SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Delavals"/1) | (@(roleclean,performerclean) "Delavals")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 18 matches on Roles/Actors, 13 matches on Performance Title, 4 matches on Event Comments, 3 matches on Performance Comments, and 0 matches on Author.
Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performances

Mainpiece Title: Abra Mule

Dance: The Famous Mlle delaVal, lately arriv'd in England

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Dance: Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: Mlle delaVal, Mrs Elford, l'Abbe's Brother, l'Abbe's Scholar

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: As17050109Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Afterpiece Title: The Judgment of Paris

Dance: Mlle delaVal, Mrs Elford, both of l'Abbe's scholars

Performances

Mainpiece Title: The Virtuoso

Afterpiece Title: Acis and Galatea

Dance: Mlle delaVal, Mrs Elford, Firbank, others

Performances

Mainpiece Title: The Merry Wives Of Windsor

Dance: As17050109Mlle delaVal, Mrs Elford

Performances

Mainpiece Title: The Humorous Lieutenant

Dance: Grand Dance from Rinaldo and Armida-Mlle delaVal, Mrs Elford, Firbank, others

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Afterpiece Title: L'Allegro ed Il Pensieroso 3; Alexander's Feast 3

Music: End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Music: End Part I: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the Piano Forte-Miss M'Arthur; End Part II: concerto on the harp-Mme Delaval

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: As17980214

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: As17980214

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: As17980214

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Lock and Key

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: As17980214