SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Two Princes"/1) | (@(roleclean,performerclean) "the Two Princes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1792 matches on Event Comments, 1367 matches on Performance Title, 972 matches on Performance Comments, 402 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Woman's Oratory Concert

Performance Comment: Principal parts-Mrs Midnight, her Daughter Dorothy, Sig Bombasto just arrived from Padua, Sig Bombazeeno also arrived from Italy, Signora Spoonatissima dug out of the ruins of Herculaneum, Sig Ambrosiano alias Sig Salt-Box, Sig Twangdilo the Casuist, Sig Piantafugocalo, Sig Gapatoono first Cousin to Farinelli, Mynheer Puffupandyke, Mlle Rompereau, Mme Hophye, the two Mlle Broileau, Miss Merit an English Lady of an ancient Family, almost extinct.

Dance: Dancing in the old British Taste-; Hornpipe-Timbertoe

Event Comment: Benefit for Simson Mrs Simson and Master Simson. Afterpiece: Acted there but once. Tickets to be had of Simson, in Wild-Passage, Wild St., near Lincoln's Inn Fields; Grigsby's Coffee House, behind the Exchange; and at the Stage Door. Receipts: #170 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oracle

Performance Comment: See17530324 but Occasional Prologue-Miss Bellamy; Oberon-Master Simson; Cynthia-Miss Simson; Statue-The Little Swiss; To conclude with a Minuet-the two principal characters of the Farce.

Dance: DDance of Furies-Devisse, others

Song: A Song-Wilder

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Oracle

Performance Comment: Oberon-Mas. Simson; Cynthia-Miss Simson; the Statue-Granier; With an Occasional Prologue-Mas. Simson; The whole to conclude with a Minuet-the two principal characters of the Farce.

Song: I: Mary Scot (by particular desire)-Beard; III: A Scots Cantata-Beard; IV: Hooly and Fairly-Beard

Dance: CCountry Amusements, as17540416

Performances

Mainpiece Title: La Comediante Fatta Cantatrice

Performance Comment: La Comediante-Sga Nicolina called Spiletta, her first appearance on the stage in two years.

Dance: [But unspecified.

Event Comment: At the Great Piazza Coffee Room, Covent Garden. To begin at 7 p.m

Performances

Mainpiece Title: Lecture

Performance Comment: A New Dissertation on Various Theatrical Subjects-; in which will be Shakespear's Charge to Momus-; an Examen of the two Lears-; with the prefatory address to the Anti@Gallicans and the trading of the Nation-.

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Address-Cibber; Rural Dance Blind Man's Buff-Master Settree, Miss Twist; Hooley and Fairley-Lauder; Two Comic Lectures-Cibber, Company; the Tailors-Mas. Settree, Miss Twist; Grand Concerto for French horns-; When all the Attic Fire was fledfrom Eliza-Miss Gaudry; Auction-Cibber; Italian air-Mimicotti, accompanied by Myn Heer Von@Poop Broomsticato; As17570728 New Cantata by Mr Shuman-Mr Sadler 1st appearance on any stage; Minuet-Mas. Settree, Miss Twist; Italian Peasants-Joly, Mlle Dulisse; Marine Boys Marching to Portsmouth-; Handel's Water Music-; with Preamble on Kettle Drums-Mother Midnight; Comic Epilogue-Miss Midnight (riding on an Ass).
Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald

Afterpiece Title: Harlequin's Frolic

Cast
Role: Mother Dendike Actor:
Role: Mother Demdike Actor: Madam Chise
Role: Colombine Actor: Miss Matthews.

Dance: End: As17570819

Event Comment: Receipts: #57 2s. 6d. [As against the estimated charges for a night (#35 19s. 8d.), the first night's bill for fixed charges came to #36 7s. 1d., but included two days' bills, two days' billstickers, and six advertisements. In addition, paid Lambert (scene painter) three months' salary due 16 Aug. last, #25 (Account Book).

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Sir Wilful-Shuter; Mirabel-Ryan; Fainall-Ridout; Witwou'd-Dyer; Petulant-Cushing; Waitwell-Arthur; Marwood-Mrs Elmy; Lady Wishfort-Mrs Pitt; Mrs Fainall-Mrs Barrington; Fioble-Mrs Green; Millamant-Mrs Hamilton.
Cast
Role: Witwou'd Actor: Dyer

Afterpiece Title: The Lottery

Performance Comment: With the Scene of Drawing in the Guildhallv. Lovemore-Lowe; Stocks-Dunstall; Jack Stocks-Dyer; Chloe-Mrs Chambers.
Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

Event Comment: A Sacred Oratorio by Pope, set by Charles Barbandt. Benefit for the Composer. Box 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock

Performances

Mainpiece Title: The Universal Prayer

Performance Comment: In Two Parts with a Solo on the Violin-Hollendulla; Concerto on the Harpsichord and Hautbois by Barbandt-; Concerto upon the Tenor by Herschell-; And a Aacred Ode by Redmond, the Music by Barbandt-; To conclude with a grand Concerto on Clarinets and French Horns composed by Barbandt-.
Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Performance Comment: Sancho-King; Don Carlos-Garrick; Lopez-Yates; Lorenzo-Palmer; Leonora-Mrs Pritchard; Jacintha-Mrs Clive, with Mrs Davies and Bransby in the bill also.

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Performance Comment: Parts-Signora Passerini, Miss Frederick, Signora Eberardi, Quilici, Tedeschino, and a variety of Chorusses by the best voices.
Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Ross; Capulet-Sparks; Fryar Lawrence-Hull; Mercutio-Dyer; Tibalt-Bennet; Benvolio-Davis; Paris-Perry; Escalus-Anderson; Montague-Redman; Nurse-Mrs Pitt; Juliet-Miss Macklin, 1st appearance this stage these two years; Minuet-Maranesi, Miss Macklin; A Masquerade Dance proper to the play-; An Additional scene will be introduc'd, representing the Funeral Procession of Juliet, which will be accompanied with a Solemn Dirge-; Vocal parts-Beard, Mattocks, Mrs Vernon, Legg, Baker, Roberts, Mrs Lampe, Mrs Abegg, Jones.

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Mattocks; Jobson-Dunstall; Lady Loverule-Mrs Pitt; Nell-Miss Davies, 2nd appearance on the stage.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Introduce several favourite Scots songs, two Mason's songs-Mr Lauder.
Cast
Role: two Mason's songs Actor: Mr Lauder.
Event Comment: Benefit for the Children who perform'd in the Fairy Tale (Hopkins)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Fairy Tale

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder

Dance: II: A Double Hornpipe-Mas. Cape, Miss Rogers; III: The Gypsies-Mas. Clinton, Miss Street (Gerhardi's Scholars); V: A Minuet-the two Miss Rogers's (Mr Noverre's Scholars); End: A Dance call'd The Carpenters and the Fruit Dealers-Miss Street, Mas. Gherardy, first appearance on English Stage

Performance Comment: Cape, Miss Rogers; III: The Gypsies-Mas. Clinton, Miss Street (Gerhardi's Scholars); V: A Minuet-the two Miss Rogers's (Mr Noverre's Scholars); End: A Dance call'd The Carpenters and the Fruit Dealers-Miss Street, Mas. Gherardy, first appearance on English Stage.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17650108, but Macheath-Lowe, 1st appearance on this stage in two years, and for this night only.

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: II: The Medley, as17641120

Performances

Mainpiece Title: Rule A Wife

Performance Comment: As17651203, but Margaretta-Mrs Hopkins; Old Woman-Baddeley; Estifania-Mrs Abington; In Act II Duet-Vernon, Mrs Abington; accompanied by two Guitars-.
Cast
Role: accompanied by two Guitars Actor: .

Afterpiece Title: Fortunatus

Dance: III: New Tambourine, as17660123

Event Comment: Rec'd of Squibb for an order for two into the Boxes the 4th inst. 10s. (Account Book). [Query: The same two friends for whom he gave orders on 27 Nov.? If so they must have been important persons as Squibb this night paid half its night's salary to seat them.] Receipts: #175 8s. (Account Book)

Performances

Mainpiece Title: Love For Love

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: Mizen-Woodward; Flip-Dunstall (with Famous Sea-Song of Ninety-Two); Worthy-Smith; Rovewell-Hull; Sir Charles Pleasant-Wignell; Arabella-Miss Macklin; Belinda-Mrs Baker; Jiltup-Mrs Walker; Jenny Private-Mrs Gardner; The Fair Quaker-Miss Wilford.

Afterpiece Title: The Lying Valet

Dance: III: Blind Man's Buff, as17670516; End I Farce: Double Hornpipe, as17670427

Entertainment: After: The Prologue to the Apprentice-Master Wignell; End Farce: an Epilogue addressed to Most Noble Order of Bucks-Master Wignel

Ballet: End I Farce: The Wapping Landlady. As17670427

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Cast
Role: The Minor Actor: Davis
Role: Scaffold the Builder Actor: Bannister

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-Foote for the first time these two years; Young Wilding-Davis; Dapper-Quick; Beaufort-Smith; Sir Jasper-Newton; Old Philpot-Shuter; Maria-Mrs Mahon for the first time.

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts

Performances

Mainpiece Title: Othello

Performance Comment: See17670724 but Othello-Barry; Iago-Sowdon; Brabantio-Hurst; Lodovico-Strange; Montano-Palmer; Roderigo-Hamilton; Duke-Keen; Aemilia-Mrs Burden; Desdemona-Mrs Dancer.
Cast
Role: 7670724 but Othello Actor: Barry

Afterpiece Title: Like Master Like Man

Dance: IV: Serious Dance-; End: Comic Dance-Miss Froment

Event Comment: RRomeo and Juliet oblig'd to be deferr'd on account of Indisposition of Powell. Paid Jos. Besford for performing the Lyon two nights in Perseus 5s.; Paid Wm Gard for performing on the Horse and in the Lyon two nights in Perseus 7s. (Account Book). [See Perseus and Andromeda 19 and 25 Sept.] Receipts: #103 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Giles-Morris, 1st time; Mervin-DuBellamy; Fairfield-Gibson; Ralph-Dibdin; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Fanny-Mrs Thompson; Patty-Mrs Mattocks; End Act I: a Dance incidental to the Opera-Fishar, Arnauld, Sga Manesiere, Miss Valois.

Afterpiece Title: The Apprentice

Dance: II: Pantomime Dance, as17670926

Event Comment: MMaster Brown's Night. A comic Interlude of Two Acts; Music by Dr Arne. N.B. A light shower or two will not put off the Performance; but if heavy Rain should fall, it must necessarily be deferr'd till further Notice, on account of the Fireworks. Books containing both performances may be had of the Booksellers and at the Gardens at 6d. each

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: last Aast Act: a Burlesque Ode-by the late Bonnel Thornton, in banter of the Odes written on St Cecilias Day, set to music by an eminent master; The whole to conclude with: Grand Fireworks-

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin-Miles; Infernal Spirit-Legg; Shade of Helen-Mrs Baker; Furies-Fishar; Sir Epicure Relish-Wignell; Miller-Banks; Gambler-Quick; Faust's Man-Morgan; Miller's Wife-Miss Twist; Lady Relish-Mrs Dyer; The Dances-Arnauld, Miss Valois.
Cast
Role: The Dances Actor: Arnauld, Miss Valois.