SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Rev Robert Nares"/1) | (@(roleclean,performerclean) "Rev Robert Nares")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1058 matches on Performance Comments, 924 matches on Author, 309 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

Event Comment: Mainpiece [1st time; T 5, by Bertie Greatheed. Prologue by the Rev. David Williames. Epilogue by Hester Lynch Piozzi (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 20 May 1788: This Day is published The Regent (1s. 6d.). Afterpiece: Not acted these 12 years [acted 29 May 1779]. "I do think that Mrs Siddons for Vigour of Action, pathetic Tone of Voice, & a sort of Radiance which comes round her in Scenes where strong heroic Virtues are displayed, never had her Equal" (Thraliana, II, 715). Receipts: #226 13s. (211.1; 14.4; O.18; tickets not come in:0.10)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Miller of Mansfield

Related Works
Related Work: The King and the Miller of Mansfield Author(s): Robert Dodsley
Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Prize

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

Performance Comment: Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley.

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performances

Mainpiece Title: The Footman

Performance Comment: Miller, Bardin, Jenkins, Rosco, Bullock, Collet, Excell, Norris, Beckham, Mrs Roberts, Mrs Palmer, Mrs Haughton, Mrs Purden, Mrs Tollet, Miss Wherrit, Miss Tollet; but edition of 1731 lists: Charles-Bardin; Harry-Jenkins; Noddy-Miller; George-Rosco; Thomas-Bullock; Isaac-Excell; Laurence-Norris; Porter-Beckham; Mrs Jessamy-Mrs Haughton; Jenny-Mrs Roberts; Betty-Mrs Palmer; Sukey-Mrs Purden; Molly-Miss Tollet; Nanny-Miss Wherrit; Catherine-Mrs Tollet; Epilogue-Mrs Roberts.
Cast
Role: Jenny Actor: Mrs Roberts
Role: Epilogue Actor: Mrs Roberts.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Performance Comment: Cast not listed, but edition of 1736 lists: Fretful-Penkethman; Matchwood-Rosco; Clerimont-Kelly; Frederick-Miss Jones; Harriot-Miss Gerrard; Lucy-Mrs Roberts. Prologue and Epilogue sung by Mrs Roberts .

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

Performances

Mainpiece Title: The Temple Beau

Performance Comment: Temple Beau-Giffard; Lady Lucy-Mrs Giffard; Sir Avarice-Norris; Veromil-W. Giffard; Valentine-Havard; Pedant-Rosco; Pincet-Woodward; Lady Gravely-Mrs Haughton; Clarissa-Miss Hughes; Bellaria-Mrs Roberts; Sir Harry-attempted by Penkethman, Being but the Thirteenth Time of his appearing in that Character .
Cast
Role: Bellaria Actor: Mrs Roberts

Afterpiece Title: The Lover His Own Rival

Performance Comment: Fretful-Penkethman; Chambermaid-Mrs Roberts, but see17360210 With the Prologue and Epilogue to be sung by Mrs Roberts .

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. III: Richmond Maggot by Le Sac and Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Song: IV: By Mrs Chambers

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Performances

Mainpiece Title: Duke And No Duke; Or, Trapolin Suppos'd A Prince

Performance Comment: Trapolin-Harper; Duke-Bridgwater; Brunetto-Williams; Alberto-Chapman; Barberino-Roberts; Prudentia-Mrs Houghton; Isabella-Mrs Orfeur; Conjuoro-Orfeur; Flametta-Mrs Roberts; Dustress'd Women-Mrs Willis, Mrs Davison; Puritan-Norris.
Cast
Role: Barberino Actor: Roberts
Role: Flametta Actor: Mrs Roberts

Afterpiece Title: Hob; or, The Country Wake

Song: A Quaker's Song-Mrs Willis

Dance: Highland Lilt-Mrs Willis; Running Footman-Houghton; Union Dance-Houghton, Mrs Willis

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Country

Performance Comment: Shacklefigure-Norris Sr; Modely-Bridgewater; Heartwell-Roberts; Sir John-Norris Jr; Lurcher-Williams; Carbuncle-Orfeur; Vulture-West; Freehold-Harper; Aura-Mrs Roberts; Flora-Mrs Houghton.
Cast
Role: Heartwell Actor: Roberts
Role: Aura Actor: Mrs Roberts

Song: Original Songs-

Dance: With the Original Dances-

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green; Or, The Woman Never Vex'd; With The Comical Humours Of Sir Timothy Sousecrown And His Man Gudgeon

Performance Comment: Sousecrown-Bridgewater; King-Huddy; Rakish-Williams; Montfort-Roberts; Lady Westford-Mrs Willis; Arabella-Mrs Morgan; Widow-Mrs Roberts; Gudgeon-Butcher.
Cast
Role: Montfort Actor: Roberts
Role: Widow Actor: Mrs Roberts

Entertainment: Vaulting-; Tumbling-; High Rope Walking-

Performances

Mainpiece Title: The History Of Bonduca; Or, The British Heroine: With The Humours Of Corporal Macer

Performance Comment: Caratach-Bridgwater; Venutius-Cibber Jr; Suetonius-Roberts; Macer-Griffin; Hengo-Miss Robinson; Bonduca-Mrs Butler; Claudia-Mrs Cibber; Bonvica-Miss Raftor; The Original Epilogue-Miss Brett.
Cast
Role: Suetonius Actor: Roberts

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performance Comment: Hunter-Mrs Roberts; Quorum-Fielding; Grig-Berry; Chaunter-Bridgwater; Cant-Cibber Jr; Phebe-Miss Raftor; Tippet-Mrs Heron; Mrs Chaunter-Mrs Shireburn; Tit Tatter-Mrs Willis; but edition of 1729 adds: Gage-Lacy; Mump-Roberts; Scrip-Wright; Swab-Burnet; Constable-Grey.
Cast
Role: Hunter Actor: Mrs Roberts
Role: Mump Actor: Roberts

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Harper, Griffin, Roberts, Norris, Mrs Oldfield, Mrs Porter, Mrs Booth, Miss Raftor; but edition of 1730 lists: Colonel Truemore-Mills; Gainlove-Wilks; Shamwell-Bridgwater; Haughty-Harper; Conundrum-Griffin; Apeall-Cibber; Vicechancellor-W. Mills; Old Apeall-Roberts; Timothy-Norris; Dash-Oates; Lady Science-Mrs Porter; Victoria-Mrs Booth; Clarinda-Mrs Oldfield; Kitty-Miss Raftor; Wife to Haughty-Mrs Grace; Prologue-Wilks; Epilogue-Miss Robinson.

Performances

Mainpiece Title: Sophonisba

Performance Comment: Edition of 1730 lists: Masinissa-Wilks; Syphax-Mills; Narva-Roberts; Scipio-Williams; Laelius-Bridgwater; Sophonisba-Mrs Oldfield; Phoenissa-Mrs Roberts; Prologue-Williams; Epilogue-Mrs Cibber.
Cast
Role: Narva Actor: Roberts
Role: Phoenissa Actor: Mrs Roberts

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Carlos-Roberts, from Drury Lane; Cholerick-Morgan, from Lincoln's Inn Fields; Clodio-Woodward, from Goodman's Fields; Angelina-Mrs Morgan, her first on this Stage; Louisa-Mrs Woodward, her first on this Stage; Antonio-Jones; Charino-Ayres; Governor-Mullart; Duart-Lacy; Manuel-Haverd; Sancho-Reynolds; Elvira-Mrs Mullart; Honoria-Mrs Lacy; With a new Prologue on the Occasion-Roberts.

Performances

Mainpiece Title: The Old Debauchees

Performance Comment: Father Martin-Cibber Jr; Isabel-Miss Raftor; Old Laroon-Shepard; Young Laroon-W. Mills; Old Jourdain-J. Roberts; Beatrice-Miss Williams; edition of 1731 adds: Prologue-William Mills.
Cast
Role: Old Jourdain Actor: J. Roberts

Afterpiece Title: The Covent Garden Tragedy

Performance Comment: Captain Bilkum-Mullart; Lovegirlo-Cibber Jr; Galloon-Paget; Leathersides-Roberts; Chairman-Jones; Mother Punchbowl-Bridgwater; Kissinda-Miss Raftor; Stormandra-Mrs Mullart; Nonparel-Miss Mears; Industrious Jenny-Miss Eliz. Roberts; Prologue-Theophilus Cibber; Epilogue-Miss Raftor.

Dance:

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Miss Raftor; Macheath-Stoppelaer; Lockit-Mullart; Peachum-Paget; Mrs Peachum-Mrs Mullart; Lucy-Miss Atherton; Mrs Slammekin-Mrs Charke; Beggar-W. Mills; Player-Roberts; Mat-Jones; Filch-Leigh; Jemmy-Cross; Crookfinger'd Jack-Wright; Dreary-E. Roberts; Robin-Peploe; Ned-Vaughan; Paddington-Gray; Budge-Ridout; Drawer-Gray; Sailor-Burnet; Diana-Mrs Mullart; Sukey-Miss Williams; Mrs Coaxer-Mrs Walter; Dolly-Mrs Mullart; Mrs Vixen-Miss Mears; Betty-Mrs D'Lorme; Jenny-Miss Atherton; Molly-Mrs Roger.
Cast
Role: Player Actor: Roberts
Role: Dreary Actor: E. Roberts

Afterpiece Title: The Mock Doctor

Cast
Role: Harry Actor: Roberts

Dance: Juvan d'Vallois

Performances

Mainpiece Title: Henry Iv, Part Ii

Afterpiece Title: Damon and Daphne

Performance Comment: Damon-Mrs Charke; Comus-Mrs Roberts; Aegeon-Ridout; Phaon-Berry; Thirsis-Raftor; Satyr-Jones; Amor-Mullart; Daphne-Mrs Grace; Venus-Miss Raftor; Hymen-Stoppelaer; Cupid-Young Cunningham; First Priest-E. Roberts.
Cast
Role: Comus Actor: Mrs Roberts
Role: First Priest Actor: E. Roberts.

Dance: In I of Afterpiece: Les Bergeries-Essex, Haughton, Miss Robinson

Ballet: In II: A Comic Rural Ballad called The Country Revels. Colin-Essex; Phoebe-Mrs Booth; Yeomen-Lally, Haughton; Yeomen's Wives-Miss Mears, Mrs Walter; Peasants-Lally Jr, F. Tench, Davenport; Peasant Women-Mrs Delorme, Miss Mann, Miss Price

Music: Concerto on the Violin-Charke; Music for two Vox Humanes, a new Invented Instrument-

Performances

Mainpiece Title: Timon In Love; Or, The Innocent Theft

Performance Comment: Parts by Bridgwater, Roberts, Hewitt, Mrs Horton, Mrs Clive; but edition of 1733 lists: Timon-Roberts; Pierrot-Bridgwater; Socrates-Hewit; Mercury or Aspasia-Mrs Clive; Plums-Norris; Iphicrates-Topham; Caricles-Jones; Singing Master-Turbutt; Fencing Master-Hewson; Dancing Master-Davenport; Eucharis-Mrs Horton. Prologue spoken by Bridgwater; Epilogue spoken by Mrs Clive . Epilogue spoken by Mrs Clive .
Cast
Role: : Timon Actor: Roberts

Afterpiece Title: The Country Revels: With Harlequin Restor'd

Event Comment: Benefit Roberts, Boxkeeper. At the particular Desire of several Persons of Distinction

Performances

Mainpiece Title: The Wonder

Cast
Role: Flora Actor: Mrs Roberts

Dance: I: A Scot's Dance, called The Lomphergall (after the manner of the Country) by a Gentleman at the Request of his Friends. II: The Whim by Miss Wherrit and Miss Sandham. III: Tambourine by Miss Wherrit. IV: Scot's Dance by Mrs Bullock. V: Dutch Skipper by Vallois and Mrs Bullock

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Mrs Sullen-Mrs Roberts; Dorinda-Mrs Mullart; Archer-Wilks, Nephew to the late Robert Wilks; Sir Charles-Mrs Charke; Aimwell-Turbutt; Scrub-Hallam; Sullen-Pullen; Bonniface-Mullart; Gibbet-Machen; Foigard-Jones; Lady Bountiful-Mrs Egerton; Cherry-Mrs Talbot; Gipsey-Miss Brett; Old Woman-Hallam, but see17340624.

Afterpiece Title: The Mock Doctor

Performance Comment: Nell-Mrs Roberts; Mock Doctor-Hallam, but see17340617.
Cast
Role: Nell Actor: Mrs Roberts

Dance: II: A new Dance by Davenport and Miss Brett. V: Les Bergeres by Davenport and Miss Brett

Song: I: Was ever Nymph like Rosamond by Miss Jones. IV: 'Tis Joy to wound a hover (from Rosamond) by Miss Jones

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Britannia; or, The Royal Lovers

Performance Comment: Britannia-Mrs Chambers; Germanicus-Miss Jones; Cupid-Miss Roberts, the first time of her appearing on this stage. In it: Harlequin in the City; or, A Wonder: Colombine Turn'd Elephant. Colombine-Mrs Roberts; Harlequin-Lun Jr; Colombine's Husband-Rosco; Clown-Penkethman; Yeoman-Wetherilt; Londoners-Hind, Topham; Yeoman's Wife-Mrs Hamilton; Londoners' Wives-Mrs Woodward, Miss Sandham; Master of the Elephant-Hulett; Gentlemen-Harbin, Jenkins, Morris; Herb Woman-Norris; Egg Woman-Monlass; Guinea Droppers-Ray, Dove; Porters-Pearce, Ayres; Basket Woman-Excell. And a New Prologue address'd to the Town, upon Harlequin's Introduction into the City. With New Musick compos'd by Mr Seedo .
Related Works
Related Work: Rule Britannia! Author(s): James Roberts