SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Johnson"/1) | (@(roleclean,performerclean) "Charles Johnson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2476 matches on Author, 2462 matches on Performance Comments, 662 matches on Event Comments, 92 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Author's Night. House charges #64 4s.[Profits to Colman #151 14s.] Paid B. Johnson's Head bill #3 9s. 6d. (Treasurer's Book). Receipts: #215 18s. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: High Life below Stairs

Dance: III: New Comic Dance-Duquesney, Mrs King; End: The Lilliputian Camp, as17670227

Event Comment: BB. Johnson's Head bill #3 14s. 4d. (Treasurer's Book). Receipts: #201 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire. Pit and Boxes will be laid together, where servants will be admitted to keep places. Ladies desired to send servants by 3 o'clock. Rec'd from Mr Stevens 1 yrs. rent due at Xmas #10; Paid Locke (hatter) for Garrick #1 4s. 6d.; Re-paid Garrick the cash advanced by Monet for Guidetti #21; Paid B. Johnson's Head bill #3 17s. 11d. (Treasurer's Book). Receipts: #98 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life Below Stairs

Dance: End: The Jealous Peasant, as17661111

Event Comment: Benefit for Yates. House Charges #65 5s. [Profit to Yates #118 16s. 6d.] Not performed for 20 years. Revived with alterations. Paid B. Johnson's Head Bill #2 5s. 6d. Paid #2 2s. for licensing Dido (Treasurer's Book). Receipts: #184 6d. (Treasurer's Book). About 5 went into the Pit at Drury Lane to see the False Friend reviv'd with alterations, for the benefit of Yates. It engages the attention, but was very well performed. Don John by Holland; Don Pedro by Powell; Lopez by Mr Yates, the drinking Servant by Baddeley; Leonora by Mrs Barry (whom I never saw before); Isabella by Miss Plym and Jacintha by Mrs Yates. I think an Abigail an odd character for her, but no doubt she was willing to play anything for her husband's benefit. After the dance of the Vintage, Mr Yates spoke by way of Interlude a new piece on his being in France called the "Modern Traveller," containing some strokes on the affectation of French Fashions, &c. We had the Farce of High Life Below Stairs with minuet by Mrs Yates and a French Valet, which I do not remenber to have seen when I saw this Farce (before) (Neville MS Diary)

Performances

Mainpiece Title: The False Friend

Afterpiece Title: High Life below Stairs

Dance: Pantomime Dance, The Vintage, as17661011

Entertainment: V: a New Interlude, The Modern Traveller-Mr Yates

Event Comment: Benefit for Miss Pope. The Comedy in 2 acts taken by Miss Pope from Mrs Sheridan's Discovery. House charges #64 17s. [Profit to Miss Pope #115 5s.] Paid B. Johnson's Head bill 18s. 7d.; Manager's subscription for St George's #10 10s.; Soldier's practice for Alexander 8s. 6d. (Treasurer's Book). [Neville attended this night and in his Diary compliments all the performers and dancers. I am afraid Vernon's attempt to imitate old Shuter will prove vain. He added something to the introduction to the Cries tonight."] Receipts: #180 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Young Couple

Dance: II: Hearts of Oak-Giorgi, Mrs King

Entertainment: The Cries of London, The Tombs of Westminster-Vernon

Event Comment: Benefit for Dodd. House charges #66 10s. [Profit to Dodd #112 4s.] Tickets deliver'd by Miss Tetley will be taken. B. Johnson's head bill #3 14s. (Treasurer's Book). Receipts: #178 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Miss in Her Teens

Dance: III: A Dance call'd The Nosegay-Duquesney, Mrs King; End: Hornpipe-Miss Tetley

Event Comment: Benefit for Hopkins (prompter) and Mrs Hopkins. Charges #64 17s. [Profit to the Hopkins family #30 19s. plus Tickets.] Tickets delivered by Philips will be taken. Paid B. Johnson's Head bill #1 2s. 3d.; Paid Mr J. Johnston, by order #21; Rec'd Mr Pope's rent 1 year at #30 minus King's Tax of #3 8s.: Total #26 12s. receiv'd. Paid Mr Pope's bill #13 9s. 6d. (Treasurer's Book). Before 4 dined behind St Clements, and went to ye First Gallery to see the Distressed Mother....We had the Capricious Lovers, Lisetta by Mrs Clive, who took off the ridiculous sing-song at ye Opera House charmingly (Neville MS Diary). Receipts: #95 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Event Comment: Benefit for Bransby and Burton. House Charges #50 9s. [Profit to Bransby and Burton #15 6d.] Tickets deliver'd for this night will be taken. Paid B. Johnson's Head bill #5 4s. 6d. (Treasurer's Book). Receipts: #66 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Flora

Dance: In Farce: A Double Hornpipe-Walker, Miss Egan; End: The Irish Lilt, as17670430

Event Comment: Benefit for Strange, Raftor, Walker, Watkins. House charges #69 15s. [Deficit to actors #49 7s.] Tickets delivered for this night will be taken. Paid B. Johnson's Head bill 18s. 11d. Rec'd of Condell 3rd payment #20 (Treasurer's Book). Receipts: #20 8s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Register Office

Dance: End: By Particular Desire, a Double Hornpipe-Walker, Miss Watkins

Event Comment: Prologue by Garrick; Epilogue by Cumberland, spoken by Foote and Mrs Jewell. A Comedy Never performed [by Foote]. [Audience included Dr Johnson, Mr Colman, Mr Garrick, Dr Goldsmith, Mr Macpherson, Mr Stevens, Sir Joshua Reynolds, Lord Littleton....So much applause that the audience stopped the play and required one speech repeated (Theatrical Intelligencer).

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West

Event Comment: The Farce altered form Ben Johnson, by the author of The Tobacconist. By Authority for one Night only. Benefit Vandermere. Tickets delivered by Fearon, Collett, Mrs Granger, Dancer, Mrs Didier will be admitted. [Hissed (Whitehall Evening Post).

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Coxcombs

Related Works
Related Work: A Cure for a Coxcomb; or, The Beau Bedevil'd Author(s): Charles Dibdin

Dance: I: Statue Dance-; End Opera: Dance-the Characters; End Dance: Hornpipe-Lepper

Event Comment: Benefit for Barry. Tickets deliver'd for King Arthur will be taken. Part of Pit laid into Boxes. Ladies send servants by 4 o'clock. Paid Supers, Kettle Drum, & practices to King Arthur #2 16s.; Printer's Bill #8 12s. (Treasurer's Book). Mary Martin to J. M. Rebow, 6 April (MS correspondence in Washington State University Library): There has not been any mention of Barry's Benefit in ye Papers till to Day when it is advertis'd for ye 23rd of this Month, & ye Play. After...ye Constant Couple, which I imagine is no very desirable thing to see so late in ye Season, therefore pray tell me if I must send ye Tickets back directly, or may keep them till you are in Town again, which I hope you certainly will be before that time; I find we are not ye only unfortunates that Mr Johnson disappoints of Places, for that it is his Constant Practice not to let a single Place, till all his Five Guinea Chaps are serv'd even if you are at ye Play House, & apply ye Instant ye Play is given out, for which reason Mr Garrick has desir'd Gentlemen will Write to him upon such Occasions, & it is now very commonly done. Receipts: #264 11s. 6d. Charges: #67. Profits to Barry: #197 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lottery

Dance: End: Comic Dance, as17720326

Event Comment: The House Open'd September. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places at Stage Door from Johnson No money taken at Stage Door or after the curtain is drawn up. Doors to open at 5 p.m. To begin at 6 p.m. [Repeated in all Season's bills.] Rec'd from Mrs Groath 1 year's rent to Xmas last, #3; Paid Supernumaries & Kettle Drum #2 8s. Taylor's Bill #1 #10 11s. 1d.; Carpenters #10 2s. (Treasurer's Book). [These payments were constant during the season. The weekly average and season totals will be set forth as follows and no further itemization will be made.] @Item Weekly Average Season Total@Supers & K. Drum #13 13s. #477@Taylor #7 #250@Carpenter #7 #250@ Receipts: #156 15s. 6d

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Lyar

Dance: III: The Sailors Revels-Atkins

Event Comment: Mainpiece: By Desire. Rec'd 1 yrs rent of Mrs Johnson to Lady Day last, 1773, #6 (Treasurer's Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand

Event Comment: Mainpiece: In three acts altered from Shakespeare. Afterpiece, a New Pastoral Masque and Pantomime interspersed. The Music composed by Fisher. The scenes painted by Messrs Dahl, Richards and Carver. Nothing under Full Prices will be taken. Books of Songs, &c. sold in Theatre. The words of the Masque taken chiefly from Ben Johnson (playbill). [DNB s.v. "Jonson," suggests The Haddington Masque, 1608, with the "Hue and Cry after Cupid" material as the source. The reviewer for the Westminster Magazine commented on the performance of 25 November, after outlining the story: "Such are the outlines of The Druids, whick is a hetereogeneous jumble of monstrous absurdities; and if considered merely as a vehicle for music, dances, and decorations, is, in our opinion, far inferior to the dramatic monstrum horrendum of the other House [The Maid of the Oaks]. Both pieces, however, are equally an insult on the understanding and judgments of the Public, and exhibit striking proofs of the miserably depraved state of the English theatre, whose entertainments are at present conducted by Managers either destitute of taste and abilities or actuated by no other than the paltry, despicable motives of vanity, prejudice, and avarice,"]

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Druids Masque

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Charles Dudley Actor: Cautherly

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Event Comment: Mainpiece: Altered [by Charlotte Lennox] from [Eastward Hoe, by] Ben Johnson, and others [George Chapman and John Marston]. Receipts: #128 7s. 6d. (100.11.0; 23.8.0; 4.8.6)

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Selima and Azor

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Wroughton; Major Belford-Whitefield; Prattle-Lee Lewes; Bell-Mrs Bulkley; Mademoiselle Florival-Mrs Lessingham; Emily-Mrs Mattocks; A New occasional Prologue (written by Dr Johnson)-Hull; [A New occasional Epilogue [author unknown]-Mrs Bulkley.

Song: End I: a new cantata, Diana-Mrs Farrell

Music: End Epilogue: concerto on the violin-Fisher

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Performance Comment: Characters by Wewitzer, Fearon, Robson, Thompson, L'Estrange, Mrs Morton, Miss Leeson. Cast from text (E. Johnson, 1779): La Bronze-Wewitzer; Cossim-Fearon; Haroun-Robson; Decca-Thompson; Sir ThomasCallico-L'Estrange; Ali-Jones; Derby O'Rudder-Egan; Teresa-Mrs Morton; Harriet-Miss Leeson; Prologue-Mrs Jackson in the character of Britannia.

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Related Work: Henry VII; or, The Popish Impostor Author(s): Charles Macklin
Related Work: Raymond and Agnes; or, The Castle of Lindenbergh Author(s): Charles Farley

Performances

Mainpiece Title: The Fashionable Wife; Or, The Female Gallant

Performance Comment: Principal Characters by Barrett, Swords, Johnson, Jackson, Barnes, Lyon, Alfred, Morris; Miss Atkinson, Mrs Sauley, Miss Brice, Miss Churchill, Miss Williams. Cast not known. With a Prologue and Epilogue .

Afterpiece Title: The Lawyer Nonsuited

Performance Comment: Principal Characters by The Author, Lyon, Hall, Johnson; Miss Turner, Miss Peters. Cast not known .

Dance: End of mainpiece a Hornpipe by Middleton

Song: End of Act III of mainpiece The Soldier tir'd of War's Alarms; End of Act V The Merry Roundelay, both by Miss Hemet

Monologue: 1782 05 06 End of afterpiece Bucks have at ye All by Middleton

Event Comment: Mainpiece: Written by Ben Johnson [sic]. Never acted here

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Son-in-Law

Dance: As17830702

Performances

Mainpiece Title: Cheapside; Or, All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .
Related Works
Related Work: A City Ramble: or, The Humours of the Compter Author(s): Charles Knipe

Afterpiece Title: The Sailor's Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Performance Comment: Principal Characters by Swords, Kenrick, Johnson, Sparrow, Middleton, Reinholds, Bailey; Miss Dudley, Miss Dancer, Miss Smyth. Cast not known .

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Event Comment: Mainpiece: Written by Ben Johnson [sic]. Not acted these 20 years [not acted since 11 Feb. 1742]. Afterpiece: Not acted these 3 years. With a Sea Fight and Procession. [These were included in all subsequent performances.] Receipts: #162 7s. (111/5/0; 49/12/6; 1/9/6)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Critic; or, A Tragedy Rehears'd