February 1700

Event Information
Theatre: Lincoln's Inn Fields
Theatrical Season: 1699-1700
Volume: 1
Comments: Betterton's Company. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, Ah Belinda I am pressed, in this play, appeared in Orpheus Britannica, 1698, the music by Henry Purcell, who had died some years before its appearance in this collection. A Comparison Between the Two Stages (1702), pp. 26-27, referring to the rivalry between lif and dl in reviving Shakespeare and Jonson: The Battel continued a long time doubtful, and Victory hovering over both Camps, Batterton Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with Measure for Measure

Performance List

Event Downloads

JSON XML CSV
  • Your web browser doesn't have a PDF plugin. Instead, click here to download the PDF file

  • Original Data

    Source: London Stage Information Bank

    *p=?lif Measure for Measure; or, Beauty the Best Advocate. [Edition of 1700:% Prologue [by $Mr Oldmixon=%-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince. *c=?lif <i>Betterton's Company</i>. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, <i>Ah Belinda I am pressed</i>, in this play, appeared in <i>Orpheus Britannica</i>, 1698, the music by $Henry Purcell=, who had died some years before its appearance in this collection. <i>A Comparison Between the Two Stages</i> (1702), pp. 26-27, referring to the rivalry between <i>lif</i> and <i>dl</i> in reviving $Shakespeare= and $Jonson=: The Battel continued a long time doubtful, and Victory hovering over both Camps, $Batterton= Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with <i>Measure for Measure</i>.
  • Cleaned Data

    *p1700 02 00 lif Measure for Measure; or, Beauty the Best Advocate. Edition of 1700: Prologue by $Mr Oldmixon=-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince.*c1700 02 00 lif <i>Betterton's Company</i>. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, <i>Ah Belinda I am pressed</i>, in this play, appeared in <i>Orpheus Britannica</i>, 1698, the music by $Henry Purcell=, who had died some years before its appearance in this collection. <i>A Comparison Between the Two Stages</i> (1702), pp. 26-27, referring to the rivalry between <i>lif</i> and <i>dl</i> in reviving $Shakespeare= and $Jonson=: The Battel continued a long time doubtful, and Victory hovering over both Camps, $Batterton= Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with <i>Measure for Measure</i>.
  • Parsed Data

    Event: 2298 | 17000200 | lif | <i>Betterton's Company</i>. The date of the first production is not known, but the Prologue refers to "this Winter," suggesting a date before March 1700. A song, <i>Ah Belinda I am pressed</i>, in this play, appeared in <i>Orpheus Britannica</i>, 1698, the music by $Henry Purcell=, who had died some years before its appearance in this collection. <i>A Comparison Between the Two Stages</i> (1702), pp. 26-27, referring to the rivalry between <i>lif</i> and <i>dl</i> in reviving $Shakespeare= and $Jonson=: The Battel continued a long time doubtful, and Victory hovering over both Camps, $Batterton= Sollicts for some Auxiliaries from the same Author, and then he flanks his Enemy with <i>Measure for Measure</i>
    Performance: 2314 | 2298 | p | Measure For Measure; Or, Beauty The Best Advocate | Edition of 1700: Prologue by $Mr Oldmixon=-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince.
    Cast:
    4461 | 2314 | Mr Oldmixon= | Mr Betterton
    4462 | 2314 | Epilogue
    4463 | 2314 | Shakespear's Ghost | Mr Verbruggen
    4464 | 2314 | Duke of Savoy | Arnold
    4465 | 2314 | Angelo | Betterton
    4466 | 2314 | Escalus | Berry
    4467 | 2314 | Claudio | Verbrugen
    4468 | 2314 | Lucio | Baile
    4469 | 2314 | Balthazar | Pack
    4470 | 2314 | Provost | Freeman
    4471 | 2314 | Isabella | Mrs Bracegirdle
    4472 | 2314 | Julietta | Mrs Bowman
    4473 | 2314 | Mariana | Mrs Prince.

Mainpiece

Comments:
Edition of 1700: Prologue by Mr Oldmixon-Mr Betterton; Epilogue-; Shakespear's Ghost-Mr Verbruggen; Duke of Savoy-Arnold; Angelo-Betterton; Escalus-Berry; Claudio-Verbrugen; Lucio-Baile; Balthazar-Pack; Provost-Freeman; Isabella-Mrs Bracegirdle; Julietta-Mrs Bowman; Mariana-Mrs Prince.
Cast:

Cite this page

Chicago:
MLA: