12 December 1775

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1775-1776
Volume: 4
Comments: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

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  • Original Data

    Source: London Stage Information Bank

    *p12 dl King Richard III. As 7 Nov., but Lady Anne-Mrs Greville. *aThe Sultan; or, A Peep into the Seraglio. Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; [with% Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. *cWith New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by $Mrs Abington=--it is very dull--It is vastly well got up and was receiv'd with Applause (<i>Hopkins Diary</i>). [$MacMillan='s note from $Kemble= differs slightly, mentioning $Bickerstaff= as the author. <i>Larpent MS 397</i> contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the <i>Turkish manner</i>, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an <i>Indian bird</i>, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an <i>English slave</i>r , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of <i>English women</i> who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in <i>Westminster Magazine</i> for Dec.: "The Audience appeared to be divided in their opinion of the merit of the <i>Sultan</i>, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of $Mr Dibdin=, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book).
  • Cleaned Data

    *p1775 12 12 dl King Richard III. ^As17751107^, but Lady Anne-Mrs Greville.*a1775 12 12 dl The Sultan; or, A Peep into the Seraglio. Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton.*c1775 12 12 dl With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by $Mrs Abington=--it is very dull--It is vastly well got up and was receiv'd with Applause (<i>Hopkins Diary</i>). [$MacMillan='s note from $Kemble= differs slightly, mentioning $Bickerstaff= as the author. <i>Larpent MS 397</i> contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the <i>Turkish manner</i>, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an <i>Indian bird</i>, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an <i>English slave</i>r , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of <i>English women</i> who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in <i>Westminster Magazine</i> for Dec.: "The Audience appeared to be divided in their opinion of the merit of the <i>Sultan</i>, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of $Mr Dibdin=, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book).
  • Parsed Data

    Event: 38450 | 17751212 | dl | With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by $Mrs Abington=--it is very dull--It is vastly well got up and was receiv'd with Applause (<i>Hopkins Diary</i>). [$MacMillan='s note from $Kemble= differs slightly, mentioning $Bickerstaff= as the author. <i>Larpent MS 397</i> contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the <i>Turkish manner</i>, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an <i>Indian bird</i>, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an <i>English slave</i> , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of <i>English women</i> who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in <i>Westminster Magazine</i> for Dec.: "The Audience appeared to be divided in their opinion of the merit of the <i>Sultan</i>, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of $Mr Dibdin=, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)
    Performance: 80567 | 38450 | p | King Richard Iii | As17751107, but Lady Anne-Mrs Greville.
    AsSeeDate: 80567 | dl | p | As | 17751107
    Cast:
    138096 | 80567 | Lady Anne | Mrs Greville.
    513015 | 80567 | Kind Henry | Aickin
    513016 | 80567 | Richard III | Smith
    513017 | 80567 | Richmond | Palmer
    513018 | 80567 | Buckingham | Jefferson
    513019 | 80567 | Tressel | Davies
    513020 | 80567 | Lord Stanley | Bransby
    513021 | 80567 | Norfolk | Hurst
    513022 | 80567 | Lord Mayor | Griffith
    513023 | 80567 | Catesby | Whitfield
    513024 | 80567 | Ratcliff | Wright
    513025 | 80567 | Lieutenant | Fawcett
    513026 | 80567 | Queen | Mrs Hopkins
    513027 | 80567 | Duchess of York | Mrs Johnston
    513028 | 80567 | Prince Edward | Mas. Blanchard
    513029 | 80567 | Duke of York | Mas. Pulley.
    Performance: 80568 | 38450 | a | The Sultan; or, A Peep into the Seraglio | Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. Sga Crespi, Mrs Sutton.
    Cast:
    138097 | 80568 | Solyman | Palmer
    138098 | 80568 | Osymn | Bannister
    138099 | 80568 | Elmira | Mrs King
    138100 | 80568 | Ismena | Mrs Wrighten
    138101 | 80568 | Roxalana | Mrs Abington
    138102 | 80568 | with Dancing | Fontaine, Como, Giorgi

Mainpiece

Comments:
As17751107, but Lady Anne-Mrs Greville.
Cast:

Afterpiece

Comments:
Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. Sga Crespi, Mrs Sutton.
Cast:

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