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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lampugnani"/1) | (@(roleclean,performerclean) "Lampugnani")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14 results for: Keyword - Lampugnani
We found 9 matches on Event Comments, 3 matches on Performance Comments, 3 matches on Author, 1 matches on Roles/Actors, and 0 matches on Performance Title.

1
02 November 1742 @ King's Theatre

Event Comment: A New Opera. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Person to be admitted behind the Scenes. The Gallery to be open'd at Four o'clock, Pit and Boxes at Five. To begin at Six o'clock. [Customary notice will not be included again. A pasticcio; music by Hasse, Lampugnani, Brivio, and Rinaldo da Capua; librettist--Apostolo Zeno. See Burney, History of Music, IV, 447.

Performances

Mainpiece Title: Gianguir

Related Works
Related Work: Gianguir Author(s): G.B. Lampugnani

Dance: Barbara Campanini (Horace Walpole's Correspondence with Sir Horace Mann, I, 191)

2
10 April 1745 @ Covent Garden

Performances

Mainpiece Title: Music

Performance Comment: Part I Overture to Samson-; Airs: Total Eclipse in Samson-Beard; Preso al Caro amato Cido in Meraspe-Sga Galli; Return O God of Hosts from Samson-Miss Robinson; Myself I Shall Adore in Semele-Sga Francesina; Del Minacciar del Vento in Otho-Reinhold; Part II Concerto-Weideman; Airs: Per Pieta nell' Incostanza Delusa-Sga Frasi; O Ruddier than the Cherry in Acis and Galatea-Reinhold; O Sleep in Semele-Sga Francesina; Concerto-Sga Caporale; Air: Dirti ben Mio in Alexander in Persia-Miss Robinson; Part III Concerto-Miller; Airs: Tremende oscure atroci in Meraspe-Sga Galli; Why does the God of Israel Sleep in Samson-Beard; Scherza Quest' Alma Mia del Sig Lampugnani-Sga Frasi; Concerto-Vincent; Trio in Acis and Galatea-Sga Francesina, Miss Robinson, Reinhold; Handel's Grand Sonata-.
Cast
Role: Scherza Quest' Alma Mia del Sig Lampugnani Actor: Sga Frasi

3
06 November 1742 @ King's Theatre

Performances

Mainpiece Title: Gianguir

Related Works
Related Work: Gianguir Author(s): G.B. Lampugnani

4
09 November 1742 @ King's Theatre

Performances

Mainpiece Title: Gianguir

Related Works
Related Work: Gianguir Author(s): G.B. Lampugnani

5
15 November 1743 @ King's Theatre

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

6
21 March 1749 @ King's Theatre

Performances

Mainpiece Title: An Entertainment Of Music

Performance Comment: PartI. An Overture by Paradies-; Songs: Perdona Amato Bene (Lampugnani)-Saiz; Contento in Grembo a Morte (Cocchi)-Laschi; Ritorn' al Caro Bene (Bernasconi)-Sga Galli; Concerto-Pasqualino; Pupille Amobile (Jomelli)-Guadagni; Scherza il Nocchier (Brevio)-Sga Frasi; Part II. Concerto-Carbonelli; Songs: Peno si per un Ingrata (Jomelli)-Sga Mellini; Spezza lo Stral piagato (Jomelli)-Sga Saiz; Parto non ho Costanza (Galuppi)-Sga Frasi; Concerto-Miller; Ah! non lasciarmi No (Bertoni)-Guadagni; Prove Sono (Handel)-Sga Galli; Part III. Concerto-Vincent; Songs: Di questo Cor Fedele (Lampugnani)-Laschi; Horses When with Glory Burning (Handel)-Signora Galli; O Sleep (Handel)-Sga Frasi; Son Confusa Pastorella (Jomelli)-Sga Mellini; O Lovely Peace (Handel)-Signora Frasi, Signora Galli; A Grand Concerto of Handel's-.

7
31 October 1741 @ King's Theatre

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.

8
20 April 1742 @ King's Theatre

Event Comment: A New Opera [a pasticcio, Metastasio text altered by Rolli, form Pergolesi's Olimpiade, 1735 (Loewenberg, Annals of Opera, I, 183)]. Music by Pergolesi, Scarlatti, Lampugnani. L. Leo, F. Leo [libretto in L. C.]. Two of the principal Performers being greatly indispos'd, the Dancers are oblig'd to be deferr'd. Thomas Gray to John Chute, 24 May: Our fifth Opera was the Olimpiade, in which they retain'd most of Pergolesi's Songs & yet 'tis gone already, as if it had been a poor thing of Galuppi's. Two nights did I enjoy it all alone, snugg in a Nook in the Gallery, but found no one in those regions had ever heard of Pergolesi, nay, I heard several affirm it was a Composition of Pescetti's.-Gray, Correspondence, I, 203

Performances

Mainpiece Title: Meraspe O L'olimpiade

9
24 April 1744 @ King's Theatre

Event Comment: A New Opera [Altered by Rolli from Metastasio's Demetrio; music by Lampugnani (Nicoll, Early Eighteenth Century Drama, p. 388); not listed as a new piece in the Larpent MS.]

Performances

Mainpiece Title: Alceste

10
15 April 1746 @ King's Theatre

Event Comment: A New Opera. [Possibly a pasticcio by Lampugnani, possibly a revival of Rossane, previously revived 15 Nov. 1743, and see the discussion under that date.

Performances

Mainpiece Title: Alexander In India

11
24 February 1747 @ King's Theatre

Event Comment: An Opera [possibly a pasticcio by Lampugnani (Alessandro nell Indie) and possibly by Handel; see 15 Nov. 1743.

Performances

Mainpiece Title: Roxana

Dance: At the end of the opera: Dancing-

Entertainment: With aRepresentation of Fireworks-

12
08 March 1748 @ King's Theatre

Event Comment: Benefit for Signora Galli. Composed by Handel. Signora Galli will sing the Part of Alexander, with all the original songs of Senesino. [As Senesino created this role in 1726, the piece performed tonight may be Handel's, not Lampugnani's; see kings, 15 Nov. 1743 and Deutsch, Handel, p. 647.

Performances

Mainpiece Title: Roxana

13
09 November 1754 @ King's Theatre

Event Comment: By His Majesty's Command No Persons Whatsoever to be admitted behind the scenes. A new Opera [Altered from Metastasio; Music by Hasse and Lampugnani.] with New Decorations and Dances. To begin at 6 p.m. Pit and Boxes a half guinea. Gallery 5s. [Repeated in the bills.

Performances

Mainpiece Title: L'ipermestra

Dance: Pietro, Isaia Nieri, Arna Conti, Elizabeth Buggiani, Cosimo Marranesi

14
14 January 1755 @ King's Theatre

Event Comment: A new Opera. The Musick Compos'd by Sg Lampugnani

Performances

Mainpiece Title: Siroe