SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "World"/1) | (@(roleclean,performerclean) "World")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 521 matches on Performance Title, 192 matches on Event Comments, 130 matches on Roles/Actors, 48 matches on Performance Comments, and 0 matches on Author.
Event Comment: NNeville MS Diary: To Ranelagh to hear a grand Jubilee Entertainment; it is the most elegant public room in the world and must give foreigners a high idea of the riches of our nation. It is circular and the fireplace is under a circular Portico in the middle, round which are tables at which the company are served with tea and coffee, and there are two sets of boxes at the side one above another for the same purpose. The landing room from the river which projects a little into the water commands a fine view of the river and country...Saw the Tripoline ambassador in the dress of his country. Took notice of a Miss Spencer and a Miss Johnson, two pretty ladies of the town, the latter had one of the prettiest faces I ever saw. Brunswick, Cumberland...Tripolian Ambassador...Miss Spencer and a Miss Johnson, two pretty ladies of ye town... were there...Began to use an Opera glass

Performances

Mainpiece Title: Alexander's Feast

Song: Coronation Anthem-

Event Comment: Benefit for Stoppelaer. Tickets for The Way of the World will be taken. Charges: 1!2 charge for House #31 10s.; 1!2 charge for candles 12s. 6d.; 1!2 charge Tabor & Pipe 5s. 3d.; 1!2 value of tickets #57 16s.: Total #90 3s. 9d. minus 1!2 Receipts #20 14s. equals #69 9s. 9d. deficiency to Stoppelaer. Covered by #115 12s. from tickets (168 Box; 370 Pit; 181 Gallery) and #20 14s. from Receipts. Profit to Stoppelaer was #86 16s. 3d. Paid to Mr Shropshire for 20,000 brushes #4 10s. Receipts: #41 8s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Orpheus and Eurydice

Dance: II: A Hornpipe-Miss Besford, 2nd time

Event Comment: Mainpiece: By Particular Desire. The Doors By Particular Desire will be opened at Five. The Play to begin exactly at Half an Hour after Six. Played for the King of Denmark. [The anecodote is recorded by Genest, V, 237, that the king fell asleep. Annoyed, Mrs Yates, playing Alicia, drew near his Box and with violent exertion of voice cried out in her part "O Thou False Lord!" The King aroused declared he would not be married to a woman with such a voice for the world. The London Evening Post, however, for 10 Oct. states, "Mrs Yates had the greatest honour done her, after playing Jane Shore, by the King of Denmark going to her and thanking her for the pleasure she had given him." (Winston MS 10).] Receipts: #157 9s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Dance: End: The Irish Lilt, as17680930

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Event Comment: Mainpiece: Not acted these 2 years. [See 11 April 1771.] Paid Mrs Rich the balance of the Benefit for the Dispensary #36 11s. 6d., and paid Garton the balance due the Theatrical Fund #143 3s. (Account Book). [The Westminster Magazine this month comments upon the revival of the pantomime and the new scene of the Pantheonv: "This thought evidently was borrowed from the ludicrous situations of the Macaroni in the pantomime of the Pigmy Revels at the other theatre; but no one in the world borrows with less ceremony than Mr Colman, especially from Mr Garrick."] Receipts: #126 2s. 6d

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Harlequin Sorcerer

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: To the writer of the letter signed Hotspur in the Morning Chronicle 13 Jan. 1774; Sir: I solemnly disavow myself the writer of any anonymous letter in this or any other Newspaper relative to the School for Wives and as to the villainous accusation respecting any personal insult offered me at Liverpool I pronounce it to be a notorious lie. I now call on you to stand forth with your name and your proofs or the world will be convinc'd you are an infamous malignant assassin. Thursday Nt. Jan. 13 1774. James Reddish (Winston MS 10, from Dr Burney News Cuttings). Receipts: #255 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Anatomist

Event Comment: Street Ballad, The Duenna or the Double Elopement, a new song to an old Tune: @In the days of Gay, they sing and say,@The town was full of folly:@For all day long, its sole sing-song@Was pretty, pretty Polly.@So now-a-days, as it was in Gay's,@The world's run mad again-a@From morn to night its whole delight@To cry up the Duenna.@One half the town still talks of Brown@The other of Leoni,@While those sly curs, the managers,@Keep pocketing the money... [Brown was the original Clara in the opera. See 16 Dec. 1775 (Hampden, Journal).

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Prometheus

Event Comment: The Way of the World [announced on playbill of 25 Nov.] is obliged to be deferred. Receipts: #99 15s. (98.11; 1.4)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Seraglio

Dance: End IV: As17761109

Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performances

Mainpiece Title: Falstaff's Wedding

Performance Comment: Falstaff-A Gentleman, [well known in the literary world, who has been prevailed on by his Friends to make his 1st attempt on the stage in that Character unidentified]; Justice Shallow-Barrett; Master Slender-Smith; Dr Caius-Petit; Pleadwell-Jackson; Francis-Master Screven; Bardolph-Munden; Friar Laurence-Halling; Officer-Hulme; Nym-Lee; Pistol-Parker; Ursula (with a song)-Miss Morris[, who sung last season at ranelagh; Mrs Quickly-Mrs Baker; Bridget-Miss Walker; Doll Tearsheet (with a song)-Miss Webb; Occasional Prologue-Davis; The original Epilogue-Miss Brangin.

Afterpiece Title: The Rival Milliners; or, A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Not published. An alteration of her The World as it Goes, acted on 24 Feb. Prologue by B. Walwyn (London Chronicle, 28 Mar.)]: With New Scenes and Dresses. Receipts: #170 1s. (168.14.6; 1.6.6)

Performances

Mainpiece Title: Second Thoughts Are Best

Afterpiece Title: The Upholsterer

Dance: As17801107

Event Comment: [Mainpiece in place of The Man of the World; afterpiece of The Golden Pippin, both announced on playbill of 23 Oct.] Receipts: #228 4s. 6d. (226/0/6; 2/4/0)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Deaf Lover

Dance: End of mainpiece The Sports of the Green by Aldridge, Langrish, Jackson, Miss Francis, Miss Besford

Event Comment: [As mainpiece the playbill announces The Man of the World, but "The Merchant of Venice, which was performed last night (on account of Miss Younge's sudden Indisposition) was received with the greatest Applause" (Public Advertiser, 1 Feb.).] Receipts: #243 17s. (242/11; 1/6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Choice of Harlequin

Event Comment: Man of the World [announced on playbill of 5 Feb.] is unavoidably deferred, on account of the Indisposition of a Principal Performer. Receipts: #195 12s. (193/6; 2/6)

Performances

Mainpiece Title: Maid Of The Mill

Afterpiece Title: Choice of Harlequin

Event Comment: [Afterpiece in place of All the World's a Stage, announced on playbill of 18 Feb.] Receipts: #284 10s. 6d. (274/15/0; 7/13/0; 0/15/0; tickets not come in 1/7/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Event Comment: The Man of the World [announced on playbill of 24 Mar.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #212 10s. (207/19; 4/11)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Rosina

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

Event Comment: The Man of the World and Patrick in Prussia [i.e. Love in a Camp; both announced on playbill of 28 Feb.] are obliged to be deferred on account of the Indisposition of Macklin and Edwin. Receipts: #143 14s. (13 8/1/6; 5/12/6)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Rosina

Dance: As17851112

Event Comment: Benefit for Mrs Bannister. Afterpiece [1st time; MF 2, by Leonard Macnally, based on A Mad World, My Masters, by Thomas Middleton. MS: Larpent 729; not published. Introduction by the author (Town and Country Magazine, June 1786, p. 328]. Books of the Songs to be had at the Theatre [composer unknown]. Morning Herald, 11 Mar.: Tickets to be had of Mrs Bannister, No. 29, Bow-street, Covent Garden. Receipts: #273 4s. 6d. (180/6/0; 7/9/6; tickets: 85/9/0) (charge: #105)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The April Fool; or, The Follies of a Night

Song: In the course of the evening Sweet Echo (from Comus) by Mrs Bannister

Event Comment: Benefit for Benson. Tickets to be had of Mrs Benson, No. 8, Dorville's Row. 3rd piece: With two Scenes of the Ombres Chinoises; or, The Lilliputian World, representing the Broken Bridge; or, Insolent Carpenter; and a View of a Sea Fight

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Event Comment: Mainpiece [1st time; T 5, by Frederick Reynolds. Larpent MS 750; not published; synopsis of plot in Universal Magazine, Dec. 1786, pp. 333-34. Prologue by the author (London Chronicle, 23 Dec.). Epilogue by Miles Peter Andrews (World, 4 Jan. 1787); and see Epilogue to Such Things Are, 10 Feb. 1787]. Receipts: #165 14s. (156.1; 9.13)

Performances

Mainpiece Title: Eloisa

Afterpiece Title: Hob in the Well

Dance: As17861212

Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Event Comment: [As mainpiece the playbill announces The Count of Narrbonne, but "The Play was changed, on the illness of Mrs Crouch-who never slacks, but when thus, unable to perform. Douglas was the substitute" (World, 2 Apr.). Afterpiece in place of Richard Coeur de Lion, announced on playbill of 29 Mar.] Receipts: #223 1s. 6d. (193.4.0; 28.2.6; 1.15.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Sultan