SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Young"/1) | (@(roleclean,performerclean) "Mr Young")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4631 matches on Event Comments, 4128 matches on Performance Comments, 1200 matches on Performance Title, 768 matches on Author, and 4 matches on Roles/Actors.
Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: Benefit for the Education of a Young Gentleman in Distress. Mainpiece: At the Particular desire of several Ladies of Quality. The Gentleman for whom this Benefit is intended, after having gone thru a scholastic Education, being by a series of Misfortunes too tedious to enumerate, deprived of an academical one, takes this opportunity humbly to submit his case to the publick, and beg their indulgence so far as to enable him to go through his studies at the University

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Virgin Unmask'd

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: Mainpiece: For the entertainment of two young Africans. On Friday 10 February will be perform'd a New Oratorio, call'd Susanna, with a Concerto. Pit and boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day, at the Office in Covent Garden Theatre, at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries opened at half past four. Pit and Boxes at Five. To Begin at Half an Hour after Six. [This advertisement repeated in the General Advertiser daily to 10 Feb. 1749.

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: Benefit for Miss Falkner. We hear that the two young Africans will be at the Theatre Royal in Covent Garden this night, to see the Spanish Fryar, for the Benefit of Miss Falkner. [Page missing from the General Advertiser with the Bill this day.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Phoebe; or, The Beggar's Wedding

Song: Miss Falkner

Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Event Comment: Benefit for Jones. A Serenata. Books of which may be had at the theatre. To begin at twelve o'clock promptly (General Advertiser). To the Publick: Walking in St James's Park the other day, I followed two young Gentlemen along the Mall, and overheard one of them say to the other, "shall we go and offer sacrifice to the Manes of Milton?" To which the other reply'd "with all my heart." I must own I had some curiosity to know in what this ceremony would consist, and determined to observe them. I accordingly followed them at some distance, into Dodsley the Bookseler's in Pall Mall; where to my great satisfaction I found that this most acceptable sacrifice was only an offering of Charity to the Granddaughter of Milton; who on account of her age, her poverty, and her relation to that great Man, is to have a Benefit at Drury Lane Theatre on Wednesday next. I willingly joined in their devotions, and rejoice with the Publick on their having an opportunity of shewing their gratitude and Veneration to a man whose Genius reflects a lustre on the British Literature, and whose sentiments have added strength to the British liberties; to an author whose works have been the delight of our Fathers, and will be the Admiration of our sons: latest posterity; to an Englishman who is not only the Glory of our Country, but the Honour to Human Nature. This fair Opportunity of paying a respect to his Memory (the last of the kind that can be offered to us, as Mrs Foster is the only surviving branch of his family) must certainly be embraced with Eagerness and pleasure; all who have any pretence to an Elegant Taste, all lovers of Liberty, and every friend of the Muses, will surely crowd to the house on this distinguish'd night, and give at once an instance of the politeness of their manners, and the goodness of their hearts, I am, &c. A Lover of Milton (General Advertiser)

Performances

Mainpiece Title: Solomon

Music: CConcerto on Violincello-Jones

Event Comment: Mainpiece: By command of their Royal Highnesses the Prince and Princess of Wales. Their Royal Highnesses the Prince and Princess of Wales, with the young Princes, will be this evening at Covent Garden to see the play of the Merry Wives of Windsor

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Devil to Pay

Event Comment: t the Temple of Taste this evening the entertainment consisted of 1), an overture from Samson, 2), a Poetica address to the audience, 3), a concert on the harpsichord by a young Lady eight years old, 4), a Dissertation on Dress, 5), a Hautboy concerto, 6), an Essay toward a new-invented Astronomy, adapted to the Ladies, 7), a solo on the German Flute, and a general debate on the following propositions: Is Affectation more prevalent in Man than Woman?" 'Is not a good-natured illiterate man more beneficial to society than an illnatured philosopher" (General Advertiser).

Performances

Mainpiece Title: Jeptha

Event Comment: [Continued approbation for the Temple of Taste]: The Second time it was receiv'd with uncommon approbation, particularly the Essay on a new-invented Astronomy, adapted to the Ladies, and the performances on the Harpsichord by a young lady but eight years old, who was allow'd by some Conoisseurs that were present, to play it extremely curious and masterly. Several Gentlemen spoke to the Questions, and met with unanimour applause; and the whole was conducted with the utmost Regularity and decency (General Advertiser)

Performances

Mainpiece Title: Jeptha

Event Comment: Written by Dr Young-the Profits of ye Author for a Charity-Went off wth Great Applause, only a little Laughin, at Simson (Dymas) for his Dress, or manner, I cant tell (Cross). Mainpiece: Never Acted Before. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Brothers Author(s): Edward Young
Event Comment: Benefit for Mrs Pritchard. Tickets of Mrs Pritchard in Great Queen St. Lincoln's Inn-Fields, and at Stage Door. Part of the Pit will be taken into the Boxes, and servants will be admitted to keep places on the stage. [A Complaint of the Tragic Poets, addressed to Dr Young appeared in the Public Advertiser, praising him on the Brothers: "And your last efforts prove your strength divine."] Receipts: #250 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Chaplet

Dance: As17521201

Event Comment: At the Desire of several Persons of Quality. By Authority....By Bayes's New-raised Company of Comedians....All other parts [of mainpiece] to be attempted by the new Company; Most of whom never appeared on any stage before. Particularly, the part of Miranda , by a Young Gentlewoman. Being positively her first Essay in a Theatrical Capacity. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6:30 P.m. [No concert formula.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mock Doctor

Song: I: The Lover's Rapture-

Dance: II: A New Pierot's Dance-; IV: The Drunken Peasant-; End: A Country Dance-the Characters in the Comedy

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Tomorrow Zara, Zara by a young Gentlewoman, who never yet appeared on any stage

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Double Disappointment

Dance: Granier, Miss Hilliard

Event Comment: Benefit Taswell, Rainton & Miss Young (Tickets) (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Genii

Dance: II: The Garlands, as17560213

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Wolsey-Mossop; Brandon-Jefferson; Old Lady-Mrs Bradshaw; Cranmer-Havard; Sandys-Philips; Lovell-Ackman; Guildford-Marr; Capucius-Scrase; Gardiner-Taswell; Surveyor-Simson; King Henry-Berry; Buckingham-Ross; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Bransby; Suffolk-Blakes; Cromwell-Mozeen; Doctor Butts-Vaughan; Campeius-Burton; Ann Bullen-Mrs Jefferson; Queen-Mrs Pritchard; Patience (with song)-Miss [I] Young; With a Representation of the Coronation-; Ceremony of the Champion in Westminster Hall-.

Afterpiece Title: The Oracle

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

Event Comment: Tormorrow Othello, Desdemona by a Young Gentlewoman, being her 3rd time of performing on any stage. N.B. The Comedy of Love for Love, which was to have been acted tomorrow for the Benefit of the Widow Ladbrooke, is, by her Deisre, deferr'd till further Notice

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Event Comment: [K+King Richard III.] Containing the Distresses and Death of King Henry VIv, the artful acqusition of the crown by Richardv; the cruel murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv, and the Death of Richard in the Memorable Battle of Bosworth Fieldv; being the last that was fought between the Houses of Yorkv and Lancasterv; with many other historical passages

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: A Duke and no Duke

Dance: As17561217

Event Comment: Mainpiece: Containing the Distresses and Death of King Henry VIv ; the Artful Acquisition of the Crown by Richardv ; the Cruel Murder of the young King Edward Vv and his brother in the Tower; the Landing of the Earl of Richmondv ; and the Death of Richard in the memorable Battle of Bosworth Fieldv ; being the last that was fought between the Houses of York and Lancasterv ; with many other historical passages [a regular notice appearing with performances of this play]. Receipts: #118 18s. 6d. [Paid to] Lee one third of the surplus of this night's receipts over the charge of #100, #3 19s. 6d. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Contrivances

Dance: Lucas, Miss Hilliard

Event Comment: With New Additions and Alterations. [On 1 March (Baker, Diary, p. 106) went to Handel's and heard the rehearsal by "Frasi, Miss Young als [alias], Miss Scott, Cassandra Frederick, Beard, Champness, Baildon."

Performances

Mainpiece Title: Judas Maccabaeus

Event Comment: The young gentleman who played the part of Valdore , being indisposed, makes it necessary to defer the new play of the Insolvent (designed for this day) till Thursday the 16th, when it will be performed with a variety of new entertainments as will be particularly specified in the bills. The part being a principal one, and of a considerable length (as the notice of the Gentleman's Indisposition is but just receiv'd) makes it impracticable to have it acted sooner. The tickets that could not come in on the first night for want or room will be admitted on Thursday

Performances

Event Comment: At The Chapel of the Foundling Hospital. [Deutsch, Handel, pp. 799-801, notes the performance and lists the "Orchestra Bill," for this performance: twelve violins-Brown, Collet, Freeks, Frowd, Claudio, Wood, Wood Jr, Denner, Abbington, Grosman, Jackson, Nicholson, the first three at 15s. and the rest at 10s. each; three "tenners" [violas]-Rash, Warner, Stockton at 8s. each: four hautbois-Eyferd, Teede, Vincent, Weichsel, the first three at 10s. 6d. and the fourth at 8s.; four bassoons-Miller, Baumgarden, Goodman, Owen, the first two at 10s. 6d. and the rest at 8s. each; three violoncellos-Gillier, Haron, Hebden at 10s. 6d. each; two double basses-Dietrich at 15s. and Sworms at 10s.; horns and drums by Adcock and Willis at 10s. 6d. each; trumpets and kettle drums-Trowa, Miller, and Fr Smith at 10s. 6d. for a total of #17 15s. He also lists the bill for the singers: Sga Frasi, #6 6s.; Miss Frederick, #4 4s.; Miss Young, #3 3s.; Beard with services gratis; Champness, #1, 11s. 6d.; Waas, Bailden, and Barrow at #1 1s. each; six boys, totalling #4 14s. 6d.; a second Champness, Ladd, Cox, Munck, Reinhold, Walz, Courtney, and Kurz, at 10s. 6d. each, for a total of #27 16s. 6d. Servants and music porters added #4 14s. 6d. What with #5 5s. 6d. for Smith brought the total bill to #55 11s. 6d. The Constable in addition cost #3 3s.

Performances

Mainpiece Title: The Messiah