SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E and C Dilly"/1) | (@(roleclean,performerclean) "E and C Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1375 matches on Event Comments, 973 matches on Performance Comments, 320 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Never acted before. Characters new dressed &c. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 67-74: Bless us what a sweet consistent piece of business is a modern Tragedy." See Boswell's account of his attendance that night with two friends, With oaken cudgels in our hands and shrill sounding catcalls in our pockets," ready prepared to damn the play (London Journal), p. 154 ff.).] Critical Strictures on the New Tragedy of Elvira, published this month (Gentleman's Magazine). I then undressed for the Play. My father and I went to the Rose, in the Passage of the Playhouse, where we found Mallet, with about thirty friends. We dined together, and went from thence into the Pitt, where we took our places in a body, ready to silence all opposition. However, we had no occasion to exert ourselves. Not withstanding the malice of a party, Mallet's nation, connections and indeed imprudence, we heard nothing but applause. I think it was deserved. The play was borrowed from de la Motte, but the details and language have great merit. A fine Vein of dramatick poetry runs thro' the piece. The Scenes between the father and son awaken almost every sensation of the human breast; and the Council would have equally moved, but for the inconvenience unavoidable upon all Theatres, that of entrusting fine Speeches to indifferent Actors. The perplexity of the Catastrophe is much, and I believe justly, critisized. But another defect made a strong impression upon me. When a Poet ventures upon the dreadful situation of a father who condemns his son to death; there is no medium; the father must either be monster or a Hero. His obligations of justice, of the publick good, must be as binding, as apparent as perhaps those of the first Brutus. The cruel necessity consecrates his actions, and leaves no room for repentance. The thought is shocking, if not carried into action. In the execution of Brutus's sons I am sensible of that fatal necessity. Without such an example, the unsettled liberty of Romev would have perished the instant after its birth. But Alonzo might have pardoned his son for a rash attempt, the cause of which was a private injury, and whose consequences could never have disturbed an established government. He might have pardoned such a crime in any other subject; and the laws could exact only a equal rigor for a son; a Vain appetite for glory, and a mad affectation of Heroism, could only influence him to exert an unequal & superior severity (Gibbon's Journal, ed. D. M. Low [New York, n.d.], pp. 202-4)

Performances

Mainpiece Title: Elvira

Performance Comment: Principal parts by: Garrick, Holland, Love, Packer, Burton, Ackman, Castle, Fox, Mrs Pritchard, Miss Bride, Mrs Cibber, Prologue and Epilogue. Don Alonzo-Garrick; Don Pedro-Holland; Don Alvarez-Love; Don Roderigo-Packer; Elvira-Mrs Cibber; Queen-Mrs Pritchard; Almayda-Miss Bride; Ambassador (?)-Burton; Ramirez-Ackman; Mendozo-Castle; Courtier-Fox; Prologue-Holland; Epilogue (writ by Garrick)-Mrs Cibber (Edition of 1763).
Cast
Role: Don Pedro Actor: Holland
Role: Prologue Actor: Holland

Afterpiece Title: The Male Coquette

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Cast
Role: Protheus Actor: Holland

Afterpiece Title: Fortunatus

Entertainment: s 15 Dec. 1762.

Event Comment: [This month appeared An Historical and Succinct Account of the late Riots at the Theatres. (39 pp.) pp. 20-39 give a detailed account of the destruction, &c. at cg.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Beggars Wedding

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Dutch Dance, as17630217

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Polly Honeycomb

Event Comment: Benefit for Bransby and Philips. No Building on Stage, &c

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holland

Afterpiece Title: The Beggars Wedding

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Musical Lady

Dance: I: Dutch Dance, as17620921, but Sga _Giorgi, Miss Baker; II: By Desire a +Hornpipe-Miss Dawson; III: A New Scotch Dance-Aldridge, Miss Baker; IV: The Italian Gardeners-Grimaldi, Miss Baker

Event Comment: Benefit for Vincent. Tickets deliver'd by Mrs Cross, Mrs Bradshaw, Miss Rogers, and others will be taken. No Building, &c

Performances

Mainpiece Title: Zara

Cast
Role: Osman Actor: Holland

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance call'd the Old Fool, or the Farmer Trick'd-Vincent, Miss Rogers; IV: Dutch Dance, as17630425 V: By Desire, a Louvre and Minuet-Noverre, Miss Rogers; By Particular Desire a Hornpipe-Vincent

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Miller of Mansfield

Dance: II: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Anderson

Afterpiece Title: The Cheats of Scapin

Cast
Role: Leander Actor: Davis

Dance: I: Hornpipe-Miss Daw; End: The Dutch Skippers, as17630101

Event Comment: To the Printer of the Public Advertiser, Mr Woodfall: Why don't you constantly, every day, print a list of the Mistakes which the guessing Messieurs Ledger and Gazatteer make in their account of the playbills? Woodward, says the Gazetteer, is to play Harlequin, and Miles the Clown this evening [Friday 14 Oct.] in Harlequin Sorcerer; Tenducci and Brent the Shepherd and Shepherdess. The Ledger informs me that Woodward will play Lissardo in the Wonder, when you say Dyer; and that Mrs Younger is to play Inis, when you advertise Mrs Green will play that character. I dare say, Mr Garrick very shortly will make his appearance in the Gazetteer or Ledger. Your Humble Servant, &c. [Garrick was in France at this time.

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Smith; Young Fashion-Dyer; Worthy-Ross; Sir Tunbelly-Marten; Syringe-Shuter; Lory-Cushing; Coupler-Hayes; Bull-Lewis; Amanda-Mrs Vincent; Nurse-Mrs Pitt; Miss Hoyden-Miss Hallam; Berinthia-Miss Elliot.
Cast
Role: Amanda Actor: Mrs Vincent

Afterpiece Title: Thomasand Sally

Dance: TThe Knife Grinders (perform'd but once), as17631012

Event Comment: The Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos &c. The Overture composed by Abel. Books of the Opera to be sold at the theatre

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17631005

Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Performance Comment: George Barnwell-Holland; Thorowgood-Love; Trueman-Packer; Uncle-Burton; Blunt-Fox; Maria-Mrs Davies; Lucy-Mrs Bennet; Milwood-Miss Haughton.
Cast
Role: George Barnwell Actor: Holland

Afterpiece Title: The Rites of Hecate or Harlequin from the Moon

Performances

Mainpiece Title: The Orphan

Cast
Role: Chamont Actor: Holland

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Event Comment: Benefit for Weller, Lewis and Gardner. Tickets deliver'd by Rawlins, Mrs Gould, Mas. Besford, and Trott's Widow, &c. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Anderson

Afterpiece Title: The Old Maid

Dance: III: A Hornpipe-Miss Pitt; End: The Dutch Skippers, as17640509

Event Comment: Benefit for Mrs Simpson and for a Public Nusance &c. (Hopkins). Benefit of Mrs Simson, and removing a Public Nuisance, by opening the way at the end of Great Queen Street (Hopkins Diary-MacMillan). By Particular Desire

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Fairy Tale

Dance: End: The Cow@Keepers, as17640504

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holland

Afterpiece Title: The Apprentice

Dance: III: Double Hornpipe, as17640514; End: The Provancalle, as17631014

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: Both pieces By Particular Desire. Afterpiece: Never performed there. Last night was deposited in the Vault of St Paul's Covent Garden the remains of James Bencraft, that truly honest, amiable, and benevolent man, whose perpetual pleasantry and delectable vein of humour cannot more aptly be described than in the words of Hamlet-"That fellow of infinite jest &c., Alas poor Jemmy" (+Winston MS 9 from The Gazetteer)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Escalus Actor: Anderson

Afterpiece Title: The Male Coquette or 1765

Performance Comment: Daffodil-Woodward; Tukely-Davis; Lord Racket-White; Sir Will Whister-Anderson; Dizzy-Cushing; Harry-Buck; Sir Tantivy-Perry; Spinner-Murden; Ruffle-Smith; Mrs Dotterel-Mrs Vincent; Arabella-Miss Vincent; Sophia-Miss Macklin; Original Prologue by Desire-Woodward.
Cast
Role: Sir Will Whister Actor: Anderson
Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Cast
Role: Macbeth Actor: Holland

Afterpiece Title: Rosamond

Dance: End: The Medley, as17641120

Event Comment: Benefit for an Ancient Widow Gentlewoman and her Daughter (in great distress); Rawlins, Potter, Waylin. None admitted behind scenes. Tickets delivered by Mas. Besford, and Mrs Naylor, &c. will be taken

Performances

Mainpiece Title: The Royal Convert

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Palmer (doorkeeper) and Roberts. Tickets deliver'd for the Benefit of Danny, C. Roberts, and Hawksby will be admitted

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-King, 1st time; Sir George-Palmer; Sir Francis-Yates; Sir Jealous-Love; Charles-Packer; Whisper-Vaughan; Butler-Ackman; Patch-Mrs Cross; Scentwell-Mrs Bradshaw; Isabinda-Miss Plym; Miranda-Mrs Palmer, 1st time.
Cast
Role: Miranda Actor: Mrs Palmer, 1st time.

Afterpiece Title: The Deuce Is in Him

Dance: I: Hornpipe-Miss Taylor; End: A New Comic Dance, as17650516

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit or Harlequin at Rhodes

Performances

Mainpiece Title: Manasseh

Music: FFirst Violin, a Concerto-Giordini