SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cap Phillips"/1) | (@(roleclean,performerclean) "Cap Phillips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 348 matches on Performance Comments, 138 matches on Event Comments, 137 matches on Performance Title, 80 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Cast
Role: The Magic Concerto Actor: the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr
Role: the Phantom of Harlequin Actor: the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr
Role: A Throw with the dice Actor: Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Seven's the Main Actor: Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Dago's Triumph Actor: Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Friends are faithless Actor: The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: A new Game of Gards Actor: the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: the odd Trick Actor: Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: Fortune's a Jilt Actor: a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Role: with a Song in Character Actor: XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

Event Comment: Tickets delivered for this Evening [Account-Book: by Stokes, Massingham, Massingham Jun., Gray, Cole, Hough, Tice, Calkin, Ross, Thompson, Fosbrook, Faux, Gillis, Waters, Perry, Chumbley, Powell, Appleby, Chatterley, Roffey, Henderson, Phillips, Master Gregson, Mrs Scott] will be admitted. Receipts: #623 14s. 6d. (64.11.6; 26.2.0; 9.19.6; tickets: 523.1.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Pope; Governor-Richardson; Blandford-Macready; Capt. Driver-Davenport; Stanmore-Williamson; Aboan-Harley; Imoinda-Mrs Pope.

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Event Comment: Afterpiece [1st time; P 2, author unknown]: The Pantomime partly new and partly compiled. The principal parts of the Compilation from The Choice of Harlequin, The Magic Cavern, The Enchanted Castle, The Sylphs, and The Sorcerer. The Music compiled from, and composed by, Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery, and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan, Blackmore, and assistants. The Dances composed by Byrn. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #274 14s. 6d. (254.13.0; 20.1.6)

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performance Comment: Part II. An exact Representation of the Telegraphe-, in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.; A View of Dover, with the Fleet prepared for Sea-The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet; new song by Spofforth-Haymes; Park Wall changes to a Public House; The Trick Tea Chest; Harlequin's Leap and Transformation; The Kitchen Scene- by Messink.; Harlequin changes to a Lobster.; A Landscape-; painted by Lambert.; A new Drinking Song and Chorus by Spofforth-Bowden; The Wash@House Scene- (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.; The Statuary Yard- invented by Messink-the formation of the Stone Figure invented by Delpini.; A Dark Wood-;Harlequin and Columbine, guarded by Virtue, are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. This is succeeded by the Temple of Virtue, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, Faith, Hope, and Charity. Harlequin and Columbine are united at the Altar by Hymen, and the Piece concludes with a Finale-; Grand Dance-Byrn, Holland, Mlle St.Amand.
Cast
Role: A Landscape Actor:
Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. Altered by the author the following season as The Wicklow Mountains. Dross not listed in Airs, but it is the only other character in Larpent MS 1117]: With new Scenery, Music, and Dresses. The Music partly compiled, and the Overture, new Music, and the Accompanyments to the National Airs, composed by Shield.The Union Pipes and the Harp to be played by Topham and Weippert. The Scenes painted by Richards, Hodgins, Phillips, Hollogan, Blackmore and assistants. Books of the Songs to be had in the Theatre. Receipts: #215 (210.18; 4.2)

Performances

Mainpiece Title: The Lad Of The Hills; Or, The Wicklow Gold Mine

Afterpiece Title: Crotchet Lodge

Dance: With a new Irish Ballet (composed by Byrn)Spinsters' Lottery-Byrn, Platt, Mrs Watts, Miss Smyth, Mlle St.Amand. [Announced in playbill, but "The dance advertised was changed to another, on account of the indisposition of one of the performers" (Morning Herald, 11 Apr.).

Event Comment: Afterpiece: The principal parts of the Compilation from The Choice of Harlequin. The Magic Cavern, The Enchanted Castle, The Sylphs, The Sorcerer. The Music compiled from, and composed by Michael Arne, Shield, J. C.? Bach, Spofforth, &c. The Scenery, Machinery and Decorations are partly new, and the rest completely repaired by Hodgins, Phillips, Hollogan. Blackmore, and assistants. Receipts: #210 14s. 6d. (209.16.6; 0.18.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Harlequin's Treasure; or, Jewels New Set

Performance Comment: Pantomimic Characters. Persian Merchant and Lover-Farley; Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Fop's Servant-Simmons; Punch-Rayner; Cooper-Blurton; Lemon Merchant-Wilde; Landlord-Thompson; Cook-Mrs Henley; Columbine-Mlle St.Amand; [Vocal Characters. Gamblers-Bowden, Townsend, Haymes, Philipps; Pleasure-Mrs Martyr; Virtue-Mrs Mountain; Arabian Girl-Mrs Clendining; Glees and Chorusses-Linton, Street, Gray; [Part I A View of Desarts of Arabia, with passing of Caravan. The Banditti (from The Magic Cavern, painted by Richards, the music by Shield); A Garden@song-Mrs Clendining; [composed by Shield. The Hotel (from The Choice of Harlequin), with Views of Temple of Virtue and Pleasure Painted by Richards, Dall, and Smirk; the music by Michael Arne. The Building Scene and Falling Scaffold (from The Sorcerer) invented by Rich. The Outside of Pantaloon's House-the Mandarine-the Inside-the Magic Candles-Harlequin from the Tea Urn, invented by Messink and Martinelli. The Dog Kennel and Pigeon House invented by Rich. The Hazard Club (from The Choice of Harlequin) Come pass the Box(, composed by [M.] Arne) -Bowden, Townsend, Haymes, Philipps, Linton, Street, Gray; [Prison Scene-with a Hornpipe in Fetters-Blurton; [Part II. An exact Representation of the Telegraphev. in which is shewn the manner of conveying Intelligence, demanding Questions, and receiving Answers. A View of Doverv. with the Fleet prepared for Sea-The arrival of an Express from an Admiralty by the Telegraphe-the Sailing of the Fleet, with Rule Britannia-Townsend, Chorus [Park Wall, changes to a Public House. The Trick Tea Chest, Harlequin's Leap and Transformation. The Kitchen Scenev by Messink. Harlequin changes to a Lobster. A Landscapev painted by Lambert, which changes to the Wash-House Scenev (from The Sorcerer) invented by Rich. Pantaloon's House and Garden Wall-a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of a Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich. The Statuary Yard invented by Messink-Harlequin Gladiator. A Dark Wood-Harlequin and Columbine, guarded by Virtue. are shewn the Cavern of Vice, in which are personified Intemperance, Deceit, Avarice, Gaming, Drunkenness, Lust, and Murder. To conclude with a Representation of the Temple of Virtuevv, in which the Vices give place to Prudence, Justice, Temperance, Fortitude, and Charity. And Harlequin and Columbine are united at the Altar of Hymen.
Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

Performance Comment: Parrots-Johnstone; Cypress-Munden; Colin-Fawcett; Capt. Clifford-Macready; Harry-Farley; Porter-Thompson; Miss Melcomb-Mrs Davenport; Julia-Mrs Lee.
Event Comment: Lewis having a severe Hoarseness, Fortune's Fool [advertised on playbill of 4 Nov.] is deferred till Monday. Afterpiece [1st time: BURL 2. by John O'Keeffe. MS: Larpent MS 1141; not published, except for Airs (T. N. Longman, 1796)]: Partly new, and partly taken from The Golden Pippin [by Kane O'Hara]. The Overture and new Music by Reeve. The Selections from Pergolesi, Rousseau, Mornington, Fisher, Carolan, Rizzio, &c. With new Scenery, Machinery, Dresses and Decorations. The Scenery by Phillips, Blackmore, Hollogan, and assistants. The Dragon, the Car and the Machinery designed and executed by Cresswell. The Dresses by Dick and Mrs Egan. "The beauty of the scenery is only to be equalled by the ingenuity of the machinery. The descents and ascents of the Deities were managed with astonishing regularity and adroitness; and the Flying Cupids hovered in the air in very pleasing attitudes...The Pas de Russe, danced by Delpini, a-la-Parisot [see dl. 1 Oct.], in the character of a fine Lady, with Munden, was irresistibly comic" (Morning Herald, 7 Nov.). Receipts: #191 2s. 6d. (185.10.6; 5.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar; or, The Descent of the Deities

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Event Comment: 2nd piece [1st time; M. ENT 1, but printed in 2, by George Nugent Reynolds]: With new and appropriate Scenery by Phillips, &c. The new Music by Reeve. Books of the Songs and Chorusses to be had in the Theatre. [This piece is based on the attempt of the French navy to make a landing in Bantry Bay on 24 Dec. 1796.] Receipts: #293 5s. 6d. (284.5.6; 9.0.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Performance Comment: Principal Characters-Johnstone, Murray, Townsend, Haymes, Claremont, Gray, Linton, Street, Mrs Clendining. [Cast from text (Richard White, 1797). and Monthly Visitor, Feb. 1797, p. 165: O'Laughlin-Johnstone; Justice-Murray [in text: Hull]; Lieut. Hamilton-Townsend; Capt. Broadside-Haymes [in text: Incledon]; Patrick-Claremont; Nelly-Mrs Clendining; [The text adds Shaneen O'Shee-Waddy; M'Huckaback-Powel; La Jeunesse-Farley; Louisa-Mrs Mountain; Principal Characters-Gray, Linton, Street; Irish Peasants-Delpini, Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Cranfield, Rayner, Wilde, [J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.J.] Lee, Mrs Gilbert, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mlle St.Amand.

Afterpiece Title: The Ghost

Performance Comment: Farmer Harrow-Knight; Trusty-Powel; Clinch-Farley; Sir Jeffery-Davenport; Capt. Constant-Claremont; Dolly-Mrs Davenport.
Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips
Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Powel, Simmons, Gray, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 7 Oct. 1795: Capt. Frederick-Johnstone; +Thicket-Incledon; +Clueline-Townsend; +Sir Fidget Fearful-Powel; +Gregory-Simmons; +Flambeau-Gray; +Peggy-Mrs Martyr; +Sophia-Mrs Clendining; +Whim-Mr Rees.] With Dialogue-; [to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by $Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; [The Greenwich Pensioner 'Twas in the good ship Rover-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to Lubbers, [and The Portrait, Come Painter with thy happiest flight-Incledon; Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower; or, The Chieftains of Ireland

Performance Comment: Characters of the Ballet: Cobthach (usurper of the Throne)-Bologna; Sitric (a Danish Chief)-Bologna Jun. (Their 1st appearance on this stage); Kildare-Simpson; Danish Soldier-Dyke; Maon-Follett; Child-Master Blackmore; Moriat-Mrs Parker (1st appearance on this stage); [Principal Vocal Characters: Townsend, Linton, Gray, Street, Miss Sims, Mrs Clendining; Text adds: Irish Chiefs-Lee, Abbot, Wilde, Blurton; Danish Chiefs-Goostree, Coombes; Priestesses, Female Peasantry-Mrs Follett, Mrs Norton, Mrs Watts; [and specifies Vocal Characters: Principal Druid-Townsend; Fishermen-Townsend, Linton; Huntsmen-Gray, Linton, Street; Connor-Miss Sims; Saba-Mrs Clendining. [Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.Founded on the following Historical Fact: Cobthach, Usurper of the Throne of Munster, & Murderer of his Sovereign and Brother Laughaire, learns the existence of his Brother's Son Maon, and Moriat, his Wife (who, separated for some time under the Idea of each other's decease, become, the former, the wild Resident of a Gloomy Cavern; the latter, a wandering Fugitive), and employs Sitric, a Danish Chief, adopted as his Heir, to destroy them. Moriat, on consulting a Druid, likewise learns of her Husband's Fate, and dispatches Kildare, a faithful Follower, in pursuit of him. Sitric, by Accident, meets Moriat, is struck with her Beauty and relinquishes his design of Murder, with the Idea of gratifying his Passion. She repulses him, and he is foiled by the sudden appearance of Cobthach. She and her Infant [are] imprisoned in an ancient Round Tower, from which, endeavouring to accelerate her Escape, he is detected and abandoned by Cobthach. In the interim, Kildare finds out Maon, who quits his lurking place, and journeying in pursuit of his Wife, discovers the Place of her Confinement, to which Sitric proffers to lead him by a secret Pass, determining to dispatch him on the road. They enter the Cemetery appertaining to the Roung Tower, where he attempts several times to murder him, but is prevented by the appearance of Laughaire's apparition; at length they reach the Dungeon, time enough to save Moriat; and Sitric, urged by Love and Revenge, stabs Cobthach; but recollecting he destroys one Rival, only to render another happy, accuses Maon of the Murder, and dooms him to Death, which is timely prevented by the intervention of the faithful Kildare, and the Irish Peasantry. Sitric falls by the hands of Maon, who with Moriat, are restored to Happiness and Dominion.
Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Event Comment: Benefit for Lewis. 1st piece: By Permission of the Author and positively for that Night only [see 27 Apr.]. 2nd piece [1st time; M. INT 1, by John Cartwright Cross]: The Music composed by Reeve. The Scenery and Machinery by Phillips, Lupino, &c. Books of the Songs to be had at the Theatre, & of Mr Barker, Vinegar-Yard. Morning Herald, 3 May 1798: This day is published The Raft (1s.). Times, 22 Mar.: Tickets to be had of Lewis, No. 6, Bow-street. Receipts: #412 6s. 6d. (273.16.0; 2.17.0; tickets: 135.13.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Event Comment: 3rd piece [1st time; P 2 (?), by John Cartwright Cross. MS of Songs only: Larpent MS 1203]: Partly New and Partly Selected. The Overture and Music by Reeve. The Scenery partly new & the rest completely repaired by Phillips, Lupino, Hollogan, Blackmore, &c. The Machinery by Cresswell, Sloper, Goostree, Goostree Jun., &c. Receipts: #195 9s. (193.2; 2.7)

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Machinery and Decorations: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Flagetus (designed and executed by Richards; music by Shield), in which scene is introduced The Serpentv (invented by Rich). Pillardoc-Clarke; Asmodous-Gray; Lucifer-Dyke; Orchus-Blurton; Belial-Linton; Ades-Street; II. The Study of Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-Simmons; III. Landscape and Water-Mill (painted by Walmsley). Harlequin-Simpson; Pierrot-Follett; Miller-Hawtin; Miller's Wife-Miss Leserve; Colombine-Mlle St.Amand; Philidel (the Celestial Spirit)-Miss Wheatley. IV. A View of a Country Inn. Trick Bull and Dog. V. View of Smithfield on a Market Day. VI. The Garden of Faustus (painted by Pugh). Festoons of Flowers ascend. A Dance of Statues. VII. A Street. Two Trick Sedan Chairs (invented by Hodgins). VIII. A Farm Yard, which changes to a Chinese Bridge, in which will be introduced the celebrated Piece of Machinery, The Peacockv (conducted by Sloper). IX. A Tobacco Warehouse, which changes to a Golden Equestrian Figure (by Roubiliac). X. The Infernal Regions, and a Shower of Fire. XI. The Temple of Glory.
Cast
Role: Landscape and Water Actor: Mill

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Performance Comment: Principal Ballet Characters-Follett, Bologna Jun., Bologna Sen., Dyke, Whitmore, Abbot, Wilde, Blurton, Platt, Jackson, Hawtin, Powers, Findlay, Rayner, Webb, Farley, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Burnett, Mrs Ward, Miss Bologna, Mrs Wybrow (1st appearance); Vocal Characters-Townsend, Hill, Linton, Street, Tett, Curties, Master Standen, Miss Gray; [Larpent MS lists the parts: Abdallah, Capt. Teach, Garrat Gibbons, Cesar, Gunner, Carpenter, Seamen-Clarke, William, Drunken Negro-$Simmons, Servants, Negro Boy-$Master Standen, Lieut. Maynard, Sailors, Nancy, Servants, Orra, Ismena. For the three assigned parts see Songs, below.] the following new Scenes, Songs: Grand Cabin. While the jolly grog-Townsend, Hill, Linton, Street, Abbot; [Entrance into Cabin. My Willy was a Sailor bold-Miss Gray; [Between Decks. Stand to your guns our cannons thunder-Townsend, Hill; [Entrance into Cabin. A pirate's Life-Townsend; [Roads of Madagascar. Negro Air: When sunny Beams-Master Standen; [Sea Ballad. Three Years I've bade sweet Home adieu-Hill; [Inside of Black-Beard's Hut. West Indian View. Seaman and Drunken Negro: In Search of a Pirate-Clarke, Simmons; [Romantic Heights, with Black-Beard's Ship at a Distance. Grand cabin by Moonlight. No longer heave the heart@felt sigh-Hill, Miss Gray [The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, $the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.The Powder Magazine. To conclude with a representation of the recent Glorious Engagement fought by His Majesty's Sloop, L'Espoir, of 14 Guns, and the Genoese Pirate's Ship, the Liguria, of 42 Guns and 120 Men [on 7 Aug. 1798, off Malaga], with the Striking the Black Flag, and Plunging the Pirate into the Sea.

Dance: In afterpiece: Dance of Negroes-

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text: T. N. Longman and O. Rees, 1800. Miss Waters is identified in the Songs]: The Scenes, Music, Machinery, Dresses, and Decorations are all entirely new. The Music composed by Mazzinghi and Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, Backmore, &c. [based on drawings of Indian scenery by Thomas Daniell]. The Machinery and Decorations by Cresswell, Sloper, Goostree, &c. The Dresses by Dick and Mrs Egan. Books of the Songs, also describing the Scenes and Spectacle of the Return from the Tiger Hunt, to be had at the Theatre, price six pence. "The whole [forms] an exhibition of the utmost grandeur...The expense attending the decoration must have been immense...The dailogue is certainly not of the first description of writing, but it forms, on the whole, a very safe vehicle for some of the best music the English stage has for some time been able to boast"(Morning Herald, 13 Nov.). Account-Book, 27 Dec.: Paid Cuthbert for Wheels, &c. for the Elephants #13 18s. Receipts: #364 7s. 6d. (363.19.6; 0.8.0)

Performances

Mainpiece Title: Ramah Droog; Or, Wine Does Wonders

Afterpiece Title: The Ghost

Related Works
Related Work: Marforio, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Drapper, Buskin, Propter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lorg Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts Author(s): Edward Phillips

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: Benefit for Fawcett. 3rd piece [DO 2. Larpent MS 1251; not published]: Never acted at a Public Theatre [1st acted privately at Brandenburgh House, Hammersmith, 28 Feb. 1798]; Written by her Serene Highness the Margravine of Anspach. The Music partly by the Margravine, and partly by Sarti, Guglielmi, Paisiello, and Saphio. Grand Overture, La Chasse, by Reeve. The Scenery painted by Phillips, Lupino, Hollogan, &c. The Machinery by Sloper. The Dresses by Dick and Mrs Egan. Morning Chronicle, 17 Apr.: Her Serene Highness the Margravine of Anspach having, with unprecedented Kindness and Liberality, lent Mr Fawcett the Manuscript of the above magnificent and interesting Opera, he begs leave to state that nothing shall be wanted on his Part to render it as acceptable to the Public as it was to the Nobility who had the pleasure of seeing it at the Brandenburgh house Theatre. Ibid, 4 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho. Receipts: #532 6s. 6d. (239.1.6; 2.9.0; tickets: 290.16.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

Performances

Mainpiece Title: The Castle Of Montval

Performance Comment: Characters by Kemble, Aickin, Holland, C. Kemble, Barrymore, Packer, Fisher, Mrs Siddons, Mrs Powell, Miss Heard. [Cast from text (R. Phillips, 1799), and European Magazine, May 1799, p. 328: Old Count-Kemble; Count of Colmar-Aickin; Count of Montval-Holland; Marquis of Vaublane-C. Kemble; Lapont-Barrymore; Blaise-Packer; Ambrose-Fisher; Countess of Montval-Mrs Siddons; Matilda-Mrs Powell; Teresa-Miss Heard; Prologue-Powell; Epilogue-Mrs Powell. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Blue-Beard