SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the two Signori Besozzi"/1) | (@(roleclean,performerclean) "the two Signori Besozzi")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1009 matches on Event Comments, 900 matches on Performance Title, 332 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Concert of Vocal and Instrumental Musick, divided into two Parts. Boxes 2s. Pit 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be given Gratis a Comedy, 6 p.m. [Customary notice of concert, time, and prices.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Virgin Unmask'd

Event Comment: [This Pastoral Serenata first appeared 21 March 1744 at the Crown and Anchor in the Strand, qv. At that time Beard, Savage, Mrs Clive and Miss Edwards sang in it.] By Subscription for three nights will be performed an English Pastoral Serenata, set to Music by Mr DeFesch. Pit and Boxes laid together at 5s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. On the 20th of March and 3rd of April will be performed a New Oratorio call'd Joseph, also set to Music by Mr DeFesch. For the encouragement of such persons as shall please to favour Mr Defesch by subscribing one Guinea, they shall be entitled to six tickets, each of which will admit one into the boxes, or Two into the Gallery. Nobody to be admitted into the boxes without printed tickets, which will be deliver'd at the theatre. Subscriptions to be taken till the 5th of March, at Mr DeFesch's at the sign of the Angel and Trumpet, in St. Martin's Lane, at the Bedford Coffee House, Covent Garden; and at Mr Page's Stage Door-keeper. To begin at half an hour after six. This day is publish'd Papal Tyranny in the Reign of King John. [No price given, but the 1st edition lists it as 1s. 6d. Watts would have had to sell about two thousand copies to cover his investment in copyright and printing costs.

Performances

Mainpiece Title: Love And Friendship

Event Comment: Will be perform'd several new exercises of Rope Dancing and Tumbling, by M. Duge, Vangable and others, divided into two Parts. Boxes [as 26 Dec. 1744]. Between the two Parts of the Exercises will be given gratis the Tempest as alter'd by Mr Dryden and Sir William Davenant from Shakespear. 7 p.m

Performances

Event Comment: Written by George Duke of Buckingham. Mainpiece: Not acted these 5 years [see 29 March 1742]. With all the Music, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the play. Also the Additional reinforcement of Mr Bayes's new Rais'd Troops

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Orpheus and Eurydice

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti; Or, The Fall Of The Giants

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Virgin Unmasked

Event Comment: Benefit for the Performers. Fiftieth Day

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: Poet-; Beau-; Frenchman-; Miser-; a Taylor-; a Sot-; two young Gentlemen-; a Ghost. Ghost-Marr (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI 1957, p. 138); Oration in Praise of Sight- As17481212.

Dance: PPrince Eugene's March-

Event Comment: Benefit for LaLauze. Mainpiece: Acted but once this season. Afterpiece: Never performed there before. In it will be introduced the Scene of Harlequin Restored. The Decorations entirely new. N.B. That the entertainment may not be interrupted in the performance, there will be no building on the Stage: And as Mr LaLauze has been at some expence in bringing this Entertainment on the stage, he humbly hopes that the Town will not take it amiss, that nothing under Full Price will be taken

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Colombine Courtezan

Dance: Phillips, J. Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars

Performance Comment: Granier, J. Granier's Sister, others; particularly (by desire) a Minuet-LaLauze, two of LaLauze's scholars.
Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17501001, but with a new Epilogue upon the two Occasional Prologues-Mrs Clive.
Event Comment: Publish'd. The Actor: A Treatise on the Art of Playing, interspers'd with Theatrical Anecdotes, Critical Reflections on Plays, and Occasional Observations on Audiences. Printed for R. Griffith. Receipts: #60 (Cross)

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Havard; Elder Brother-Sowdon; Younger Brother-Mozeen; First Spirit-Gentleman who perform'd Barnwell [Griffith]; Second Spirit-Master Mattocks; Bacchanal-Beard; Euphrosyne-Mrs Clive; Sabrina-Miss Norris (with the song of Sweet Eccho); Lady-Mrs Pritchard; The Dances-Mathews, Mad Cupis Camargo; With a New Epilogue upon the Two Occasional Prologues-Mrs Clive.
Related Works
Related Work: Comus Author(s): George Colman, the elder

Afterpiece Title: A Duke and no Duke

Event Comment: Mainpiece: Reviv'd not acted these 3 years. [See 16 May 1748.] Written by Shakespeare. Receipts: #50 (Cross)

Performances

Mainpiece Title: As You Like It

Performance Comment: Duke Senior-Blakes; Duke Frederick-Winstone; Jaques-Berry; Orlando-Palmer; Amiens (with proper Songs)-Beard; Adam-Havard; Silvius-Mozeen; Corin-Shuter; LeBeau-Scrase; Charles-Vaughan; Touchstone-Woodward; Jaques de Bois-Simson; William-Vaughan; Phoebe-Mrs Bennet; Audrey-Mrs James; Celia-Mrs Clive; Rosalind-Mrs Pritchard; Epilogue upon Two Prologues-Mrs Clive.

Afterpiece Title: The Lying Valet

Dance: I: Hornpipe-Mathews, the Little Swiss

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Berry; Frankly-Havard; Bellamy-Blakes; Meggot-Woodward; Tester-Vaughan; Buckle-Mozeen; Valet-Shuter; Simon-Marr; Landlady-Mrs Yates; Jacintha-Mrs Willoughby; Milliner-Miss Minors; Mrs Strictland-Mrs Ward; Lucetta-Mrs Green; Clarinda-Mrs Pritchard; To conclude witha Country Dance-the characters of the play; Epilogue upon two Prologues-Mrs Clive.

Afterpiece Title: Lethe

Event Comment: For the Benefit of Gentleman who has wrote for the Stage. A Concert of Musick. The march in Judas Maccabaeus, Side-Drum-J. Woodbridge, late Kettledrummer to the Hon. Admiral Boscawen. Also a preamble on the Kettle-Drums, ending with Handel's Water Musick. A Variety of other Entertainments. Between the Parts of the Concert will be given gratis, the Tragedy of The Orphan. With an Occasional Prologue. Boxes 4s. Pit 2s. 6d. Gallery 1s. To begin at 6 p.m. [Performance had been delayed from 10 Oct. on account of illness of a principal performer.

Performances

Mainpiece Title: The Orphan

Performance Comment: Polydore-a gentleman; Serina, Monimia-two gentlewomen who never appeared on any Stage.
Event Comment: Receipts: #40 (Cross). [The Epilogue Occasioned by the Two Occasional Prologues published in the General Advertiser. Fifty-one lines ending: @"No more shall either rack his brains to teaze ye@But let the Contest be who most shall please ye." [In the form of a story, mocking Garrick and Berry]: "Once on a time two boys were throwing dirt@A gentle youth was one, and one was somewhat pert.@Each to his Master with his tale retreated,@Who gravely heard their different parts repeated,@How Tom was rude, and Jack poor lad ill treated."

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Dance: III: New Running Footmen's Dance, as17501020; IV: Hornpipe-Mathews, the Little Swiss

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Performance Comment: Othello-Sir Francis Delaval; Iago-John Delaval Esq; Cassio-E. Delaval Esq; Brabantio, Lodovico-Sim Pine Esq; Roderigo-Capt. Stevens; Desdemona-Mrs Quarme (Hogan) , Mrs Quan (Cross), Mrs Qualm (Winston); Emelia-Mrs Stevens (Hogan).
Cast
Role: Othello Actor: Sir Francis Delaval
Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Event Comment: Benefit for Palmer and Shuter. Last time of acting mainpiece this season. Tickets of Hobson at the stage Door. At Sadler's Wells near Islington will this day be opened a Concert of Vocal and Instrumental Music, divided into two parts; the vocal parts to be perform'd by Hemskirk, Bell, Mrs Yates, and Mrs Hooper. Between the two parts of the concert will be introduced several curious Performances, among which will be a fine representation of the Italian Shadows, which have not been performed in England these 30 years. The whole to conclude with a Grand piece of Fireworks, decorated with machinery and paintings entirely new, Each person to be admitted for a pint of Wine. To begin at 5 o'clock (General Advertiser). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Dance: Mathews, Mad Camargo, the Little Swiss

Event Comment: MMr Barry is greatly improv'd since last year in the character of Hastings , as he is indeed in every part in which I have seen him this winter. Mrs Cibber performed as she always does, to the admiration of her audience, and in my opinion she shewed a particular and new exertion of her art and abilities on those two nights. Great as I had declared my expectations for Miss Macklin, she surpassed them; particularly on the second night. On the former, indeed, in the first and in part of the second act, her embarrassment was insuperable, and I cannot sufficiently admire and applaud the Candour of the Audience on that distressed Occasion! In my judgment, never were two parts better adapted to the persons and powers of the performers, than those of Alicia and Jane Shore to Mrs Cibber and Miss Macklin (Inspector No 207, in Daily Advertiser and Literary Gazette, 30 Oct.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lottery

Dance: As17511021

Event Comment: The Fifth Day. At the Castle Tavern, Paternoster Row. [See 30 Dec., hay; 3 Dec., ct.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: Occasional Prologue-a Gentleman; 1. A grandpiece, with Kettle Drums and Trumpets-; first Violoncello-Cupid; 2. The Inauguration Speech-Mrs Midnight; 3. Concerto for two Clarinettes-; 4. Mr Handel's Water@Piece-; with a Preamble on the Kettle@Drums-.

Afterpiece Title: Old Woman's Oratory 2

Performance Comment: 1. a Trumpet Concerto-; 2. The Speech of Mrs Midnight in Defence of her Existence-; 3. Solo on the Viol d'Amor-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Macchabeus-; ; with the Side Drum-.

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: 1. A new Concerto for several different Instruments-; 2. A Piece of innocent Politicks-; 3. A French Horn Concerto-; 4. An Oration on the Salt Box-a Rationalist; 5. Overture by Dr Boyce-; Epilogue-Master Hallet in the Character of Cupid.
Event Comment: The seventh and last time that these orations will be delivered at the Castle Tavern, Paternoster Row, new matter being provided for the next night. The Ladies are desired to come early, that they may be accommodated with the best Seats, and not be crowded as they were the last two nights. [Advice repeated in subsequent bills.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 3

Performance Comment: Act III, 1. A Voluntary on the Cymbalo-; 2. A new Dissertation-Mrs Midnight; 3. A French Horn Concerto-.
Cast
Role: A Voluntary on the Cymbalo Actor:
Event Comment: [The twenty-first Day. Pit price reduced to 2s. 6d. Ladies desired to send their servants early.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: See17520321 but Concerto, Solo on Cymballo-Noell; Two new Orations-Mrs Midnight; the humourous performances of Bombasto; Bambaseno; Solo in new Taste-Sig Piantafugo; The Declamatory Piece on the Jew's Harp-a Casuist; the Oration on a Salt Box-a Rationalist; Solo of Humour on French Horn-Mrs Midnight's Daughter; New Prologue-Mr Toe.
Event Comment: [The twenty-ninth day.

Performances

Mainpiece Title: The Old Woman's Oratory

Performance Comment: As17520421 but a Duet on two Beesomatoes-; with a Song-.

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Performance Comment: See17530324 but Occasional Prologue-Miss Bellamy; Oberon-Master Simson; Cynthia-Miss Simson; Statue-The Little Swiss; To conclude with a Minuet-the two principal characters of the Farce.

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Oracle

Performance Comment: Oberon-Mas. Simson; Cynthia-Miss Simson; the Statue-Granier; With an Occasional Prologue-Mas. Simson; The whole to conclude with a Minuet-the two principal characters of the Farce.

Song: I: Mary Scot (by particular desire)-Beard; III: A Scots Cantata-Beard; IV: Hooly and Fairly-Beard

Dance: CCountry Amusements, as17540416

Performances

Mainpiece Title: La Comediante Fatta Cantatrice

Performance Comment: La Comediante-Sga Nicolina called Spiletta, her first appearance on the stage in two years.

Dance: [But unspecified.