SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Hay Market"/1) | (@(roleclean,performerclean) "Opera House in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3321 matches on Event Comments, 2723 matches on Performance Title, 341 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Kelly. 1st ballet [1st time]: Composed by D'Egville. By permission of the Proprietors of the Opera House. With their [the Peruvians'] Religious Ceremonies, Processions, &c. Morning Chronicle, 2 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #596 2s. 6d. (306.0.6; 51.8.0; 4.15.0; tickets: 233.19.0) (charge: #207 6s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Performance Comment: Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot.

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

Performance Comment: Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg.
Event Comment: To begin exactly at 6:00 o'clock. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Mr Varney at the Stage door. [Repeated throughout the season.] Ye Naturalizing Bill having made some Noise against the Jews, some people call'd out for ye Merchant of Venice, & a Letter was thrown upon ye Stage desiring that play instead of the Opera, but we took no Notice of it, some little hissing but it dy'd away (Cross). [Sometime in the calendar year 1753, Lacy and Garrick drew up a mortgage on the Drury Lane property for #10,000, to be amortized to James Clutterbuck over a period of twenty-one years at the rate of #4 per acting night, and permission to grant free seats in any part of the theatre (except the stage, scenes and orchestra) to forty persons. These latter to be named and seats assigned ten days prior to the opening of any season. This thirteen-page document, which describes accurately the bounds of the 13,134 square feet of land on which the ten buildings comprising Drury Lane Theatre stood, contains protective clauses for Clutterbuck, to the effect that Garrick and Lacy will exhibit nowhere else in London without the #4 nightly payment and for Garrick and Lacy, to the effect that arrears in payment could be collected solely from Drury Lane property, and not from the individual incomes of the mortgagees. It was not signed, so apprently was not executed. (See Havard, Collection of Documents dealing with affairs of Drury Lane, No 2, fMS, Thr 12.)] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Yates; Lockit-Berry; Mat o Mint-Blakes; Filch-Raftor; Lucy-Mrs Clive; Mrs Peachum-Mrs Cross; Diana Trapes-Mrs Havard; Polly-Mrs Davies; In Act III a Hornpipe-Matthews, others; To conclude with a Country Dance-the characters of the opera.

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Holtom, Buck, Young. No Building on Stage. Tickets deliver'd for the Prophetess will be taken. Being positively the last time of performing it (Beggar's Opera) this season

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17620427 but Mrs Peachum-Mrs Stephens; Polly-Miss Miller, first time; Diana restored. Hornpipe-Mlle Capdeville; Country Dance-Characters of the Opera.

Afterpiece Title: The Jealous Farmer Deceiv'd

Cast
Role: The Cries of London Actor: Shuter.

Dance: II: The Pleasures of Spring, as17620212

Event Comment: A New Opera. Premiere of Terradellas's Bellerofonte. Crescendo is used...seemingly for the first time. Libretto by F. Vanneschi--Burney, History of Music, IV, 456

Performances

Mainpiece Title: Bellerephon

Dance:

Entertainment: End Opera: Fireworks Display-. [Repeated in all announcements of this opera.

Performance Comment: [Repeated in all announcements of this opera.]
Event Comment: A revived Serious Opera, with Grand Chorusses, New Dresses and Decorations; the Music by Sacchini. "In the second act [Mme Mara, who sang Andromeda] was encored in a song of Bravura . .. The amazing extent of her voice never appeared in a more conspicuous light... As to the Chorusses, we understand that they were under the immediate direction of Mme Mara, which accounts for the uncommon precision with which they were executed" (General Advertiser, 22 Mar.)

Performances

Mainpiece Title: Perseo

Performance Comment: Principal Characters by Babbini, Tasca, Bartolini, Schinotti, Simonetti (1st appearance); Sga Catenacci, Mme Mara. [Libretto (T. Cadell, 1774) lists the parts: Perseo, Barsene, Cefeo, Anfrisio; Andromeda, Tomiri.] hathi.

Dance: End of Act I Divertissement Villageois, as17860218; End of Act II Dance incidental to the Opera by Henry, Duquesney Qun.], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi

Performance Comment: ], the two Mlles Simonet; End of Opera New Divertissement, as17860311athi .
Cast
Role: Thetis Actor: Mlle Mozon.
Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Cuyler. [Kean is identified on HAY playbill of 26 Aug. 1784.] 1st and 2nd pieces: Both written by George Colman, Esq. 3rd piece: Written by the late David Garrick. Not acted these 12 years. Tickets to be had of Mrs Cuyler, No. 7, St. Alban's-street; at the bar of George's Coffee-house; and of Rice, at the Theatre, where places for the boxes may be taken. Tickets delivered for the 15th will be admitted

Performances

Mainpiece Title: The Manager In Distress

Performance Comment: Gentleman in Balcony (for that night only; in the course of which a much greater Variety of Imitations than has ever yet been offered)-A Young Gentleman (1st appearance in publick [Kean]); Irishman in the Pit-Marriot; Lady in Balcony-Mrs Lefevre .
Cast
Role: Irishman in the Pit Actor: Marriot
Related Works
Related Work: The Manager in Distress Author(s): George Colman, the elder

Afterpiece Title: The English Merchant

Performance Comment: Spatter-Williamson; Sir William Douglas-Gardner; La France-Gaudry (all of the Theatre Royal, Hay-market); Lord Falbridge-Smith; Owen-Hunter; Frecport-Calvert (from the Theatre-Royal [Smock Alley], Dublin; 1st appearance in London); Amelia-Mrs Cuyler; Molly-Mrs Lefevre; Lady Alton-Mrs Lloyd (all of the Theatre Royal, Hay-market); Mrs Goodman-Mrs Bolton .
Cast
Role: Hay Actor: market
Role: from the Theatre Actor: Royal
Role: Hay Actor: market

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.
Event Comment: Benefit Lacy. Afterpiece: A new Satyrical, Allegorical, Political, Philosophical Farce, [Apparently by Lacy.] Daily Advertiser, 30 April: Yesterday I accidentally call'd in at the Theatre in the Hay-Market, and saw the Rehearsal of a new Farce call'd Fame...Which is to be acted there on Wednesday next...for the Benefit of Mr Lacy the Author. As I am neither acquainted with him, nor the Master of the Playhouse, I cannot be accus'd of Partiality, in affirming, that I think this the best Farce this Age has produc'd. It seems to be writ in Imitation of Shakespear, and entirely calculated for the present Taste. The Characters are strong, lively, majestic, and just; the incidents natural and moving; the Conduct regular; the Distresses extremely affecting; the Stile sublime; the Sentiments grand, full of Patriotism; and the Catastrophe so masterly wrought up, that, I am persuaded, no Farce whatsoever, now acting, will draw more Tears than this. But what affected me beyond all, was, the Zeal, the exemplary Zeal of a worthy Magistrate, who so strictly adheres to the very Letter of the Law, as to send a rich and honest Merchant, and Freeholder, to the House of Correction, as a sturdy Beggar, or Loiterer. I could enlarg in its Praise, but fear I may do the Author wrong, in raising your Expectations too high. See it, and I am convinc'd you will entertain the same Sentiments of it, as does Your Humble Servant, James Lacy. Alias Fustian, alias Sour-Wit, alias--But hold:--If I should be arraign'd for the Murder of this Farce, so many Alias's will half condemn me before I am heard

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performance Comment: The Characters are, Sir Hardheart Pelf, an Usurer, and Justice of the Peace-; Counsellor Pleadwell, a Man of Honour-; in love with Charlotte, the Miser's Daughter-; Counsellor Neverplead, of Brick-Court in the Temple, an Original-; Fustian turn'd Auctioneer, preparatory to a Presbyterian Parson-; Mr Jamaica, an honest Merchant, sent as a Vagrant to the House of Correction-; Mr Quidnunc, a very deep-headed Man-; a Pack of fashionable Ladies and Beaux-; Famine, the Usurer's Servant-; George, Counsellor Neverplead's chief Clerk-.
Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performance Comment: , Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c .
Event Comment: Afterpiece: By Permission of the Proprietor of the Theatre Royal, Hay Market. Receipts: #191 5s. (113.4.6; 74.1.6; 3.19.0)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Kemble; Mr Manly-Bensley; Sir Francis Wronghead-Hollingsworth; Squire Richard-Suett; John Moody-Moody; Count Basset-Dodd; James-Evans; Poundage-Burton; Constable-Maddocks; Servant-Trueman; Lady Townly-Miss Farren; Lady Grace-Mrs Goodall; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Gibbs; Mrs Motherly-Mrs Booth; Myrtilla-Miss Tidswell; Mrs Trusty-Mrs Heard.
Cast
Role: Mrs Motherly Actor: Mrs Booth

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Aickin; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signor Arionelli (1st time)-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Trueman; Lilly-Master Gregson; Cecilia-Miss Leak; Dolce-Mrs Jones.
Cast
Role: Man of the House Actor: Maddocks
Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. Receipts: #162 13s. 6d. (84.17.0; 75.19.6; 1.17.0)

Performances

Mainpiece Title: The Country Girl

Performance Comment: Moody-Dowton (1st appearance in that character); Harcourt-Barrymore; Sparkish-Russell; Belville-C. Kemble; Countryman-Grimaldi; Servants-Maddocks, Webb; Alithea-Miss Mellon; Miss Peggy-Miss Molini; Lucy-Miss Heard.
Cast
Role: Alithea Actor: Miss Mellon

Afterpiece Title: The Son-in-Law

Performance Comment: Cranky-Suett; Vinegar-Wathen; Bouquet-Dignum; Bowkit-Bannister Jun.; Man of the House-Maddocks; Signior Arionelli-Miss DeCamp; Idle-R. Palmer; Mum-Wewitzer; John-Evans; Lilly-Master Chatterley; Cecilia-Miss Leak; Dolce-Mrs Jones.
Cast
Role: Vinegar Actor: Wathen
Role: Man of the House Actor: Maddocks

Ballet: End: The Scotch Ghost. As17981206

Event Comment: HHandel to Jennens: I have taken the Opera House in the Hay-marketh, engaged, as Singers, Signora Francesina, Miss Robinson, Beard, Reinhold, Mr Gates with his Boyes's and several of the best Chorus Singers from the Choirs, and I have some hopes that Mrs Cibber will sing for me. She sent word from Bath (where she is now) that she would perform for me next winter with great pleasure if it did not interfere with her playing, but I think I can obtain Mr Riches's permission (with whom she is engaged to play in Covent Garden House) since so obligingly he gave leave to Mr Beard and Mr Reinhold.--Deutsch Handel, pp. 591-92

Performances

Mainpiece Title: Alceste

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .
Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performance Comment: Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker.
Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Performance Comment: Artabano-Babbini. No other parts listed, but see17850416.

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

Event Comment: Benefit for Pacchierotti. Opera: Not acted these 3 years. Tickets, half a guinea each, to be had of Pacchierotti, No. 8, Great Marybone-street

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

Event Comment: Opera: The Music by Paisiello. L'Amour et Psiche [advertised in True Briton, 6 Jan.] is unavoidably postponed on account of the indisposition of Mme Hilligsberg. The Frequenters of the Gallery are respectfully informed that the Coffee-Room underneath, having since last year been very considerably enlarged, and entirely new ornamented by Mr Liparotti, will be opened for the present Season on this Evening, and the Company will please to observe that at the end of it, next to Market-lane, an additional Staircase has been erected for their greater accomodation in going to and coming from that side of the Gallery

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 20 Dec.] The last Opera till the 31st of December [but on that day no opera is announced]

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amans Heureux, as17761217; End I: La Force de l'Amour, as17761214; End Opera: Grand Serious Ballet, as17761217

Music: As17761214

Event Comment: Opera By Desire

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: Opera By Particular Desire

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Sorcerer

Dance: LLes Charboniers, as17521028

Event Comment: Opera: With Chorusses under the Direction of Kelly. The Company resorting to the Gallery of this Theatre are respectfully informed that, in future, on Opera Nights, a Coffee-Room, immediately under, will be open for the purpose of accomodating them with refreshment

Performances

Mainpiece Title: Alceste

Dance: End Opera: Paul et Virginie, as17960116

Event Comment: Opera by Particular Desire. Receipts: #100

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss Lucy in Town

Event Comment: [Opera advertised as Under the Direction of Dr Arne.

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17751018, but Mandane-Mrs Barthelemon, first time.

Afterpiece Title: Cross Purposes

Dance: End Opera: The Vintage Festival-Dagueville, Sga Vidini. [See17741007.

Event Comment: [Opera in place of La Fraschetana, announced in Public Advertiser, 16 Dec.] Sga Zuchelli being extremely ill, Mme Simonet has had the Complaisance, that the Public might not be disappointed, to offer to dance in all the Ballets this Evening

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End Overture: Les Amusemens Champetres-Mme Simonet, Zuchelli, Vallouy@le@cadet; End I: Les Amans Heureux-Vallouy, Mme Simonet, Zuchelli, Vallouy@le@cadet; End Opera: Grand Serious Ballet, as17761130, but Sga _Zuchelli, Vallouy@le@cadet; Passacaile, as17761130;Chaconne, as17761130

Music: As17761214