SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2255 matches on Event Comments, 1015 matches on Performance Comments, 88 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Book of the Farce [The Author] will be sold in the theatre (Public Advertiser). [The Author probably the afterpiece.] Receipts: #180 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Mercury Harlequin (Cross); The Author (Public Advertiser)

Dance: IV: The Millers, as17570129

Event Comment: [Anthems were Mine Hand be Strenghtened and And the King shall Rejoice (Public Advertiser).

Performances

Mainpiece Title: L'allegro, Il Penseroso

Music: End Part I: Violin@Cello Concerto-Mr Paxton; Part II: Hautboy Concerto-Vincent; After the 1st Anthem: Violin Concerto-Barthelemon (Public Advertiser)

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

Event Comment: Benefit for Miss George. Afterpiece: Not acted these 2 years [not acted since 3 Aug. 1784]. Public Advertiser, 4 Aug.: Tickets to be had of Miss George, No. 23, King-street, Soho

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Midas

Song: End I: a new song by Master King In vain do idle vi'lets blow (Public Advertiser 14 Aug.)-Miss George; End: Mad Bess (for that night only)-Miss George

Event Comment: [Public Advertiser, 26 Dec. prints one of Ferdinand 's new songs, Mark'd you her eye of heavenly blue?] Receipts: #238 11s. (235.12.6; 2.18.6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Bowden (1st appearance in that character); songs-Bowden; Isaac-Quick; Don Jerome-Edwin; Anthonio-Davies; Father Paul-Booth; Lopez-Wewitzer; Carlos-Johnstone [Public Advertiser: Mrs Kennedy]; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Billington.

Afterpiece Title: The Midnight Hour

Event Comment: Benefit for Mrs Wells. Part of the Pit will be laid into the Boxes. General Advertiser, 16 Apr.: Tickets to be had of Mrs Wells, No. 15, Beaufort-buildings. Receipts: #337 17s. 6d. (178.3.0; 3.17.6; tickets: 155.17.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performance Comment: [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).]
Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Performance Comment: As17740503, but LeBrush-King; Gulwell-Fearon; Scotchman-Moody; Frenchman-Burton; Frankly-Courtney. [Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]
Cast
Role: Williams Actor: Ackman

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Performance Comment: [Principal Characters by Mattocks, Quick, Wilson, Wewitzer, Fearon, Mrs Farrell, Miss Brown, Mrs Wilson, A Young Lady (1st appearance on any stage Miss Courtenay]). [Cast from Airs (J. Bell, 1777) and Public Advertiser, 19 Nov.: Young Brumpton-Mattocks; Oldcastle-Quick; Lovibond-Wilson; Peter-Wewitzer; Sir Theodore Brumpton-Fearon; Bellford-Mrs Farrell; Mary@Ann-Miss Brown; Bridget-Mrs Wilson; Harriet-Miss Courtenay.

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104

Event Comment: A Serious Opera [1st time; SER 3, author unknown; a pasticcio]. The Music by several celebrated Composers, and conducted [i.e. arranged] by Bianchi. Public Advertiser, 4 Dec.: Roncaglia was welcomed with merited and very flattering Applause, yet he seemed hurt at sharing with Ansani those marks of public Favour. We exhort them both to remember that Persons of their superior Talents ought to lay aside every petty Prejudice and personal Animosity. "[Ansani] had a finely toned, full, and commanding voice, was a spirited actor, and in the first opera, called Ricimero, sustained the most prominent and important part. But he was unfortunately of a most peevish, quarrelsome temper; Roncaglia was saucy and conceited, and neither could brook the superiority claimed by the other. Their mutual jealousy, and the importance assumed by the tenor soon produced an irreconcilable breach, Ansani threw up his engagement, and the season went on heavily to its close for want of him"(Mount-Edgcumbe, p. 29)

Performances

Mainpiece Title: Ricimero

Performance Comment: [Principal Characters by Roncaglia, Ansani 1st appearance in England], Manzoletto, Micheli, Mrs Barthelemon, Mme LeBrun. [Morning Chronicle, 4 Dec. assigns Vitige-Roncaglia; [Public Advertiser, 4 Dec. Rodoaldo-Ansani. [Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.Edition of 1755 (G. Woodfall) lists the other parts: Ricimero, Edelberto, Eduige, Ernelinda.

Dance: End I: new ballet (composed by Zuchelli) The Squire Outwitted-Sg and Sga Zuchelli, Henry, Sga Crespi; End II: The Fortunate Escape, as17801125, but Henry; End Opera: +The Country Gallant, as17801125

Event Comment: Benefit for Palmer. The Absent Man published at 1s. [During the Easter Week holidays the text of the afterpiece had been changed. The advance bill in the Public Advertiser (31 March) notes "With Additions" and omits Mrs Hopkins from the list of characters.

Performances

Mainpiece Title: Hamlet

Cast
Role: Marcellus Actor: Ackman

Afterpiece Title: The Absent Man

Performance Comment: As17680321 but Mrs Junket-Mrs Johnston; Miss Frolick-Miss Reynolds (MacMillan). [Public Advertiser does not list Miss Reynolds, and omits Mrs Hopkins.]Public Advertiser does not list Miss Reynolds, and omits Mrs Hopkins.]

Dance: End: The Wake, as17680220

Event Comment: Benefit for Lewis. Mainpiece: Not acted these 7 years. 3rd piece [1st time; F 3, author unknown. Not in Larpent MS; not published]: Taken from Dryden's Spanish Fryar. Public Advertiser, 20 Mar.: Tickets to be had of Lewis, Bow-street, Covent Garden. Receipts: #246 18s. (164.3; tickets: 82.15) (charge: #66 10s.)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: True-Blue

Afterpiece Title: The Jealous Husband

Performance Comment: Characters-Quick, Lee Lewes, Fearon, Booth [Public Advertiser: Walters], Dunstall, Mrs Mattocks.Public Advertiser: Walters], Dunstall, Mrs Mattocks.

Dance: As17761223

Event Comment: Benefit for Quick. Mainpiece: With (1st time) Alterations and Additions by the Author [John O'Keeffe]. The Overture, Airs, &c. by Dr Arnold. The selected [music] by Handel, Vento, Giordani, Bertoni, Dr Arne, and Carolan. The new additional Songs by Shield. Public Advertiser, 22 Mar.: Tickets to be had of Quick, Broad-court, Bow-street, Covent-garden. Receipts: #325 8s. 6d. (164.6.6; 3.19.0; tickets: 157.3.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Quick; Pedrillo-Edwin; Philippo-Blanchard; Alphonso-Mrs Kennedy; Don Scipio-Booth; Don Juan-Fearon; Rapino-Cubitt; Sanquino-Darley; Lopez-Stevens; Calvetto-Thompson; Pedro-Helme; Don Caesar-Bowden (1st appearance in that character); new songs-Bowden; Victoria-Mrs Morton; Catalina-Mrs Brown; Isabell-Mrs Platt; Lorenza-Mrs Martyr [Public Advertiser: Mrs Billington].Public Advertiser: Mrs Billington].

Afterpiece Title: The Commissary

Ballet: End: The Wapping Landlady; or, Jack in Distress. Jack in Distress-Blurton; Wapping Landlady-Mr King; Orange Woman-Mrs Watts

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17731005, but Bassanio-Bensley; Jessica-Mrs Baker; Nerissa-Mrs Lessingham (playbill); But Bassanio-Wroughton; Jessica-Miss Valois; Nerissa-Mrs Baker (Public Advertiser).

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Benefit for Miss Sherry & Sga Crespi. Tickets delivered by Harwood will be taken. Afterpiece: Not acted these 2 years [see 31 Mar.]. Public Advertiser, 17 Apr.: Tickets to be had of Miss Sherry, at Nicholl's, Baker, Bridge's-street, Covent Garden; of Sga Crespi, Poland-street, opposite the Back Door of the Pantheon. Receipts: #257 0s. 6d. (91.14.0; 23.0.6; 0.0.0; tickets: 142.6.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Capt. LeBrush-Palmer; Gulwell-Packer; Scotchman-Parsons; Frenchman-Baddeley; Frankly-Davies; Harwood-Lamash [Public Advertiser: Wheeler]; Lord Brilliant-Fawcett; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Platt; Melpomene-Miss Stageldoir; Mrs Doggerel-Miss Pope.

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of Tony Lumpkin in Town [John O'Keeffe. Text (1st authorized) published in Cumberland's British Theatre, Vol. XXXI]. The Music and Overture composed by Dr Arnold [with airs adapted from Philidor and Guglielmi (Public Advertiser, 17 Aug.)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Son-in-Law

Performance Comment: The Characters by Parsons, Edwin, Wood, Baddeley, Lamash, Jackson, Stevens, Kenny, Bannister, Mrs Lefevre, Miss Harper. Cast from Public Advertiser, 17 Aug.: Cranky-Parsons; Bowkitt-Edwin; Bouquet-Wood; Vinegar-Baddeley; Idle-Lamash; Orator Mum-Jackson; John-Stevens; Signor Arionelli-Bannister; Dolce-Mrs Lefevre; Cecilia-Miss Harper; Kenny. Kenny.

Dance: As17790610

Event Comment: Benefit for Vernon. Public Advertiser, 29 Feb.: Tickets to be had of Vernon, at Jones's, No. 7, Catherine Street, Strand. Receipts: #173 13s. 6d. (86.14.0; 21.10.0; 0.12.6; tickets: 64.17.0) (charge: #74 14s.)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17791012, but Foresight-Parsons; Trapland-Waldron; Ben-Vernon (1st appearance in that character). [Public Advertiser assigns Tattle-Dodd.]

Afterpiece Title: Fortunatus

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy (1st appearance in London these 3 years); Sileno-Massey; Jupiter-Simpkinson; Damaetas-Lamash [Public Advertiser: Blissett]; Pan-Bannister; Daphne-Mrs Hitchcock; Juno-Mrs Poussin; Mysis-Mrs Love; Nysa-Miss Twist.

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Event Comment: [Afterpiece in place of The Elopement, announced in Public Advertiser, 21 Oct.] The Doors to be opened at 5:15. To begin at 6:15 [see 16 May 1781]. Receipts: #110 7s. (80.1.0; 29.18.6; 0.7.6)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Smith; Richmond-Palmer; Buckingham-Aickin; Tressel (1st time)-Farren; Lord Stanley-Chaplin; Norfolk-Fawcett; Catesby-Packer; Lieutenant of the Tower-R. Palmer; Ratcliffe-Wright; Lord Mayor-Phillimore; Prince Edward-Master Pulley; Duke of York-Miss Langrish; King Henry-Bensley; Lady Anne-Mrs Brereton (1st appearance in that character); Dutchess of York-Mrs Johnston [Public Advertiser: Mrs Davenett]; Queen-Mrs Hopkins.

Afterpiece Title: The Camp

Event Comment: 1st piece [1st time; prel i,by Leonard Macnally. MS:Larpent 601; not published; synopsis of plot in Public Advertiser, 24 Sept.]. Places for the Boxes to be taken of Brandon (only) at the Stage-door. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors will open at 5:30. To begin at 6:30 [see 4 Nov.]. The Only Entrance to the Upper Gallery is in the Passage which leads from the Piazza to Hart-street, and the Two Shilling Gallery communicates with the Passage in Bow-street, as well as with that from the Piazza. The Passages to the Pit and Boxes remain as before. Receipts: #314 18s. (313/18; 1/0)

Performances

Mainpiece Title: A New Occasional Prelude

Performance Comment: Characters by Quick, Edwin, Booth, Thompson, Jones, Wewitzer, Mahon, Mills, Aickin; Mrs Webb, Mrs Wilson. [Cast from CG Public Advertiser, 24 Sept.: Ap Morgan-Quick; Squib-Edwin; Scissorwit-Booth; Prompter-Thompson; Mons Rigadoon-Wewitzer; O'Shaughnessy-Mahon; McDowgal-Mills; Critic-Aickin; Mrs Melpomene Sanguine-Mrs Webb; Miss Thalia Ap Morgan-Mrs Wilson. Jones is unassigned.] hathi. hathi.

Afterpiece Title: The Busy Body

Afterpiece Title: The Upholsterer

Event Comment: "The company [of spectators] was so numerous that there was hardly room on the stage for the performers to go through their pans . . . Mme Simonet displayed all that power of acting for which she has been so justly celebrated since the first introduction of the ballets called 0?Action when first Vestris held the sceptre of Terpsychore at the King's Theatre [in 1780-81]" (Public Advertiser, 18 Feb., which also has a synopsis of the action)

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II an entirely new ballet of Serious, Comic, and Demi-characters, composed by Lepicq, Les spouses Persanes; or, The Persian Wives, by Lepicq, Mme Rossi, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Simonet. [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.]

Performance Comment: [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.] hathi. hathi.
Event Comment: Mainpiece [1st time; c 3, by Denis O'Bryen. Prologue by the author; Palmer was obliged to read it, he "not having received it in due time". Epilogue by George Colman, the elder, with name of speaker (Town and Country Magazine, July 1783, p. 339). MS: Larpent 626; not published; synopsis of plot in Public Advertiser, 7 July]

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Performance Comment: Principal Characters by Palmer, Parsons, Wewitzer, Usher, Williamson, Gardner, Davis, Baddeley, Massey, Pierce, Edwin; Mrs Inchbald, Mrs Wells, Miss Morris, Mrs Love, Mrs Bulkley. [Cast from European Magazine, July 1783, p. 67, and Public Advertiser, 7 July: Archley-Palmer; Sir Simon Howard-Parsons; Attorney-Wewitzer; Steward-Usher; Trustall-Williamson; Ragan-Baddeley; Citpup-Edwin; Emma Howard-Mrs Inchbald; Mrs Ragan-Mrs Wells; Fanny-Miss Morris; Lydia Howard-Mrs Bulkley. Gardner, Davis, Massey, Pierce, Mrs Love are unassigned. Larpent MS adds the following parts: Redtail, Richard, Betty, Hosier's Wife.) A new Prologue [read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .read by Palmer] and Epilogue [spoken by Mrs Bulkley. These were spoken, presumably as here assigned, at all subsequent performances] .

Afterpiece Title: The Flitch of Bacon

Event Comment: "[Kemble's] 'Did not you speak to it?' is an Emphasis not at all justified by the Context... Palmer should not have worn in the Farce the Breeches which but a little before were on Ostrick's thigh" (.Public Advertiser, 6 Oct.). Receipts: #242 16s. (211/3/0; 31/0/6; 0/12/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Palmer; Classic-Packer; Subtle-Chapman [Public Advertiser: Waldron]; Sir John Buck-Wrighten; Marquis-Burton; Mrs Subtle-Mrs Love; Luanda (with a song)-Miss M. Stageldoir .

Dance: In afterpiece a Minuet by Second and Miss M. Stageldoir

Event Comment: Benefit for Mrs Siddons. Mainpiece: Not acted these 10 years [on playbill of 23 Apr.]. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. [Mrs Siddons's 1st appearance as Sigismunda was at Manchester, 10 Jan. 1778.] Public Advertiser, 20 Apr.: Tickets to be had of Mrs Siddons, No. 7, Leicester-fields. Receipts: #324 1s. (146/2/0; 8/1/6; 0/2/6; tickets: 169/15/0)(charge: #106 10s. 1d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Kemble; Siffredi-Bensley; Osmond-Farren (Their 1st appearance i n those characters) ; Rhodolpho-R. Palmer ; Officers-Phillimore, Wilson, Chaplin [Public Advertiser : Kenny], &c.; Laura (1st time)-Miss Kemble ; Sigismunda-Mrs Siddons (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

Event Comment: Afterpiece: Not acted these 7 years [acted 1 Jan. 1781]. A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which will be introduced a Pageant, the music by Dibdin. Books of the Songs to be had at the Theatre. "The Jubilee is now worn out and of no repute" (Public Advertiser, 21 Nov.). [For a complete account of the original production in 1769 see Christian Deelman, The Great Shakespeare Jubilee, 1964, pp. 280-86.] Receipts: #241 9s. (199/16/0; 39/8/6; 2/4/6)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Jubilee

Performance Comment: Cast not listed. [Cast from General Evening Post, 19 Nov.; Morning Post, 19 Nov.; Public Advertiser, 7 and 27 Dec. 1785; Morning Post, 22 Dec. 1786: Bumpkin-Parsons; Irishman at Stratford-Moody; Country Girl-Mrs Wrighten. In Pageant: Cupid-Master Canlets; Iachimo-Palmer; Malvolio and Posthumus-Bensley; Touchstone-King; Richard III-Kemble; Romeo-Bannister Jun.; Hamlet-R. Palmer; Sir Hugh Evans-Parsons; Doctor Cains-Baddeley; Sir Andrew Aguecheek-Waldron; Lear-Wrighten; FalstafT-Chaplin; Henry V-Barrymore; Coriolanus-Phillimore; Edgar-Dodd; Macbeth-Williames; Antony-Staunton; Tragic Muse-Mrs Siddons [whose "car was fitted up exactly in the stile of the picture of the Tragic Music by Sir Joshua Reynolds"]; Comic Muse-Mrs Cuyler; Lady Macbeth-Miss Kemble; Beatrice-Miss Pope; Volumnia-Mrs Brereton; Cleopatra-Mrs Wilson; Rosalind-Mrs Jordan; Queen in Richard III-Mrs Hopkins; Cordelia-Miss Collins; Venus-Mrs Crouch. Vocal Parts by Bannister, Dignum, Suett, Chapman, Fawcett.] hathi. hathi.
Event Comment: Benefit for Williames and Bates. Public Advertiser, 9 May: Tickets to be had of Williames, No. 2, Duke's-court, Bow-street; of Bates, No. 12, Little Russel-street, Covent Garden. Receipts: #193 18s. 6d. (20.6.0; 10.8.0; 1.3.6; tickets: 162.1.0) (charge: #109 5s. 3d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Deserter

Performance Comment: Henry-Williames; Russet-Bannister; Simkin-Bates [Public Advertiser: Fawcett]; Flint-Burton; Skirmish-Parsons; Jenny (1st time)-Miss Collett; Margaret-Mrs Love; Louisa-Mrs Crouch.