SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Duke of Cambridge"/1) | (@(roleclean,performerclean) "Charles Duke of Cambridge")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2797 matches on Author, 2260 matches on Performance Comments, 1332 matches on Event Comments, 417 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [By Charles Johnson.] Alter'd from the Comedy call'd As You Like It, Written by Shakespear

Performances

Mainpiece Title: Love In A Forest

Performance Comment: Edition of 1723 lists: Duke Frederick-Williams; Alberto-Booth; Jaques-Cibber; Amiens-Corey; Oliver-Thurmond; Orlando-Wilks; Roberto-Roberts; Adam-Mills; Le Beau-Th. Cibber; Charles-W. Mills; Rosalind-Mrs Booth; Celia-Mrs Thurmond; Hymen-Miss Lindar; Pyramqs-Penkethman; Wall-Norris; Lion-Wilson; Moonshine-Ray; Thisbe-Miller; Prologue-Wilks; Epilogue-Mrs Thurmond.
Cast
Role: Duke Frederick Actor: Williams
Role: Charles Actor: W. Mills
Related Works
Related Work: Love in a Forest Author(s): Charles Johnson
Event Comment: [By Charles Beckingham.] Never Acted before. [The Prince expected to attend.

Performances

Mainpiece Title: King Henry The Fourth Of France

Performance Comment: Edition of 1720 lists: Henry-Quin; Prince of Conde-Ryan; Duke of Vendosme-Leigh; Duke Bouillon-Ogden; Villeroy-Smith; Rosny-Diggs; Montmorency-Harper; Nuntio-C. Bullock; French Bishop-Boheme; Ravilliac-Egleton; Charlotta-Mrs Bullock; Louisa-Mrs Biggs; Alicia-Mrs Gulick; Prologue-Ryan; Epilogue written by Sewell-Mrs Bullock.
Cast
Role: Duke of Vendosme Actor: Leigh
Role: Duke Bouillon Actor: Ogden
Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: [By Charles Johnson.]Receipts: #63 11s

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.
Cast
Role: Sir Charles Mirmont Actor: Walker
Related Works
Related Work: The Female Fortune Teller Author(s): Charles Johnson
Event Comment: Mainpiece: [By Charles Molloy.] Never Acted before. Afterpiece: [By John Leigh.] A new Farce...being the Sequel to Country Wake. [The Prince present.

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Principal Part-Peg Fryer it being the first time of her Appearing on any Stage since the Reign of King Charles II; [The edition of 1720 adds: Bellayr-Ryan; Fluellin-Griffin; MacMorris-H. Bullock; Culverin-Spiller; Meagre-C. Bullock; Loadham-Harper; Sharp-Egleton; Jaspar-Boheme; Widow Rich-Mrs Vandervelt [Peg Fryer?]; Benedict-Mrs Bullock; Charlotte-Miss Stone; Jane-Mrs Robertson; Prologue-; Epilogue-.
Related Works
Related Work: The Half Pay Officers Author(s): Charles Molloy

Afterpiece Title: Hob's Wedding

Dance: Bashful Maid, Irish Trot-Mrs Fryer

Performances

Mainpiece Title: Duke And No Duke

Performance Comment: Duke-Milward; Trapolin-Chapman; Brunetto-Salway; Alberto-Lacy; Mago-Aston; Puritan-Hippisley; Barberino-Paget; Dutchess-Mrs Buchanan; Prudentia-Mrs Templer; Flametta-Mrs Stevens.
Cast
Role: Duke Actor: Milward

Afterpiece Title: The School Boy

Dance: PPeasant-Poitier, Miss LaTour; Tambourine-Miss Rogers; Scottish Dance-Glover, DuPre, Delagarde, Mrs Legar, Ogden, Mrs Pelling

Event Comment: Charles II to Madame, 14 July 1664: I am just now come from seeing a new ill play and it is almost midnight (C. H. Hartman, Charles II and Madame [1934], p. 108). W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, stated his belief that this play was acted at court this day

Performances

Mainpiece Title: Pompey The Great

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Performance Comment: Edition of 1672: The Prologue-; Alphonso-Metbourn; Ferdinand-Harris; Prince of Salerne-Smith; Ascanio-Young; Trivultio-Sandford; Gonsalvo-Burford; Ghost-Cademan; Charles the Eighth-Batterton; Lewis-Crosby; Mompensier-Norris; Isabella-Mrs Batterton; Cornelia-Mrs Slaughter; Irene-Mrs Shadwell; Julia-Mrs Dixon; Epilogue-.
Cast
Role: Charles the Eighth Actor: Batterton
Event Comment: The Duke's Company. The date of the first production is not known, but the date 31 May 1681 on a copy in the Ohio State University Library, representing Luttrell's purchase of a copy, argues for a performance initially in April or early May 1681. See Wilson, Six Restoration Play-Dates, p. 222

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Performance Comment: Edition of 1681: Prologue-; King Henry the Sixth-Jos. Williams; Humphrey Duke of Glocester-Batterton; Cardinal-Harris; Richard Plantagenet-D. Williams; Duke of Suffolk-Smith; Queen Margaret-Lady Slingsby; Elianor-Mrs Batterton; Epilogue-.
Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Performance Comment: Edition of 1668: Prologue to the Duke of Lerma-Mrs Ellen Gwyn?, Mrs Nepp Knepp?; No actors' names; Epilogue-Mrs Ellen Gwyn?; Maria?-Mrs Gwyn?.
Event Comment: The United Company. The Prologue and Epilogue are printed in Miscellaneous Works, Written by His Grace, George, late Duke of Buckingham (London, 1704), pp. 9-13. There is no certainty that Buckingham wrote the adaptation itself, but, in view of his writing both the Prologue and Epilogue, it seems likely. The Epilogue alludes to Shaftesbury, who had taken refuge in Holland and who had died there on 21 Jan. 1682@3, suggesting that the play, if acted, was probably presented in February 1682@3 or soon thereafter. The adaptation was apparently never printed

Performances

Mainpiece Title: The Restoration; Or, Right Will Take Place

Performance Comment: Prologue to Philaster by the Duke of Buckingham-; The Epilogue-the Governor in Philaster by the Duke of Buckingham.
Related Works
Related Work: The Restoration; or, Right Will Take Place Author(s): George Villiers, Duke of Buckingham
Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Related Works
Related Work: The Irish Fine Lady Author(s): Charles Macklin

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Cast
Role: Duke Actor: Thompson

Afterpiece Title: Love a-la-Mode

Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: The Duke's Company. Two sources naming the play attended by the Morocco ambassador differ as to what play was presented. CSPD, Charles II, 1682, p. 35: 19 Jan. 1681@2: To-day the Morocco Ambassador goes to a play named Circe at the Duke's House. Impartial Protestant Mercury, 20-24 Jan. 1681@2: The Morocco Ambassador, On Thursday last, went to the Duke's Theatre, where was Acted Psyche, a Play of extraordinary splendor, with which his Excellency was extreamly pleas'd

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: Duke of Bedford Actor: Underhill
Role: Duke of Exeter Actor: Cogan
Role: Duke of Burgundy Actor: Smith
Event Comment: Benefit for Staunton and Lamash. 2nd piece [1st time; INT I, by Charles Stuart. "A speaking Pantomime of ten minutes" (Public Advertiser, 15 May). 3rd piece: Not acted these 4 years. Public Advertiser, 12 May: Tickets to be had of Staunton, Gloucester-street, Queen-square; of Lamash, Queen-court, Great Queen-street, Lincoln's Inn Fields. Receipts: #271 11s. (37.0; 15.17; 0.14; tickets: 218.0) (charge: #108 7s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Stone Eater

Related Works
Related Work: The Stone Eater Author(s): Charles Stuart

Afterpiece Title: Duke and No Duke

Event Comment: 3rd piece [1st time; F 2, by Charles Stuart, "from the Spanish"; on 2 Sept. reduced to 1 act. Prologue by the author (see text)]. "The Piece, we understand, was originally founded on some topics that have of late engrossed the conversation of much of the fashionable world...The Lord Chamberlain thought [it] too delicate a nature to appear with the allusions and title it then bore, She would be a Duchess. The consequence was that the offensive bits were expunged and the piece re-christened...It would be unfair to make any observations...in the mutilated stage it was presented" (Public Advertiser, 15 Aug.). "Some part of the plot was supposed to allude to the late occurrences in the family of General John? Gunning, who was indulged with the privilege of erasing [from the MS] that which he disliked, and who reduced it to its present feeble and unconnected form" (Gazetteer, 15 Aug.). [The reference in the original title is to the simultaneous flirtation of Miss Elizabeth Gunning, the General's daughter, with the eldest sons of the Dukes of Marlborough and Argyll (see dnb, under Susannah Gunning). She would be a Duchess: in Larpent MS 915.

Performances

Mainpiece Title: Next Door Neighbours

Afterpiece Title: The Padlock

Related Works
Related Work: The Padlock Author(s): Charles Dibdin

Afterpiece Title: The Irishman in Spain

Related Works
Related Work: The Irishman in Spain Author(s): Charles Stuart
Event Comment: The Duke's Company. The Loyal Protestant, No. 166, 10 June 1682: London June 9. His Excellency the Bantam Embassador...went yesterday...to see the Green-Goose-Fair, and...was desired to go tomorrow to see a Play acted at the Duke's Theatre, called Circe; which he accordingly intends to do

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant

Performances

Mainpiece Title: Measure For Measure; Or, Beauty The Best Advocate

Performance Comment: Edition of 1700: Prologue by Mr Oldmixon-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince.
Cast
Role: Duke of Savoy Actor: Arnold
Related Works
Related Work: Measure for Measure; or, Beauty the Best Advocate Author(s): Charles Gildon
Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19

Performances

Mainpiece Title: Pompey

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Related Work: Pompey Author(s): Sir Charles Sedley Charles Sackville
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2 (see also Nicoll, Restoration Drama, p. 347); for the dating of this performance, see the discussion under 9 March 1671@2

Performances

Mainpiece Title: Pompey

Related Works
Related Work: Pompey the Great Author(s): Sir Charles Sedley Charles Sackville
Related Work: Pompey Author(s): Sir Charles Sedley Charles Sackville
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

Related Works
Related Work: Circe Author(s): Charles Davenant
Event Comment: At Reynolds' Booth. The Beggar's Wedding acted until 8 p.m.; Damon and Phillida, 8 p.m. to 11 p.m.; The Humours of Harlequin added to each one. Daily Post, 25 Aug.: This Day his Royal Highness the Duke and their Royal Highnesses the Princesses Mary and Louisa intend to honour Mr Reynolds with their Presence at his Great Theatrical Booth

Performances

Mainpiece Title: The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey

Afterpiece Title: Damon and Phillida

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: By Command of His Royal Highness. [The Prince and Duke present.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey

Dance: new Grand Ballad D'Amour by Monsieur Denoyer Dancing-Master to his Royal Highness the Prince of Wales-Denoyer, Mrs Booth, others, being the first Time of his Dancing since his Arrival in England