SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #74 14s. 6d. Probable attendance: boxes, 70 paid and 16 orders; stage, 2 paid; pit, 200 paid and 20 orders; slips, 10 paid and 3 orders;first gallery, 163 paid and 13 orders; second gallery, 82 paid and 3 orders

Performances

Mainpiece Title: The False Friend

Afterpiece Title: The Rape of Proserpine

Event Comment: [T+The Necromancer, not advertised, may have been given as an afterpiece, as the Daily Journal, 12 Feb., states that the Prince of Wales, the Princess Royal, and the Princesses Amelia and Carolina saw it as part of the program.] Receipts: #68 15s. 6d. Probable attendance: boxes, 113 paid and 30 orders; stage, 2 paid; pit, 164 paid and 17 orders; slips, 7 paid and 12 orders; first gallery, 117 paid and 4 orders; second, 123 paid

Performances

Mainpiece Title: Themistocles The Lover Of His Country

Event Comment: Receipts: #33 16s. Probable attendance: boxes, 37 paid and 1 order; stage, 2 paid; P1t, 77 paid and 10 orders; slips, 4 paid and 1 order; first gallery, 80 paid and 2 orders; second gallery, 69 paid

Performances

Mainpiece Title: Themistocles The Lover Of His Country

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: The Lyar

Performance Comment: As17630627 but Principal parts-Mrs Weston.
Cast
Role: Principal parts Actor: Mrs Weston.

Afterpiece Title: The Mayor of Garratt

Cast
Role: Jerry Sneak Actor: Weston

Dance: As17630815

Performances

Mainpiece Title: The Lyar

Performance Comment: Foote, Castle, Davis, Mrs Brown, Weston, Pierce, Mrs Parsons, a young Gentlewoman.

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

Performances

Mainpiece Title: The Bankrupt

Performance Comment: Parts-Foote, Kennedy Jun. (from Dublin, first time here), Fearon, Aickin, Davis, Jacobs, Bannister, Lloyd, Jones, Courtney, Everard, Johnson, Weston, Mrs Williams, Miss Ambrose, Miss Platt, Mrs Jewell; Prologue-Foote.

Afterpiece Title: The Mock Doctor

Dance: End: Giorgi's scholars

Event Comment: [See Epilogue to the Rival Candidates at dl 1 Feb. 1775, wherein Weston comments on his Dog Dragon, "But should his master's sing-song melt your soul @ He'll be as soft as-Signior Rossignol: @ Will with harmonious howlings swell each note, @ And bark sweet music,--only from his throat."

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Druids

Performance Comment: See17750102 but Imitations of Birds(with his throat only)-Sig Rossignol , being his first appearance here; Country Fiddler-Sig Rossignol; Concerto on A Violin Without Strings-OrchestraWith the Last New Scene, Additional Performances. Characters of the Pantomime and Dances as usual.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Performance Comment: Thomas(to be imitated after the manner of Weston)-A Young Gentleman, first appearance on any stage; Whittle-Wilson; Kecksey-Lee Lewes; Sir Patrick-Mahon; Bates-Fearon; Nephew-Young; Widow Brady (with an Epilogue Song)-Mrs Lessingham.

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Performance Comment: imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa .
Event Comment: The King's Company. Pepys, Diary: We by coach to the Theatre and saw Love in a Maze. The play hath little in it but Lacy's part of a country fellow, which he did to admiration

Performances

Mainpiece Title: Love In A Maze

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: The Travels of Cosmo the Third (Thursday 25 April 1669 NS; Thursday 15 April OS): After dinner, he recommenced his visits to the ladies; going towards evening to the King's Theatre, to hear the comedy, in his majesty's box. This theatre is nearly of a circular form, surrounded, in the inside, by boxes separated from each other, and divided into several rows of seats, for the greater accommodation of the ladies and gentlemen, who, in conformity with the freedom of the country, sit together indiscriminately; a large space being left on the ground-flobr for the rest of the audience. The scenery is very light, capable of a great many changes, and embellished with beautiful landscapes. Before the comedy begins, that the audience may not be tired with waiting, the most delightful symphonies are played; on which account many persons come early to enjoy this agreeable amusement. The comedies which are acted, are in prose; but their plots are confused, neither unity nor regularity being observed; the authors having in view, rather than any thing else, to describe accurately the passions of the mind, the virtues and the vices; and they succeed the better, the more the players themselves, who are excellent, assist them with action, and with the enunciation of their language, which is very adapted for the purpose, as being a variation, but very much confined and curtailed, of the Teutonic idiom; and enriched with many phrases and words of the most beautiful and expressive description, taken both from ancient and modern languages (London, 1821, pp. 190-91)

Performances

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Virgin Prophetess

Performances

Mainpiece Title: The Funeral

Performances

Mainpiece Title: The Emperor Of The Moon

Song: Mason, Good

Dance: Laferry, Mrs Bicknell, Devonshire Girl, Claxton

Performances

Mainpiece Title: The Emperor Of The Moon

Song: As17051016

Dance: Laforest, Mrs Moss

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: Macbeth with cast as 27 Nov. 1718 was advertised in the Daily Courant, but Rich's Register lists The Mourning Bride. On 14 Jan. The Mourning Bride is advertised with the heading: Acted but twice these Two Years, suggesting either that it was not given on 13 Jan. or that the bill, already made up, was not changed for the printer, an unlikely event

Performances

Mainpiece Title: Macbeth or The Mourning Bride

Event Comment: Benefit Burnell (boxkeeper) and Abbott (numberer). Tickets for Love Makes a Man taken, the play being changed by the indisposition of a principal performer

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Stage Coach

Song: The last new Trumpet Song-Mrs Pulmon

Dance: Moreau, Miss Schoolding, delaGarde's Two Sons