SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A new musical entertainment compos'd & wrote by Mr Arne--it was much hiss'd but suffer'd to be given out again (Cross). No latter account will be taken. Books of the Entertainment to be had at the theatre. [Pages covering this date missing from Treasurer's Book. Larpent MS 85 indicates the Character Capt. Sancho-Blakes, deleted.] Receipts: #100 ($Cross)

Performances

Mainpiece Title: The London Merchant

Performance Comment: As17490922, but singing-_in Act I not listed.

Afterpiece Title: Don Saverio

Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17500103, but Hamlet-Garrick for last time this season; Ghost-Berry; Polonius-_; Laertes-_; Ostrick-_; Gravediggers-_.
Cast
Role: Player King Actor: Winstone

Afterpiece Title: The Rehearsal or Bayes in Petticoats

Dance: Grandchamps, Mlle Auretti

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: See17510131, but Romeo-Garrick; Juliet-Mrs Cibber; Mercutio-Macklin.

Afterpiece Title: A Lick at the Town

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Performances

Mainpiece Title: The Miser

Performance Comment: As17610911, but Lappet-Mrs Green; Mariana-Mrs Hamilton.

Afterpiece Title: Thomasand Sally

Dance: WWooden Shoe Dance-Sg Maranesi, Miss Wilford, Miss Valois; and a New Comic Pantomime Ballet, call'd The French Country Gentleman or the Female Metamorphoses-Sodi, Sga Manesiere (Being her first appearance on the English stage), Miss Wilford

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Coronation

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Ladys Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: This night a new Occasional Interlude call'd Hymen was introduc'd between the Acts; but not put in the Bills (Hopkins). [For cast, see 21 Jan.] An occasional Interlude on the Marriage of Princess Augusta to Prince of Brunswick call'd Hymen (Cross Diary). This night a new occasional Interlude called Hymen, but not in the bills. Hymen was written by Mr Allen (Hopkins Diary-MacMillan). [The Larpent MS 217 lists four characters and a Chorus: Hymen, Cupid, Venus, Mars, Chorus. The words of the Songs by Cupid, Hymen and Venus were published in the Public Advertiser, 23 Jan.] Receipts: #122 5s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17640113, but Recruits-Vaughan, _Parsons.

Afterpiece Title: The Rites of Hecate

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Performance Comment: As17661231, but Sir Jasper-Dunstall.

Dance: II: The Female Archer, as17661215

Event Comment: Benefit for Mrs Palmer. Part of Pit laid into boxes. House charges #64 4s. [Profit to Mrs Palmer #167 17s.] Receipts: #232 1s. (Treasurer's Book). Fifteen minutes past 4 went into the Pit at Drury Lane...even the lowest characters in this play well performed here. Holland being suddenly taken ill, Bensley played Sir John Melville. I like his figure better than Holland's, tho he's well suited to the characters he usually plays. At the end of the play we had a minuet by Mr Georgi and Mrs Palmer, the dancing very graceful. Then Vernon presented the Cries of London (an imitation of Shuter) in which he introduced of his own a description of the Tombs in Westminster Abbey. The thought of the statues of those, who never prayed while living, praying most devoutly, is good. In the character of Friendly, Vernon introduced a sketch of Ancient and Modern Hospitality. I suppose this is Vernon's first attempt at an imitation of Shuter. He did tolerably but Shuter's figure is of great advantage to him. After dinner bought the Public Advertiser of the 18th for the Playbills and the Atheist a pretty good fable in verse by J. Oakman (Neville MS Diary)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Performance Comment: As17670411 but Sketch of Ancient and Modern Hospitality-Vernon.

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: As17670209, but Squire Richard-J. Burton; Lady Townly-Mrs Lessingham; John Moody-Moody.

Afterpiece Title: The Register Office

Dance: II: The Lilliputian Camp composed by Grimaldi, as17670227; III: Hearts of Oak, as17670212; End: The Vintage, as17661011, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The Minor

Performance Comment: As17670819, but Mrs Cole, Smirk, and by Particular Desire Shift, Squintum-Foote; Tally-; Dick-.
Cast
Role: Transfer Actor: Weston
Role: Snarl Actor: Weston

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Royal Chace

Performance Comment: As17671023, but Short bill, Pluto-_; Neptune-_; Pan-_; Hercules-_; Apollo-_; Mars-_; Shepherd-_; Doctor-Weller.

Dance: End: A New Comic Dance-LaRiviere, Miss Valois

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17671009, but Bridget-Mrs Jeffries.

Afterpiece Title: The Double Disappointment

Event Comment: [N$Neville stood in the Pit this evening]: Iachimo by Smith, but I like Holland better in that character; Cloten by Yates, tho' not equal in it to King...Afterpiece concluded by an original dance by Mr Arnauld and Mrs Thomson (Neville MS Diary). Receipts: #193 10s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17671228, but Caius Lucius-Gardner; Helen-Miss Mills.

Afterpiece Title: Thomasand Sally

Performance Comment: As17671202, but Sailor-DuBellamy.

Dance: III: The Garland, as17671214

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Performance Comment: As17680206, but Parts-Watkins, _Hawksby.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Flora or Hob in the Well

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17680929, but King Henry VI-Reddish, 1st time.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Padlock

Dance: I: New Comic Dance, as17681210

Performances

Mainpiece Title: Hamlet

Performance Comment: As17690919 but Osric-Palmer.

Afterpiece Title: The Jubilee

Event Comment: Rec'd a Message from Mr Barry that he was not able to play King Lear on Fryday, which was at the bottom of today's Bills, but that he believ'd he could play on Saturday. He did not play again till Mond. the 15, King Lear (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Trip to Scotland

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751107, but Lady Anne-Mrs Greville.

Afterpiece Title: The Sultan or A Peep into the Seraglio

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17770320but Manly (1st time)-Barrett.
Cast
Role: 770320but Manly Actor: Barrett.

Afterpiece Title: St Helena or The Isle of Love

Dance: End II: a Hornpipe, as17770430