SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "P Lewis"/1) | (@(roleclean,performerclean) "P Lewis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1751 matches on Event Comments, 1463 matches on Performance Comments, 1136 matches on Author, 25 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Mrs Lewis. Written by the Ingenious Sir George Etheridge. Note, The Moon shines and the Tide serves up to London after Play

Performances

Mainpiece Title: She Woud If She Coud

Dance: Thurmond Jr; particularly a Spanish Entry that he performed in the Opera at the Hay-Market last Winter with great Applause-Thurmond Jr; As also that excellent and much admired Scaramouch, as it was performed by the famous Monsieur duBrill from the Opera at Brussels-Thurmond Jr

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood Or The Distrest Lovers

Related Works
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but Valentine, Harcourt, Horatio, Lewis, Diligence, Alamanzor, Lady Henpeck, Lisetta omitted .

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Mr Lewis Duplessy. 6 P.M. 5s

Performances

Mainpiece Title: Concert

Event Comment: A New English Opera. [By Lewis Theobald.] Set to Musick by Mr Galliard. Boxes 8s. Pit 5s. Gallery 3s. We are oblig'd to being exactly at Six, some of the Performers being afterwards wanted at the other Theatres

Performances

Mainpiece Title: The Happy Captive With An Interlude In Two Comic Scenes Between signor Capoccio A Director From The canary Islands And signora Dorinna A Virtuosa

Event Comment: [Treasurer's Book lists Devil to Pay as afterpiece. Cross lists The Lying Valet.] Paid to Lewis going to Dr Boyce as per order #2 6s.; Paid to Garrick as per order #197 6s.; Paid to the King's Letter as per Mr Edwards #1 1s. (Treasurer's Book). [The General Advertiser lists Devil to Pay as the afterpiece, by particular desire.] Receipts: #160 (Cross); #124 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lying ValetThe Devil to Pay

Dance: AAcis and Galatea, as17500219

Event Comment: Benefit for Barrisford, Tomlings, Atkinson, Foley, Tomlinson, and Burke. [The General Advertiser lists Tubal-Costollo.] Tickets deliver'd out by $Baker, Lewis, and Mr Lloyd will be taken. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Don Quixote

Dance: IV: A Hornpipe-the Little Swiss; V: A Comic Dance-Shawford Jun, Miss Shawford

Song: III: Mattocks

Event Comment: Benefit for Foley & Veale (Mrs Yates dy'd) (Cross). Tickets deliver'd out by Lewis and Reygle will be taken, also those deliver'd by Clough for the Provok'd Wife will be admitted. Receipts: #210 (Cross)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Double Disappointment

Song: II: Wilder

Dance: V: A Comic Dance, as17530514

Event Comment: [The Public Advertiser includes this day a 78-line poem in octasyllabic couplets on J. Lewis's portrait of Mrs Woffington: @Her Shape, her Features, and her Dress@As far as colour can express@Friend Lewis' pencil has design'd:@Poet 'Tis yours to paint her mind...@ And the versifier proceeds to describe her as she affects audiences in the theatre.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Event Comment: Benefit for Raftor, Morris, LeBrun, and Goodwin. No Building on Stage. Tickets deliver'd by Lewis will be taken. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Dance: II: Hornpipe-Morris; End: A Minuet-LeBrun, Miss Rousellet

Event Comment: Benefit for a Family Under Misfortunes (Public Advertiser). Benefit for Mrs Lewis. Receipts: #54 3s. 6d. Income from Tickets #82 17s. (boxes 195; pit 146; gallery 122). Charges #84. Paid Hardgreaves (Smith) for grates, &c. for the dancing room, #6 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Englishman Returned from Paris

Dance: FFingalian Dance, as17571013

Event Comment: Benefit for Smith. Mainpiece: not acted these 4 years. No building on stage. Receipts: #60 12s. 6d. plus tickets #222 5s. (boxes 458; pit 605; gallery 170). Charges #63. Mr Robt. Lewis came in for 1 share (Account Book). [Smith advertised, and it appeared his house at his benefit was too full & [there was] confusion in getting to places (Winston MS 8). See Smith's note in Public Advertiser, 16 March.

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Sheep Shearing

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17630701 but Principal parts-Lewis, _Johnson.
Cast
Role: Principal parts Actor: Lewis, _Johnson.

Dance: As17630824

Event Comment: Benefit for Mrs Ward. [The Public Advertiser assigns Montague twice--to Redman and to Lewis. Redman probably correct.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Citizen

Dance: TThe Calabrian Peasants, as17631222

Performances

Mainpiece Title: Coriolanus

Performance Comment: Coriolanus-Smith; Menenius-Shuter; Cominius-Gibson; Minucius-Anderson; Sicinius-Bennet; Brutus-Davis; Plebeians-Barrington; Dunstall, Cushing, Costollo, Lewis; Tullus-Clarke; Volusius-Walker; Galesus-Hull; Titus-White; Volumnia-Miss Macklin; Veturia-Mrs Bellamy. In which will be introduc'd a Roman Ovation after the manner of the ancients.

Afterpiece Title: Lethe

Dance: End: Rural Love, as17641212

Performances

Mainpiece Title: She Woud And She Woud Not

Performance Comment: As17661016, but Diego-Cushing (playbill); Public Advertiser assigns Diego-$Lewis.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Mainpiece: Acted but once these 20 years. Rec'd of Condell on Acct of Fruit Rent #20; Paid Richards (painter) as per bill #115 15s.; Paid Partridge & Franks (hosiers) #60 5s.; Paid Lowe & Lewis (woolen drapers) #35 15s. (Account Book). Receipts: #207 10s. (Account Book)

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Fairy Prince

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

Event Comment: Mainpiece: By Particular Desire. Paid Partridge (hosier) #36 15s.; Lowe & Lewis (woollen drapers) #22 1s. (Account Book). Receipts: #167 16s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Sylphs

Event Comment: [The Gentleman who played Hamlet identified by Winston MS 11 (from O. Smith) as Lewis Hallam, from America, brother to Mrs Mattocks.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Druids

Performances

Mainpiece Title: Zenobia

Performance Comment: Rhadamistus-Wroughton; Pharasmanes-Aickin; Teribazus Lewis; Megistus-Hull; Zopiron-Whitefield; Tigranes-L'Estrange; Zelmira-Mrs Jackson; Zenobia-Mrs Barry.

Afterpiece Title: The Seraglio

Event Comment: [As mainpiece the playbill announces Percy, but "Lewis being suddenly taken extremely ill...Percy cannot be performed this Evening; instead of which Mrs Farrell will appear in the character of Macheath in The Beggar's Opera. The other characters as usual" (printed slip attached to BM playbill).]Receipts: #143 5s. (141.13; 1.12)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: King Lear [announced on playbill of 31 Jan.] is obliged to be deferred on account of the Indisposition of Mrs Hartley and Lewis. The Rehearsal having been found too tedious in Representation, and Part of the Dialogue between Bayes and the two Gentlemen wholly obsolete, it has been thought advisable to...reduce the Piece to Three Acts [from the original five]. Receipts: #219 10s. [216.4.6; 3.5.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Rehearsal

Dance: As17780129

Event Comment: Mainpiece: Not acted these 4 years. [The playbill assigns Posthumus to Reddish, but "On Saturday afternoon, at four o'Clock, Notice was sent of the extreme illness of Reddish; and Lewis (on Application) finding it impossible to attempt the Character of Posthumus at that very short Notice [not having performed it for some Seasons) it was obligingly undertaken by Brereton of Drury-Lane Theatre" (Public Advertiser, 26 Oct.). Mrs Crawford, as Mrs Barry, had 1st acted Imogen at dl, 1 Dec. 1770.

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: Cymbeline

Afterpiece Title: The Dutiful Deception

Dance: End III: As17780921

Song: II: Masquerade Scene, with Singing-Mrs Morton