SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Lord Chamberlain"/1) | (@(roleclean,performerclean) "the Lord Chamberlain")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1683 matches on Performance Comments, 580 matches on Event Comments, 145 matches on Roles/Actors, 108 matches on Performance Title, and 101 matches on Author.
Event Comment: Written by the late Mr Gay. Receipts: #163 12s. [See Lord Hervey and his Friends, pp. 162-63.

Performances

Mainpiece Title: Achilles

Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder
Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: At the Desire of several Persons of Quality. Applebee's, 31 March: On Thursday 7-Night last at the Performance of...Love runs all Dangers...one of the Commedians took the Liberty to throw out some Reflections upon the Prime Minister and the Excise, which were not design'd by the Author; Lord Walpole being in the House, went behind the Scenes, and demanded of the Prompter, whether such Words were in the Play, and he answering they were not, his Lordship immediately corrected the Comedian with his own Hands very severely

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love Runs All Dangers

Dance: End of Mainpiece: Hornpipe-Jones Sr; Concluding with a Dutch Skipper-Jones Sr, Jones Jr

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Event Comment: At the Desire of several Ladies of Quality. Daily Advertiser, 20 Nov.: Yesterday Mr Harper was brought up to the Court of King's Bench . . . but the Right Hon. the Lord Hardwicke, Chief Justice, perceiving . . . that it might probably take up a long time to hear [the Counsels'] several Arguments, was pleas'd to put off the Affair till this Morning

Performances

Mainpiece Title: The Provok'd Husband

Music: Second Musick: 1st Concerto of Corelli. Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi

Performance Comment: Third Musick: Overture compos'd by Handel for the Opera of Alexander. I: A Concerto call'd The Cuckoo by Vivaldi .

Dance: II: La Basetelle by Essex, and Miss La Tour. In V: Les Amants Constants by Essex, Houghton, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Song: II: Limpio Rigor del Fato and Was Ever Nymph Like Rosamond by Miss Arne. IV: Per le Porte del Tormento by Miss Arne and Master Arne

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Performances

Mainpiece Title:

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue, Enfant, & Negre: With The Scene Of The Skelleton

Performance Comment: Cast not listed. And by Way of Prologue: Le Baron de la Crasse; or, My Lord Sloven. Le Baron-Francisque, unmask'd .

Dance:

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

Event Comment: A New Opera. [By Metastasio. Music by Francis Veracini. For a full account of this opera and opera in general, see Ilchester, Lord Hervey and his Friends, pp. 238-39.] Daily Advertiser, 26 Nov.: Their Majesties, his Royal Highness, and the Princesses [attended] Adriano, compos'd by the famous Signior Veracini, who perform'd the first Fiddle

Performances

Mainpiece Title: Adriano

Performances

Mainpiece Title: Pasquin

Performance Comment: Cast not listed, but see17360305 According to A Narrative of the Life of Mrs Charlotte Charke, p. 63, Charlotte Charke took the role of Lord Place on this night .
Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Performances

Mainpiece Title: The Nobleman; Or, Family Quarrel

Event Comment: DDaily Advertiser, 7 June: Yesterday the Bill...for the better regulating Common Players and Players of Interludes, pass'd the House of Lords on the third Reading. [See also an essay in Daily Gazetteer, 6 June.

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Taken from the French of Moliere. Lady Stafford to Lord Wentworth, 4 Jan.: I hear their will be a vast riot to night at the Play, for young Cibber is to act and the Templars are resolved to hiss him off the stage. 6 Jan.: Young Cibber was vastly hiss'd a Thursday, but his old friend Impudence kept him from being either out of countenance or in the least disturb'd at the noise.-Wentworth Papers, p. 541

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: V: Moors Dance-Muilment, Mrs Walter

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales, Mainpiece: Written by the late Mrs Centlivre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks (Lord Lace)-Cibber; Chloe (Lady Lace)-Mrs Clive; Stocks-Turbutt; Lovemore-Beard; with a Representation of the Drawing of the Lottery-.
Event Comment: Towards the Raising a Fund for the Erecting a Monument to the Memory of Shakespear. Written by Shakespear. London Daily Post and General Advertiser, 11 April: On which Occasion 'twas expected there would have been a greater Audience than there appear'd to be. But the Lord Burlington was pleased, out of his Regard to the Memory of so great a Man, to give Ten Guineas for himself. [The Prologue, written by Theobald and spoken by Ryan, is in London Daily Post and General Advertiser, 12 April.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: As17381014, but With a New Prologue Address'd to the Town upon this Occasion-.
Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Performances

Mainpiece Title: Diana And Endymion

Event Comment: The Fourteenth Night. 7 p.m. 5s

Performances

Mainpiece Title: Two Anthems

Performance Comment: O Sing unto the Lord, My Song shall be Alway-(by Mr Handel).

Afterpiece Title: David's Lamentation over Saul and Jonathan

Event Comment: By Authority. By the Hurlothrumbo Company of Comedians. Mainpiece: An Operatical Comedy of Three Acts. Written by Lord Flame [Samuel Johnson of Chesire]. Afterpiece: a Farce of Two Acts. [Presumably by Johnson also.] Box 4s. Pit 2s. 6d. Gallery 1s. 6d. 7 p.m

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: LLady Hertford to Lord Beauchamp, 26 Feb.: The Oratorio...being filled with all the people of quality in town.-Hughes, Hertford, p. 244

Performances

Mainpiece Title: Sampson

Event Comment: GGreat Tiled Booth on Bowling Green. Mainpiece: Showing how the Lord Momford was falsely accused to the King and was banished'd from Court, at which he commenc'd Beggar. Each day of the Fair, noon to 10 p.m. Afterpiece: Puppet show. [Notices repeated 9, 12 Sept.

Performances

Mainpiece Title: The Blind Beggar Of Bethnal Green; With The Comical Humours Of Tom Stroud A Country Farmer's Son And Gudgeon His Man

Afterpiece Title: The Battle of Dettingen

Song: Price, Master Morris, Miss Morris

Dance: Price, Master Morris, Miss Morris

Event Comment: On Tuesday next will be presented The Relapse, or Virtue in Danger, the part of Lord Foppington to be perform'd by Mrs. Cibber. [This day appeared in the papers an account of the salaries of present-day actors compared with those in the time of Wilkes and Betterton, suggesting great overpayment of Garrick, Macklin, &c. This, according to Mrs Clive (Case, p. 8) was a false account.

Performances

Mainpiece Title: The Mourning Bride

Song: II: Song-Sullivan

Dance: III: Dance, as17431013; V: a New Dance-Muilment, Desse, Liviez, Mrs Walter

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.