SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John and Mr Robert Palmer"/1) | (@(roleclean,performerclean) "Mr John and Mr Robert Palmer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11823 matches on Author, 6687 matches on Performance Comments, 5563 matches on Event Comments, 983 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Sir John Actor: Garrick, 1st time
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: Muilment

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Performances

Mainpiece Title: The Jew

Cast
Role: Frederick Bertram Actor: Palmer
Related Works
Related Work: The Jew Author(s): Richard Cumberland
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Afterpiece Title: Lodoiska

Cast
Role: Polanders Prince Lupauski Actor: Aickin
Role: Baron Lovinski Actor: Palmer
Role: Michael Actor: Bland
Related Works
Related Work: Lodoiska Author(s): John Philip Kemble
Event Comment: This Play is alter'd by Mr Lenox from Eastward hoe! it was well perform'd and had Applause--some hisses at the End it won't do much (Hopkins Diary). Characters new dress'd in Habits of the Time. (MacMillan's note from Kemble differs slightly.] Paid Mr Abrahams by Mr D. G. #40; Mr Caesar for Trimmings #6 16s. 6d. (Treasurer's Book). [Long review of the play and its merits and demerits as an adaptation appeared in the Westminster Magazine for Nov. It was approved of in general.] Receipts: #189 8s. (Treasurer's Book)

Performances

Mainpiece Title: Old City Manners

Performance Comment: Parts by: Dodd, Baddeley, Parsons, Brereton, Bannister, Hurst, Whitfield, Wright, Wrighten, Griffith, Carpenter, Norris, Garland, Everard, Fawcett, Kear, Legg, Cubitt, etc. Palmer, Miss P. Hopkins, Mrs Whitfield, Miss Platt, Mrs Johnston, Mrs Millidge, Mrs Wrighten. With an Occasional Prologue-King; Touchstone-Baddeley; Quicksilver-Dodd; Sir Petronel Flash-Palmer; Golding-Brereton; Security-Parsons; Bramble-Hurst; Capt. Seagull-Bannister; Fig-Whitfield; Waterman-Wright; Wolf-Wrighten; Holdfast-Griffith; Constable-Carpenter; Servant-Norris; Drawer-Garland; Footman-Everard; Scapethrift-Fawcett; Spendall-Cubitt; Coachman-Kear, Legg; Mildred-Miss P. Hopkins; Winifred-Mrs Whitfield; Sydney-Miss Platt; Mrs Touchstone-Mrs Johnston; Betty-Mrs Millidge; Gertrude-Mrs Wrighten (Genest, V, 481).
Cast
Role: Sir Petronel Flash Actor: Palmer
Role: Drawer Actor: Garland
Role: Mrs Touchstone Actor: Mrs Johnston

Afterpiece Title: May Day

Dance: The Merry Peasants, as17751018

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Sir David Daw-R. Palmer; Governor Tempest-King; Mr Penruddock-Kemble; Mr Woodville-Whitfield; Mr Sydenham-Palmer; Capt. Woodville-C. Kemble; Weazle-Suett; Servant to Woodville-Maddocks; Officer-Benson; Jenkins-Russell; Coachman-Jones; Cook-Hollingsworth; Servant to Tempest-Webb; Footmen-Trueman, Cooke, Evans, Welsh; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid-Miss Tidswell.
Cast
Role: Sir David Daw Actor: R. Palmer
Role: Mr Sydenham Actor: Palmer
Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: My Grandmother

Event Comment: Afterpiece: Never [previously] performed at this Theatre [1st acted by the dl Company at king's, 18 Oct. 1792]. The new Scenes by Greenwood. The Musick composed principally by Attwood; rest from Mozart and Sarti. Receipts: #363 9s. (262.10; 99.2; 1.17)

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Sir David Daw-R. Palmer; Governor Tempest-King; Mr Penruddock-Kemble; Mr Woodville-Whitfield; Mr Sydenham-Palmer; Capt. Woodville-C. Kemble; Weazle-Suett; Servant to Woodville-Maddocks; Officer-Phillimore; Jenkins-Caulfield; Coachman-Hollingsworth; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Farren; Dame Dunckley-Mrs Maddocks; Maid-Miss Tidswell.
Cast
Role: Sir David Daw Actor: R. Palmer
Role: Mr Sydenham Actor: Palmer
Related Works
Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Prisoner

Performance Comment: Marcos-Kelly; Bernardo-Dignum; Pasqual-Caulfield; Roberto-Suett; Lewis-Wewitzer; Narcisso-Master Welsh; Clara-Miss DeCamp; Theresa-Miss Leak; Nina-Mrs Bland; Juliana-Miss Menage; Chorus of Soldiers-Evans, J.? Fisher, Maddocks, Phillimore, Trueman, Welsh, Atkins, Burrows, Meyers, Caulfield Jun., Denman, Fisher, Tett, Aylmer, Dibble, Gallot, Potts, Annereau, Bardoleau, Walker, Willoughby, Peck.
Cast
Role: Roberto Actor: Suett
Role: Nina Actor: Mrs Bland
Related Works
Related Work: The Prisoner at Large Author(s): John O'Keeffe
Related Work: The Prisoner Author(s): John Rose
Event Comment: Benefit for Powell. Ladies send Servants by 3 o'clock (playbill). Othello (for first time) Mr Powell. This Night there was the greatest over flow ever known. the Crowd was so great it prevented the Ladies from coming into the Boxes till near Seven o clock at half past Six begun the play. As the Ladies were not come into the Boxes, being prevented by passage being Stopt up by the Crowd the Gentlemen Cry'd out. off off &c. Mr King & Mr Havard remaind on the Stage some time but the Noise increasing. Mr King address'd the Audience & told them it would be equally agreeable to the performers to stay half an hour longer, upon which there was a great Clap & the Curtain was drop'd & a quarter before Seven begun the play again. N.B. The Farce was hiss'd all thro'(Hopkins). This night one of the greatest overflows that ever was known. The crowd was so great it preventdd the ladies from coming to their places in the boxes till near seven o'clock-At half past six the play began, and in the first scene they cried Off, off.' Mr King and Mr Havard remained on the Stage some time; but the noise increasing, Mr King went forward and said, It would be equally agreeable to the performers to stay half an hour longer, before they began-upon which there was a great clap, and the curtain was dropped; and in about a Quarter of an hour began the play again (Hopkins Diary-MacMillan). Receipts: #268 11s. (MacMillan). charges. #64 9s. [Profit to Powell: #204 2s.

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Powell (first time); Iago-Havard; Cassio-Palmer; Roderigo-King (first time); Desdemona-Mrs Yates (first time); Emelia-Mrs Hopkins; Ludovico-Packer; Montano-Mozeen; Gratiano-Parsons; Messenger-Ackman; Brabantio-Burton; Duke-Bransby.
Cast
Role: Cassio Actor: Palmer

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Related Works
Related Work: Wit Without Money Author(s): John Fletcher
Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miller of Mansfield

Cast
Role: Richard Actor: Palmer
Related Works
Related Work: The King and the Miller of Mansfield Author(s): Robert Dodsley

Entertainment: End Opera: Bucks Have at Ye All-Palmer

Event Comment: Benefit for Mr Palmer. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: The Coquette; or, The Mistakes of the Heart Author(s): Robert Hitchcock

Afterpiece Title: Marplot in Lisbon

Cast
Role: Charles Actor: Palmer
Event Comment: Benefit for Palmer. No Building on Stage. Leon by Powell (Hopkins). Leon by Mr Powell-Queer enough-Not above charges in the House (Hopkins Diary-MacMillan). Receipts: #61 4s. (MacMillan); charges: #64 4s. [Deficit to Palmer: #3.

Performances

Mainpiece Title: Rule A Wife

Performance Comment: Leon-Powell, first time; Duke-Havard; Cacafogo-Love; Juan-Packer; Sancho-Lee; Copper Captain-Palmer; Alonzo-Ackman; Altea-Mrs Bennet; Margaretta-Mrs Davies; Old Woman-Yates; Maid-Vaughan; Estifania-Mrs Pritchard.
Cast
Role: Copper Captain Actor: Palmer
Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: III: The Provancalle, as17631014; End: The Irish Lilt, as17630922

Event Comment: Benefit for Johnson (housekeeper)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Powell; Copper Capt.-Palmer; Estifania-Mrs Clive; Old Woman-Mr Yates; Maid-Vaughan; Duke-Havard; Cacafoggo-Love; Margaritta-Mrs Hopkins; Juan-Packer; Sancho-Lee; Alonzo-Ackman; Altea-Mrs Bennet.
Cast
Role: Copper Capt. Actor: Palmer
Related Works
Related Work: Rule a Wife and Have a Wife Author(s): John Fletcher

Dance: II: Double Hornpipe-Walker, Miss Tetley

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Plainwell-Aickin; Wealthy-Kemble; Lord Simper-R. Palmer; Colonel Modish-Davies; Mr Level-Williamson; Mrs Level-Mrs Brooks.
Cast
Role: Lord Simper Actor: R. Palmer
Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose

Afterpiece Title: Ways and Means or A Trip to Dover

Performance Comment: Sir David Dunder-Bannister Jun.; Random-Williamson; Scruple-Davies; Old Random-Aickin; Carney-Barrett; Tiptoe-R. Palmer; Peery-Usher; Roundfee-Cubitt; Quick-Moss; Lady Dunder-Mrs Webb; Harriet-Mrs Kemble; Kitty-Miss Prideaux; Mrs Peery-Mrs Powell.
Cast
Role: Random Actor: Williamson
Role: Old Random Actor: Aickin
Role: Tiptoe Actor: R. Palmer

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue. End 1st piece: As17900614

Event Comment: 2nd piece: Not acted these 6 years. [Miss Griffiths is identified in European Magazine, June 1798, p. 397, and in playbill of 19 June.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Lord Simper-R. Palmer; Col. Modish-Trueman; Plainwell-Ledger; Mr Level-Caulfield; Mrs Level-Miss Heard.
Cast
Role: Lord Simper Actor: R. Palmer
Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose

Afterpiece Title: The Beggars Opera

Performance Comment: Macheath-Kelly (By Permission of the Proprietors of the Theatre-Royal Drury-Lane); Peachum-Davenport; Lockit-R. Palmer; Mat o'th' Mint-Trueman; Wat Dreary-Chippendale; Harry Paddington-Lyons; Ben Budge-Abbot; Jailor-Ledger; Drawer-Waldron Jun.; Filch-Suett; Mrs Peachum-Mrs Davenport; Lucy-Miss DeCamp; Jenny Diver-Mrs Edward; Mrs Coaxer-Mrs Jones; Mrs Vixen-Mrs Benson; Mrs Slammekin-Mrs Cuyler; Sukey Tawdry-Mrs Hale; Molly Brazen-Mrs Haskey; Polly-A Young Gentlewoman (1st appearance on any stage [Miss Griffiths]).Miss Griffiths]).
Cast
Role: Lockit Actor: R. Palmer

Afterpiece Title: Blue Devils

Cast
Role: Egbert Actor: Palmer Jun.
Role: Fool Actor: R. Palmer
Role: Villagers Actor: Mrs Bland, Mrs Edward, Miss Menage
Event Comment: About this time Mr Theo: Cibber Mr Maddocks the wire Dancer, & several other Theatrical performers, with & number of other Passangers embark'd on board the Dublin, Captain White, in order to go to Ireland but the Ship was lost & every Soul perish'd (Cross). As Mr Sparks & others complain'd of Mr Wilkinson for taking them off, it [Diversions of ye Morning] was intended to be omitted this Night, But the Audience call'd so violently for it, that we were oblig'd to let him do it--he took off Foote & Sheridan, & wou'd have left out Sparks but ye Audience wou'd not be satisfied without it--when they first call'd Mr Foote went forward & said as some of the performers had complain'd it was to be omitted; as for being taken off himself he had no Objection to it, as he was always glad to contribute to their Entertainm[en]t &c. (Cross). Mainpiece: Not acted these 2 years [see 14 Oct. 1756]. Receipts: #130 (Cross); #139 10s. (Winston MS 8)

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Fondlewife-Foote; Bellmour-Palmer; Sharper-Havard; Vainlove-Packer; Heartwell-Berry; Sir Joseph-Yates; Bluff-Taswell; Setter-Blakes; Belinda-Miss Haughton; Araminta-Mrs Davies; Silvia-Miss Barton; Lucy-Mrs Bennet; Laetitia-Mrs Pritchard.
Cast
Role: Bellmour Actor: Palmer

Afterpiece Title: The Diversions of the Morning

Event Comment: Paid 3 days Salary List at #86 15s. 6d. per diem #260 6s. 6d.; Mr Bransby on note #20; Sg Como, Sga Crespi, and Sg Demaria 3 days each not on list, #4 3s. 3d.; Mr J. French on Act #20; 2 pair dancer's shoes 14s. 6d. (Treasurer's Book). Receipts: #267 18s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Garrick; Young Knowell-J. Aickin; Wellbred-Jefferson; Cash-Brereton, first time; Bridget-Mrs Davies; Bobadil-King; Justice Clement-Hartry; Cob-Moody; Mrs Kitely-Miss Younge; Brainworm-Baddeley; Downright-Bransby; Tib-Mrs Bradshaw; Mr Stephen-Weston; Mr Matthew-W. Palmer; Old Knowell-Hurst.
Cast
Role: Mr Matthew Actor: W. Palmer

Afterpiece Title: Polly Honeycomb

Performance Comment: Mr Honeycomb-Parsons; Scribble-Dodd; Ledger-Bransby; Mrs Honeycomb-Mrs Johnston; Polly-Miss Pope; Nurse-Mrs Bradshaw.
Cast
Role: Mrs Honeycomb Actor: Mrs Johnston

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Event Comment: Benefit Hallam, Robert Williams, and Peplow. Mainpiece: As it was alter'd from Shakespeare by Sir Wm D'Avenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Performance Comment: Parts-Mills, Johnson, Miller, Harper, Norris, Shepard, W. Mills, Cibber, Miss Teno, Miss Lindar; The Dance of the Winds-Roger, Lally, Essex, Boval; The Grand Devils Dance: Chief Fury-Houghton; The Dance of Watermen-Harper, others; With a Masque of Neptune and Amphitrite-.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Strolers

Related Works
Related Work: The Strolers Author(s): John Breval
Related Work: The Play is the Plot Author(s): John Breval

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Event Comment: EEgerton 2320: Receipts: #83. Mrs Roberts hiss'd, Mr Mills too

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Quin; King Henry-Milward; Queen Elizabeth-Mrs Roberts; Buckingham-Mills; Dutchess of York-Mrs Pritchard; Richmond-Cibber; Lady Anne-Mrs Mills; Prince Edward-Green; Duke of York-Miss Cole; Norfold-Boman; Stanley-Havard; Ratcliff-Turbutt; Catesby-Hill; Tressel-Cross; Mayor-Harper.
Cast
Role: Queen Elizabeth Actor: Mrs Roberts

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley
Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Barry; Randolph-Ridout; Glenalvon-Smith; Norval-Sparks; Officer-Bennet; Anna-Mrs Vincent; Lady Randolph-Mrs Bellamy, 1st time.
Cast
Role: Randolph Actor: Ridout
Role: Lady Randolph Actor: Mrs Bellamy, 1st time.
Related Works
Related Work: Douglas Author(s): John Home

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Cast
Role: Bastard Actor: Palmer
Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley
Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Don John Actor: Winstone
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Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

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Related Work: Cato Author(s): John Ozell

Afterpiece Title: Trick for Trick

Performance Comment: Don Lopez-Berry; Don Fernand-Salway; Don Garcia-Shepard; Don Diego-Turbutt; Sancho-Mechlin; Guzman-Hallam; Elvira-Mrs Cantrel; Eugenia-Mrs Pritchard; Estifania-Master Arne. Edition of 1735 adds: Messinger-Cole .
Cast
Role: Don Fernand Actor: Salway
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Related Work: Trick Upon Trick Author(s): John Philip Kemble
Related Work: Trick for Trick Author(s): Robert Fabian

Dance: Amorous Swain, as17350327

Event Comment: Benefit for ye Marine Society. Boxes & pit 10s. 6d.; Gal: 3s. up: Gall 2s.; Stage 5s. (Cross). Tickets to be had of Mr Brogden at Mr Fieldings; Mr Stephens, 1st Secretary to the Society, in Princes's St. near the Bank, and of Mr Box, 2nd Secretary to said Society, in Duke St., York Buildings; and places of Varney at Stage-Door. [Advertisements for this performance for "clothing Friendless Boys and Men for the Sea" appeared in the Public Advertiser from 26 April to this day. The long Notice for the day pointed out that benefactors who attended would enjoy the satisfaction of seeing about 100 men and boys, all volunteers, clothed by the Marine Society appear on stage to thank them. The next day they would march to Portsmouth to go on board the Fleet. "As Britannia herself is to make her appearance on the scene in behalf of her warlike offering, it is pleasing to reflect that so many of her lovely daughters will attend her. It is not doubted but there will be the most Brilliant House that has been seen for sometime."] Receipts: #280 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17570413 but Frankly-Palmer.
Cast
Role: Frankly Actor: Palmer.
Role: Strictland Actor: Berry
Role: Mrs Strictland Actor: Mrs Davies

Afterpiece Title: Britannia

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Related Work: Rule Britannia! Author(s): James Roberts

Performances

Mainpiece Title: The Wheel Of Fortune

Performance Comment: Sir David Daw-Russell; Governor Tempest-King; Mr Penruddock-Kemble; Mr Woodville-Caulfield; Mr Sydenham-Palmer; Captain Woodville-C. Kemble; Weazle-Suett; Servant to Woodville-Maddocks; Officer-Wentworth; Jenkins-Wathen; Coachman-Hollingsworth; Mrs Woodville-Mrs Powell; Emily Tempest-Miss Mellon; Dame Dunckley-Mrs Maddocks; Maid-Miss Tidswell.
Cast
Role: Mr Sydenham Actor: Palmer
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Related Work: The Wheel of Fortune Author(s): Richard Cumberland

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Barrymore
Role: Josephine Actor: Mrs Bland
Event Comment: Benefit for Foley, Roberts, Palmer (doorkeepers). Tickets deliver'd by Kaygill will be taken. Tickets sold at the Doors will not be admitted

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Performance Comment: George Barnwell-J. Palmer, 1st time; Thorowgood-Love; Blunt-Mozeen; Truman-Packer; Uncle-Burton; Maria-Mrs Davies; Lucy-Mrs Bennet; Milwood-Miss Haughton.

Afterpiece Title: The Englishman in Paris

Performance Comment: As17630405 but Buck-J. Palmer; Minuet-Vincent, Miss Baker.
Cast
Role: Buck Actor: J. Palmer

Song: End: Vernon

Performances

Mainpiece Title: Braganza

Performance Comment: Velasquez-Smith; Almada-Aickin; Ribiro-Palmer; Mendoza (1st time)-Farren; Lemos-Chaplin; Corea-Hurst; Roderic-Wright; Mello-R. Palmer; Pizarro-Davies; Ramirez-Packer; Antonio-Wrighten; Ferdinand-Griffiths; Duke of Braganza-Brereton (1st appearance in that character); Ines-Mrs Johnston; Dutchess of Braganza-Mrs Yates.
Cast
Role: Ribiro Actor: Palmer
Role: Mello Actor: R. Palmer
Role: Ferdinand Actor: Griffiths
Role: Ines Actor: Mrs Johnston
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Related Work: Braganza Author(s): Robert Jephson

Afterpiece Title: Harlequins Invasion