18 September 1773

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1773-1774
Volume: 4
Comments: Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of Mr Johnston at the Stage door. [Customary note, repeated.] Rec'd Mrs Groath's one year's rent to Xmas last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The Westminster Magazine this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the Beggar's Opera, "notwithstanding he was requested by the Bench of Justices at Bow-Street, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." Lloyd's Evening Post, 17 Sept., included extracts from letters against playing the Beggar's Opera, "because every performance makes from one two twenty thieves." Sir John Fielding and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The Morning Chronicle, 23 Sept., praised Garrick for not complying with the Justices' request. Wm Augustus Miles published a Letter to Sir John Fielding occasioned by his extraordinary Request to Mr Garrick for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740

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  • Original Data

    Source: London Stage Information Bank

    *p1773 9 18 dl The Beggar's Opera. Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; [In III, a% <i>Hornpipe</i>-Atkins; [To Conclude with a% <i>Country Dance</i>-. *aHigh Life below Stairs. Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman. *dII: <i>The Irish Fair</i>-Atkins, Mrs Sutton. *cDoors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of $Mr Johnston= at the Stage door. [Customary note, repeated.] Rec'd $Mrs Groath='s one year's rent to <i>Xmas</i> last #3; Paid Renters #8 (Treasurer's Book). [This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The <i>Westminster Magazine</i> this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the <i>Beggar's Opera</i>, "notwithstanding he was requested by the <i>Bench of Justices</i> at <i>Bow-Street</i>, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." <i>Lloyd's Evening Post</i>, 17 Sept., included extracts from letters against playing the <i>Beggar's Opera</i>, "because every performance makes from one two twenty thieves." $Sir John Fielding= and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The <i>Morning Chronicle</i>, 23 Sept., praised Garrick for not complying with the Justices' request. $Wm Augustus Miles= published a <i>Letter to Sir John Fielding</i> occasioned by his extraordinary Request to $Mr Garrick= for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740.%
  • Cleaned Data

    *p1773 09 18 dl The Beggar's Opera. Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a <i>Hornpipe</i>-Atkins; To Conclude with a <i>Country Dance</i>-.*a1773 09 18 dl High Life below Stairs. Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman.*d1773 09 18 dl II: <i>The Irish Fair</i>-Atkins, Mrs Sutton.*c1773 09 18 dl Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of $Mr Johnston= at the Stage door. [Customary note, repeated.] Rec'd $Mrs Groath='s one year's rent to <i>Xmas</i> last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The <i>Westminster Magazine</i> this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the <i>Beggar's Opera</i>, "notwithstanding he was requested by the <i>Bench of Justices</i> at <i>Bow-Street</i>, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." <i>Lloyd's Evening Post</i>, 17 Sept., included extracts from letters against playing the <i>Beggar's Opera</i>, "because every performance makes from one two twenty thieves." $Sir John Fielding= and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The <i>Morning Chronicle</i>, 23 Sept., praised Garrick for not complying with the Justices' request. $Wm Augustus Miles= published a <i>Letter to Sir John Fielding</i> occasioned by his extraordinary Request to $Mr Garrick= for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740.
  • Parsed Data

    Event: 37209 | 17730918 | dl | Doors open at 5 o'clock. Play to begin at 6 o'clock. Prices: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places to be had of $Mr Johnston= at the Stage door. [Customary note, repeated.] Rec'd $Mrs Groath='s one year's rent to <i>Xmas</i> last #3; Paid Renters #8 (Treasurer's Book). This regular expenditure was made nightly for the 189 acting nights of the season, as well as for the 11 nights on which Oratorio's were given in the Spring. The total amount came to #1600. No further note will be made of this item this season. The <i>Westminster Magazine</i> this month, reiterated its doleful cry "that the stage is on its decline." In a long article on "Stage Effect, or Dramatic Cookery," it concluded that our "Theatrical managers and even our Theatrical Critics seem to have resolved all the merit of dramatic composition into stage trick, and rest their criterion of Dramatic Genius on the knowledge of what they are pleased to call Stage effect." The "Theatre" article for the month remarked upon the boldness of Garrick's opening with the <i>Beggar's Opera</i>, "notwithstanding he was requested by the <i>Bench of Justices</i> at <i>Bow-Street</i>, to suppress it, as they were of opinion it had done a great deal of mischief among the low class of people." <i>Lloyd's Evening Post</i>, 17 Sept., included extracts from letters against playing the <i>Beggar's Opera</i>, "because every performance makes from one two twenty thieves." $Sir John Fielding= and his associates had addressed a letter to Garrick requesting him not to perform the opera for the same reason. The <i>Morning Chronicle</i>, 23 Sept., praised Garrick for not complying with the Justices' request. $Wm Augustus Miles= published a <i>Letter to Sir John Fielding</i> occasioned by his extraordinary Request to $Mr Garrick= for the suppression of the Beggar's Opera (44 pp.). In this he vindicated the moral effect of the opera.] Receipts: #158 (Treasurer's Book). [Note: For perform ance at hay 18 and 20 September, see Season of 1772-1773, p. 1740
    Performance: 77477 | 37209 | p | The Beggar's Opera | Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a <i>Hornpipe</i>-Atkins; To Conclude with a <i>Country Dance</i>-.
    Cast:
    131786 | 77477 | Macheath | Vernon
    131787 | 77477 | Peachum | Moody
    131788 | 77477 | Ben Budge | Ackman
    131789 | 77477 | Lockit | Bransby
    131790 | 77477 | Filch | Parsons
    131791 | 77477 | Beggar | Waldron
    131792 | 77477 | Player | Wheeler
    131793 | 77477 | Lucy | Mrs Wrighten
    131794 | 77477 | Mrs Peachum | Mrs Love
    131795 | 77477 | Diana Trapes | Mrs Bradshaw
    131796 | 77477 | Polly | Mrs Smith
    131797 | 77477 | a <i>Hornpipe</i> | Atkins
    131798 | 77477 | To Conclude with a <i>Country Dance</i> | .
    Performance: 77478 | 37209 | a | High Life below Stairs | Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman.
    Cast:
    131799 | 77478 | Sir Harry's Serv't | Parsons
    131800 | 77478 | Duke's Serv't | Palmer
    131801 | 77478 | Young Lovel | Cautherly
    131802 | 77478 | Philip | Baddeley
    131803 | 77478 | Freeman | Fawcett
    131804 | 77478 | Kitty | Miss Pope
    131805 | 77478 | Robert | Ackman.
    Performance: 77479 | 37209 | d | II: <i>The Irish Fair</i>-Atkins, Mrs Sutton

Mainpiece

Comments:
Macheath-Vernon; Peachum-Moody; Ben Budge-Ackman; Lockit-Bransby; Filch-Parsons; Beggar-Waldron; Player-Wheeler; Lucy-Mrs Wrighten; Mrs Peachum-Mrs Love; Diana Trapes-Mrs Bradshaw; Polly-Mrs Smith; In III, a Hornpipe-Atkins; To Conclude with a Country Dance-.
Cast:

Afterpiece

Comments:
Sir Harry's Serv't-Parsons; Duke's Serv't-Palmer; Young Lovel-Cautherly; Philip-Baddeley; Freeman-Fawcett; Kitty-Miss Pope; Robert-Ackman.
Cast:

Dance

Comment: II: The Irish Fair-Atkins, Mrs Sutton

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