SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The scenes are of the Stockwell Witchcraftv, according to Theatrical Review, II, 103. See 31 Jan. and 8 Feb.] Paid Patrick (tinman) #33 4s.; Paid Tinsdale (haberdasher) #3 5s. (Account Book). Receipts: #236 15s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17711217, but Tibalt-Gardner; Escalus-Morris; a Solemn Dirge-Mattocks, +Phillips (playbill); Paris-Perry; Peter-Quick.

Afterpiece Title: Mother Shipton with Alterations

Performance Comment: As17711226, but The Characters-_Lewes; With alterations; The Two Additional Scenes as exhibited in Harlequin Skeleton are added and the Ballad Singer with a New Song for 7th time-Dunstall.
Event Comment: Mainpiece: By Desire. Paid Whitefield for cloaths bought #47 12s.; Paid Mayer for silver and gold lace as per bill #24 1s. 6d. (Account Book). Receipts: #189 14s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17720204, but Ratcliff-R. Smith; Catesby-Perry; Derby-Thompson (playbill).

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena Or The Heroic Daughter

Afterpiece Title: Man and Wife

Performance Comment: As17720314 but Freeman-Perry.

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

Event Comment: Rec'd from Thomas and Arnold for use of the Organ this season #21, and for coals burnt at the Oratorios #2 2s. Rec'd #54 14s. 8d. in payment of deficiencies for last season's benefit performances from Dumay, Curtat, Merryfield and Wignell. Paid Garton (treasurer) 11 Oratorio nights for renters #110. Paid Phillips in full for his performance this season #21 (Account Book). Receipts: #117 5s. (Account Book)

Performances

Mainpiece Title: George Barnwell

Performance Comment: As17720103, but Millwood-Mrs Mattocks.

Afterpiece Title: Mother Shipton

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17710925, but King-Clarke, 1st time; Laertes-Davis; Polonius-Baddeley (from Drury Lane); Ophelia-Mrs Lessingham; 1st time. Rosencraus-_; Guildenstern-_.

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Performance Comment: As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker.
Event Comment: Mainpiece: by Particular Desire. Afterpiece: By Desire. Paid one year's Ground Rent for theatre due 10th Inst. #100, minus Land Tax allow'd #13 15s.; total #86 5s.; Paid ditto for New Building Adjoining theatre #30 minus Land tax #4 2s. 6d. Total: #15 17s. 6d. (Account Book). Receipts: #232 3s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End: The Old Ground Young, as17720928

Event Comment: Afterpiece: By Particular Desire. Paid Sutton (goldsmith) for gold & silver Lace &c. #43 2s. 7d. Paid Dall on account of his salary #30 (Account Book). Receipts: #168 13s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Upholsterer

Dance: After: The Tartars-Fishar, Sga Manesiere

Event Comment: Mainpiece: By Particular Desire. Paid Simpson for New Music for the theatre for seasons 1772 and 1773 #10 10s. Paid Whitefield for Cloaths bought #31 7s. (Account Book). Receipts: #114 6s

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17721110, but Eustace-Dyer.

Afterpiece Title: The Royal Chace

Dance: II: The Tartars, as17721124

Event Comment: The Masque of Comus oblig'd to be deferr'd. Paid Pattinson (tallow chandler) as per bill #40 6s. Paid Partridge (hosier) #12 8s. (Account Book). Recepts: #165 10s

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: Harlequin Sorcerer

Event Comment: The Words of the Music [for Alzuma] will be given away at the Theatre. Third Night. For the Author. Charges #67. Profit to author #96 13s. 6d. Paid Whitefield for Cloaths made #65 12s. 5d. Paid Scott (copper laceman) #59 9s. (Account Book). Receipts: #163 13s. 6d

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Citizen

Event Comment: Benefit for Miss Catley. Neither piece acted this season. Part of Pit will be laid into Boxes. Fifth Night of She Stoops will be Thursday next. Charges: #77 4s. Profit to Miss Catley #76 5s., plus #118 10s. from tickets (Box and Pit 474) Paid Dall on acct of his salary #31 10s. (Account Book). [Miss Catley was the highest paid actress at cg this season.] Receipts: #153 9s

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Devil to Pay

Dance: End Opera: New Dance, as17730206

Song: After Farce: By particular desire, The Wanton God, from Comus-Miss Catley

Event Comment: Benefit for Mrs Mattocks. Fifth Night of She Stoops will be Thursday Next. Charges #69 17s. Profit to Mrs Mattocks #122 7s., plus #45 5s. from tickets (Box 151; Pit 50). Paid one year's Assurance on 10,000 in a Sun Fire Office to 25 March 1774; #50. Paid ditto on 5,000 in the Royal Exchange office to 31 March 1774: #12 10s. (Account Book). Receipts: #192 4s

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin Sorcerer

Performance Comment: As17730320 but Harlequin-Lewes.

Dance: II: New Dance, as17730206

Event Comment: Sixth Night. For the Author. Charges #64 5s. Profit to author #171 17s. Rec'd for the use of Organ this season in Oratorios #21 and for Coals burnt in Oratorios #2 2s. Paid Garton 11 Oratorio Nights for the Renters #110. Paid Dr Arne for Music for Alzuma #15 15s. (Account Book). Receipts: #236 2s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: The Apprentice

Event Comment: Benefit for Dunstall. Mainpiece: Not acted these 7 years. [See 29 Nov. 1764.] Afterpiece: Not acted these 3 years. [See 2 Dec. 1769.] Charges: #64 5s. Profit to Dunstall #1 1s. 6d., plus #170 17s. from tickets (Box 433; Pit 410; Gallery 36). Paid Whitefield a quarter year's salary #25, and Sarjant ditto, #10. Paid Mrs Carne half year's salary #15 all due Lady Day last (Account Book). Receipts: #65 6s. 6d

Performances

Mainpiece Title: The Funeral Or Grief A La Mode

Afterpiece Title: The Contrivances

Dance: End: The Irish Lilt, as17721028

Event Comment: Venice Preserv'd deff'd on account of Barry's illness. Paid half year's Cleansing &c. to Lady Day last (St Martin's) #11; a Tow Bill 10s. [This tow bill came to this amount monthly for nine months, amounting to #4 10s. for the season. No further note will be taken of it this season.] Paid for Properties #1 7s. 10d. Receipts: #174 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Elopement

Performance Comment: As17730923, but Scaramouch-Keen.

Dance: I: The Sailors Revels-Atkins

Event Comment: Both pieces By Command of their Majesties. Present Their Majestes. Gave Yeomen of Guards #2 2s.; Paid Whitefield half year's salary due Mich Last #50; Paid ditto to Sarjant #20, and Mrs Carne #15. Receipts: #220 2s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Cross Purposes

Dance: II: The Irish Lilt, as17731005; End Opera: The Corsican Sailors [Punch House]-Fishar, Miss Twist. [See17720930.

Event Comment: Mainpiece: A Comedy [by Richard Cumberland] never performed there. Paid John Doe for sticking Black Bills #3 12s. Paid Cooper (printer) as per bill #20 2s. (Account Book). [The Westminster Magazine held in reserve its judgment on Lewis as an actor until the reviewer could see him in another part.] Receipts: #137 4s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

Event Comment: Mainpiece: By Particular Desire. Paid Younger for writting parts #10 4s. 9d.; Paid Mrs Giles for a Blue & Silver suit of women's cloaths #9 9s. (Account Book). To Covent Garden. Beggar's Opera and Commissary. Found the Pit not over fifth full, and on the 4th bench from orchestra orange woman showed me Pol. Kennedy alias Mrs Bevon, on which I went and sat immediately before her, and talked with her much during the play. Pol. Kennedy in cloak and large hat. She is tall, large and raw-boned. Irish features, yet had something in her face and person necessarily attracting notice--was very civil, curteous, and chatty (Baker, Diary, p. 270). [Pol. Kennedy was the Irish actress and contralto who later appeared as Mrs Farrell at dl in 1776 in Arne's Caractacus.] Receipts: #122 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Event Comment: Mainpiece. Not acted these 2 years. [See 13 May 1772.] Paid Strutt for suit of Blossom'd colored cloaths #4. Paid Younger for license for the Occasional Prologue and The Duellist #3 3s. Receipts: #114 8s. (Account Book)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Catherine and Petruchio

Dance: End: New Dance, as17731021

Event Comment: The Miser oblig'd to be deferr'd on account of Indisposition of Mrs Green. Paid Stedman and Bewlay (linnen drapers) #79 16s. Paid Cooper (printer) #49 18s. Receipts: #108 8s. 6d. (Account Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Golden Pippin

Dance: End: A Dance, as17731014

Event Comment: Sixth Night. For the Author. Afterpiece: By Desire. Charges: #67 15s. Profit to Hull #139 6s. 6d. Paid Whitefield one quarter year's salary due Xmas last #25, and Sarjant, ditto #10. Paid Bibb (sword cutler's) bill #14 13s. Receipts: #207 1s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Midas

Event Comment: The New Comedy, The Man of Business is still deferr'd on account of Woodward's Illness. Paid Pattinson (tallow chandler) #49 13s. Paid Cooper (printer) #42 8s. (Account Book). Receipts: #202 2s

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Sylphs

Event Comment: Benefit for Mrs Bulkley. Mainpiece: A New Comedy [by a Lady] never perform'd in this Kingdom. As performed with Universal Applause at the Theatre Royal in Dublin. [The Edition of 1774 lists the Irish Actors. The characters are: Mowbray, Sir Thomas O'Shaughnesy; Admiral Swivel; Leslie; Egerton; Capt. Egerton; Issacher; Donald M'Pherson; Strap; Elfrida Audley; Henrietta Egerton; Mrs Ornel; Mrs Issacher; Jenny, a Mantua Maker, a Maid; French servants and porters. Genest suggests a casting for ten of the characters.] Charges: #66 6s. 6d. Profit to Mrs Bulkley #33 17s., plus #93 13s. from tickets Box 232; Pit 177; Gallery 91). Paid Mrs Carne half year' salary due Lady day last #15. Paid half year's water rent due Xmas last #4. Receipts: #100 3s. 6d. (Account Book)

Performances

Mainpiece Title: The South Briton

Afterpiece Title: The Apprentice

Dance: IV: A Double Hornpipe-Mas. Blurton, Miss Besford; End I Farce: A Minuet-Aldridge, Mrs Bulkley

Monologue: Interlude.End: True Blue. As 26 March

Event Comment: The Fifteenth Night. For the Author. Charges #64 5s. Profit to Hull #51 9s., plus #68 15s. from tickets (Box 151; Pit 134; Gallery 109). Paid Holme & Cooper (timber merchants) #69 8s.; Paid Evans (sawyer) #3 1s. Receipts: #115 14s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Performance Comment: As17740317 but New Prologue-Hull; Epilogue-Mrs _Mattocks, Miss Miller.

Afterpiece Title: The Englishman in Paris

Dance: End: The Frolick, as17740416

Event Comment: Benefit for Mrs Pitt and Stoppelaer. Charges #67 15s. Deficit to each #4 6s. 9d., cover'd by income from tickets: Mrs Pitt #53 7s. (Box 48; Pit 185; Gallery 136); Stopplear, #86 5s. (Box 112; Pit 271; Gallery 176). Paid Bates for performing 4 nights in the Sorcerer to 11 Oct. last 10s., 5 nights in Henry VIII to 14 Feb. last #1 5s., and 5 nights in the Fair to 13 Nov. last 5s. Paid half year's Poor's rate for the theatre due Lady day last, #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Receipts: #59 1s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Performance Comment: As17740405 but Jeremy-Lewes, first time; Angelica-Miss Sherman, first time.

Afterpiece Title: The Dragon of Wantly

Dance: End: The Frolick, as17740416