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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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10969 results for: Keyword - New Theatre on Wind-mill Hill
We found 5089 matches on Event Comments, 4168 matches on Performance Comments, 3033 matches on Performance Title, 247 matches on Author, and 0 matches on Roles/Actors.

8551
15 September 1779 @ Haymarket Theatre

Event Comment: [Miss Harper was taken ill; The Irish Widow was thereupon substituted and begun, but the audience was clamorous, and insisted on The Son-in-Law. A long delay ensued until the proper acters had been brought back to the theatre and until they were dressed. Mrs Jewell read Miss Harper's part. While trying to find out what the audience wanted, Bannister retorted sharply from the stage to one of the noisiest of the objectors. This action caused several letters to be written to various newspapers debating the right of a "servant of the public" to reprimand a member of the audience even when that member might be in the wrong (Morning Chronicle, 16 Sept., et seq.).] The last Night of the Season

Performances

Mainpiece Title: The Separate Maintenance

Cast
Role: Lord Newbery Actor: Dimond
Role: Lady Newbery Actor: Miss Farren

Afterpiece Title: The Son-in-Law

8552
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

8553
05 October 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

8554
20 October 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by Edward Neville]: The Overture and Music composed by Dibdin. Books of the Entertainment to be had at the Theatre. Public Advertiser, 20 Oct.: This Afternon at Three is published Plymouth In An Uproar (1s.). Receipts: #242 16s. 6d. (241.5.0; 1.11.6)

Performances

Mainpiece Title: The Bondman

Afterpiece Title: Plymouth In An Uproar

8555
03 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

8556
10 January 1780 @ Covent Garden

Event Comment: "As soon as the Play was over at Covent Garden Theatre yesterday evening, Reinhold walked forward and told the audience that 'It would be esteemed a particular mark of their Kindness and Favour if they would accept Miss Cranfield's performance of Colombine, Miss Brown having been taken extremely ill"' (Morning Chronicle, 11 Jan.). Receipts: #195 2s. (193.6; 1.16)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Every-where

8557
14 January 1780 @ Covent Garden

Event Comment: By Command of Their Majesties. Paid one-half Year's Land Tax #52 10s.Paid Church and Militia Rate for Theatre, 1779, #17 10s. Receipts: #292 13s. (291.17; 0.16)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Flitch of Bacon

Dance: End II: As17790922

8558
11 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit. 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode On St

Music: End I Oratorio: concerto on the organ-Stanley; End II: concerto on the violin-Cramer

8559
17 February 1780 @ Covent Garden

Event Comment: [Burkett is identified by MS annotation on Kemble playbill; he was from the Crow Street Theatre, Dublin.] Receipts: #223 15s. 6d. (221.10.0; 2.5.6)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Universal Passion Author(s): James Miller

Afterpiece Title: Comus

Dance: As17791231

8560
01 March 1780 @ Haymarket Theatre

Event Comment: [This was a puppet show, rewritten by Charles Dibdin from his Comic Mirror; it consisted of 7 different acts, presented in 3 Parts. The audience was both misled into thinking that it was to be performed by actual persons, and made angry because of the "almost unintelligible manner of conveying [the various acts], as the singers were scarcely audible, and the objects very indistinctly visible.' A riot ensued. Lighted candles were thrown on the stage against the curtain, chandeliers broken, benches torn up. The audience was not "satisfied" until Colman the proprietor of the theatre, disclaimed any concern with the entertainment, and Dibdin made an apology. Although announced for repetition on 3 Mar., it was not again performed. (See Dibdin, II, 65; Morning Chronicle, 2 Mar. )]

Performances

Mainpiece Title: Pasquin's Budget; Or, A Peep At The World

8561
27 March 1780 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Morning Chronicle, 25 Mar.: Tickets to be had of Mrs Mattocks, Russel-street, Covent-garden. 2nd piece: Founded on Nancy; or, The Parting Lovers [by Henry Carey]. Books of the Interlude to be had at the Theatre. Receipts: #203 1s. (179.11; tickets: 23.10) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Spaniards Dismayed; or, True Blue for Ever

Afterpiece Title: The Touchstone

Dance: End 2nd piece: Dance of Sailors-see17800401

8562
21 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

8563
04 May 1780 @ Covent Garden

Event Comment: [Mrs Arne was from the Crow Street Theatre, Dublin.] Receipts: #137 19s. (136.13; 1.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Siege Of Gibraltar

8564
05 May 1780 @ Drury Lane Theatre

Event Comment: Benefit for Wright and Butler. Morning Chronicle, 17 Apr.: Tickets to be had of Wright, No. 24, Bennet-street, Westminster; of Butler, next door to the Theatre. Afterpiece: With Alterations and Additions. Not acted these 4 years. To conclude with a Grand Sea-Fightv, Dance, etc. [These were included in both subsequent performances.] The Scenery designed by DeLoutherbourg, and executed under his direction. Receipts: #276 14s. 6d. (52.9.0; 12.5.6; 0.4.0; tickets: 211.16.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Genii

Dance: End I: Hornpipe-Master Butler (scholar of Miller); In afterpiece: Henry

Song: End II: Tally ho!, as17800411

8565
07 June 1780 @ Haymarket Theatre

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

8566
01 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

8567
06 July 1780 @ Haymarket Theatre

Event Comment: Mainpiece: Never acted here. [Staunton, who was from the Crow Street Theatre, Dublin, is identified in Westminster Magazine, July 1780, p. 397.

Performances

Mainpiece Title: Percy

Afterpiece Title: Comus

8568
27 July 1780 @ Haymarket Theatre

Event Comment: Benefit for Du-Bellamy. Mainpiece: In Act I the Statute Scenev. Tickets to be had of Du-Bellamy, next door to the Theatre Coffee-House, Bow-street, Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: End II: As17800615 I: Country Dance-the Characters

Song: End: Kate of Aberdeen-Du-Bellamy; I afterpiece: The Death of the Stag-Du-Bellamy, Bannister

8569
12 August 1780 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 1, by James Cobb; music by Samuel Arnold. Larpent MS 530; not published]: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Wedding Night

8570
22 August 1780 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. 2nd piece: Altered [in 3 acts from the original 5] from Dryden. Tickets to be had of Jewell at his house, adjoining to the Theatre, Suffolk-street

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Son-in-law

8571
29 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Colonel Oldboy-Edwin; Jessamy-Wood; Jenkins-Bannister; Harman-Bowles [From the Theatre Royal in Norwich]; Sir John Flowerdale-Aickin; Lionel-Du-Bellamy; Diana (for that night only)-Mrs Cargill; Jenny-Mrs Wilson; Lady Mary Oldboy-Mrs Webb; Clarissa-Miss Harper.

Afterpiece Title: Comus

8572
10 October 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Comus

Performance Comment: Comus (1st time [at this theatre])-Palmer; 1st Bacchanal-Vernon; Principal Bacchanals-Bannister, Du-Bellamy; 1st Spirit-Aickin; Brothers-Farren, R. Palmer; The Lady-Mrs Sharp; Principal Bacchant-Mrs Wrighten; Pastoral Nymph-Miss Wright; Sabrina-Miss Field; Euphrosyne-Mrs Cargill.

Song: Afterpiece: Sweet Echo-Mrs Wrighten; accompanied-Parke. [This was sung, as here assigned, in all subsequent performances.

8573
17 October 1780 @ Drury Lane Theatre

Event Comment: [Mrs Ward was from the Manchester theatre.] Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [see 15 Oct. 1778. This was included in all subsequent performances.]. Receipts: #225 11s. (179.2.0; 44.19.6; 1.9.6)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Brereton (1st appearance in that character); Gloster-Aickin; Bellmour-Packer; Ratcliff-R. Palmer; Catesby-Phillimore; Derby-Chaplin; Shore-Bensley; Alicia-Mrs Ward (1st appearance on this stage); Jane Shore-Mrs Crawford.
Cast
Role: Catesby Actor: Phillimore

Afterpiece Title: The Camp

Performance Comment: Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; Sir Harry Bouquet (1st time)-R. Palmer; William (1st time)-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Miss Kirby; Nell-Mrs Wrighten; The other Characters-Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, Mrs Cuyler, Miss Simson, Miss Collett.
Cast
Role: The other Characters Actor: Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, Mrs Cuyler, Miss Simson, Miss Collett.

8574
02 November 1780 @ Covent Garden

Event Comment: [Mrs Yates's 1st appearance as Portia was at this theatre, 27 Mar. 1770. On this present night Moody acted in the mainpiece at dl and in the afterpiece at cg.] Receipts: #246 4s. (244.17.6; 1.16.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: The Shepherd's Wedding, as17801003; End IV: The Humours of Leixlip, as17801018

8575
23 December 1780 @ King's Theatre

Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public

Performances

Mainpiece Title: Rinaldo

Dance: As17801219