SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Order of the Golden Fleece"/1) | (@(roleclean,performerclean) "Order of the Golden Fleece")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 890 matches on Event Comments, 93 matches on Performance Title, 53 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 15 Feb.: On Monday last Mr Lacy, who set up the Oratory in York Buildings, and was committed to Bridewell some time since, by two of his Majesty's Justices of the Peace on the lade Act of Parliament, was brought by Habeas Corpus to the King's Bench, in order to be bail'd, but after several Learned Arguments by his Council, which were answer'd by the Attorney and Solicitor-General, the Court remanded him back again

Performances

Mainpiece Title: Henry The Fourth, Part I

Afterpiece Title: The Royal Chace; or, Merlin's Cave

Performance Comment: Pierrot-Lalauze; Endymion-Salway; Chasseurs-Vincent, Roberts; Nymphs of the Chace-Miss Brunette, Miss Rogers; Diana-Miss Hillyard; Merlin-Leveridge; Aerial Spirits: Cupid-Glover; Graces-Miss Moreau, Miss Norman, Mrs LeBrun; Hour-Miss Cantrell; Zephyrs-Tench, Desse, Richardson, Baudouin; Psyche-Mlle Roland; Jupiter-Lun; Pluto (Punch)-Baudouin; Neptune (Pantalon)-Dupre; Pan (Scaramouch)-Richardson; Hercules (Brighella)-Desse; Apollo (Mezzetin)-Glover; Mars (Leander)-Tench; Mercury-Laguerre; Country Lads-Dupre, Bencraft, Baudouin; Country Lasses-Miss Norman, Miss Dancey, Mrs LeBrun; Doctor-Nivelon; Doctor's Wife-Mrs Kilby.
Event Comment: Benefit Bullock. N.B. Mr Bullock hopes his great Age, upwards of Threescore and Twelve, will plead his Excuse, that he cannot pay his Duty to his Acquaintances and Friends, whose Good Nature may engage them to assist him in this Decline of Life, in order to make the Remainder of his Days easy and comfortable to him

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17381016, but Fryar-Bullock, who has not appeared upon the Stage these Six Years, .

Song: Leveridge, Salway, Roberts

Dance: Richardson, Miss Cantrel; Scots Dance-Mrs Bullock; Comic Dance-Villeneuve, Miss Oates, Thompson, Richardson, Miss Cantrel, Mrs LeBrun

Event Comment: LLondon Daily Post and General Advertiser, 7 Feb.: Last Night as one John Sommerford, a Sawyer (who came into the Upper Gallery at [cg] at the latter End of the Play), was pressing forward, in order to get a better Place, he was push'd by a Person, who took disgust at his standing before him, which occasion'd the Sawyer to lose his Footing, and he tumbled over into the Pit (the depth of 30 Feet) between two Rows of the Audience, without receiving any Damage

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): Lewis Theobald
Related Work: Perseus and Andromeda Author(s): Lewis Theobald
Related Work: The Medley; or, Harlequin At-All Author(s): Lewis Theobald
Event Comment: DDaily Advertiser, 26 Dec.: The New Theatre in the Hay-Market is enlarging, in order to perform Italian Opera there

Performances

Event Comment: By Paritular Desire. [The Daily Post, 11 Jan., has an advertisement stating that on 4 Jan. an order arrived from the Lord Chamberlain forbidding the acting of Arminius, then in rehearsal.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin Grand Volgi

Song: As17391226

Dance: As17391226, but Dance of Devils-_

Event Comment: Benefit Stoppelaer. For the Entertainment of the Grand, the Vice-Grand, and the rest of the Ancient and Honourable Order of Gregoreans. Two Rows of the Pit will be railed in for Gregoreans only

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: I: Muilment; II: Punch-Master Ferg; V: Le Tambourine-Mlle Chateauneuf

Song: IV: A Dialogue between a Town Rxke and Country Lass-; End Afterpiece: A Trumpet Gregorian Song-; accompanied-a Chorus

Event Comment: As 4 Dec. 1740. Benefit Mrs Porter. Pit and Front Boxes together at 5s. N.B. All imaginable Care will be taken to keep the House warm; in order to which only one Door will be open in the Front-Boxes, where Tickets will be delivered. Receipts: money #90 16s. 6d.; seals #78 10s. (Account Book); #180 (Rylands MS.)

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne
Related Work: The Fatal Marriage Author(s): Thomas Southerne

Afterpiece Title: Nancy

Cast
Role: Nancy's Father Actor: Leveridge

Dance: Glover, Mlle Roland, Mechell, Mlle Mechell

Event Comment: For the Entertainment of the Grand, the Vice-Grand, and the Brethren of the Ancient and Honourable Order of Gregorians. Benefit James. Receipts: #150 (Rylands MS.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Roberts; IV: Britons Strike Home (by Desire of the Brethren)-Leveridge, Salway; V: The Gregorian Song-

Dance: III: Comic Dance-Richardson, Mlle Ozanne

Event Comment: The King's Opera House in the Haymarket. A new Opera...Dances and other Decorations entirely New. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be deliver'd this Day, at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, no Persons Whatever to be admitted behind the Scenes. The Gallery will be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. This Day Attendance will be given at the Opera-Office from Nine to One in order to deliver the Silver Tickets to the Subscribers. Each Subscriber is desir'd to send his printed Receipt, it being necessary for the Delivery of the Tickets [customary notice on the bills throughout the season]. BBurney, History of Music, IV, 445: A pasticcio, music mainly composed by Galuppi, now the resident composer for the Opera House. Edition lists libretto by Francesco Vanneschi

Performances

Mainpiece Title: Alexander In Persia

Performance Comment: Burney, History of Music, IV, 446, lists: Angelo Maria Monticelli, Soprano, first man; Andreoni, soprano, second man; (Amorevolli) tenor; Signora Visconti, 1st woman; Signora Panichi, 2nd woman; Signora Tedeschi, 3rd Woman. The part of Amorevoli omitted (Walpole to H. Mann, 2 Nov.). Libretto lists: Monticelli, Signora Visconti, Signora Moscovita, Amorevale; airs by Lampugnani, Pescetti, Leo, Hasse.
Event Comment: MMr Handel is set out for Ireland, in order to have Oratorios, etc., at Dublin, this Winter.-Daily Advertiser, 21 Nov

Performances

Mainpiece Title: Alexander In Persia

Event Comment: Benefit Stephens. Mainpiece: For the Entertainment of the Brethren of the Antient and honourable Order of Gregorians

Performances

Mainpiece Title: Othello

Performance Comment: As17411209, but Othello-Stephens; Roderigo-Woodward; Brabantio-Gibson; Emilia-Mrs Woodward; Lodovico-_; Gratiano-_; With a New Prologue-Hale.
Cast
Role: Othello Actor: Stephens

Afterpiece Title: The King and Miller of Mansfield

Dance: III: The Peasants, as17420210; IV: Chacone, as17411230; V: Pantaloon and Enamorata, as17420420

Song: End Farce: a Gregorean Song-Stoppelaer

Event Comment: Mainpiece: Written by Sir John VanBrugh. For the Entertainment of the Grand Master, and the brethren of the Honourable and Antient Society of Free and Accepted Masons, for the Benefit of a Brother, who has had great misfortunes. None to be admitted Without printed Tickets (Daily Advertiser). The Brethren are desired to meet the Right Honourable the Grand Master, at Mr Filkes, at the Bedford Arms in the Piazza in Covent Garden, at Four o'clock in the afternoon, in order to accompany him to the play. Stage form'd into an amphitheatre. Servants allowed to keep places

Performances

Mainpiece Title: Aesop

Performance Comment: Aesop-Bridgwater; Learchus-Hippisley; Beau-Chapman; Hogstye-Woodward; Hortensia-Mrs Horton; Oronces-Hale; Roger-Marten; Quaint-James; Fruitful-Vaughan; Tradesmen-Stoppelaer, Smith; Euphronia-Mrs Hale; Mrs Fruitful-Mrs Martin; Dorio-Mrs Pritchard; With a Prologue-; Epilogue-; Songs proper to the Occasion-.

Afterpiece Title: The Honest Yorkshireman

Song: Songs in Masonry-Salway, Bencraft; Arra my Judy (by desire)-Stoppelaer

Entertainment: CCries of London-Salway

Dance: PPantaloon and Enamorata, as17420420

Event Comment: Never acted there before [i.e., by this company]. Written by George, Duke of Buckingham. Mr Bayes' Troops have been on their March for some Days past from their last Encampment in Goodman's Fields; they march'd in good Order through the City without Beat of Drum, and were received at Lincoln's Inn Fields, where they have now pitch'd their Tents with great Acclamations of Joy by the Populace. We hear they will be re-enforced by some Auxiliaries from Covent-Garden; and we can assure the Publick, there will certainly be a Battle of Monday next, so the Report of their going quietly into Winter Quarters without coming to Action, proves a groundless Tale, and was merely calculated to serve some private Ends. Daily Advertiser, 4 Dec

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Giffard; Smith-W. Giffard; Two Kings-Buckley, Clough; King Phyz-Julian; Usher-Dunstall; Volcius-Peterson; Drawcansir-Carr; Prettyman-a Gentleman; Amaryllis-Mrs Dunstall; Pallas-Dighton; Chloris-Mr E. Giffard; Parthenope-Miss Brunette.
Cast
Role: Parthenope Actor: Miss Brunette.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Performance Comment: Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-.
Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Virgin Unmasked

Event Comment: Last time of performing the Oratorio this season. The Subscribers to Mr Handel's six former performances, who intend to continue their subscription on the same conditions for six more, are desired to send their subscription money to Mr Handel's House in Brook Street, where attendance will be given this day [15 March] in order to deliver out their subscription tickets

Performances

Mainpiece Title: Sampson

Event Comment: Whereas Great Disorders were committed on Tuesday Night at the Theatre, by Numbers of persons violently forcing their way into the House, particularly into the Boxes, knocking down the door-keepers, and obliging the servants who kept places to go out, to the great prejudice of the Manager, who lost all the Money for the said Places, as they not only refus'd to pay for the Boxes, but likewise forc'd into the Pit without paying, he thinks it incumbent on him to gide Public notice That an Office will for the Future be kept at the Boxes, to prevent persons from going in the same tumultuous manner, and hopes no Gentlemen will be displeas'd in being first desir'd to take a ticket at the said Office. Last night the Play of the Rehearsal was perform'd at the Theatre Royal in Drury Lane; when, upon Mr Garrick's making a proper apology to the Town he was receiv'd with the greatest marks of Approbation; and the Play was acted with the utmost Decency and Order

Performances

Mainpiece Title: The Rehearsal

Performance Comment: As17431206, but others-Arthur, +Neale, +Morgan, +Winstone, +Green, +Woodburn, +Ray, +Wright, _Gray.
Cast
Role: others Actor:
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive
Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Event Comment: At the New Theatre, May Fair, in order to make the House warm, there is a new Machine fix'd in the same manner as they have in Russia, & other theatres in cold countries, to prevent the Gentry from catching cold

Performances

Event Comment: Benefit Muilment. Tickets to be had at his lodgings, next door to Old Slaughter's Coffee House in St. Martin's Lane; and of Hobson at the Stage Door. Those Gentlemen and Ladies who intend to honour Mr Muilment with their company, are desired to send their commands to Mr Hobson as above; and to prevent Mistakes, are requested to take tickets for the places they order to be kept for 'em

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Lying Valet

Dance: I: Mrs Auguste; II: New Comic Dance-Muilment, Mrs Auguste; IV: New Serious Dance, as17440119 V: A New Comic Dance-Muilment, Mrs Auguste

Event Comment: Benefit Hale and Mrs Hale. Mainpiece Written by Shakespear, reviv'd by particular desire. Containing the Memorable Battle of Agincourtv, with the total overthrow of the French Army, and many other Historical Passages. In order to preserve a proper decorum, and that this play may not be interrupted in its performance, the Publick may be assured there will not be any building on the stage.-General Advertiser. [In advance bill Nancy; or, The Parting Lovers had been advertised; Tom True Blue-$Beard; Father-$Leveridge; Captain of Press Gang-$Bencraft; Nancy-$Mrs Clive.

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Performance Comment: King Henry-Hale; Fluellin-Hippisley; Pistol-Woodward; French King-Cashell; Dauphin-Goodall; Archbishop of Canterbury-Chapman; Exeter-Stephens; English Soldier-Rosco; Constable of France-Bridgwater; Burgundy-Gibson; Queen of France-Mrs James; Catherine-Mrs Hale; French Soldier-Destrade (being the first time of his attempting to speak on the stage); With the Chorus (after the manner of the ancients)-Ryan; In the play will be properly introduc'd the Songs To Arms, Britons Strike Home-Leveridge, Beard, Reinhold; With a New Prologue for the Occasion-.

Afterpiece Title: The Lottery

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Performance Comment: Sir NicholasSpottey-Cibber; Sir Anthony Wildwit-Mills; Sir Toby Riot-Morgan [General Advertiser], Bernard [1st ed.]; Scrape-Paget; Freeman-Mozeen; Gayly-Naylor; Bounce-Paddick; Bluster-Hotham [Holtham in General Advertiser]; Timothy-Hacket; Steward-Furnival; Mrs Scrape-Mrs Mills; Harriot-Mrs Chetwood; Serjeant-Mrs Hill; Isabella-Mrs George; Fool-Miss Charke [1st ed.], Mrs Clark [General Advertiser]; Charlotte-Mrs Freeman [not in General Advertiser]; [Cast from first edition, but listed on order of actors given in General Advertiser] Prologue-Cibber; Epilogue-Miss Jenny Cibber.
Event Comment: Announced as 1 Nov., but not performed as theatre was closed by order of the Lord Chamberlain. See T. Cibber's letter in the Daily Post, 12 Nov., cited by Hogan, Shakespear in the Theatre, I, 69

Performances

Mainpiece Title: Cymbeline

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances