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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Andrew Drummond and Co"/1) | (@(roleclean,performerclean) "Andrew Drummond and Co")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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554 results for: Keyword - Andrew Drummond and Co.
We found 253 matches on Event Comments, 205 matches on Author, 121 matches on Performance Comments, 10 matches on Performance Title, and 0 matches on Roles/Actors.

526
03 November 1790 @ Covent Garden

Event Comment: [Epilogue by Miles Peter Andrews.] Receipts: #168 15s. (162.19.6; 5.15.6)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Dramatist

Afterpiece Title: The Provocation

527
07 January 1791 @ Covent Garden

Event Comment: [2nd piece: Epilogue by Miles Peter Andrews.] Receipts: #152 2s. (142.2; 10.0)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Child of Nature

Afterpiece Title: The Picture of Paris

528
05 April 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Afterpiece Title: Two Strings to Your Bow

Cast
Role: Ferdinand Actor: Macready
Role: and true he says Actor: Mrs Mountain

529
03 May 1791 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews (Oracle, 5 May).] Public Advertiser, 28 Apr.: Tickets to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Receipts: #272 18s. 6d. (170.11.6; 4.3.0; tickets: 98.4.0)

Performances

Mainpiece Title: Fontainbleau

Cast
Role: Lackland Actor: Lewis

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: General Wolfe-Cranfield; Brigadier Moncton-Macready; Brigadier Townshend-King; Brigadier Murray-Ratchford; Adjutant-Lee; Surgeon Adair-Thompson; Aid@de@Camp-Farley; Grenadier-Evatt; Indian Chief-Follett; General Wolfe's favourite song, How stands the Glass around-Incledon; Irish Drinking Song [Of the ancients its speaking]-Johnstone; How merrily we live that Soldiers be-Bannister, Incledon, Johnstone; To arms! Britons strike home-Bannister, Incledon, Follett, Blurton, Lee, Letteney, Reeve, Rees; [Conclude with an exact Representation of the Siege of Quebec-; the Death of General Wolfe-.
Cast
Role: How stands the Glass around Actor: Incledon

Afterpiece Title: The Intriguing Chambermaid

530
18 April 1792 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [1st piece: Epilogue by Miles Peter Andrews.] 3rd piece [1st time; F 2, by Eliza Parsons, based on Monsieur de Pourceaugnac, by Moliere]. Morning Herald, 27 Mar.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #269 11s. 6d. (174.14.0; 4.16.6; tickets: 90.1.0) (charge: #105)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: In the course of which: Generla Wolfe's favourite song, How stands the Glass around?-Incledon; Irish Drinking Song [Of the Ancients its speaking]-Johnstone; How merrily we live that Soldiers be-Darley, Incledon, Johnstone; [Purcell's Grand Duet and Chorus, To Arms! Britons strike home!-Incledon, Darley, Follett, Blurton, Letteney, Linton, Rees; [The whole to conclude with Representation of the Siege of Quebec-; the Death of General Wolfe-.

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Afterpiece Title: The Wives Revenged

531
15 June 1792 @ Drury Lane at King's Theatre

Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Cast
Role: Cherry Actor: Miss Collins.

Afterpiece Title: The Englishman in Paris

Dance: As17920613

532
06 November 1792 @ Covent Garden

Event Comment: [Mainpiece in place of The Careless Husband, advertised on playbill of 5 Nov. On the playbill no mention is made of the Epilogue (which is by Miles Peter Andrews), but "Lewis...was obliged to come forth at the unanimous call of the audience to speak the Epilogue" (Thespian Magazine, Dec. 1792, p. 153).] Receipts: #250 5s

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Hartford Bridge

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

533
01 December 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

534
29 January 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue by the Rev. Robert Nares. Epilogue by Miles Peter Andrews (see text)]. Public Advertiser, 16 Feb. 1793: This Day is published Every One has His Fault (1s. 6d.). Receipts: #306 19s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Principal Characters by Lewis, Quick, Pope, Farren, Munden, Miss Grist, Gawcett, Powel Thompson, Evatt, Farley, Mrs Esten, Mrs Mattocks, Mrs Webb, Mrs Pope. Cast from text (G. G. J. and J. Robinson, 1793): Sir Robert Ramble-Lewis; Mr Solus-Quick; Mr Irwin-Pope; Lord Norland-Farren; Mr Harmony-Munden; Edward-Miss Grist; Mr Placid-Fawcett; Hammond-Powel; Porter-Thompson; Miss Wooburn-Mrs Esten; Mrs Placid-Mrs Mattocks; Miss Spinster-Mrs Webb; Lady Eleanor Irwin-Mrs Pope; unassigned-Evatt, Farley; Prologue-Farren; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]These were spoken, as here assigned, at the 1st 29 performances (see17930416), except on 7, 8 Feb. and on 11 Mar.]
Cast
Role: Lord Norland Actor: Farren

Afterpiece Title: The Farmer

Cast
Role: Landlady Actor: Mrs Platt

535
23 March 1793 @ Covent Garden

Event Comment: Benefit for Lewis. 2nd piece [1st time; M. INT 1, arranged by Thomas Goodwin. Monologue by Miles Peter Andrews (Yale, Folio Pamphlets No. 10, p. 157)]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #466 5s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).
Cast
Role: How stands the glass around Actor: Incledon

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

536
18 April 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

537
24 April 1793 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Performance Comment: In which How stands the Glass around? (General Wolfe's favorite Song)-Incledon; Irish Drinking song [Song [Of the ancients it's speaking]-Johnstone; How merrily we live that soldiers be-Darley, Incledon, Johnstone; To arms Britons strike home (composed by Purcell)-Incledon, Darley, Follett, Blurton, Linton, Rees[; The whole to conclude with a View of Quebec, and the Death of General Wolfe .; The whole to conclude with a View of Quebec, and the Death of General Wolfe .

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

538
06 June 1793 @ Drury Lane Theatre

Event Comment: Tickets Delivered for this Evening [Account-Book: by Andrews, Bowley, Calkin, Chatterley, Dangerfield, Edwards, Faux, Gilles, Henderson, Humphries, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson, Wooldridge] will be admitted. Receipts: #64 18s. 6d. (54.5.6; 10.13.0; 0.0.0; tickets: none listed)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Cast
Role: Ghita Actor: Mrs Bland.

Afterpiece Title: The First Floor

Performance Comment: As17921203, but Monford-Caulfield; Young Whimsey-Benson; Postboy-Webb; Mrs Pattypan-Mrs Hopkins; Snap-_; Landlord-_.
Cast
Role: Landlord Actor: Maddocks
Role: Charlotte Actor: Miss Collins

539
19 November 1793 @ Covent Garden

Event Comment: Afterpiece [in place of THREE WEEKS AFTER MARRIAGE, advertised on playbill of 18 Nov.]: Books of the Songs to be had at the Theatre. [Occasional Address by Miles Peter Andrews (see 23 Mar. 1793).] THE SIEGE OF BERWICK [advertised on playbill of 18 Nov.] is unavoidably postponed till Thursday next on account of Mrs Pope's sudden Indisposition. Receipts: #233 2s. (216/19/6; 16/2/6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT; or, Harlequin's Museum

Performance Comment: Harlequin-Boyce; Clodpole-Follett; Squire Foxchase-Farley; Paddy Roony O'Gaffey-Rock; Lieutenant (with Old England forever)-Davies; Cobler (with a new song in character)-Fawcett; Skaiters (with This bleak and frosty Morning)-Gray, Linton; Mother Shipton (with songs) Richardson//Colombine-Mme Rossi .

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

540
18 December 1793 @ Covent Garden

Event Comment: By Command of Their Majesties. "At the conclusion of the Play, there was a division in the Audience about Rule Britannia and Lewis's Epilogue [not listed on playbill; by Miles Peter Andrews], which was, after some time, decided in favour of the latter" (World, 19 Dec.). Receipts: #491 19s. 6d. (479/13/6; 12/6/0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: BARATARIA; or, Sancho Turned Governor

Dance: As17931022

541
07 November 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by the author. Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses, &c. Receipts: #242 4s. (237.16; 4.8)

Performances

Mainpiece Title: Speculation

Performance Comment: Principal Characters by Lewis, Quick, Munden, Fawcett, Middleton, Claremont, Davenport, Thompson, Farley, Abbot, Blurton, Master Curties; Mrs Mansel, Mrs Davenport, Miss Wallis. Cast from text (T. N. Longman, 1795), and playbill of 17 May 1800: Tanjore-Lewis; Alderman Arable-Quick; Project-Munden; Jack Arable-Fawcett; Capt. Arable-Middleton; Sir Frederick Faintly-Claremont; Meanwell-Davenport; Promptly-Thompson; Vickery-Farley; Cecilia-Miss Mansel; Lady Project-Mrs Davenport; Emmeline-Miss Wallis; unassigned-Abbot, Blurton, Master Curties; Prologue-Harley; Epilogue-Lewis. [Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]Prologue spoken, as here assigned, at 1st 26 performances only (see17960112); Epilogue spoken, as here assigned, at all subsequent performances, except on 29 Mar. and 13 May 1796.]

Afterpiece Title: Rosina

542
17 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Afterpiece [1st time; F 2, by John Grubb. Larpent MS 1132; not published. Author of Prologue unknown]. Morning Herald, 16 May: Tickets to be had of Suett, No. 19, Martlet-court, Covent-Garden. Receipts: #403 13s. 6d. (152.10.0; 57.5.0; 4.16.0; tickets: 187.10.0; odd money: 1.2.6) (charge: none listed). [Account-Book: Suett to have #100 of Tickets and half those above that sum which he brings in; of which due him #43 15s.

Performances

Mainpiece Title: Mahmoud

Cast
Role: unassigned Actor: _Maddocks, _Cooke, _Evans, _Webb, _Trueman, _Wentworth, _Phillimore
Role: General Chorus Actor: _Annereau, _Bardoleau, _Cook, _Walker.
Role: Desra Actor: Mrs Bland

Afterpiece Title: Alive and Merry

Performance Comment: Characters-Russell, Wathen, Wewitzer, Trueman, Suett, Bannister Jun., Hollingsworth, Maddocks, Miss DeCamp, Mrs Bland; [Larpent MS lists the parts: Repartee, Andrew, Charles Seymour, Amoabite, Shroud, Porters, Bailiffs, Security, Jack Junk, Servant, Caroline, Nancy.] Prologue-Bannister Jun.
Cast
Role: Characters Actor: Russell, Wathen, Wewitzer, Trueman, Suett, Bannister Jun., Hollingsworth, Maddocks, Miss DeCamp, Mrs Bland

543
01 June 1796 @ Covent Garden

Event Comment: Benefit for Powel and Follett. 1st piece: To conclude as 15 Apr. [2nd piece: Epilogue by Miles Peter Andrews.] Receipts: #423 1s. (92.13; 7.7; tickets: 323.1, of which Powel sold 74.13.6, and Follett 248.8.6)

Performances

Mainpiece Title: The Point At Herqui

Afterpiece Title: The Dramatist

Cast
Role: Prince of Arragon Actor: Holland
Role: Maid Marian Actor: Mlle St.Amand
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Otaheitan Actor: Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Peruvian Actor: East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: East Indian Actor: Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Chinese Actor: Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Arab Actor: Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Turkish Actor: African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: African Actor: North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: North American Actor: Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lapland Actor: Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Russian Actor: Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Polish Actor: Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Flemish Actor: Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: To conclude with a Grand Dance of Archers Actor: Byrn

Afterpiece Title: Oscar and Malvina

Cast
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Landlord Actor: Thompson
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: A Landscape Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: Tradesmen Actor: Holland, Abbot
Role: Landlady Actor: Mrs Platt
Role: Bards Actor:
Role: Principal Characters in the Ballet Actor: Byrn, Follett, Farley, Cranfield, Blurton, Mlle St.Amand. Principal Musical Characters-Townsend, Linton, Street, Mrs Mountain, Miss Kirton, Mrs Martyr. Cast from playbill of 16 May 1796: Oscar
Role: Morven and Draco</a> Actor: Farley, Cranfield

Dance: In: a new incidental Dance, as17960415

Song: In: songs as17960503; End 2nd piece: The Sea Storm-Incledon; In 3rd piece: songs The Sea Storm, as17960516; I am a jolly gay Pedlar, as17960516; Come every jovial Fellow, as17960516; O ever in my bosom live, as17960516

544
29 October 1796 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Performances

Mainpiece Title: Fortune's Fool

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

545
10 January 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Fawcett, Murray, Hull, Farley, Waddy, Thompson, Simmons, Wilde, Street, Blurton, Abbot, Miss Wallis, Mrs Mattocks, Mrs Pope. [Cast from text (T. N. Longman, 1797): Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Landlord-Thompson; Waiters-Simmons, Street; Hair@dresser-Wilde; Sir Hubert's Servant-Blurton; Vortex's Servant-Abbot; Jessy Oatland-Miss Wallis; Miss Vortex-Mrs Mattocks; Ellen-Mrs Pope; Prologue-Macready; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]
Cast
Role: Frank Oatland Actor: Fawcett
Role: Farmer Oatland Actor: Waddy
Role: Landlord Actor: Thompson
Role: Jessy Oatland Actor: Miss Wallis

Afterpiece Title: Comus

546
19 April 1797 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text; although Boaden, Jordan, I, 286 says the Epilogue was by Samuel Rogers, being the same as that spoken on 27 Apr. 1795)]: With new Scenes, Dresses, and Decorations. [Afterpiece in place of No Song No Supper, advertised on playbill of 18 Apr.] Morning Herald, 29 Apr. 1797: On Monday [1 May] will be published The Will (2s.). Account-Book: Reynolds to receive #33 6s. 8d. for every night of The Will. Receipts: #413 4s. (344.12.6; 63.16.6; 4.15.0)

Performances

Mainpiece Title: The Will

Performance Comment: Characters by King, Wroughton, Bannister Jun., R. Palmer, Suett, Russell, Packer, Webb, Evans, Mrs Jordan, Miss Tidswell, Mrs Booth, Miss Mellon. Cast from text (G. G. and J. Robinson, 1797): Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Old Copsley-Packer; Servants-Webb, Evans; Albina Mandeville-Mrs Jordan; Deborah-Miss Tidswell; Mrs Rigid-Mrs Booth; Cicely Copsley-Miss Mellon; Prologue-R. Palmer; Epilogue-Mrs Jordan. [These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]These were spoken, as here assigned, at the 1st 9 performances only (see17970502).]
Cast
Role: Mandeville Actor: Wroughton
Role: Albina Mandeville Actor: Mrs Jordan

Afterpiece Title: The Purse

Cast
Role: Sir Rowland Actor: Barrymore

Ballet: The Scotch Ghost. As17961221

547
23 June 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Davies; Harcourt-Abbot; Sir Walter Manny-Usher; John de Vienne-Aickin; Ribbomont-C. Kemble; Eustache de St. Pierre-Palmer; Officer-Palmer Jun.; John D'Aire-Trueman; Old Man-Waldron; Crier-Ledger; O'Carrol-Johnstone; Serjeant-Wathen; La Gloire-Fawcett (1st appearance in that character); Carpenters-Suett, Davenport; Queen-Mrs Harlowe; Julia-Miss DeCamp (1st appearance in that character); Madelon-Mrs Bland.
Cast
Role: Madelon Actor: Mrs Bland.

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Lord Edmund-Davies; Count Fripon-Caulfield; Trap-Waldron Jun.; Jack Connor-R. Palmer; Dowdle-Munden; Rachel-Mrs Harlowe; Adelaide-Miss Heard; Landlady-Mrs Hale; Mary-Mrs Gibbs.
Cast
Role: Landlady Actor: Mrs Hale

Song: Mainpiece: Vocal Parts-Aylmer, Brown, Dibble, Kenrick, Linton, Little, Caulfield Jun., Walker, Willoughby, Miss Andrews, Mrs Edward, Mrs Hale, Mrs Gaudry, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Mrs Wall, Mrs Benson, Miss Leserve

Performance Comment: , Walker, Willoughby, Miss Andrews, Mrs Edward, Mrs Hale, Mrs Gaudry, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Mrs Wall, Mrs Benson, Miss Leserve.

548
15 August 1797 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by James Boaden]: With new Musick, Scenery, Dresses, and Decorations. The Overture and Musick by Dr Arnold. The Scenery by Marinari, Rooker, &c. Morning Herald, 26 Aug. 1797: This Day is published The Italian Monk (2s.)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Italian Monk

Performance Comment: Characters by Palmer, C. Kemble, Aickin, Suett, R. Palmer, Trueman, Abbot, Caulfield, Waldron Jun., Usher, Ledger, Chippendale, Mrs Harlowe, Miss Heard, Miss DeCamp, Mrs Hale, Mrs Edward, Mrs Booth, Mrs Bland. [Cast from text (G. G. J. and J. Robinson, 1797), and playbill of 30 June 1798: Schedoni-Palmer; Vivaldi-C. Kemble; Ansaldo-Aickin; Paullo-Suett; Spalatro-R. Palmer; Carlo-Trueman; Familiar-Abbot; Stiletto-Caulfield; Corvino-Waldron Jun.; Priest-Usher; Guards-Ledger, Chippendale; Marchioness-Mrs Harlowe; Olivia-Miss Heard; Ellen de Rosalba-Miss DeCamp; Abbess-Mrs Hale; Margaritone-Mrs Edward [in text: unassigned]; Gradisca-Mrs Booth; Fioresca-Mrs Bland.
Cast
Role: Fioresca Actor: Mrs Bland.

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performance Comment: , Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve.

549
20 September 1797 @ Covent Garden

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Performances

Mainpiece Title: The Dramatist

Performance Comment: Vapid-Lewis; Ennui-Fawcett; Neville-Toms; Floriville-Farley; Willoughby-Claremont; Peter-Thompson; Lord Scratch-Munden; Marianne-Mrs Litchfield (1st appearance in that character, and 4th on this stage); Lady Waitfor't-Mrs Davenport; Letty-Mrs Platt; Miss Courtney-Miss Chapman; Original Epilogue-Lewis.

Afterpiece Title: Netley Abbey

Performance Comment: Capt. Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Powel; M'Scrape-Johnstone; Ellen Woodbine-Mrs Mountain; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Cast
Role: Oakland Actor: Incledon
Role: Oakland Actor: Munden
Role: Lucy Oakland Actor: Mrs Follett

550
11 January 1798 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald (his Miscellaneous Poems, 1801, p. 88). Epilogue by Miles Peter Andrews (London Chronicle, 12 Jan.)]: With new Scenes and Dresses. Morning Herald, 14 Apr. 1798: This Day is published Secrets Worth Knowing (2s.). Receipts: #311 6s. (307.9; 3.17)

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley
Role: Grandee Actor: Hawtin
Role: Savoyard Girls Actor: Mlle St.Amand, Mrs Watts
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: warned from the Grotto of the Goddess Pleasure by Actor: they take shelter in one of the +East India Company's Warehouses, which on their being closely pursued, is transform'd into a Picturesque Chinese Apartment. In this country he is deprived, by an adverse Magician, of his Columbine