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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "We consider Madame Mara, to use vulgar phrase, as upon he last legs...[Her] Polly is downright burlesque; her figure, countenance, and time of life are directly repugnant to our ideas of the character; and her foreign accent and gesticulation complete the absurdity" (Monthly Mirror, Nov. 1797, p. 299). "Mme Mara is merely a singer; her voice is by no means calculated to give effect to the dialogue of the part; and her performance, although she appears to have paid considerable attention to the degree of action necessary for the part, is greatly deficient in point of feeling...Her deficiency in person and performance, however, is amply compensated for in her ability as a singer" (Morning Herald, 26 Oct.) Receipts: #329 16s. (324.6; 5.10)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Captain Macheath-Incledon; Peachum-Munden; Lockit-Davenport; Mat o' the Mint-Linton; Harry Paddington-Claremont; Jailor-Ledger; Filch-Simmons; Ben Budge-Rees; Lucy-Mrs Martyr; Mrs Peachum-Mrs Davenport; Jenny Diver-Mrs Castelle; Polly-Mme Mara (1st appearance in a Comic Opera).
Cast
Role: Mat o' the Mint Actor: Linton

Afterpiece Title: The Honest Thieves

Dance: III: a Hornpipe in Fetters-Blurton

Event Comment: A Serious Opera (1st time [in London; 1st performed at Rome, 1766]); the music partly by Sarti and partly [i.e. with additions] by Paisiello. 2nd ballet: With entire new scenes by Degotti and executed by himself and Marinari. "The dresses [in this ballet] are said to be after designs from David; the costume is correct, perhaps, but it may be a little softened without injury to the effect. The contrast of colours is in some of them too harsh...The scenery is in a new stile. It has been our taste to assist the perspective by contracting the stage to a point. This was but a clumsy method, as the illusion was rarely complete, and it gave the idea of littleness. In this instance the stage is thrown open on every side, and the perspective is managed as every painter is obliged to manage it, on the broad surface, but still with the mechanic aids which scenery affords. The effect was enchanting" (Morning Chronicle, 30 Nov.). The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Subscribers are most earnestly entreated to observe that, on account of the abuses frequently practised in their names, it has become absolutely necessary to adopt the former rule for Subscribers themselves to produce their Tickets at the doors as they pass into the Theatre. The Upper Boxes to be lett by the night, at one Guinea each for four persons. The way to them through the Gallery Staircase

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Event Comment: A Serious Opera; the music by Bianchi

Performances

Mainpiece Title: Merope

Dance: End I: L'Offrande a Terpsichore, as17971202

Ballet: End Opera: an entirely new allegorical Ballet, composed by Gallet [with music by Bossi] Le Triomphe de Themis[-Mme Rose, Mme Laborie, Laborie, Didelot, Mlle Hilligsberg, Mme Hilligsberg. [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action]

Performance Comment: [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action].and has synopsis of action].
Cast
Role: Themis Actor:
Role: The Eumenides Actor:
Role: The Crimes Actor:
Event Comment: [The playbill announces Nina, but "Last night the grand tragic opera of Semiramide was revived, in which Mme Banti and Viganoni received all their usual applause. [In the new dance] there is a charming pas de deux by Didelot and Rose" (Morning Chronicle, 3 Jan.).

Performances

Mainpiece Title: Semiramide

Dance: End I: Divertisement Ballet, composed by Gallet, La Chasse d' Amour- [see below]; End Opera: Ariadne et Bacchus, as17971216

Event Comment: Benefit for Mme Banti. A Serious Opera, 1st time in this country [1st performed at Naples, 1792]; the Music by Paisiello. Tickets to be had of Mme Banti, No. 3, Hay Market

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Event Comment: A Comic Opera; the music by Paisiello

Performances

Mainpiece Title: Gli Schiavi Per Amore

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Mrs Bland, who, in absence of the 1st Comic Woman, and with the permission of the Proprietors of Drury-lane Theatre, has most readily and cheerfully undertaken the part, relying confidently upon the known indulgence of a British Audience. [Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]Libretto (D. Stuart, 1787) lists the parts: Bastiano Ammazzagatte, Mons. Perruque, Don Berlicco, Gelinda, Mlle Neri, Mlle Pate.]

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Event Comment: On account of the length of the new Ballet the Opera will begin at seven o'clock precisely [see 2 Apr.], and the Company are most earnestly entreated not to remain upon the Stage during the representation of the Ballet, on account of the dangers attending the changes in the Machinery and Scenery

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement, as17990326End Opera: Telemaque- see17990326

Event Comment: A Serious Opera; the music by Bianchi

Performances

Mainpiece Title: Semiramide

Performance Comment: [Principal Characters by Rovedino, Roselli (1st appearance these 4 years; Mme Banti. Cast from libretto (Da Ponte [1800]: Seleuco-Rovedino; Arsace-Roselli; Mitrane-DeGiovanni; Oroe-Braghetti; Semiramide-Mme Banti; Azema-Sga Clara.

Dance: End I: A New Divertisement, as18000204; End Opera: Hylas et Temire, as18000128

Event Comment: A new Comic Opera (1st time [in London; 1st performed at Venice, 1793]); the Music by Winter

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot

Event Comment: "At a little before nine went to the Opera. Sat in Duchess of Gordon's box. My motive in going having been to join her in hissing a dance, if it had been such as it was before" (Windham, 421)

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: A New Divertisement, as18000204; End Opera: Hyppomene et Atalante, as18000304

Event Comment: A Serious Opera; the music by Paisiello

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): George Colman, the elder

Dance: End I: Le Mariage Mexicain, as18000225; End Opera: Telemaque, as18000619 but in which also D'Egville, Mlle +Guiardele (+Morning Herald, 23 June)

Event Comment: A Serious Opera

Performances

Mainpiece Title: Alceste

Dance: End Opera: Laura et Lenza-Deshayes, Laborie, Didelot, Mme Hilligsberg, Mme Laborie, Mlle Guiardele, Mlle Parisot, Mme Rose Didelot. [No other ballet listed.

Performance Comment: [No other ballet listed.]
Event Comment: The Comic Opera [Il Capriccio Drammatico, advertised in Morning Herald, 7 July] is unavoidably deferred on account of the sudden indisposition of Sga Bolla

Performances

Mainpiece Title: Alessandro E Timoteo

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Laura et Lenza, as18000628

Event Comment: MMr Barbaut's Second Subscription Oratorio, taken from the First Book of Milton's Paradise Regained and set to music by Mr Charles Barbant in two parts with a solo upon the Violin by Signor Marella; a solo upon the German Flute by Mr Tacet; a Concerto on the Lute by Mr Servi?; a Hautboy concert by Mr Barbant; and an organ concerto ditto; and a Great Concerto with Clarinets, French Horns and Kettle-Drums, composed by Mr Barbant. Boxes and Pit put together at Half a Guinea each, Gallery 3s. Tickets to be had at Mr Barbant's, at Mr White's in Marshall St., Carnaby-Market; and at Mr Browne's Stationer [sic], facing the Opera House, Haymarket. To begin at half an Hour after six. N.B. the Books of the Oratorios stitched in Blue Paper at 1s. each are sold at Mrs Browne's [sic] in the Haymarket, and at the House on the night of the performance

Performances

Mainpiece Title: Oratorio From First Book Of Paradise Regained

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Performances

Mainpiece Title: At King's The Heir At Law

Afterpiece Title: The Children in the Wood

Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Event Comment: Benefit Mills. A Concert both Serious and Comic; Consisting of the most favourite Airs, taken from the most favourite Operas and Oratorios, by the best Masters. Boxes 5s. Pit 3s. Gallery 2s. 6 p.m. To the Publick. Gentlemen and Ladies: I humbly beg Pardon for troubling you in this Manner, but being Unfortunately excluded (I don't know for what Reason) from both the Theatres, and consequently deprived of getting my Living by my Profession, the Favour of your Company at a Concert which I take for my Benefit on Tuesday the 11th instant, at the Little House in the Haymarket, will be a very great Obligation to Your most faithful and devoted humble Servant, William Mills. Tickets to be had of Mr Mills at his House in Nassau St., near Soho. Note: After the Concert will be perform'd (gratis) a Comedy call'd The Careless Husband

Performances

Mainpiece Title: The Careless Husband

Song: Lowe, Miss Edwards

Event Comment: A new Serious Opera. The Music by several eminent Masters; under the Direction of Giardini [who also composed the overture (see 14 Dec.)]. With magnificent new Scenes, Dresses and Decorations, both for the Opera and Dances. Tickets will be delivered at the Office in Union-court, Haymarket, at Half a Guinea each. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, No Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. Care will be taken that no Inconvenience shall arise from the Pavement not being compleated in the Haymarket, the Commisioners having promised to leave the Way safe for Carriages. The Nobility and Gentry will be so obliging to give Orders to take up and set down with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. Public Advertiser, 21 Sept.: Subscriptions are received by Messrs Hoare, in Fleet-street, and by Johnson at the Office in Union-court, Hay-market

Performances

Mainpiece Title: Astarto

Dance: New Dances composed by Simonet and Vallouy.End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli

Performance Comment: End I: a Grand Serious Ballet-Mons Simonet, Mme Simonet (their 1st appearance in England), Sg Zuchelli, Sga Zuchelli; End II: a new Pastoral Ballet Les Amans Heureux; ou, L'Aimable Vieillesse-Mons Vallouy, Mme Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: a new Ballet Demi-caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.
Event Comment: Benefit for a family in Distress (Cross). Tickets to be had at the Sword-Blade Coffee House, Birchin Lane, Lombard St.; Prince of Orange Coffee House in the Haymarket; Joe's Coffee House, Mitre Court, Fleet St.; Smyrna Coffee House, Pall Mall; the Swan Tavern, Grafton St.; Warwick-St. Coffee House near Golden Square; the Feather's Tavern, opposite St Clement's Church in the Strand; and of Mr Varney at the stage door. Receipts: #212 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: II: New Dutch Dance, as17531117; V: Gipsey Tambourine, as17531012

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Whitfield; Kitchen-Thompson; Frankly-Davies; Cross-Fearon; Charlotte-Mrs Whitfield; Sally-A Very Young Lady, the same that performed it in the Haymarket [on 18 June 1783] (1st appearance on this stage [Miss Logan]); Landlady-Mrs Davenett; Lettice-Mrs Morton; Mrs Cross-Mrs Webb .

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Event Comment: A new Comic Opera. The music entirely new by Sacchini. With entire new Scenes, Dresses and Decorations both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Their Majesties' Command, no person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [see 5 June 1779]. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The door in Market Lane for Chairs only. Public Advertiser, 31 Oct.: To prevent mistakes Ladies who have not honoured the Director with the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the Office of the Theatre, in order to [permit] their Tickets being engraved. The Renters' Shares proposed to be granted on this Theatre are now made out, and particulars prepared, at Messrs Wallis and Parker's, Norfolk-street, Strand, who are impowered by the Proprietors to dispose in single Shares of those which remain unsubscribed for. The annual Subscriptions are receiving by Johnson at the Office of the Theatre in Union-court, Haymarket

Performances

Mainpiece Title: L'avaro Deluso

Dance: With new Dances composed by Simonet. End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Performance Comment: End II: La Noche Hollandoise-Banti, Zuchelli, Slingsby, Sga Zuchelli, Sga Tinti; End Opera: a new grand Serious Ballet, Les Nymphes de Diane; ou, L'Amour Faune-Mons Simonet, Mme Simonet, Banti, Sga Tinti.

Ballet: End I: new Pantomime Ballet Annette et Lubin. Bailly-LeDet; Sig. du Village-Simonet; Lubin-Slingsby; Annette-Mme Simonet; unassigned-Sg Zuchelli, Sga Zuchelli

Event Comment: For the Benefit and Increase of a Fund established for the support of Decayed Musicians, or their Families. Boxes and Pit put together at Half a Guinea. Gallery 5s. To begin at 6:30 p.m. Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House. Subscribers tickets may be had of Richard Dawson, near Henry the Seventh's Chapel, Westminster, who is empower'd by the Society to deliver them and receive Subscriptions. Tickets for the Performance are delivered by Mr Rash at the Prince of Orange Coffee-House, in the Haymarket. The tickets delivered for the 17th will be taken. (General Advertiser, 28 April, advance notice)

Performances

Mainpiece Title: Entertainment Of Vocal And Instrumental Music

Performance Comment: Part I: Overture by Chabran-; Sei si trove in Lacci stretto (Teradellas)-Sga Galli; Return O God of Hosts (Handel)-Guadagno; Concerto on violincello-Pasqualino; Sherno delli astri egioco (Conforti)-Frasi; Beneath that Shade (Dr Green)-Wass; Part II: Concerto on violin-Chabran; Sol ti chiedo O spero amato (Galluppi)-Frasi; O Lovely Fair and Faithful Youth (Dr Green)-Beard; Concerto on bassoon-Miller; No non sai (Pergolesi)-Galli; Il Pasto (Ciampi)-Guadagnio; Part III: Concerto on oboe-Vincent; Resarrena (Gluck)-Galli; Quella fiamma (Handel)-Frasi; Song-Guadagnio; Trio The Flocks shall leave the Mountains (Handel)-Frasi, Beard, Wass; Grand Concerto-Handel.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. [Only sagnificant changes from this regular notice will be recorded hereafter.] Paid Mrs Margaret Lamb 6 months interest on #315 due 8 Sept. #7 10s. (Account Book). Receipts: #155 15s. (Account Book). Estimate of a Constant@N.B. The Ground Rent and Taxes is calculated to be Paid in 150 Days.@Per Annum Per Day@To 50 Old Shares at 2s. --- #5@To 50 New Ditto at 2s. --- #5@T 50 New Ditto at 2s. --- #5@To Ground Rent for the Theatre #100@To Ditto for Buildings in Harte St. #30@To Ditto for Mr Thurmond's House in Bow Street Passage #25@ #155 #1 0s. 8d.@ #11 0s. 8d.@Taxes (Viz)@To Land and Window Taxes for Theatre #98 2s.@To Do for a House in Bow St. Passage #5 15s 6d.@To Poor's Rate for the Theatre #20@To Do for a House in Bow St. Passage #1 10s.@To Watch rate for the Theatre #8 6s. 8d@To Do for a House in Bow St. Passage 10s. 6d.@To Rector's rate for the Theatre #6 13s. 4d.@To Do for a House in Bow St. Passage 8s. 4d.@To Scavenger's Rate for the Theatre #6 17s. 4d.@To Do for a House in Bow St. Passage 6s. 4d.@To Water for the Theatre #4@ #152 10s.@ #1 4d.@To Renters, Ground Rent & Taxes #12 1s.@To Gawrds [sic] per Day 14s.@To Barbers Do 5s. 4d.@To Scenemen Do #2 10s.@To Music as Per List #4 9s 2d.@For 150 Days To Candles #3 3s.@Do To Coales 10s 10s.@Passages, Stage Etc. To Lamps #1 12s.@To Bills #1 7s.@To Advertisements 5s.@To Billsetters 4s. 6d.@#16 6s. Sallery [sic] #14 6s. Estimate To Wardrobe bill about #1 11s.@#2 Sallery #5 Estimate To Property Bill Do 7s.@To Chorus Singers Do 10s.@To Mr J. Rich #5 5s.@To Mr C. Rich #1@ #36 1s.@Nightly Charge@Musick List@Messrs Wood 5s.@Gillier 5s.@Miller 5s.@Chapman@ 3s. 4d.@Goodman 3s. 4d.@Woodson 5s.@Ward 6s. 8d.@Rolland 5s.@Rawlings 3s. 4d.@Vincent 6s. 8d.@Wrexell 5s.@Beale 5s.@Jones 4s. 2d.@Biche 3s. 4d.@Heron 4s. 2d.@Stockdon 3s. 4d.@Scovell 3s. 4d.@Lampe 3s. 4d.@Smart 3s. 4d.@Assistant Writer 10d.@Harpsicord 5s.@#4 9s. 2d.@Men Dressers Charg'd in the Wardrobe Bills@Messrs Mearns 2s. 6d.@Cason 2s.@Esbury 1s.@Fenwick 1s.@Winterton 1s.@Besford 1s.@Francis 1s.@Cawder 1s.@Hays 1s.@Hollingsworth 1s.@Cabell 1s.@Nicholls 1s.@Norris 1s.@Cole 1s.@16s. 6d.@Billstickers as per List@Messrs Abbott 2s.@Mislebrook 2s.@Dymuck 2s@Tidd 2s.@Gale 2s.@Cole 1s. 6d.@11s. 6d.

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Performance Comment: Old Rents-Sparks; Hearty-Beard; Springlove-Clarke; Randal-Dunstall; Oliver-Dyer; Justice Clack-Shuter; Hilliard-Baker; Vincent-Mattocks; Meriel-Mrs Vincent; Rachel-Miss Brent, with dances incident to the Opera.

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Kelly. Mainpiece: Not acted these 2 years. Ballets: With appropriate Scenery, Dresses, and Decorations. True Briton, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #681 11s. (360.19.6; 47.5.0; 4.1.0; tickets: 269.5.6) (charge: #221 10s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: Lord William-Kelly; Baron of Oakland-Hollingsworth; Edward-Bannister Jun.; Lewis-Caulfield; Robert-Dignum; Charles-Sedgwick; Baron de Courcy-Whitfield; Martin-Wathen; Hugo-Dowton; Lady Elinor de Courcy-Miss DeCamp; Adela (by Permission of the Proprietor of the Opera House)-Sga Storace; Cicely-Mrs Bland; Maud-Mrs Booth.
Cast
Role: Martin Actor: Wathen

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Performance Comment: e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only.will appear, positively for that night only.