SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Pope"/1) | (@(roleclean,performerclean) "the Pope")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5551 matches on Roles/Actors, 1259 matches on Performance Comments, 156 matches on Event Comments, 39 matches on Performance Title, and 14 matches on Author.
Event Comment: This day is publish'd at 1s. Amphitryon; or, The Two Sosias, a Comedy altered from Mr Dryden, as it is now perform'd at the Theatre Royal in Drury Lane. With a New Interlude of Music, an Occasional Prologue, and some account of the Alterations. Printed for J. Payne, at Pope's Head in Paternoster Row. Receipts: #180 (Cross)

Performances

Mainpiece Title: Amphitryon

Cast
Role: Dancing Actor: Beard, Miss Young, others

Afterpiece Title: Lethe

Event Comment: Benefit for Berry. Tickets of Berry at Mr Pope's Peruke Maker in Russel St., Covent Garden; of Mr Hyde, Engraver, in Cutter Lane, Cheapside; and at the Stage Door. Receipts: #147 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Chaplet

Song: I: Miss Young

Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's Peruke Maker, Russel St., Covent Garden, and of Varney at the Stage Door, where, Places may be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Englishman in Paris

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Berry, who having been confined for some time past by a severe Illness, humbly hopes those Gentlemen and Ladies, who intend to favor him at his Benefit, will send for Tickets to his Lodgings at Mr Pope's, a Peruke Maker in Russel St., Covent Garden; the Star Tavern, in Coleman St.; or to Mr Varney at the Stage door where Places for the Boxes may be taken. Receipts: #130 (Cross); #104 8s. 6d. (Winston MS8)

Performances

Mainpiece Title: The Tempest

Cast
Role: Actor: Giorgi, Sga Lucchi, others.

Afterpiece Title: Fortunatus

Event Comment: MMiss Pope in Corrinna (fine) Mr Wilkinson, Mrs Amlet (sad) (Cross). Mainpiece: Not acted in 8 years [but see 3 Jan. 1753]. My mother and I were at Drury Lane to see The Confederacy and Harlequin Ranger, Mrs King, Watson and Miss Pitt sat in our Box, a new actress did Corrinne to perfection, see Schutz Jr, Mr Schutz, Dives and Pigot there (Hailey, 'The Brietzcke Diary," p. 360). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Ranger

Event Comment: A Sacred Oratorio by Pope, set by Charles Barbandt. Benefit for the Composer. Box 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock

Performances

Mainpiece Title: The Universal Prayer

Performance Comment: In Two Parts with a Solo on the Violin-Hollendulla; Concerto on the Harpsichord and Hautbois by Barbandt-; Concerto upon the Tenor by Herschell-; And a Aacred Ode by Redmond, the Music by Barbandt-; To conclude with a grand Concerto on Clarinets and French Horns composed by Barbandt-.
Event Comment: Benefit for Havard. Mr King has kindly undertaken on a very short word, to speak the Original Prologue this evening as Mr Garrick performs both in the play and the Interlude

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.
Event Comment: MMr Foote's Night. Miss Haughton play'd Elvira, Miss Pope being very ill (Hopkins). Receipts; #64 4s. (MacMillan). [Charges.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mayor of Garratt

Dance: TThe Italian Gardiners, as17631119

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin-Woodward; Others-Legg, Mrs Baker, Morris, Banks, DuBellamy, Wignell, Dibdin, Weller, Holtom, Mrs Copin, Baker, Mrs Lampe, Miss Helm, Mrs Dyer, Mrs Bulkley; Dances-LaRiviere, Arnauld, Miss Valois, Fishar.

Dance: III: The Irish Lilt, as17670921

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performance Comment: Harlequin-Miles; Infernal Spirit-Legg; Shade of Helen-Mrs Baker; Furies-Fishar; Sir Epicure Relish-Wignell; Miller-Banks; Gambler-Quick; Faust's Man-Morgan; Miller's Wife-Miss Twist; Lady Relish-Mrs Dyer; The Dances-Arnauld, Miss Valois.
Cast
Role: The Dances Actor: Arnauld, Miss Valois.
Event Comment: Benefit for Mrs Yates. Pit and Boxes laid together where servants will be allowed to keep places. Those Ladies and Gentlemen who have taken places in the Pit, are humbly desired to come as early as posible, for their own conveniency, and to prevent trouble in getting to their seats. Charges #66 5s. Balance to Mrs Yates #39 18s., plus income from 713 Box & Pit seats (laid together for price purposes) #178 5s. Paid Miss Atkinson and Miss Pope for walking 12 nights in Man & Wife; 26 Nights in Harlequin's Jubilee; 12 Nights in Timanthes #6 5s. each. Paid Mrs Warwell for walking 12 nights in Man & Wife #1 10s.; Paid Miss Lawrence and Mrs Bates 5s. each for walking 2 nights in Harlequin's Jubilee (Account Book). Receipts: #106 3s

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Edgar and Emmeline

Dance: End: The Tartars, as17691207

Entertainment: End: By Particular Desire, The Epilogue[Spoken Last Year;-Mrs Yates [as17690313, the New Epilogue for Mrs Yates's Benefit, after Orestes]

Event Comment: Bills for Every Man in his Humour were posted to day--but Mr G. being taken very ill the Play was oblig'd to be chang'd & fresh Bills put up about Twelve o'clock (Hopkins Diary). [Also, according to Winston MS 10 the afterpiece was to have been Miss in Her Teens. See 8 Nov.] Paid Tallow Chandler's 1st bill #63 8s. 4d.; Mr Evans one year on Wardrobe Acct #10 10s.; half year Land and Window Tax for St Martin's to Michelmas last #46 8s. 7d.; Rec'd Stopages #12 17s. (Treasurer's Book). [Cast listed on playbill for afterpiece: Fribble (with song in character)-Dodd; Flash-$Palmer; Loveit-$J. Aickin; Puff-$Moody; Jasper-$Ackman; Tag-$Mrs Love; Miss Biddy-$Miss Pope.] Receipts: #165 7s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Charles Dudley Actor: Cautherly

Afterpiece Title: The Institution of the Garter

Dance: V: Comic Dance, as17710921

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for Miss Reynolds. [Afterpiece usually acted as The Man of Quality.

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Performance Comment: Lord Foppington (the man of quality)-Smith; Young Fashion-Sparks; Sir John Friendly-Ward; Lory-Johnson; Coupler-Lewis; Shoemaker-Dancer; Mendlegs (the hosier)-W. Smith; Sir Tunbelly Clumsey-The Gentleman who performs King Henry; Miss Hoyden (with a song)-Miss Reynolds; Nurse-Mrs Ross.

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].
Cast
Role: Thessalus Actor: Dancer

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performance Comment: The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell.

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Aickin; Young Knowell-Brereton; Wellbred-Farren; Master Stephen-Dodd; Brainworm-Baddeley; Justice Clement-Parsons; Downright-Wrighten; Master Mathew-Burton; Cob-Wright; Cash-R. Palmer; Captain Bobadil-Palmer; Bridget-Miss Collett; Tib-Mrs Love; Mrs Kitely-Mrs Brereton .
Cast
Role: Master Mathew Actor: Burton

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians: Farren, Waldron, Burton, Packer, Lamash, Bannister Jun.; Miss Pope. [For assignment of parts see17811012].

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17850108, but Pope's name listed in playbill .
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Rosina

Dance: As17850416

Event Comment: Mainpiece: Not acted these 3 years. Paid Mrs Pope in full for her allowance for cloathing last Season #250. Receipts: #249 14s. (243/12/6; 6/1/6)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland (1st time)-Farren; Bellamy-Davies; Jack Meggot-Booth; Tester-Stevens; Buckle-Thompson; Frankly-Wroughton; Mrs Strickland-Mrs Bates; Jacintha-Mrs Inchbald; Lucetta-Mrs Wilson; Millener-Miss Stuart; Clarinda-Mrs Abington (1st appearance in that character at this theatre) .

Dance: End of mainpiece The Wapping Landlady, as17851102; In Act I of afterpiece Dance, as17851010, but Mrs Goodwin in place of Miss Andre

Event Comment: [As mainpiece the playbill announces The Heiress, but "on the sudden indisposition of Kemble, the play was changed to The Wonder, where Miss Farren, King and Miss Pope had much applause" (World, 26 Jan.).] Receipts: #130 17s. (109.6; 20.17; 0.14)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Harlequin Junior

Event Comment: Benefit for Mrs Wells. Part of the Pit will be laid into the Boxes. General Advertiser, 16 Apr.: Tickets to be had of Mrs Wells, No. 15, Beaufort-buildings. Receipts: #337 17s. 6d. (178.3.0; 3.17.6; tickets: 155.17.0)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Performance Comment: As17871019, but Widow Brady-Mrs Wells; the Epilogue Song-Mrs Wells.
Cast
Role: the Epilogue Song Actor: Mrs Wells.

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performance Comment: [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).]
Event Comment: Afterpiece [in place of THREE WEEKS AFTER MARRIAGE, advertised on playbill of 18 Nov.]: Books of the Songs to be had at the Theatre. [Occasional Address by Miles Peter Andrews (see 23 Mar. 1793).] THE SIEGE OF BERWICK [advertised on playbill of 18 Nov.] is unavoidably postponed till Thursday next on account of Mrs Pope's sudden Indisposition. Receipts: #233 2s. (216/19/6; 16/2/6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: MOTHER SHIPTON TRIUMPHANT; or, Harlequin's Museum

Performance Comment: Harlequin-Boyce; Clodpole-Follett; Squire Foxchase-Farley; Paddy Roony O'Gaffey-Rock; Lieutenant (with Old England forever)-Davies; Cobler (with a new song in character)-Fawcett; Skaiters (with This bleak and frosty Morning)-Gray, Linton; Mother Shipton (with songs) Richardson//Colombine-Mme Rossi .

Dance: In afterpiece The Burlesque Pas de Russe by Byrn and Miss Smith; Hornpipe by Holland

Song: In afterpiece God save the King by Gray, Linton, Street, Kendrick, Little, Miss Barnett, Miss Stuart, &c

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

Monologue: 1793 11 19 End of mainpiece An Occasional Address, in the character of Goldfinch, by Lewis

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: The Persian Princess: or, The Royal Villain Author(s): Lewis Theobald
Related Work: The Perfidious Brother Author(s): Lewis Theobald
Related Work: Pan and Syrinx Author(s): Lewis Theobald
Related Work: The Lady's Triumph Author(s): Lewis Theobald
Related Work: The Tragedy of King Richard II Author(s): Lewis Theobald
Related Work: Harlequin a Sorcerer: With the Loves of Pluto and Proserpine Author(s): Lewis Theobald
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald
Related Work: Orestes Author(s): Lewis Theobald
Related Work: The Fatal Secret Author(s): Lewis Theobald
Related Work: Merlin; or, The Devil of Stone-Henge Author(s): Lewis Theobald
Related Work: The Happy Captive Author(s): Lewis Theobald
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Event Comment: THE SIEGE OF BERWICK [advertised on playbill of 20 Nov.] is unavoidably posrponed till Wednesday next, on account of Mrs Pope's Indisposition. [THREE WEEKS AFTER MARRIAGE and MARIAN , both also advertised as above, were not acted on this night.] Receipts: #175 15s. 6d. (171/17/0; 4/18/6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: THE PRISONER AT LARGE

Cast
Role: Father Frank Actor: Rees

Dance: End of Act II of mainpiece The Drunken Swiss, as17931015

Event Comment: [In mainpiece the playbill retains Aickin as Jarvis, but "Packer Jarvis, Aickin ill" (Powell). This is inaccurate: "Aickin's part was played by Benson" (Thespian Magazine, July 1794, p. 275; and see 5 June).] Powell: Natural Son rehearsed at 10 (Suett ill; Miss Pope one scene; Burton not called till 12); Lodoiska at 12. Receipts: #267 18s. 6d. (199/8/0; 60/9/6; 8/1/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: THE PRIZE