Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Event Comment: Text by the Rev. Dr Thomas Morrell; Music by Handel. [Dean quotes Lord Shaftesbury as saying the oratorio went off with great applause.

Event Comment: Benefit Cross (Prompter) and Mrs Cross. Mainpiece not acted for 40 years [see 22 Dec. 1710]. Written by the author of The Yeoman of Kent [Thomas Baker]. Tickets deliver'd by Mr Burton will be taken. Tickets to be had of Cross at his lodgings over against the Rose Tavern in Russell St., Covent Garden

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Event Comment: Benefit for Berry. Tickets to be had of Berry at Mr Pope's, Peruke Maker in Russel St., Covent Garden and of Hobson at the Stage Door. [From the Gentleman's Magazine Register of Books for this month: An Account of the Life of that Celebrated Tragedian, Mr Thomas Betterton, containing a distinct relation of his excellencies in his profession and character in private life, and interspersed with an account of the English theatre during his time. Printed for J. Robinson.] Receipts: #160 (Cross); house charges, #60 (Powel)

Event Comment: Benefit for Sowdon. Tickets to be had of Sowdon at Mr Haymer's in James St., Covent Garden, of Hobson at the Stage Door; at Will's Coffee House, Cornhill, and of Mr Thomas Sowdon, in Blackman St., Southwark. Receipts: #160 (Cross); no house charges. N.B.: A present was made to him of the charge of the House, because he had acted this season and receiv'd no salary (Powel)

Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Event Comment: Benefit for Sowdon. Last time of performing the Mainpiece this season. A Gent: play'd Puff in the farce--Bug (Cross). [Seems to have been a clear benefit, as Treasurer's Book lists no charges.] Cash #65 8s. 6d., plus tickets #95; Paid Reynolds for wax & [brickdust] 3s. 9d. Paid Mr Pope a Bill #7 14s. [wigmaker] (Treasurer's Book). Tickets of Sowdon at his lodgings, the Sign of the Sun, a Milliner's facing Exeter exchange in the strand, and of Hobson at the stage door. Tickets otherwise to be had at Will's Coffee House in Cornhill, and of Mr Thomas Sowdon in Blackman St., Southwark. We hear William Mills, Comedian, lies at the point of death, at his lodgings in Russell St., Covent Garden. Receipts: #170 (Cross); #160 3s. 6d. (Treasurer's Book)

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Event Comment: On Friday the 22nd a Benefit for Mrs Allen, Daughter of the late Thomas Allen, Barrister at Law, and Niece to the late Col. James Allen, who has for many years lost the use of her limbs by Palsy,--The Suspicious Husband, with entertainment as will be express'd in the Bill of the Day. Tickets to be had at Searle's Coffee House, Lincoln's Inn; at the Rolls, Chancery Lane; at George's Temple Bar; at Grigsby's behind the Change; at the Southsea Coffee House, Bishopsgate St.; and at the stage door, where places may be taken

Event Comment: Benefit for Mrs Allen, daughter of the late Thomas Allen, Barrister at law, under misfortunes. [For her misfortunes, see note, 12 Dec.

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Event Comment: Benefit for Sparks. Afterpiece: A farce never perform'd before. [Possibly Thomas Sheridan's The Brave Irishman, but see Ten English Farces, Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 221 ff.] Last time of the company's performing till the holidays

Event Comment: Benefit of Cross jun and Miss Thomas. Box 5s. Pit 3s. Gallery 2s. To begin at 6 p.m

Event Comment: Mainpiece: By Desire. Last Time of performing it. Receipts: #153 14s. 6d. Barry's 113 of surplus came to #24 11s. 6d. Paid George Lambert (scene painter) 3 months' salary #25. The following additional Renters came in this night at 1 share each: Thomas Fludyer, John Calcraft, Charles Lanoe, and Samuel Berkeley. Richard Vincent Sr bought in at 2 shares (Account Book)

Event Comment: Benefit for Barry. Afterpiece: By MacNamara Morgan. Receipts: #133 14s. 6d. plus Tickets #163 3s. (boxes 479; pit 230; gallery 89). Charges #63. Total value of House: #296 17s. 6d. Profit to Barry #233 17s. 6d. Paid Samuel Wale for painting figures Boys & other decorations in a scene designed by Servandoni #5 5s. Paid Matthew Pearce, Bricklayer, #230, on account of the New Building. Paid Thomas Pervil for sundry cloaths as specified below, #112, 17s.: A Bloom Colored Brocade coat & Breeches with silver flowers & a Gold & Silver Brocaded Waistcoat & Coffs, #8; A Pompador Velvet Coat, Waistcoat & 2 pr. Breeches shot with silver, #11 11s.; A Blue cut and uncut Velvet Suit, Flower'd and Gold Ground, #10 10s.; A Dove colored Brocade Coat & Breeches, Gold & Flowers & a Gold & Silver Brocade waistcoat & Cuffs, #10 10s.; A Blue & Silver Brocade Coat & Breeches & Silver Brocade waistcoat & Cuffs, #10; a light color'd coat & Breeches & a blue silk waistcoat with gold lace, #14; A copper color'd velvet coat & breeches, and yellow waistcoat, embroider'd with gold, #20; A blue velvet suit, plain, #4 10s.; A crimson velvet Roab Surcoat, belt sword & Bonnet worn by a Peer in Parliament, & a Green velvet Roab, purple velvet surcoat & hood-a Knight of the Thistle's dress, #17 16s.; a plain crimson velvet suit, #6 (Account Book)

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Event Comment: The Musical Entertainment of Thomas and Sally is by particular desire oblig'd to be deferr'd till tomorrow. Boxes #8 2s. 6d. Paid Hewetson 4s. for Powder to clean lace (Account Book). Receipts: #83 17s. (Account Book)

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Event Comment: Young Gentlewoman-Miss E. Miller, marryed since to Mr Thomas Baker, an actor of cg, and a singing master. Mrs Baker is at present separated from her husband (1792) and performs only at Sadler's Wells in Pantomimes &c! Qu: Count Haslang and Mrs Baker (Hopkins MS Notes). Income from Boxes #27 2s. 6d. Nightly expense as usual #32 16s. 11d. Receipts: #74 7s. 6d. (Winston Theatrical Record)