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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "R Ledger"/1) | (@(roleclean,performerclean) "R Ledger")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2082 matches on Performance Comments, 261 matches on Event Comments, 21 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Deserter

Entertainment: Vaudeville. In II afterpiece: Military Manoeuvres, as17990425; The Dead March, as17990425; Shooting a Deserter, as17990425

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Shipwreck

Afterpiece Title: The First Act of Robinson Crusoe; or, Harlequin Friday

Dance: In 3rd piece: the original Savage Dance-

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The First Floor

Song: As17990529

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Irish Widow

Song: As17990529

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Fortune's Frolick

Event Comment: Mainpiece: Not acted this season. Boxes #37 15s. Paid Macklin his fifth of surplus above #63. House charges: #16 19s. 3d. Paid Mr Rich on account #300 (Account Book). [Rich's ledger system was broken down into 96 headings, of which his large sum withdrawal account was numbered 1.] Receipts: #147 16s. 6d. (Account Book)

Performances

Mainpiece Title: The Siege Of Damscus

Afterpiece Title: Love a-la-Mode

Dance: Dances-Poitier Jr, Mlle Capdeville [the particular ones unspecified]

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: Boxes #15 12s. 6d. Macklin's fifth came to #16 9s. Paid Woodfall's Printing Bill, commencing 22 Sept. last and ending 10 Jan. #128 11s. Paid Ledlay for 7 1!2 doz. wax candles #11 12s. 6d. Paid Pattinson, tallow chandler #14 17s. 6d. Paid Besworth for making ghost's dress for Hamlet #6 18s. Paid for a wig for Cable in Thomas and Sally 3s. 6d. (Account Book). On Saturday Evening during the play of the Married Libertine...several riots ensued, occasioned by a number of Jews assembled for that purpose in the two shilling gallery; but they were soon quelled (Public Ledger, 10 Feb.). Receipts: #143 4s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: As17610202

Event Comment: Books of the Opera to be sold at the Theatre. Nothing under FULL PRICE can be taken. Opera not perform'd this season. [A riot this night in which the benches were torn up. Led by Fitzpatrick against the abolishment of the custom of admitting at half-price after the third act. See previous disturbance at Drury Lane. No more plays at cg until 3 March 1763 while repairs were being made to theatre. See Gentleman's Magazine, Feb. 1763, Historical Chronicle, Th. 24: A riot happened at Covent Garden theatre occasioned by a demand being made for full prices at the opera Artaxerxes. The mischief done was the greatest ever known on any occasion of the like kind; all the benches of the boxes and Pit being entirely tore up, the glasses and chandeliers broken, and the linings of the Boxes cut to pieces. The rashness of the rioters was so great, that they cut aWay the wooden pillars between the Boxes, so that if the inside of them had not been iron, they would have brought down the Galleries upon their heads. The damages done amount to at least #2000. Four persons concern'd in the riot have been committed to the gatehouse. The Beauties of All Magazines Selected, for March 1763 (p. 142) reprinted from the Ledger a humorous account of this riot as told by a sailor in fabricated seaman's language: As soon as the foresheet was clewed up...As to my 5s., why the owners are welcome to it towards repair, for you stripp'd plank, timbers, and scantlings,-you gutted her; she look'd like a French prize, after a yard-arm engagement."

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance-Granier, Miss Valois; II: La Provenciale-Sga Manesiere

Event Comment: Both Pieces By Particular Desire. Present the Dukes of York and Cumberland, Princess of Brunswick, and Lady Louisa. Paid for the paragraph of the Royal Family coming in the Ledger and Gazetteer 6s. (Account Book). Receipts: #149 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Citizen

Dance: End: The Garland-Fishar, Miss Wilford. [See17651003.

Event Comment: Paid Printer's Bill #9 6s.; Mrs Slaughter's Bill #9 14s. (Treasurer's Book). [The Public Ledger, 11 Dec., contains a three column discussion of the play Cymbeline.] Receipts: #133 2s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: III: The Sailors Revels, as17711008

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: Cross Purposes

Event Comment: By Permission of the Lord Chamberlain. For one night only. Benefit for Brunsdon. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. (Public Ledger)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Citizen

Entertainment: Between the Play and Farce: a Variety of Imitations-Young Lady who never appeared on any stage

Event Comment: Tickets delivered by Rudd, Ledger, Stevens, Mountford, Mrs Heard, Mrs Morris and Miss Bassan [Account-Book adds: Thompson, Jones, Bates] will be taken this Evening. Miss Brown being ill, Lionel and Clarissa [announced on playbill of 8 May] is obliged to be set aside. Receipts: #158 1s. (40.4; 1.9; tickets: -116.8)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Cross Purposes

Dance: End II: Minuet de la Cour and Allemande-Rudd, Miss Ross; End: Double Hornpipe-Rudd, Miss Bassan

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Touchstone; or, Harlequin Traveller

Performance Comment: Principal Characters by Lee Lewes, Wilson, Leoni, Delpini, Rayner, Brundson, Baker, L'Estrange, Wewitzer, Jones, Robson, Egan, Mahon, Stevens, Ledger, Reinhold, Mrs Farrell, Miss Morris, Miss Brown. Cast from Songs (G. Kearsley, 1779); Morning Chronicle, 7 Oct. 1779; Larpent MS 464: Harlequin-Lee Lewes; Keel-Wilson; Scaramouche-Delpini; French Officer-Wewitzer; Watchman-Mahon; Pierrot-Reinhold; Feridon-Mrs Farrell; Colombine-Miss Brown; Larpent MS also lists: Pantaloon-; Mezetin-; Padmanada-; Lord-; Capt. O'Donnavan-; Oriel-; Custom@house Officer-; Centinel-; Landlord-; Gentlemen-;..

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances, except on 4 Feb., 7 Apr., 10 May.

Song: In I: song-Leoni

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Touchstone

Performance Comment: As17790126, but Booth; Ledger_.
Event Comment: Benefit for T. Ansell, Pilfold, Woolley, Marks & Furkins. Tickets delivered by Clarridge, Doe, Wells, Roberts, Francis, Walker, Whittington, Abbot, Haliburton, Ledger Jun. will be admitted

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Liverpool Prize

Dance: As17790222

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Touchstone; or, Harlequin Traveller

Performance Comment: Principal Character by Lee Lewes, Wilson, Delpini, Rayner, Brunsdon, L'Estrange, Jones, Baker, Wewitzer, Robson, Egan, Stevens, Ledger, Reinhold, Mrs Kennedy, Miss Morris, Miss Brown. Cast from Songs (G. Kearsly, 1779); Morning Chronicle, 7 Oct.; Larpent MS 464: Harlequin-Lee Lewes; Keel-Wilson; Scaramouchi-Delpini; French Officer-Wewitzer; Pierrot-Reinhold; Feridon-Mrs Kennedy; Colombine-Miss Brown. For additional, unassigned characters listed by Larpent MS, see17790104.

Dance: In afterpiece: Dagueville, Miss Valois. [The dancing, as here assigned, was included in all subsequent performances.

Event Comment: Tickets delivered by Messink, Cushing, Wewitzer, Jones, Brunsdon, Smith, Ledger, Guard and Miss Green will be admitted. Receipts: #191 9s. 6d. (30.4.0; 2.7.6; tickets: 158.18.0)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Norwood Gypsies

Dance: Dancing, as17800510

Event Comment: Tickets delivered (for Thursday April 26) by Messink, Cubitt, Jones, Ledger, Newton, Painter, Mrs Davenett, Mrs Sharpe will be admitted this evening. Receipts: #213 (72.16; 3.9; tickets: 136.15)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin Free-Mason

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Touchstone

Performance Comment: Principal Characters by W. Bates, Wilson, Jones, Booth, Newton, L'Estrange, Baker, Robson, Egan, Doyle, J. Wilson, Stevens, Ledger, Davies; Miss Morris (1st time), Miss Langrish, Mrs Kennedy. [Partial cast from Songs (G. Kearsly, 1779) and playbill of 11 May 1782: Harlequin-W. Bates; Keel-Wilson; Feridon-Mrs Kennedy.] hathi. hathi.
Event Comment: Tickets delivered for a Comedy, by Messink, Jones, Ledger, Newton, Painter, Darley, Lloyd, Mrs Davenett, Mrs Sharpe and the Widow of the late Dr Arne will be admitted this Evening. Receipts: #281 1s. (91/16; 5/1; tickets: 184/4)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Retaliation

Performances

Mainpiece Title: Polly

Afterpiece Title: The Humours of an Election

Performance Comment: Characters by Wilson, Edwin, Staunton, Egan, Usher, Wewitzer, Darley, Davis, Barrett, Painter, Kenny, Massey, Webb, Stevens, Swords, Ledger, Parsons; Miss Morris, Mrs Webb. Cast not known. Prologue spoken by Palmer .

Dance: As17820611

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague

Performance Comment: As17820817,but added to other Characters: Ledger .

Dance: As17820817

Event Comment: Tickets delivered by Mills, Wewitzer, Ledger taken this night (Account-Book). Receipts: #179 8s. 6d. (66/13/0; 2/8/6; tickets: 110/7/0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Devil upon Two Sticks