83 10s

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: As17610202

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Performances

Mainpiece Title: Sir Thomas Overbury

Related Works
Related Work: Sir Thomas Overbury Author(s): William Woodfall

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: [In mainpiece the playbill retains Miss Leeson, but she "being suddenly indisposed, Mrs Whitefield yesterday, at very short notice, undertook the part of Cleora" (Morning Chronicle, 7 Feb.).] Paid Woodfall on acct. of his Two [Benefit] Nights #150 [and see 20 Feb.]. Receipts: #233 17s. (230.14; 3.3)

Performances

Mainpiece Title: Sir Thomas Overbury

Related Works
Related Work: Sir Thomas Overbury Author(s): William Woodfall

Afterpiece Title: Comus

Dance: As17761123

Song: As17770107

Event Comment: Paid Woodfall in full for his 2 nights #150 [see 6 Feb.]. Receipts: #226 7s. 6d. (223.6.0; 3.1.6)

Performances

Mainpiece Title: Sir Thomas Overbury

Related Works
Related Work: Sir Thomas Overbury Author(s): William Woodfall

Afterpiece Title: Comus

Song: As17770107

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Performance Comment: Principal Characters by Mrs Kennedy, Bannister, Johnstone, Edwin, Wilson, Wewitzer; Mrs Martyr, Mrs Bannister. [Cast from London Chronicle, 5 Nov.: Patrick-Mrs Kennedy; Fitzroy-Bannister; Dermot-Johnstone; Darby-Edwin; Father Luke-Wilson; Bagatelle-Wewitzer; Kathlane-Mrs Martyr; Norah-Mrs Bannister. O'Keeffe's Dramatic Works, Vol. 1 (T. Woodfall, 1798) adds: Boy-Master Simmons.] hathi. hathi.

Song: In mainpiece To thee, O, gentle sleep by Brett

Performances

Mainpiece Title: Demetrio

Performance Comment: Principal Characters by Crescentini (1st appearance), Bartolini, Cremonini, Franchi; Sga Catenacci, Sga Ferrarese(1st appearance in this country), Sga Rachele Dorta. [Libretto (G. Woodfall, 1757) lists the parts: Alceste, Fenicio, Olinto, Mitrane; Cleonice, Barsene.] hathi.

Dance: As17850101 throughout

Event Comment: Afterpiece [1st time; F 2]: Written by [John] O'Keeffe. [Prologue by the author (see text). Text 1st published in O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798).]

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Blacksmith of Antwerp

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe; incidental music by Dr Arnold. Text 1st published in O'Keeffe's Dramatic Works, vol. III (T. Woodfall, 1798)]

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: A Beggar on Horseback: A Dramatic Proverb