SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cumberland"/1) | (@(roleclean,performerclean) "Cumberland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 613 matches on Author, 103 matches on Event Comments, 10 matches on Performance Comments, 8 matches on Performance Title, and 2 matches on Roles/Actors.
Event Comment: Benefit for Henderson. Part of the Pit will be laid into the Boxes. Mainpiece [1st time; T 5, by Richard Cumberland. Text, which assigns no parts, 1st published in his Posthumous Dramatic Works, Vol. II (1813), under the title of Alcanor]. Public Advertiser, 5 Mar.: Tickets to be had of Henderson at his house in Buckingham-street, York-buildings

Performances

Mainpiece Title: The Arab

Performance Comment: Principal Characters by Henderson, Wroughton, Hull, Fearon, Thompson, Cubitt, Lewis; Mrs Bates, Miss Younge. [Partial cast suggested by Genest, VI, 360: Alcanor-Henderson; Barzilla-Wroughton; Halak-Hull; Sameas-Fearon [which Genest misprints "Farren"]; Herodian-Lewis; Augusta-Mrs Bates [so also Morning Post, 10 Mar.]; Glaphyra-Miss Younge. Text adds: Serapion, Affghar; Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi. Mariamne.] Prologue by the Author spoken by Henderson. [In his Memoirs, II, 208, Cumberland prints an Epilogue, written by himself, which he "presumes" was spoken, and states the speaker to have been Miss Younge.] hathi.
Related Works
Related Work: The Arab Author(s): Richard Cumberland

Afterpiece Title: Rosina

Dance: As17841116

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. 1st printed as above. Authors of Prologue and Epilogue unknown]. Receipts: #159 17s. (151.10; 8.7)

Performances

Mainpiece Title: The Eccentric Lover

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Fawcett, Murray, Knight, Whitfield, Waddy, Simmons, Rees, Curties, Miss Betterton, Mrs Pope, Mrs Gilbert, Mrs Mattocks. [Cast from Times, 1 May: Sir Francis Delroy-Lewis; Peter Crowfoot-Quick; Fenton-Holman; Admiral Delroy-Munden; Doctor Crisis-Fawcett; Gangrene-Murray; Gabriel-Knight; Sir Henry Netterville-Whitfield; Ostrich-Waddy; Tom Transit-Simmons; John Seagrave-Rees; Admiral's Servant-Curties; Eleanor de Ferrars-Miss Betterton; Constantia-Mrs Pope; Widow Blandy-Mrs Gilbert; Fidelia-Mrs Mattocks; [Times does not spell all the parts as they are listed in the text, in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, which assigns no parts, but in which they are spelled as above. Times erroneously assigns Doctor Crisis to Farley, and lists Mrs Mattocks' part as Mrs Crowfoot; it does not assign Gabriel or the Servant.] Prologue-Holman; Epilogue-Mrs Mattocks.
Related Works
Related Work: The Eccentric Lover Author(s): Richard Cumberland

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece to conclude with: Dance of Savoyards-Platt, Miss Cranfield, Mlle St.Amand

Event Comment: This play is alter'd by Mr Cumberland was very well receiv'd Mr & Mrs Barry play'd very well Alcibiades was perform'd by Mr Crofts being his first appearance upon any Stage bad figure bad voice & Play'd bad (Hopkins Diary). New Scenes, Decorations &c. Mr Crofts-a stationer in the Temple (Winston MS 10). Theatrical Review, 4 Dec.: We think ourselves oblig'd to declare that this gentleman (Crofts), by no means answered the expectations we had formed, from the accounts we had heard of him.--His voice is not bad, though it is not much above the level of common conservation; --his deportment is aukward and void of grace to an extreme; and he labors under the disadvantage of having a face destitute of expression. His gestures are extremely ungraceful, and the whole of his execution is glaringly untutored, and misconceived. His persons is very ill formed, and therefore it makes greatly against him, especially as he is the representative of Alcibiades, who was the handsomest man in all Athens, and we never remember any one's attempting to set out as a capital performer with so few requisites for the support of such an undertaking as this gentleman appears to have. Paid Dr Nares & Mr Cooke's 8 boys in the Garter, 12 nights (30th ult. incl.) #36; Master Brown 7 nights (2nd inst. incl.) #2 12s 6d.; Licence for Timon, #2 2s. (Treasurer's Book). [Larpent MS 328 of Cumberland's Timon, is one of the earliest to include scenic descriptions: "A Hall in Timon's House. The Flat Scene represents stately Folding Doors. Scene two, the Back scene is hastily drawn back and discovers a magnificent Levee Room or Salon. &c."] Receipts: #243 1s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: The Musical Lady

Event Comment: Author's Night for Mainpiece. Fashionable Lover Published by Cumberland at 1s 6d. Paid Salary List #502 2s. 6d.; Mrs Abington's cloaths acct, #2; Rec'd stopages, #11 11s. (Treasurer's Book). Receipts: #200 19s.; Charges #73 10s. Profit to Cumberland #127 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: Miss in Her Teens

Event Comment: This Comedy is written by Mr Cumberland but I think inferior to his other Productions was tolerably well receiv'd but a most excellent Epilogue was Written by Mr G. & Spoken by Mrs Abington which gave a great Lift to the Play Uncommon Applause to the Epilogue (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid Mr Lauchery per order #1 1s. (Treasurer's Book). [From the Westminster Magazine, Dec. 1774: We cannot think Mr Cumberland has courted the Comic Muse in this play so successfully as in the West Indian, and the rest of his comedies. His language is unexceptionably good; he is often as witty as Congreve, as easy as Vanbrugh, and as satirical as Wycherly. But language alone will not do. The plot is ill conducted.] Receipts: #243 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Choleric Man

Related Works
Related Work: The Choleric Man Author(s): Richard Cumberland

Afterpiece Title: Hob in the Well

Event Comment: Prelude [1st time;PREL I, probably by Richard Cumberland. Larpent MS 472; not published]. Mainpiece [1st time; M 3, by Richard Cumberland, based on Calypso and Telemachus, by John Hughes]: The Overture and all the Music entirely new, and composed by Butler. With new Scenery painted by Richards and Carver, and new Dresses. Books of the Masque to be had at the Theatre. Public Advertiser, 27 Mar. 1779: This Day is published Calypso (1s. 6d.)

Performances

Mainpiece Title: A New Prelude And Prologue

Related Works
Related Work: A New Prelude and Prologue Author(s): Richard Cumberland

Afterpiece Title: Calypso

Related Works
Related Work: Calypso Author(s): Richard Cumberland

Afterpiece Title: Cross Purposes

Dance: In: Incidental Dances-Dagueville, Miss Besford, Miss Valois

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, altered by the author from his The Country Attorney. Prologue and Epilogue probably by Cumberland. Larpent MS 828; not published; synopsis of plot in Universal Magazine, May 1789, p. 267]: With new Dresses, &c. Receipts: #165 6s. 6d. (155.5.6; 10.1.0)

Performances

Mainpiece Title: A School For Widows

Related Works
Related Work: A School for Widows Author(s): Richard Cumberland

Afterpiece Title: The Highland Reel

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown] . Account-Book, 25 Sept. 1794: Paid Cumberland for The Jew #300. Morning Chronicle, 4 Oct. 1794: This Day is published THE JEW (1s. 6d.). Powell: The Quaker rehearsed at 10; The Jew at 11. Receipts: #401 17s. (344/3; 45/19; 11/15)

Performances

Mainpiece Title: The Jew

Related Works
Related Work: The Jew Author(s): Richard Cumberland

Afterpiece Title: THE QUAKER

Event Comment: 2nd piece [1st time; D 5, by Richard Cumberland. Prologue by the author; Epilogue by George Colman ynger (London Chronicle, 27 July). Larpent MS 1138; 1st published in Cumberland's Posthumous Dramatic Works, 1813, Vol. II, with unassigned casts listing Citizens.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Related Works
Related Work: Don Pedro Author(s): Richard Cumberland

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Occasional prologue in honor of his RoyalHighness the Duke of Cumberland-Scudamore.

Afterpiece Title: The Virgin Unmasked

Dance: JJockey Dance-Adams

Performances

Mainpiece Title: Othello

Performance Comment: Epilogue in honor of the Duke of Cumberland-Master Perry.

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: A New Musical Comedy in 3 Acts never performed before. New Scenes and Habits. Book of the Comedy to be had at the Theatre. [Richard Cumberland's second dramatic piece, and first one to be performed (Genest, V, 104).

Performances

Mainpiece Title: The Summer's Tale

Related Works
Related Work: The Summer's Tale Author(s): Richard Cumberland

Dance: I: The Garland, as17651003; II: A New Grand Ballet, call'd The Gallant Shepherds-Fichar, Sga Manesiere, Miss Wilford

Event Comment: Author's Day. Books of the Comedy to be had at the Theatre. N.B. The Author has generously given the profits of this day to a Fund, lately establish'd, by the Performers of the above Theatre, for the Maintenance of Decayed Actors and their Families. Public Advertiser, 3 Feb. 1766: The Performers of Covent Garden Theatre return their sincere thanks to Mr Cumberland for his generous donation of the profits of the 9th performance of The Summer's Tale, amounting to #74, for use of the newly established Theatrical Fund

Performances

Mainpiece Title: The Summer's Tale

Related Works
Related Work: The Summer's Tale Author(s): Richard Cumberland

Afterpiece Title: The Upholsterer

Dance: I: Rural Love, as17651115; II: The Garland, as17651003

Event Comment: Benefit for Dyer. Tickets for the Wonder will be taken. Part of Pit will be laid into the Boxes. [The afterpiece a musical entertainment by Richard Cumberland taken from his The Summer's Tale. See 6 Dec. 1765; 28 April 1768.] Charges #64 15s. Balance to Dyer #10 5s. plus #160 5s. in tickets (Box 471; Pit 198; Gallery 128). (Account Book). Receipts: #75 (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland

Dance: III: The Provenzales, as17680301 IV: The Irish Lilt, as17670921

Event Comment: This New Comedy [Mainpiece] written by Mr Cumberland receiv'd with the greatest applause imaginable particularly Mr Moody's part. He play'd finely--it will have a great run (Hopkins Diary). New Scenes, Dresses, Decorations, &c. (Winston MS 10). [A six and one-half column review of the plot appeared in the Gentleman's Magazine for Feb. 1771.

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: Timon of Athens Author(s): Richard Cumberland

Afterpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland
Event Comment: This Comedy was written by Mr Cumberland was very well receiv'd & great Applause but it will not be so Successful as the West Indian was (Hopkins Diary). New Scenes and Dresses for the Mainpiece. [See Theatrical Review, 20 Jan. See also account in Town and Country Magazine (Theatre No. XXXIII). Larpent MS 329 again includes scene description by the author: "Hall in Lord Abberville's Housev with a staircase seen through an arch in the Flat."] Receipts: #248 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Lyar

Event Comment: Author's Night for Mainpiece. Receipts: #223 18s.; Charges #73 10s.; Profit to Cumberland #150 8s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Mayor of Garratt

Event Comment: Author's Night for Mainpiece. Receipts: #196 7s. Charges #73 10s. Profit to Cumberland #122 17s. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Mayor of Garratt

Dance: End: The Amusements of Strasburgh, as17720111

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Midas

Event Comment: This farce was wrote by Mr Cumberland & receiv'd with Applause (Hopkins Diary). [Larpent MS 365, suggests Sapling was written for Weston.] Paid Mr Lacy Frederick for sattin #15 10s. 6d. (Treasurer's Book). Receipts: #205 10s. (Treasurer's Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand; or, Trip to Newmarket

Related Works
Related Work: The Note of Hand; or, Trip to Newmarket Author(s): Richard Cumberland

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Booth; Capt. Dudley-Hull; Charles-Wroughton; Major O'Flaherty-Aickin; Fulmer-Dunstall; Varland-Quick; Lady Rusport-Mrs Green; Louisa-Mrs Bulkley; Mrs Fulmer (1st time)-Mrs Pitt; Charlotte Rusport-Mrs Mattocks; Epilogue for that Charity by Richard? Cumberland, Esq-Hull, Mrs Mattocks.
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Upholsterer

Dance: As17771104

Song: End II: song-Mrs Farrell

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland]: taken from [the same, by] Massinger and [Mariamne, by] Fenton. [not in Larpent MS; not published.] With new Dresses. Henderson "might surely break himself of the aukward custom of clapping his hands together almost perpetually, and running on and off the stage with so ungraceful a levity" (Morning Chronicle, 11 Nov.). [Miss Younge was from dl.] Receipts: #127 10s. 6d. (124.14.0; 2.16.6)

Performances

Mainpiece Title: The Duke Of Milan

Related Works
Related Work: The Duke of Milan Author(s): Richard Cumberland

Afterpiece Title: The Touchstone

Event Comment: [Mainpiece: Prologue by Richard Cumberland. Afterpiece: Prologue by George Colman, the elder.] To begin at 6:00. Pit 2s. Gallery 1s

Performances

Mainpiece Title: The West Indian

Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Bon Ton; or, High Life above Stairs

Entertainment: Monologue.End: A Sea Fight.Frenchman-Jerrold