SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Victor"/1) | (@(roleclean,performerclean) "Victor")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.@*c1774 06 02 dl Benefit for Bannister. This Benefit was given to Mr B. after the Season Clos'd on Account of Some trouble he was in (Hopkins Diary). Mainpiece: By Particular Desire. [June 2 by Treasurer's Book.] Profits to Bannister after all charges #106 6s. 5d. This month was publish'd Theatrical Portraits, epigrammatically delineated, &c. 4to. Price 1s. 6d. (Gentleman's Magazine Catalogue). Receipts: #210 6d. (Treasurer's Book). AFTER SEASON RECEIPTS AND EXPENDITURES (Treasurer's Book). Rec'd: 15 June: Mr Parsonage's (late Williams) Rent 1 yr to Lady day last with 4s. 10d. deducted, #43 10s.; Mr Harrison's Rent 1 yr to ditto with #7 17s. 6d. Land Tax deducted, #38 2s. 6d.; for candles, oil & lampmen on Theatrical Fund Night #3 18s. 6d. 18 June: From Public Advertiser this season #50; from Daily Gazetteer #50; from Mr Pope 1 yrs. rent to Lady Day last with #1 13s. land tax deducted, #28 7s. 23 June: From New Additional Sinking Fund #241 13s.; Patentees' Draft on Mr Clutterbuck #50; Music forfeits this season, Mr D. Richards included, #25 14s. 7d. 25 June: Their Majesties Account 8 nights #80, the Queen's Ladies 2 nights #6. 29 June: Mr Rowland's Rent 1 year to Lady Day last with #2 2s. land tax deducted #40 18s. 30 June: Mr Evans (wardrobe?) sundry forfeips this season #47 8s. Paid: 4 June: Tallow chandler's 9th & last Bill (#37 12s. 9d., but with a discount at 8 on #350 16s. amount of this season's Bills) #9 11s. 6d. Mr Page in full of #25 this season, #1 10s.; Rector & Watch Covent Garden parish 1 year to Lady Day last #1 8s. 4d. 10 June: Two Housekeeper's Bills #11 3s.; half yrs, paving &c. St Martin to Lady Day last #17 13s. 15 June: Messrs Barrow & Co., Oil, #191 14s. 6d.; Messrs Marshall & Co. (plumbers) #55 3s.; Mr Cropley (linen draper) #15 13s. 6d.; Mr Cole (turner) #12 15s.; Mr Dalmaine (embroiderer) #3 13s. 6d.; Mr Landall (Undertaker) #3 4s. Mr Hatsell (mercer) #37 7s.; Mr Carpue (silk dyer)#7 7s. 6d.; Mr Barrett (wax chandler) #27 1s. 6d.; Mrs Vaughan (haberdasher) #7 16s. 6d.; Messrs Sandys & Co. (colourmen) #72 6d.; Mr Carter (scowrer) #20 6s.; Messrs Hewetson & Co. (lacemen) #27 3s.; Mr Stephens (mason) #4 6s.; Mr Cubit (tinman) #12 4s. 6d.; Mr Hopkins & Co. (ironmongers) #10 18s.; Mr Powney (stationer) #4 7s. 16 June: Miss Berkley on note #5 5s.; half yrs rent to Duke of Bedford to Lady Day last #165 2d.; Loss on sale of 330 and 1!2 light Guineas, #17; Mr Pope's Bill for Wigs, &c. #14 2s.; Mr Pope for 69 nights extra dressing this season #6 18s.; Mr J. Johnston's Music Bill, #16 12s. 6d. 23 June: Lowe & Co. (glaziers) #4 7s. 6d.; Scott & Co. (lacemen) #17 11s.; Waller & Co. (hosiers) #7 10s.; Mrs Chitty (coals) #28 10s.; Bibb (sword cutler) #1 5s.; Gardner (shoemaker) #6; Thomson (smith) #23 7s.; Chettell (timber) #40 17s.; Ireland (upholsterer) #35 1s.; Blakes (hatter) #3 1s.; Palmer (spermacetti candles) #124; Dorman (coals) #27 15s.; Dorman for attending practices of dances this season, #10 10s.; A. Johnston's Bill for sundrys #47 11s.; Mrs Garwood (laundress) #12 15s. 29 June: Black Lyon Bills for Wardrobe, Carpenters & Surveyors Dinners #25 14s.; Mr J. French on Acct #9 10s. 30 June: One yrs paving &c. to Covent Garden Parish to Lady Day last #3; Hopkins' Prompter's Bills #30 17s.; Victor's gratuity #30., and extra salary 2 weeks #5; Evans in lieu of Benefit #42, and extra salary 2 weeks #3. Books closed 30 June 1774: @Total Receipts #33,075 1s. 11d.@Total Expense #30,153 15s. 10d.@Profits #2,921 6s. 1d. divided as follows:@To Patentees #1840@To Mr Clutterbuck #1,081 6s. 1d.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Event Comment: This being the Last time of Mr G. performing he generously gave the Profits of the Night to the Theatrical Fund, he spoke the Usual prologue & after the play he went forward & address'd the Audience in so pathetic a Manner as draw Tears from the Audience & himself & took his leave of them forever (Hopkins Diary). [Accounts of the farewell address in the Morning Post and in Davies; Life of Garrick.] So Ends the Season 67 different Play 32 different Farce 189 Nights in all (Hopkins Diary). N.B. The profits of this night appropriated to the benefit of the Theatrical Fund: Cash #309 2s.; After Money #2 10s. 6d. Received #311 12s. 6d. Paid #36 5s. 9d. viz: @Renters #8@Supernumeraries & Kettle Drum #2 11s.@Soldiers 14s.@Extra Constables #1 10s. 6d.@Candles, Oyl & Lampmen #3 18s. 6d.@Carpenters Extras #2 1s.@Music Band #7 18s. 9d.@Messrs. Legg, Lauchery, Larivere, Garland & Langlois Salary #1 13s. 4d.@Sundry Doorkeepers & Servants #7 18s. 8d. @#36 5s. 9d.@Rec'd #311 12s. 6d.@Paid #36 5s. 9d.@Remains #275 6s. 9d.@Brought Fd #62 3s. 7d. from 10th May@Total #337 10s. 4d.@ N.B. The above sum of the two Nights for Theatrical Fund-order'd by Mr Garrick this 25th day of June 1776 to be paid into the hands of Mr Hatsell (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book): 11 June: Rec'd Box office keeper's cash #25; Candles, Oil &c. the 2nd Fund night #7 17s.; From Mr Dodd in Full #21. 24 June: From Sinking Fund (3rd) in full #963 10s.; From Grimaldi on acct #70; From Mrs Smith (singer) in full #31 10s. 2 July: From Public Advertiser for this season #50; Gazetteer ditto #50. 4 July: Their Majesties Acct this season #76; from Mr Harrison one yrs. rent Land tax deducted #37 5s. 5 July: From Mr Parsonage 1 yr. & one quarter rent to Midsummer (tax deducted) #53 15s. 15 July: From Mr Pope 1 yr. & one quarter rent to Mids. Last (taxes deducted) #35 12s. 6d.; Mr Heath 1 yr. and 1!2 Rent to Mids last #15. 19 July: From Mrs Johnston 1 yr. & one quarter rent to Mids. last #7 10s.; Mrs Groath 1!2 year to ditto #1 10s. Mr Percy three quarters Rent to ditto #7 10s.; Mr Waterer five quarters rent to ditto (land tax deducted) #51 7s. 25 July: Sundry forfeits taken up by Evans #38 5s. AFTER SEASON EXPENDITURES (Treasurer's Book): 11 June: Five days salary to sundries at #88 2s. 10d. per diem #440 14s. 2d.; George Garrick in full of #400 #5 13s. 4d.; Slingsby in full of #350 #1 3s. 4d.; Everard on note #10 10s.; Davis on note #21; Mr King to make up #500 in full #32 10s.; Lauchery on note #15 15s.; Mr Page in full of #25 #1 12s. 6d. 28 June: To Lord Walpole for one year's acting season #315; Mr Highly in Full of his building acct #85 19s.; Ditto for 3 yrs. ground rent to the 24th inst. #42. [For explanation of Walpole payment, see Boaden, Garrick Correspondence, II, 155 an involved agreement re an annuity dating from October 1761, now being collected because of new taxes on Carriages, and because Lady Walpole was footsore and would walk nowhere.] 20 June: Adelphi Tavern Bill & Waiters #20 10s. 6d.; Mr Park, chorus 4 nights in full #1 10s.; Mr R. Johnston's property Bills in full #33 1s. 6d. 24 June: Mr D. Garrick in full of #1,300 #235 13s. 2d.; Mr R. Harwood's gratuity #5 5s. 2 July: One yrs. subscription for St George's Hospital for both the managers #10 10s. 5 July: Three quarter's rent pd for Miss Abrahams at Gardners #37 10s. 9 July: Blakes (hatter) #11 15s.; Mrs Chitty (coals) #94 17s.; Hadley & Co., Engine, #12 12s.; Thomson (smith) #6 15s.; Barrow & Co., Oil, #108 13s. 6d.; Ireland (upholsterer) #17 2s. 6d.; Stevens (mason) #42 7s. 6d.; Hewetson (laceman) #9 2s.; Racket (taylor) #16 9s.; Barret (wax chandler) #14 5s.; Waller (hosier) #11 5s. 11 July: Machin, Chorus singer, #6, Bibb (sword cutler) #2 5s.; Gardner (shoemaker) #3 2s.; Marshall (plumber) #4 13s.; Stacey (colourman) #4 17s. 15 July: Daley (sadler) #5 5s.; Scott (copperlace) #25 14s. 6d.; Norfolk (glazier) #3 7s.; Carpue (silk Dyer) #18 13s.; Mrs Carter (scowerer) #1 14s. 6d.; Chettle (timber) #4 6s. 7d.; Pope, for Wiggs, #12 12s.; ditto for 81 extra nights dressing #8 2s.; Mr Preston 69 nights dressing Mr Garrick #5 3s. 6d.; Hatsell (mercer) #47 3s. 16 July: Powney (stationer) #2 10s.; Jennings (glover) #25 17s. 6d.; Prior (turner) #9 5s. 6d; Hopkin's Prompter's bill #13 18s.; Palmer for Sperma. Candles #7 14s.; Kirkman (harpsicord maker) #13 17s. 6d.; Hele (surveyor) #26 10s. 19 July: Mrs Garwood (laundress) #2 12s. 8d.; a Green coat for Mr Garrick #3 3s.; Mr Woods, chorus, 63 nights in full, #15 15s.; Mr French's bills in full #235 3s. 6d. 22 July: Mr Waterer, Black Lyon dinner Bills #56 8s. 6d. 25 July: Mrs Vaughan (haberdasher) #3 18s. 6d.; Cubit (tinman) #2 15s.; Kirk (housekeeper) three quarter's salary to Midummer #30; Victor's gratuity and two weeks salary #35; Evans in lieu of Benefit #42 and 2 weeks salary #3; Mr Westley 2 weeks salary #1 10s. AFTER SEASON COMPUTATION: DRURY LANE 1775-1776: Books closed 25 July 1776. @Total income #37,917 3s. 10d.@Total Expense #33,453 18s. 4d.@Profit #4,463 5s. 6d. divided as follows:@Mr Clutterbuck #1,000@Managers #3,240@ In Victor's hands #223 5s. 6d. [presumably for summer expenses and opening the next season. The Treasurer's Book also mentions a sum of #575 18s. 8d. at Mr Clutterbucks, without indication of its source or contemplated use.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Event Comment: [By Colley Cibber.] With new Scenes and new Habits. Victor, History of the Theatres, II, 164: But alas! I can remember being of the merry Party in the Pit the first Night of Cibber's Caesar in Egypt, in which he performed the Part of Achoreus ; and we then laught at his quavering Tragedy Tones, as much as we did at his Pasteboard Swans which the Carpenters pulled along the Nile. [See also Weekly Journal or Saturday's Post, 12 Dec.

Performances

Mainpiece Title: Caesar In Aegypt

Event Comment: [By Thomas Southerne.] Receipts: #93 10s. 6d. Victor, History of the Theatres, II, 152: I happened to be behind the Scenes the first Night of this Comedy, and was very sorry to find that the Audience did not take the Age, as well as the great Merit of this Author, into their Consideration, and quietly dismiss this last weak Effort to please them. When they were hissing dreadfully in fifth Act, Mr Rich, who was standing by Mr Southern, asked him, if he heard what the Audience were doifg? His Answer was, No, Sir, I am very deaf.

Performances

Mainpiece Title: Money The Mistress

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Event Comment: [By Colley Cibber.] Never Acted before. A New Pastoral (of Three Acts). N.B. Printed Books of the Play will be sold at the Theatre. Fog's, 11 Jan. On Tuesday Night last a ridiculous Piece was acted at...Drury-lane, which was neither Comedy, Tragedy, Opera, Pastoral or Farce; however, no Thief or Robber of any Rank was satyriz'd in it, and it could be said to give Offence to none but Persons of Sense and good Taste; yet it met with the Reception it well deserv'd, and was hiss'd off the Stage. See also Cibber, Apology, I, 243-44, 248-49; Victor, History of the Theatres, II, 106-7; Whincop, p. 197

Performances

Mainpiece Title: Love In A Riddle

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: As 27 Nov. 1738. Mainpiece: Alter'd from Shakespear. Victor, History of the Theatres, II, 48: In the Year 1738, having, as he [Colley Cibber] said, Health and Strength enough to be as useful as ever, he came to Terms with Mr Fleetwood for his performing Richard, Fondlewife, Sir John Brute, &c. All his Comedy Parts he was right in, but in Richard he found his Mistake; his usual Strength and Spirit failed him most unhappily. I went behind the Scenes in the third Act, and asking him how he fared? He whispered me in the Ear, "That he wou'd give fifty Guineas to be then sitting in his easy Chair by his own Fireside.

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mock Doctor

Dance: Muilment

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales. Benefit Garrick. Boxes and Pit laid together at 5s. Victor to Garrick: My closest attention was never more commanded than by you last night in Othello....I was most inclined to fear for you in your address to the Senate, but there, even there, you excelled your present rival (Quin) whose merit lies chiefly in declamation-I found you had very judiciously applied your study to the great and striking passages in the character--the trance had a fine effect, your manner of falling into it, and recovery from it, was amazingly beautiful...it would be ridiculous to doubt of your ability to act this part in the utmost perfection; but to arrive at that point there are some things to be done.--Genest, IV, 147

Performances

Mainpiece Title: Othello

Dance: II: Muilment

Song: III: A Cantata-Lowe

Event Comment: Mainpiece: Not acted this season. Full Prices. [Sparked by Victor's publication of his History of the Theatres of London and Dublin, 1730 to the Present, a series of articles on the Rise and Progress of the English Stage appeared in the Gentleman's Magazine for May (p. 214 ff); June (p. 264 ff); and July (p. 297).

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Register Office

Event Comment: Not acted in 5 years. [See 4 Feb. 1758.] The Drummer was revived at this period at both theatres...to take advantage of the reigning weakness of the people, who went in crowds many days and nights to an Haunted House, by what was called the Cock-Lane Ghost-a delusion set on foot, and very ingeniously carried on by a girl of 12 years of age, daughter of a clerk of St Sepulchre's Church, who resided in Cock Lane near Smithfield. [The Ghost was supposed to be that of one Fanny, a gentleman's mistress buried in the church. By knockings and scratchings she supposedly haunted the girl intimating foul practices concerning her death.] It would be incredible to relate the numbers of persons of distinction that attended this delusion! many of whom treated it as a serious and most important affair...at last the girl's father and three or four others were tried in the King's Bench, found guilty' Pillioried and imprisoned. This most effectively laid the Ghost; and is the best and properest cure for every ghost that may arise hereafter. (Victor, History of the Theatres, III, 18 ff). [The theme exploited again by Garrick in The Farmer's Return from London, dl 20 March.

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Genii

Song: II: Hearts of Oak, as17620115; End: An Occasional Ballad by Way of Epilogue, in the Character of Abigail,-Mrs Clive

Event Comment: With New Habits, Scenes, Decorations and Music. Full Prices. Songs in the Entertainment will be given out at the Theatre. Afterpiece compos'd by Love, perform'd with success (Victor, I, 40). [N.B. In June 1762 the King of the Cherokee Indians arrived with two of his chiefs to pay respects to King George III. On 28 August they appeared at Marylebone Gardens. A dmission Price to see them 6d. (London Chronicle, No 857 & 860).

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Witches; or, Harlequin Cherokee

Song: IV: Miss Young

Event Comment: The good sense of the audience condemned this piece to oblivion, after, we think, two representations (Biographia Dramatica). [Contrived by Guerini (Nicoll, Eighteenth Century Drama, p. 355). Victor says Guerini played Pantaloon (History of Theatre, III, 48.] Sunday 2 January, Mr Pritchard Died (Cross Diary)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Magician of the Mountain

Event Comment: A Serious English Opera never performed before, by Mr Rolt. Music by Mr Michel Arne and Mr Battishall. Though it met with a favourable reception was preformed but six nights to thin audiences (Victor, History of the Theatres, III, 58)

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: Comedy by Mrs Griffith, never before acted. [Not well received the first night, but clarified and improved the second Victor, History of the Theatres, III, 59. Prologue and Epilogue printed in Public Advertiser, 28 Jan.

Performances

Mainpiece Title: The Platonic Wife

Event Comment: Farce never acted before [by James Townley]. Farce-Ill received the first night and damned the second (Victor, History of the Theatres, III, 62)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Tutor

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit; or, Harlequin at Rhodes

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Event Comment: Rec'd stopages #3 4s. 6d.; Paid salary list #441 4s. (Treasurer's Book). Receipts: #171 18s. (Treasurer's Book). Pay List 24 Jan. 1767 at #73 10s. 8d. per diem, #441 4s. per week (Winston MS 9), at close of season 1766-67. @Men Daily Weekly@James Lacy #2 15s. 6d. #16 13s.@David Garrick #2 15s. 6d. #16 13s.@#2 18s. 4d. #17 10s.@Yates & Wife #3 6s. 8d. #20@Holland #2 #12@Powell #2 #12@Palmer & Wife #2 #12@King & Wife #2 #12@Dance & Wife #1 1s. 8d. #6 10s.@Hopkins & Wife 18s. 4d. #5 10s.@Havard 16s. 8d. #5@Dodd 16s. 8d. #5@Baddeley & Wife 13s. 4d. #4@Bransby 11s. 8d. #3 10s.@Burton 10s #3@Moody 10s. #3@Rooker 10s. #3@Packer 8s. 4d. #2 10s.@Parsons 8s. 4d. #2 10s.@Aickin 8s. 4d. #2 10s.@Hurst 6s. 8d. #2@Ackman 6s. 8d. #2@Hartry 6s. 8d. #2@Weston 6s. 8d. #2@Clough 5s. #1 10s.@Raftor 5s. #1 10s.@J. Johnston 5s. #1 10s.@J. Palmer 5s. #1 10s.@Castle 4s. 2d. #1 5s.@Strange 4s. 2d. #1 5s.@Fox 4s. 2d. #1 5s.@Marr 3s. 4d. #1@Mas. Burton 3s. 4d. #1@Philips 3s. 4d. #1@Keen 3s. 4d. #1@Watkins 2s. 6d. 15s.@Mortimer 2s. 12s.@West 2s. 12s.@ Women Daily Weekly@Pritchard #2 6s. 8d. #14@Clive #1 15s. #10 10s.@Abington 16s. 8d. #5@Pope 16s. 8d. #5@Barry 10s. #3@Reynolds 8s. 4d. #2 10s.@Bennett 8s. 4d. #2 10s.@Bradshaw 6s. 8d. #2@Lee 6s. 8d. #2@Plym 6s. 8d. #2@Cross 5s. #1 10s.@Simpson 4s. 2d. #1 5s.@Smith@Speres@Miss Simson@Mills@Pearce@Mathews 3s. 4d. each #1@ Singers@Arne #1 10s. #9@Vernon #1 #6@Vincent 16s. 8d. #5@Scott 13s. 4d. #4@Champness 13s. 4d. #4@Dorman 5s. #1 10s.@Fawcett 5s. #1 10s.@Kear 3s. 4d. #1@The Band #7 14s. 8d. 46s. 8d.@ Dancers@Guidetti 17s. 6d. #5 5s.@Grimaldi & Wife 16s. 8d. #5@Giorgi & Wife 16s. 8d. #5@Duquesney 10s. #3@Tassoni 6s. 8d. #2@Granier@Mathews@Roullet@Luchi@Tetley 5s. each #1 10s.@Walker 4s. 2d. #1 5s.@Hurst@Pope@Mas. Lelly@Eagan@Heath 3s. 4d. each #1@Heyward@Reinhold@Wallis@Brawn 2s. 6d. each 15s.@Office Keepers 2 at #1@3 at 15s.@1 at 12s.@Box Keepers 15 Doorkeepers (Palmer included) 9s.@Men Dressers 1 at 12s.@11 at 9s.@Women Dressers 16 at 9s.@Treasurer: Victor 8s. 4d. #2 10s.@Sub. Treas.: 5s. #1@Wardrobe: Heath & Wife 6s. 8d. #2@Wardrobe: Slaughter 5s. #1 10s.@Wardrobe: Johnston 3s. 4d. #1@Properties: Berkely Jr 3s. 4d. #1@Properties: D Jr 1s. 9d. 10s. 16d.@Numberer: Fosbrook 2s. 6d. 15s.@Housekeepers: Johnson 8s. 10d. #2 13s.@Hulett 2s. 6d. 15s.@Sceneman 1s. 8d. 6s. 4d.@Soldiers 14s. #4 4s.@Sweepers 11s. 6d. #3 9s.@Barber 4s. #1 4s.@Constable 2s. 12s.@Candlewoman 2s. 12s.@Pensioner: Waldgrave 1s. 9d. 10s. 6d.@Sinking Fund 1s. 15d. 10s. 10d.@Salary Fund 1s. 15d. 10s. 10d.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: High Life below Stairs

Event Comment: Rec'd stopages #11 18s.; Paid Daniel Maltoss [sic] Esq one year's rent due Xmas #31 10s. 10d. (Treasurer's Book). [Evidently Daniel Malthus. Although Victor was still Treasurer and Evans sub-treasurer this season, some new bookkeepers seem to be recording the financial transactions, for several different hands appear in the manuscript. The spelling by one of these bookkeepers is bad even by eighteenth-century standards. DeLoutherbourg's name is spelled a half-dozen different ways, including Lutenborgh, Lutterbourg, and Latherbourg.] Receipts: #266 2s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Rival Candidates

Dance: V: The Irish Fair, as17751003

Performances

Mainpiece Title: Alexander's Feast 0; Redemption 0; L'allegro Ed Il Pensieroso 0

Afterpiece Title: Alexander's Feast 1

Performance Comment: 'Twas at the royal feast-Harrison; Happy happy pair-Harrison, Chorus; Timotheus placed on high-Harrison; The song began from Jove-Mrs Second; The list'ning croud-Chorus; With ravish'd ears-Mrs Second; The praise of Bacchus-Harrison; Bacchus ever fair and young-Bartleman; Bacchus' blessings-Chorus; Sooth'd with the sound-Harrison; He chose a mournful muse, He sung Darius-Mrs Billington; With downcast looks the joyless victor sat, Behold Darius great and good-Chorus; The mighty master, Softly sweet in Lydian measure-Mrs Billington; War he sung-Mrs Second; The many rend the skies-Chorus; The prince unable-Mrs Billington; The many rend the skies [repeated]-Chorus.

Afterpiece Title: Alexander's Feast 2

Afterpiece Title: Grand Miscellaneous Act