SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Beard"/1) | (@(roleclean,performerclean) "Beard")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3098 matches on Roles/Actors, 564 matches on Performance Comments, 532 matches on Performance Title, 85 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Harlequin Sorcerer

Cast
Role: Witches Actor:
Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Ranger

Performance Comment: Harlequin-Woodward; others-Blakes; Ackman, Atkins, Clough, Vaughan, Johnson, Beard, Mme Mariet, Mrs Bennet, Mrs Toogood, Mrs Simson, Miss Mills, Miss Minors, Miss Bradshaw, Matthews, Mlle Lussant. Ackman, Atkins, Clough, Vaughan, Johnson, Beard, Mme Mariet, Mrs Bennet, Mrs Toogood, Mrs Simson, Miss Mills, Miss Minors, Miss Bradshaw, Matthews, Mlle Lussant.

Performances

Mainpiece Title: Paradise Lost

Performance Comment: Gabriel-; Ithuriel-; Zeph-; Uriel-; Adam-; Eve-; Uzziel-; Michael-; The edition of 1760 lists singers asSga Frasi, Miss Young, Miss Brent, Beard, Champness. The edition of 1760 lists singers asSga Frasi, Miss Young, Miss Brent, Beard, Champness.

Music: Concerto On Organ-Stanley; Solo on Violin-Giardini

Event Comment: [For the naming of the characters in mainpiece, as they were called originally, see 23 Feb. 1792. As afterpiece the playbill announces Blue-Beard, but "The Public are most respectfully informed that on account of the very sudden indisposition of Mrs Crouch, Blue-Beard cannot be performed. This evening will be presented The Children in the Wood" (printed slip attached to Kemble playbill).] Receipts: #165 15s. (120.7.6; 43.16.6; 1.11.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Children in the Wood

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental by the best Hands from the Opera. Vocal Part by Beard

Performance Comment: Vocal Part by Beard .

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The School Boy

Dance: II: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Glover's Sailors Dance. End of Afterpiece: By particular Desire, Flora's Holiday by leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard

Song: I: Mock Italian Song by E. Roberts. III: Tippling Philosophers by Leveridge. V: By Beard

Performance Comment: Roberts. III: Tippling Philosophers by Leveridge. V: By Beard .
Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: An Ode of Mr Dryden's [For St

Performance Comment: Cecilia's Day]. Deutsch, Handel, p. 490, lists Signora Francesino, Beard; [With two new Concertos for several Instruments-.

Performances

Mainpiece Title: Rosalinda

Afterpiece Title: David's Lamentation over Saul and Jonathan

Performance Comment: See17400229, but Mrs Arne, Beard, Russel, Rheinhold.

Music: Violin-Festing?; Violoncello-Caporale?; Several Concertos-

Performances

Mainpiece Title: Two Anthems

Afterpiece Title: David's Lamentation over Saul and Jonathan

Performance Comment: Mrs Arne, Beard, Russel, Rheinhold.
Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.

Performances

Mainpiece Title: Love And Friendship

Event Comment: Advanced to Mr Beard as per note #25. Receipts: #176 11s

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: Miss in Her Teens

Event Comment: Afterpiece: Not acted in 10 years. With Proper Decorations. [See 28 May 1742.] Paid Tallow Chandler #19 6s. 5d.; Paid Mr Beard on order of Lacy #10 10s.; Paid to Supers for practice of Rehearsal 4s. (Treasurer's Book). Receipts: #100 (Cross); #105 (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: A Duke and no Duke; or, The Power of Magick

Dance: Sailor's Hornpipe-Mathews; Comic Dance-Mathews, Mrs Addison

Event Comment: BBeard robb'd in his chair at 2 in the Morning in Drury Lane (Winston MS 7). Lent Mr Beard by order #21; Paid Blandford (T: Chandler) #11 19s. 8d.; Bought 36 yds. garter ribbon #4 10s. (Treasurer's Book). Receipts: #100 (Cross); #107 11s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: A Duke and no Duke

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Performance Comment: Mr Beard ill; Master Mattocks did his part in ye Chaplet (Cross); As17500111, but Dancers As17500104, but Damon-Mattocks.

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

Event Comment: MMr Beard ill (Cross). Robin Hood Defer'd. Love's Last Shift deferr'd till Wednesday next. The Comedy of All's Well that Ends Well (written by Shakespear); and the Comedy of Every Man in his Humour (written by Ben Johnson) are now reviving at the Theatre Royal in Drury Lane (General Advertiser). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Intriguing Chambermaid

Dance: II, V: Country Amusements, as17501102; Pigmalion, as17501102; IV: Comic Dance, as17501117

Event Comment: This Morning we were surpris'd with the unhappy News, that Frederick Prince of Wales Dy'd the Night before between ten & eleven-Mr Beard's Benefit was to be on Thursday & many of ye Bills were posted before we heard of this Accident the Bills were immediately torn down, & the House shut up before my Ld Chamberlain sent orders for so doing-on fryday the 5th of Ap: my Lord sent us leave to open on the 8th: being Easter Monday; it is said our having permission to open so soon, & before the prince was Bury'd was on account of the Actors Benefits depending (Cross)

Performances

Mainpiece Title: None

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: [L+Letter from Henry Woodward, Comedian, The Meanest of all Characters To Dr John Hill, Inspector-General of Great Britain, the greatest of all characters completely damns Hill as unsuccessful player, apothecary, doctor, scholar, writer, and gentleman. It ran to three editions in the year.] We hear great interest is being made to succeed Mr Serjeant Shore, deceased, as Serjeant Trumpet to his Majesty, which is in the gift of his Grace the Duke of Grafton as Lord Chamberlain; and that the contest lies chiefly between that excellent performer, Mr. Valentine Snow, Trumpet to the First Troop of Horseguards; Mr. Debourg, the violin; and Mr Beard, of the theatre Royal in Drury Lane (Public Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Intriguing Chambermaid

Dance: AA Dutch Dance, as17521125