SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Hay Market"/1) | (@(roleclean,performerclean) "New Theatre in the Hay Market")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5014 matches on Event Comments, 2829 matches on Performance Title, 1764 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

Event Comment: In a short time will be perform'd at the Theatre in the Hay-Market, a Concert of Music; and the Tragedy of Othello, Moor of Venice. The character of Othello will be new dress'd agreeable to the Manner and Custom of his own Country. As both these entertainments will be perform'd by a set of Gentlemen for their own Diversion, no Money will be taken, nor any person admitted but by printed Tickets; which (by order of the Gentlemen) will be deliver'd gratis by Mr Machlin, at his House in Bow-Street, Covent Garden; where Ladies, by sending their Servants, may take Places for the Boxes.--Daily Advertiser

Performances

Mainpiece Title: None

Event Comment: The Subscribers to the Opera are desired to take notice, that upon Saturday Morning Next, there will be a general Rehearsal of the New Opera call'd Anibale in Capua, upon the stage of the king's Theatre in the Hay Market, agreeable to the printed proposals. The Doors will be open'd at Ten, and the Rehearsal will begin at eleven precisely. No person whatever to be admitted without a subscriber's ticket. Attendance will be given this and every Day 'till the Operas begin, at the Office in the Haymarket, from ten in the Morning, till three in the Afternoon, in order to take in Subscriptions, and deliver out tickets.--General Advertiser

Performances

Event Comment: [For the Relief of the Sufferers by a late Calamity...at his Auction-Room late the Little Theatre in the Hay-Market Mr Foote will exhibit for the satisfaction the curious a choice Collection of Pictures, all warranted Originals, and entirely new. To begin at twelve noon. [Cross, Fielding, II, 89, states that Foote mimicked Fielding as "Trottplaid" on this date.] Daily Advertiser, 28 April: It being represented unto this Court, that several Common Players of Interludes, Gamesters...have for several Years used and accustomed to assemble and meet together at several Fairs or pretended Fairs, held in this County of Middlesex, not warranted by Law, to wit, Tottenham Court Fair, Hampstead Fair, in Holborn Division, the Shepherd's Bush Fair in Kensington Division, Mile-End Fair and Bow-Fair, commonly called Green-Goose Fair, in the Tower Division, and May Fair in Westminster Division

Performances

Mainpiece Title: Collection Auction Of Pictures

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. MS: Larpent 1000]: The greatest part entirely new, with a few Select Scenes from the most approv'd Compositions. With new Scenery, Machinery, Dresses and Decorations. The Dresses entirely new. The new Music composed by Shield, the rest selected from Harington, Dr Arne, Eley, Reeve, Pepusch, Galliard, George Ware, Hook, &c. The Scenery and Machinery entirely new painted by Richards, Hodgins, Walmsley, Lupino, Pugh, Phillips and Malton. The Dances entirely new, composed by Byrn. Account-Book, 23 Apr. 1795: Paid James Wild in full for Dr Faustus #40. European Magazine, Jan. 1794, p. 49: Dr Faustus has afforded entertainment to three if not four generations. It was first produced at Drury-lane in 1723, by Mr Thurmond, a dancing-master, and was afterwards succeeded at Lincoln's inn-fields, in the same year, by Mr Rich's more splendid performance [entitled The Necromancer; or, Harlequin Doctor Faustus], which received improvement at different revivals of it. At the latter end of 1766 [at Covent Garden] Mr Woodward made some alterations, and it was revived with great success. It is again brought forward with applause, and recalls to the remembrance of those who formerly saw it with delight, the recollection of the most enchanting period of life. The opening scene of Tartarus . . . was first introduced in the speaking pantomime of The Mirror [at Covent Garden, 30 Nov. 1779). Receipts: #352 13s. 6d. (324/13/6; 28/0/0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-market. "[Raymond] appears to possess many of those wild beauties, and enthusiastic bursts for which Mossop has been celebrated; which produce an effect upon the audience, like electricity, instantaneous and irresistible" (Monthly Mirror, Oct. 1799, p. 232). Receipts: #304 13s. (213.5.0; 91.5.6; 0.2.6)

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17990917, but Osmond-Raymond (from the Theatre Royal, Dublin; 1st appearance on this stage); Allan-Packer.
Cast
Role: Father Philip Actor: Palmer
Role: Motley Actor: Wathen
Related Works
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis

Afterpiece Title: The Children in the Wood

Event Comment: For the Encouragement of the Comedians Acting in the Hay-Market, and to enable them to keep the Diversion of Plays under a separate Interest from the Opera. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscription Tickets. First Gallery 2s. Upper Gallery 1s. [Cibber (II, 4-5) states that each subscriber received three tickets for the first day of each of three plays offered by subscription for a payment of three guineas.

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Julius Caesar-Booth; Octavius Caesar-Mills; Antony-Wilks; Brutus-Betterton; Cassius-Verbruggen; Caska-Keen; Ligarius-Boman; Decius Brutus-Husband; Cinna-Bowen; Plebeians-Johnson, Bullock, Norris, Cross; Calphurnia-Mrs Barry; Portia-Mrs Bracegirdle; With a new Prologue-.
Cast
Role: With a new Prologue Actor: .
Event Comment: Daily Post, 4 Feb.: There is upon the Road from Paris, thither, a Company of French Comedians, which, 'tis said, are to perform at the Theatre in the Hay-Market twice every Week the Remainder of this Season; and we hear that 1000l. is already subscribed towards their Encouragement

Performances

Event Comment: Afterpiece: an Act of Extraordinary Entertainment. For the last Time of Acting at the King's Theatre in the Hay-Market

Performances

Mainpiece Title: Harlequin A Merry Spirit

Afterpiece Title: Pantomime

Event Comment: Benefit Mrs Haywood the Muse, Author of Love in Excess, and many other entertaining Pieces. 6:30 p.m. Daily Advertiser, 23 May: We hear that her Grace the Dutchess Dowager of Marlborough will be at the Theatre in the Hay-Market this Night

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Event Comment: Benefit for one Monett master of ye French Comedians (Cross). [174th and positively the last night.] Receipts: #120 (Cross). Account of Disbursements made by Mr Monnet for his Stage, as well in Ready Money as in Notes of Hand. @Names of Actors and Actresses Their Contracts with Mr Monnet Paid in Money Paid in Notes Whole sum of the Expence, as well in Money as in Notes@Desormes #227 7s. 6d. #65 17s. 9d. #131 5s. #197 2s. 9d.@Mauly & Hamond #301 8s. 9d. #175 #63 #238@Bureau #257 8s. 7d. #122 11s. 3d. #52 10s. #175 1s. 3d.@Toscano #289 7s. 10d. #123 16s. 7d. #66 1s. 3d. #189 7s. 10d.@Durancy and Wife #361 17s. 1d. #147 7s. #210 #357 7s.@Parant #218 15s. #108 10s. 10d. .... #108 10s. 10d.@Terodat #52 10s. #39 2s. .... #39 2s.@Kelly #30 18s. #30 18s. .... #30 18s.@Villiers #32 15s. #32 15s. .... #32 15s.@Chateauneuf #43 15s. #15 17s. .... #15 17s.@Dujoncel #36 15s. #24 13s. 6d. #12 1s. 6d. #36 15s.@Champville #87 10s. #52 10s. .... #52 10s.@StAmand #78 15s. #26 5s. #17 10s. #43 15s.@Totals #1,919 2s. 9d. #965 4s. 3d. #552 7s. 9d.@ @Other Expences@For the Play-House's Rent #110@For the Stage's Taylor #35 14s.@For the Expences of Four Representations acted #65 12s. 6d.@For the traveling Expences of Mr Monnet, and his Residence of twenty Months at London or Paris and the Expences for the Custom-House, Law, Prison #328 12s. 8d.@Whole Sum of the Expence #2,157 1s.@ @RECEIPTS@For Fifty-six Subscriptions, at Five Guineas each #294@Received from Four Representations acted at the Little Theatre in the Hay-Market #188 18s. 4d.@From a Subscription, by Mr Arthur, Master of White's Chocolate-House #367 10s.@Whole Sum of the Receipts #850 8s. 4d. @ Therefore the Expence exceeds the Money received by #1,306 12s. 8d. which Mr Monnet is entirely out of Pocket, besides two Years and a half of his Time spent for it. N.B. The Contracts are all made for Livres Turnois, and this Account is made upon a Calculation of 3 Livres Tournois for 31 1!2d. Sterling.--And the Contracts and Receipts are ready to be produced. [This account is by courtesy of Miss Sybil Rosenfeld from a photostat of the original (which is printed in both French and English) in the Bibliotheque National. See also British Magazine, August 1750, p. 322.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Performance Comment: The General Advertiser lists no afterpiece.

Dance: III: Grand Scotch Dance, as17491031

Event Comment: Benefit for J. D'Egville. Ballet: As composed by Dauberval, and performed at the king's Theatre in the Hay-Market. To conclude with a Grand Display of the Manual Exercise. Morning Chronicle, 8 May: Tickets to be had of J. D'Egville, No. 29, Litchfield-street, Soho. Receipts: #376 9s. (151.16; 45.10; 6.14; tickets: 172.9) (charge: #247 12s. 9d.)

Performances

Mainpiece Title: The Country Girl

Performance Comment: As17950420, but Alithea-Miss Collins.
Cast
Role: Alithea Actor: Miss Collins.

Afterpiece Title: Alexander the Great

Performance Comment: As17950415, but Statira-Miss DeCamp; Attalus-_; Eumenes-_; Philip-_; Arsites-_; Spithridates-_; Raesaces-_; High Priest of the Sun-_.
Cast
Role: Perdiccas Actor: Fairbrother
Role: High Priest of the Sun Actor: Roffey

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

Performance Comment: Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-.
Cast
Role: Gaoler Actor: Fairbrother
Role: The King Actor: Phillimore
Event Comment: HHallam's New Theatre Adjoining to the Market-House. Mainpiece: A new Droll. From 1:00 p.m. to 10 p.m. Stage 2s. 6d. Boxes 1s. 6d. Pit 1s. Gallery 6d. As this is a regular Theatre, Ladies and Gentlemen will be entertained in a more decent and commodious manner than they can possibly be in a booth. [Notice repeated 2 May.

Performances

Mainpiece Title: The Royal Heroe; Or, Lover Of His Country, Intermix'd With Several Comical And Diverting Scenes, Call'd the Blundering Brothers, With The Merry Adventures Of Timothy Addlepot And Davy Dunce

Afterpiece Title: Harlequin Sclavonian; or,Monsieur in the Suds

Performance Comment: Harlequin-Adams; Marquis-Edwards; Pierrot-Robinson; Colombine-the celebrated Mrs Careless.

Song: Blogg

Event Comment: At the particular Desire of several Persons of Distinction. By the Lilliputian Company of Comedians. At the Tennis-Court, in James-street, in the Hay-Market. 7 P.M. Boxes 3s. Pit 2s. Gallery 1s. N.B. The Company will continue to Play every Monday, Wednesday, and Friday, during the Summer Season. Daily Advertiser, 29 April: I went to see them; upon my entrance I was surpris'd at the Spaciousness and Decencies of the Place; when the Curtain was drawn up, I found the Scenes not inferior to any I had seen, the Stage copious, the Decorations regular, the Actors perfect both in Words and Performance

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Devil to Pay

Performance Comment: Cast not listed. With a new Prologue and Epilogue .
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: Benefit for the Fund established for the Support of Decay'd Musicians or their Families. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day at the Office in the Hay-Market, at Half a Guinea each. Gallery 5s. Gallery opened at Four o'clock, Pit and Boxes at Five. To begin exactly at Six. N.B.: Tickets delivered to Subscribers to this Charity will admit one Person to any part of the House

Performances

Mainpiece Title: Entertainment Of Music

Performance Comment: First Part: A new Overture [by Paradies-; D'Ogni Amator[ in L'Ingratitudine Punita-Ciacchi; Son Confusa Pastbrella [from same]-Sga Pirkir; Rasserena il mest Ciglio [in Artamene-Sga Galli; Concerto-Pasqualino; Se Fosse il mio Diletto (Hasse)-Reginelli; Leon Cacciato [in Selva in Scipione-Sga Casarini; [Second Part: Concerto-Carbenell; Heart thou Seat of soft Delight [in Acis and Galatea-Sga Frasi; Viv non ti contendono [in L'Ingratitudine Punita-Ciacchi; Vuoi Saper se tu mi piaci (Hasse)-Reginelli; Pender L'Amico [in Enrico-Sga Pirkir; Concerto-Miller; A me ritornate Speranzeptu Care [in Enrico-Sga Casarini; Passagier che su la Sponda (Hasse)-Reginelli;[ Third Part: Concerto-Vincent; O'inespettata Sorte (Veracina)-Sga Galli; The Prince unable to Conceal his Pain [from Alexander's Feast-Frasi; Come ever Smiling Liberty [in Judas Maccabaeus-Sga Casarini; Che quel Cor (Hasse)-Reginelli; A Grand Concerto [of Handel's-.
Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Performance Comment: Edition of 1695: A Prologue for the opening of the New Play-House-Mrs Bracegirdle in Man's Cloaths; Sent from an unknown Hand; Prologue Spoken at the opening of the New House-Mr Betterton; Epilogue Spoken at the opening of the New House-Mrs Bracegirdle; Sir Sampson Legend-Underhill; Valentine-Betterton; Scandal-Smith; Tattle-Boman; Ben-Dogget; Foresight-Sanford; Jeremy-Bowen; Trapland-Triffusis; Buckram-Freeman; Angelica-Mrs Bracegirdle; Mrs Foresight-Mrs Bowman; Mrs Frail-Mrs Barry; Miss Prue-Mrs Ayliff; Nurse-Mrs Leigh; Jenny-Mrs Lawson.
Event Comment: [For the King (Cross). With New Music, Scenes, Machines, Habits, and other Decorations. Compos'd by Mr Noverre. All our Dancers appear. A good deal of hissing & Clapping & some Cries of No french Dancers; a great clapping too-the Dance is fine-(Mr Delaistre is a good Dancer) (Cross). [See for details of preparation, importation of dancers, especially of M Delaistre, The Chevalier Noverre, Father of Modern Ballet, Deryck Lynham (London, 1950), pp. 26-40. See also advertisement in Public Advertiser: 'Mr Noverre, whose entertainments of Dancing have been celebrated in almost all the courts of Europe, exhibits this evening his Chinese Festival at the Theatre Royal in Drury Lane, in pursuance of a contract made above a year ago with the managers of the said theatre: The Insinuation that at this time, an extraordinary number of French dancers are engaged, is groundless, there being at Drury Lane at present as few of that nation, as any other theatre now has, or perhaps ever had. Mr Noverre and his brothers are Swiss, of a protestant family in the Canton of Berne, his wife and her sisters Germans; there are above sixty performers concerned in the entertainment; more than forty of which are English, assisted only be a few French (five men and four women) to complete the Ballet as usual. As the intention of the Managers on this occasion is to give Variety to Entertainments of the town, it is not doubted it will meet with public approbation.'] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Fair Quaker Of Deal

Cast
Role: With a New Song Actor: Beard

Afterpiece Title: New Grand EntertainmentThe Chinese Festival

Performance Comment: Parts-Mons Delaistre, Sg Baletti, Lauchery, Noverre Jun, Dennison, StLeger, Shawford, Mathews, Pochee, L'Clert, Harrison, Granier, Hust, Sarny, Walker, Mrs Vernon, Miss Noverre, Morris, Rooker, Sturt, Atkins, Ackman, Walker, Sga Pietro, Mrs Addison, Mrs Noverre, Robinson, Mrs Gibbons, Mlle Charon, Mlle Rousselet, Mrs Preston, Mlle Rouend, Mrs Philips, Mrs Lawson, Little Pietro, Master Simson, Master Pope, Master Blagden, Master Hust, Master Spilsbury, Miss Bride, Miss Popling, Miss Simson, Miss Heath, Scrase, Jefferson, Burton, Marr, Vaughan, Chamness, Bullbrick, Clough, Allen, Gray, Mrs Bradshaw, Mrs Hippisley, Mrs Mathews, Mrs Simson, Miss Mills.
Event Comment: The King's Company. It is difficult to assign a date to this burlesque, but it is obviously a satiric thrust at Elkanah Settle's The Empress of Morocco, which had been acted on 3 July 1673, and on Macbeth, which had been most recently acted (probably) on 9 Aug. 1673. As the title page of Duffett's burlesque does not name a theatre, it is not known whether it was acted before the King's Company left Lincoln's Inn Fields for the new theatre in Drury Lane. But the fact that Settle's Empress of Morocco was acted again at Dorset Garden on 6 Dec. 1673 makes December 1673 a likely month (or the King's Company to play its burlesque, although it may have been given in the late summer or early autumn, as many lesser actors are in the cast

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: . Edition of 1674: Prologue-Ghost of Labas, Morena; Muly Labas-Coysh; Muly Hamet-Kew [Cue?]; Grimalhaz-Watson; Hamet Alhaz-Powel; Abdrahaman-Bird; Abdelcador-Carlton; Messenger-Kempton; Eunch-Venner; Laula-Griffin; Mariamne-Goodman; Morena-Harris; Epilogue [being a new Fancy after the old, and most surprising way of Macbeth, perform'd with new and costly Machines...invented and managed by Henry Wright.-Hecate, Three Witches; Hecate-Powel; 1 Witch-Harris; 2 Witch-Adams; 3 Witch-Lyddal; Thunder-Goodman; Lightning-Kew; An Epilogue [an additional one]-.
Event Comment: Benefit Powell. Note, That the Tickets given out for Tuesday in last Whitson-Week at the New Theatre in Lincoln's-Inn-Fields, for the Benefit of Mr Powell, will be taken for this Play at the Theatre Royal

Performances

Mainpiece Title: Volpone

Performance Comment: Volpone-Powell; Mosca-Wilks; With a New Prologue to the Town-.

Song:

Dance: To be expressed in the Bills

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.

Dance:

Event Comment: Benefit Galliard. Pit and Boxes put together at 5s. Gallery 3s. Upper Gallery 2s. Special Care will be taken to have the Theatre well aired. [Last performance known at this theatre.

Performances

Mainpiece Title: Love And Folly

Afterpiece Title: Serenata

Performance Comment: consisting of the choruses in the tragedy Julius Caesar-; by the late Duke of Buckingham. by the late Duke of Buckingham.

Music: New concerto grosso-; 24 Bassoons-; accompanied- violincello-Caporale

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates (1st appearance in that character these 1O years); Sir Andrew Ague@Cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Jefferson; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Curio-Everard; Clown-Vernon; with the original Epilogue song-Vernon; Olivia (with a song)-Mrs Baddeley; Maria-Mrs Hopkins; Viola-Miss Younge.

Afterpiece Title: Miss in her Teens

Event Comment: 2nd piece [1st time; CO 3, by John Scawen]: The Music, with a new Overture, by Dr Arnold. The Scenery designed and painted by Rooker. The Dances by Byrn. Books of the Songs [T. Cadell, 1790] to be had at the Theatre. Diary, 27 Aug. 1790: This Day is published New Spain (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: New Spain; or, Love in Mexico

Dance: III 2nd piece: A Grand Indian War Dance-