Event Comment: Under the Patronage of their Royal Highnesses the Prince of Wales, Duke of York, Duke of Clarence, Duke of Cumberland, and Her Royal Highness the Duchess of York [and] the Duchess of Devonshire and the Duchess of Gordon. Benefit for O'Keeffe, the Unfortunate Author of the following successful Dramatic Pieces: The Son in Law, Agreeable Surprise, Peeping Tom, Dead Alive, Young Quaker, Life's Vagaries, Castle of Andalusia, Czar, Tony Lumpkin in Town, Poor Soldier, Modern Antiques, Basket Maker, Wild Oats, Wicklow Mountains, French Grenadier [never acted], Positive Man, Love in a Camp, Tantara Rara Rogues all, Beggar on Horseback, Toy, London Hermit, Highland Reel, Blacksmith of Antwerp, Man Milliner, Irish Mimic, Little Hunchback, World in a Village, Fontainbleau, Magic Banner, Farmer, Doldrum, Sprigs of Laurel, Birth Day, Prisoner at Large, &c. &c. Tickets delivered for The Belle's Stratagem will be admitted. [O'Keeffe is referred to as being unfortunate because he was totally blind. In delivering his Poetical Composition, which is printed in Dramatic Censor, II, 265-67, the Monthly Mirror, June 1800, p. 367, reports that he was led on and off the stage by Lewis. It also notes that "Mrs Jordan...came from Drury-Lane, where she had performed the Child of Nature, to officiate at Covent-Garden as the handmaid of charity."] The Last Night of the Company's performing this season. Receipts: none listed

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, thinking as we appointed, to meet my wife there, but she was not; and more, I was vexed to see Young (who is but a bad actor at best) act Macbeth in the room of Betterton, who, poor man! is sick: but, Lord! what a prejudice it wrought in me against the whole play, and everybody else agreed in disliking this fellow. Thence home, and there find my wife gone home; because of this fellow's acting of the part, she went out of the house again

Event Comment: Rich's Company. The date of the premiere is not known, but Cibber (see below) states that it was acted in January; the Dedication was signed 7 Feb. 1695@6, and the play was advertised in the London Gazette, No 3157, 10-13 Feb. 1695@6. Two songs were published separately: Go home, unhappy wench, set by Francks and sung by Mrs Cross and the Boy (in Thesaurus Musicus, The Fifth Book, 1696) and What an ungratefull devil moves you, set by Daniel Purcell (in Deliciae Musicae, The First Book of the Second Volume, 1696). A separately-printed sheet of the second song states that it was sung by "The Boy", Cibber, Apology, I, 212-14: The next Year I produc'd the Comedy of Love's last Shift; yet the Difficulty of getting it to the Stage was not easily surmounted; for, at that time, as little was expected from me, as an Author, as had been from my Pretensions to be an Actor. However, Mr Southern, the Author of Oroonoko, having had the Patience to hear me read it to him, happened to like it so well that he immediately recommended it to the Patentees, and it was accordingly acted in January 1695 [i.e., 1695@6]. In this Play I gave myself the Part of Sir Novelty, which was thought a good Portrait of the Foppery then in fashion. Here, too, Mr Southern, though he had approv'd my approv'd my Play, came into the common Diffidence of me as an Actor: For, when on the first Day of it I was standing, myself, to prompt the Prologue, he took me by the Hand and said, Young Man! I pronounce they Play a good one; I will answer for its Success, if thou dost not spoil it by thy own Action....I succeeded so well in both, that People seem'd at a loss which they should give the Preference to. A Comparison Between the Two Stages (1702), p. 16: Ramble: Ay, marry, that Play was the Philosopher's Stone; I think it did wonders. Sullen: It did so, and very deservedly; there being few Comedies that came up to 't for purity of Plot, Manners and Moral: It's often acted now a daies, and by the help of the Author's own good action, it pleases to this Day

Event Comment: [By Theophilus Cibber.] Alter'd from Shakespear. Containing the Marriages of King Edward the Fourth , and young Prince Edward , with Lady Gray , and Lady Anne . The Distresses of Queen Margaret . The Deposing King Henry the Sixth . The Battles Fought at St. Albans, Wakefield, Mortimer's-Cross, and Tewkesbury. The Deaths of Lord Clifford of Cumberland , and his Son, the Duke of York , his Steward. And many other True Historical Passages

Event Comment: [Author unknown. Apparently not pubhished.] Benefit a Young Author

Event Comment: Benefit Mrs Younger. Afterpiece: At the Request of several Ladies of Quality. Never Acted there before. Written by the Author of the Beggar's Opera. Receipts: money #81 14s.; tickets #101 3s

Event Comment: [Sometime during last week'] the Tragedy of Junius Brutus, written by Voltaire, was acted in French by the young Gentlemen educated at the Academy in Soho Square. -Daily Advertiser, 8 Nov

Event Comment: Benefit Milward. For the Entertainment of the Grand Master and the Antient and Honourable Society of Free and Accepted Masons. At the Desire of the Brethren, four Rows of the Pit will be railed, at the Price of the Boxes, and kept for Masons only. Those Brethren who design to attend the Grand Master, are desired to meet by 5 o'clock, at farthest, at the Bear and Harrow in the Butcher-Row, and to come Cloath'd. Receipts: money #39 3s. 6d.; tickets #95 19s. [The Epilogue (spoken by Mrs Younger) is in Daily Post, 29 April.

Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Event Comment: Preface to edition of 1734: The Fourth Night a Set of about eight or ten young Fellows went to the Bedford Coffee-House ... and declared publickly that they came purposely to damn the Play, and would not leave the Play-House till they had compassed their Ends. . . . Accordingly Mr Ryan coming on to speak the Prologue, they began their Uproar, but were soon silenced, and the Prologue was heard with Applause. The Play beginning, they began again, and were so loud that Mr Ryan acquainted them, that as he could not imagine there was anything in the Play they could except against, he was apprehensive he had the Misfortune to displease them. Mr Quin then came on, and told them he found the House was divided, and as the Majority was for hearing the Play, he hop'd those who were not, would go out. The House on that were unanimous, and cry'd, Turn them out, Turn them out, but they saved the Audience the Trouble of doing it, and retired under the general Hiss of every Person then present

Event Comment: Benefit Arne and Young Master Arne. At the particular Desire of several Persons of Quality. Afterpiece: a new Masque. Alter'd from the Serenata made on the Joyous Occasion of the Royal Nuptials: With Additions. [See Love and Glory, DL, 21 March, by Phillips and Arne.] Tickets for Tench at othello taken this night

Event Comment: Benefit Mrs Lampe and Miss Young

Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: Set to Musick by Mr Lampe. [Tickets at Lampe's House, Brownlow Street.

Event Comment: Benefit Mrs Lampe and Miss Young. Afterpiece: A new Comic-Masque of Speaking, Singing, and Dancing. The Musick composed by Mr Lampe. Receipts: money #39 8s. 6d.; seals #69 16s. (Account Book); #130 (Rylands MS.)

Event Comment: Afterpiece Intermixed with a pantomime in Grotesque Characters. [The Young Gentlewoman presumably Miss Faulkner; see 20 March 1746. Yet there may be some question about the identification; see 5 April 1746.

Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Event Comment: Paid to young Cross for 61 nights at 2s. 6d. per night #7 12s. 6d.; Paid Blandford (Tallow Chandler) #22 5s. (Treasurer's Book). [Four extra French Horns were used in the performances of Acis & Galatea, according to the Treasurer's Book.] Receipts: #50 (Cross); #61 17s. (Treasurer's Book)

Event Comment: Benefit for Mrs Arne and Miss Young. Mainpiece: Acted there but twice. Afterpiece: A reviv'd Burlesque Opera not performed these 16 years. Set to Music by Mr Arne. Nothing under Full Price will be taken. Tickets sold at the Doors will not be admitted

Event Comment: Benefit for Widow Lampe and Miss Young. Afterpiece: Being Positively the last time of performing it this season

Event Comment: A new Woman (one Gregory) did Hermione , -Great Applause (Cross). [See Gray's Inn Journal (folio) No 16 for Murphy's praise of her, and Public Advertiser 19 Jan.: Verses on the Young Lady who acted Hermione.'

Event Comment: Benefit for Barrington and Miss Young. Books of the opera will be sold at the theatre, at 6d

Event Comment: [The Young Gentlewoman possibly Miss Pond. See 19 Dec., but she was listed as for her second appearance on stage. Possibly Miss Philips. See 5 Feb. 1756.

Event Comment: Compos'd by Mr Smith--the Introduction, which was a Dialogue in Prose, between Mr Havard & Yates, Much hiss'd & dislik'd. The Opera had great Applause. Miss Young recover'd (Cross). The Opera never performed before with songs from Shakespear, Dryden, &c. The Music by Mr Smith. [The Bill lists no cast or actors. The cast has been retrieved by Hogan from the 1756 ed. plus the musical score published by J. Walsh. Note some parts were doubled. See "Shakespeare's Tempest at Drury Lane During Garrick's Management", G. W. Stone Jr, Shakespeare Quarterly, Winter 1956.] Receipts: #180 (Cross)