13 February 1748

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1747-1748
Volume: 4
Comments: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

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  • Original Data

    Source: London Stage Information Bank

    *p??dl The Foundling. [Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber.% Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; <i>Prologue</i> [by $Mr Brooke=%-Mrs Pritchard; <i>Epilogue</i> [by $Garrick=%-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in <i>General Advertiser</i>; General Advertiser omits notice of Prologue and Epilogue).] *c??dl This comedy was wrote by $Mr Moor=, & except ye part of Faddle meet with Universal Applause (ye Author's first play) ($Cross=). New Scenes and Cloaths (<i>General Advertiser</i>). This C. was written by Moore--it is a good play--it was acted 11 times successively--$Garrick='s peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to <i>Young Belmont</i>r than can well be imagined--$Macklin=, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in <i>Faddle</i>r, that have not been since equalled, particularly in marking the obsequious knave throughout--$Barry= in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of <i>Rosetta</i>r was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to $Mrs Woffington=, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished <i>Fidelia</i>r sat with much ease on $Mrs Cibber= (<i>Dramatic Censor</i>, II, 206). [For contemporary account of plot and discussion of the play, see <i>Gentleman's Magazine</i> Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also $G. Stayley=, <i>An Answer to an unjust criticism on the Foundling</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, May 1748, p. 240; <i>A Criticism of the Foundling, in a letter to the author</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, March 1748, p. 144. The <i>Larpent MS</i> indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 ($Cross=); #200 5s. ($Powel=).
  • Cleaned Data

    *p1748 02 13 dl The Foundling. Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; <i>Prologue</i> [by $Mr Brooke=-Mrs Pritchard; <i>Epilogue</i> [by $Garrick=-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in <i>General Advertiser</i>; General Advertiser omits notice of Prologue and Epilogue).]*c1748 02 13 dl This comedy was wrote by $Mr Moor=, & except ye part of Faddle meet with Universal Applause (ye Author's first play) ($Cross=). New Scenes and Cloaths (<i>General Advertiser</i>). This C. was written by Moore--it is a good play--it was acted 11 times successively--$Garrick='s peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to <i>Young Belmont</i>r than can well be imagined--$Macklin=, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in <i>Faddle</i>r, that have not been since equalled, particularly in marking the obsequious knave throughout--$Barry= in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of <i>Rosetta</i>r was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to $Mrs Woffington=, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished <i>Fidelia</i>r sat with much ease on $Mrs Cibber= (<i>Dramatic Censor</i>, II, 206). [For contemporary account of plot and discussion of the play, see <i>Gentleman's Magazine</i> Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also $G. Stayley=, <i>An Answer to an unjust criticism on the Foundling</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, May 1748, p. 240; <i>A Criticism of the Foundling, in a letter to the author</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, March 1748, p. 144. The <i>Larpent MS</i> indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 ($Cross=); #200 5s. ($Powel=).
  • Parsed Data

    Event: 24089 | 17480213 | dl | This comedy was wrote by $Mr Moor=, & except ye part of Faddle meet with Universal Applause (ye Author's first play) ($Cross=). New Scenes and Cloaths (<i>General Advertiser</i>). This C. was written by Moore--it is a good play--it was acted 11 times successively--$Garrick='s peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to <i>Young Belmont</i> than can well be imagined--$Macklin=, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in <i>Faddle</i>, that have not been since equalled, particularly in marking the obsequious knave throughout--$Barry= in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of <i>Rosetta</i> was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to $Mrs Woffington=, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished <i>Fidelia</i> sat with much ease on $Mrs Cibber= (<i>Dramatic Censor</i>, II, 206). [For contemporary account of plot and discussion of the play, see <i>Gentleman's Magazine</i> Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also $G. Stayley=, <i>An Answer to an unjust criticism on the Foundling</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, May 1748, p. 240; <i>A Criticism of the Foundling, in a letter to the author</i>, listed in Register of Books, <i>Gentleman's Magazine</i>, March 1748, p. 144. The <i>Larpent MS</i> indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 ($Cross=); #200 5s. ($Powel=)
    Performance: 47952 | 24089 | p | The Foundling | Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; <i>Prologue</i> [by $Mr Brooke=-Mrs Pritchard; <i>Epilogue</i> [by $Garrick=-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in <i>General Advertiser</i>; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in <i>General Advertiser</i>; General Advertiser omits notice of Prologue and Epilogue).]
    Cast:
    78274 | 47952 | Young Belmont | Garrick
    78275 | 47952 | Sir Charles Raymond | Barry
    78276 | 47952 | Faddle | Macklin
    78277 | 47952 | Raymond | Havard
    78278 | 47952 | Sir Roger Belmont | Yates
    78279 | 47952 | Villiard | Sparks
    78280 | 47952 | Rosetta | Mrs Woffington
    78281 | 47952 | Fidelia | Mrs Cibber
    78282 | 47952 | Mr Brooke= | Mrs Pritchard
    78283 | 47952 | Garrick= | Mrs Cibber

Mainpiece

Comments:
Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Cast:

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