SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Dryden"/1) | (@(roleclean,performerclean) "Mr John Dryden")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11052 matches on Author, 5227 matches on Event Comments, 2780 matches on Performance Comments, 879 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: The Blackamoor

Event Comment: Mainpiece: By Particular Desire. Paid Mr Vincent for 3 sets of Abels Symphonies #2 5s. (Account Book). Receipts: #116 11s. (Account Book). This was the last time Mr Beard appeared on the stage. John Beard Esq Buried in the vault (at Hampton) 12 Feb. 1791. This celebrated actor was bred up at the King's Chapel, and was afterwards one of the singers at the Duke of Chandos's Chapel at Canons, where he took a part in Handel's Oratorio of Hester. His first appearance on the stage was 30 August 1737, in the character of Sir John Loverule [Devil to Pay], at Drury Lane. In 1739 he married Lady Henrietta Herbert, daughter of James, Earl of Waldegrave, and Widow of Lord Edward Herbert. Upon this event he quitted the Stage. After a few years he returned to it again, and continued to be a great favourite with the public both as an actor and a vocal performer till 1767, when he finally retired from the theatre. Lady Henrietta Beard died in 1753; and in 1759 Mr Beard married a Daughter of John Rich Esq Patentee of Covent Garden Theatre. On this occasion he removed a second time to that theatre, where he had acted from 1744 to 1748; and on the death of his father-in-law in 1761, was appointed Manager. Mr Beard, who was as much esteem'd in private life as he was admired on the stage, was for many years an Inhabitant of Hampton. See Lysons's Middlesex Parishes, p. 89 and 80. Mr Beard died 4 Feb. 1791, aged 74 years. See his Epitaph, ibidem. See Lady Beard's Epitaph in St Pancreas Churchyard (Hopkins MS Notes)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Shipwreck; or, Perseus and Andromeda Author(s): John Weaver
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): John Galliard

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Usher; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Dorion; John Bull-Webb; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Prompter-Bannister Jun .
Cast
Role: John Bull Actor: Webb

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Williamson; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Violon-Gaudrey; John Bull-Gardner; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wcwitzer; Prompter-Bannister Jun .
Cast
Role: John Bull Actor: Gardner

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Cast
Role: John Actor: Egan

Dance: In Act III of 2nd piece Hornpipe by Byrn

Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: The Padlock

Performances

Mainpiece Title: A Preludio

Performance Comment: Townly-Staunton; Beggar-Blissett; Waiter-Barrett; Carpenter-Kenny; Signior Scrapelli-Delpini; Signior Trebletti-Painter; Signior Vermicelli-R. Palmer; Mons Cabry-Wewitzer; Violon-Dorion; John Bull-Webb; Prompter-Bannister Jun.
Cast
Role: John Bull Actor: Webb

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith
Related Work: The Fairy Favour; or, Harlequin Animated Author(s): Roger Johnston
Related Work: The Fairy Festival Author(s): John Rose

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Daily Advertiser, 4 Oct.: Yesterday Morning Mr James Todd, who represented the Miller's Man on Friday Night...and fell in one of the flying Machines from the very top of the Stage by the breaking of the Wires, by which accident his Skull was fractur'd, died in a miserable manner. Susan Warwick, who represented the Miller's Wife, lies at the point of Death at the Infirmary at Hyde-Park Corner: The two other Persons who fell in the same Machine are like to recover, [In London Daily Post and General Advertiser, 2 Oct.: All these unhappy People were Servants belonging to the Theatre, and only Representatives in the different Characters of Mr Lun, Mr Nivelon, Mr Salway, and Mrs Moreau.

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Actor: Salway
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): John Mottley

Dance: CClown-Nivelon; Misses Scott; Scot's Dance-Glover, Desse, Mrs Ogden, Tench, Mrs Delorme

Event Comment: The United Company. The date of the first performance is not known; It is one of several plays which may have been acted in or near December, for three were entered in the Term Catalogues at approximately the same time. Of the three, The Mistakes was given first near Christmas 1690; the other two may have come earlier in the month. A song, When Sylvia was kind, the music composed by John Eccles, is in Joyful Cuckoldom, ca. 1695. In the text of the play is a song, Corinna in the bloom of youth, sung by Mrs Botoler

Performances

Mainpiece Title: Alphonso King Of Naples

Performance Comment: Edition of 1691: The Prologue-Mr Powell by Mr John Haynes; Alphonso-Bowman; Ferdinand-Powell; Cesario-Mountfort; Tachmas-Hodgson; Vincentio-Bridges; Sigismond-Cibber; Oswell-Freeman; Fabio-Bowen; Attendant-Kirkham; Urania-Mrs Bracegirdle; Ardelia-Mrs Richardson; Epilogue-Mrs Knight by Mr D'Urfey.
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1696, suggests that it was first presented not later than June 1696. The cast also has a large number of relatively new players, suggesting a performance in the early summer, when the young actors had more opportunities to act. Several Songs, with the names of the singers, were published separately: Hark you, madam, can't I move you, set by John Eccles, and sung by Bowman and Mrs Bracegirdle; Shou'd I not lead a happy life, set by John Eccles and sung by Reading and M. Lee; From Aberdeen to Edinburgh, set by Ackeroyd and sung by Mrs Hudson; all in Deliciae Musicae, The Second Book of the Second Volume, 1696. Preface, Edition of 1696: I am almost asham'd to mention the extraordinary Success of a Play which I myself must condemn....Let me leave this ungrateful Subject to acknowledge my obligations to Mr John Eccles, who not only set my three Dialogues to most charming Notes, but honour'd the Words to Admiration. Downes, Roscius Anglicanus, p. 44: Love's a Jest, a Comedy, done by Mr Mateox; succeeded well, being well Acted, and got the Company Reputation and Money

Performances

Mainpiece Title: Loves A Jest

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: Don Saverio

Event Comment: Mrs Barry was not in Spirits--not much applause (Hopkins Diary). Mrs Barry Failed greatly tonight from what she did the first night (MacMillan). Rec'd Mr Condill's 2nd payment for Fruit Office #20; Mr Burges one yrs rent to Xmas last with #4 4s. King's tax deducted, #16 16s.; Paid Mr Burges, Bricklayer #53 14s. 6d; Barrow & Co. for Oil #96 1s.; Mr Lawrence, paperhanger, #24 4s. 6d.; Mrs Lowe and Co., glaziers, #13 2s. 6d.; Mr Cropley, linen draper, #17 18s.; Mr Hatsell, mercer, #112 17s.; Hewetson & Co., lacemen, #28 19s. 6d.; Mr Scott, copper laceman, #37 6s. 6d.; Spermacetti Candles' Bill #286 8s.; Mr R. Johnston's Bill #124 5s. (Treasurer's Book). [The Westminster Magazine this month printed a counterblast to the flattering Picture of Garrick given 1 Feb. This article damned him as a manager, and quoted Smollett from Roderick Random, II, 260.] Receipts: #176 18s. (Treasurer's Book)

Performances

Mainpiece Title: Alonzo

Related Works
Related Work: Alonzo Author(s): John Home

Afterpiece Title: Miss in Her Teens

Event Comment: Benefit for Robinson, Berrisford, Carlton Jr and Kaygill. Saw the Beggar's Opera at Drury Lane. Pit and Gallery so full no place Went into front Box ou much mob--low sort of people had tickets given them--side boxes almost empty. Extremely pleased with Mrs Smith (the Polly whom I never heard before), Mrs Wrighten (Lucy) and Vernon (Macheath) who all performed incomparably well (Baker Diary, p. 259). So Ends the Season 63 different Plays 36 different Farces 188 Nights in all (Hopkins Diary). Receipts: #201 15s. 6d. Charges: #84. Profits to Berrisford, Robinson, Carlton, and Kaygille: #117 15s. 6d. (Treasurer's Book). AFTER SEASON RECEIPTS (Treasurer's Book). 5 June: Rec'd Box Officer keeper's cash (deficit #6 5s.) #18 15s.; Benefit deficiencies #142 13s. 6d.; Remainder of Mr S. Barry's Bag #40 3s. 8d. 15 June: Rec'd in benefit deficiencies #223 18s.; Mr Griffith in full of #12 lent him #2 5s.; Mr Davies on acct #20; J. Aickin ditto #16 11s. 6d. 18 June: Public Advertiser and Gazetteer acct this season #100. 19 June: Sundry salaries taken up by Mr Evans #227 4s.; Remainder of Sinking Fund #70. 23 June: Rowland one yrs rent to Lady Day (#43 with #2 2s. tax decuted) #40 18s.; Mr Pope one yrs rent ditto (#30 with #1 13s. King's tax deducted) #28 7s.; Harrison one yrs rent ditto (#46 with #7 King's tax deducted) #39; Balance from Clutterbuck #159 16s.; Discount on #344 18s. 6d., the amount of tallow chandler's Bills this season #27 11s. 9d.; From the Managers per Mr D. G. #534 11s. 8d. 1 July: J. Johnston in part of Music forfeits #29 10s. 6d. 2 July: From A. Johnston for oil and sperm. Candle ends sold to sundry #6 12s. 6d. 3 July: Their Majesties Acct 3 nights #30; Her Majesty's Ladies Acct ditto #9; Williams one yrs rent to Lady Day last (#48 with #4 King's tax deducted) #44. EXPENDITURES 15 June: Paid J. French on acct #20; Wegg half yrs rent to Lady Day last #57. 19 June: Paid Miss Berkley on note #5 5s.; Loutherbourg (in full of #300) #70; D. Garrick (in full of #800) #254 11s. 8d.; King's extra salary at #3 Per week) #93 10s.; Parsons in lieu of a benefit night #80; J. Stevens 2 weeks as usual #1 16s. 23 June: Paid Black Lyon Wardrobe and Carpenter's Dinner bills #16 10s. 8d.; Pope's bill for wigs #21 4s., and for 54 nights extra dressing &c. #5 8s.; Tallow chandler's 10th and last bill #23 11s. 9d. 24 June: Paid Bibb, sword cutler, #14 16s. 6d.; Dorman, Coals, #27 15s., and for attending practices of Dances, as usual #10 10s.; Jennings, Glover & Furrier #21 9s.; Cropley (linen draper) #35 12s.; Cole (turner) #7 3s.; Hatsell (mercer) #35 9s.; Marshall & Co. (plumbers) #15; Thomson (smith) #15 15s. 6d.; Barber, for men's cloaths #6 6s.; Barret (wax chandler) #18 14s.; Ireland (upholder) #27 6s. 6d.; Blakes (hatter) #16 19s.; Hopkins & Co. (ironmongers) #42 2s.; Carpue (silk dyer) #9 10s.; Carter (scowerer); Jones (worsted lace man) #3 17s.; Hinchcliff (mercer) #36 11s. 6d.; Cubit (tinman) #12 7s.; Lowe & Co. (glasiers) #1 16s.; J. French on Acct #10. 25 June: Waller & Co. (hosiers) #20 19s.; Scott (copper laceman) #47 7s. 6d.; Kirkman, Harpsicord tuning #18 16s.; Mrs Chitty, Coals, #28 5s. A. Johnston a bill for gilt leather &c. #51 15s.; J. Aickin's Law bill to Mr Stephens #54 7s. 9d.; Mrs Garwood for work for the Wardrobe, &c. #17 16s. 6d.; Barrow & Co., for oil, #170; half yrs rent to Duke of Bedford to Lady Day Last, #165 17s. 7d.; Mrs Vaughan (haberdasher) #3 3s.; Mr Page in full of #25 for this season, #1 10s. 1 July: Paid Daigville's 5 Children Dancing &c. in full #5 5s.; Johnston Music bill to Xmas last, #29 10s. 6d.; Chettel (timber) #46 3s.; D. Richards of M: Band 31 weeks and 1 day, extra salary at #1 per week for this season, #31 3s. 4d.; Victor's gratuity as usual, #30; Evans in lieu of a Benefit #42; Hopkins, prompter's bill, #4 12s. 6d.; Jenkins, extra Trumpet 17 nights in full #8 18s. 6d.; Miss P. Hopkins, 8 Nights in full #2; C. Roberts (shoemaker) #6 9s. 6d.; One yrs Watch & Paving for Covent Garden Parish to Lady Day last #4 8s.; Victor & Evans 2 weeks salary as usual #8. BOOKS CLOSED 1 July 1773: Total income #32,639 15s. 5d. Total outgo #27,705 7s. 3d. Profit #4,934 8s. 2d. distributed as follows: To Managers #3,760; To Clutterbuck #1000, To Clutterbuck #174 8s. 2d

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Event Comment: Benefit for Johnstone. Morning Herald, 8 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Wilson; Lockit-Cubitt; Macheath-Miss DeCamp (1st appearance in that character); Filch-Miss Fontenelle; Mat o' th' Mint-Johnson; Ben Budge-Abbott; Mrs Peachum-Mrs Webb; Polly-Mr Bannister; Lucy-Mr Johnstone; Diana Trapes-Mr Parsons; Mrs Vixen-Mr Wewitzer; Jenny Diver-Mr R. Palmer; Mrs Slammekin-Mr Bannister Jun.
Cast
Role: Mat o' th' Mint Actor: Johnson
Role: Lucy Actor: Mr Johnstone

Afterpiece Title: Whos the Dupe

Song: In course of Entertainment: his favourite Planxty [descriptive of Ireland-Johnstone (in the character of Murtough Delany) [see The Irishman in London, cg, 21 Apr.]

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Related Works
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Related Works
Related Work: The Court of Alexander Author(s): John A. Fisher

Performances

Mainpiece Title: Philaster

Related Works
Related Work: Philaster Author(s): John Fletcher

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggars Opera

Afterpiece Title: Foote Weston and Shuter in the Shades

Cast
Role: John Dock Actor: Wilson

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Event Comment: Benefit for Johnstone. Morning Chronicle, 15 Aug.: Tickets to be had of Johnstone, No. 10, Russell-street, Covent Garden

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: Peachum-Wilson; Lockit-Cubitt; Macheath (for that night only)-Mrs Edwards; Filch (for that night only)-Miss Fontenelle; Mat o' th' Mint-Chapman; Polly-Mr Bannister; Lucy-Mr Johnstone; Diana Trapes-Mr Parsons; Mrs Vixen-Mr Wewitzer; Mrs Slammekin-Mr Bannister Jun. (The only time of their appearing in those characters); Mrs Peachum-Mrs Webb.
Cast
Role: Lucy Actor: Mr Johnstone

Afterpiece Title: The Village Lawyer

Event Comment: The United Company. The play is probably The Spanish Curate rather than Dryden's The Spanish Fryar, for the latter, on 8 Dec. 1686, was ordered not to be acted. The players received the customary fee of #20. See A Calendar of the Inner Temple Records, ed. Inderwick, III, 244

Performances

Mainpiece Title: The Spanish Priest

Related Works
Related Work: The Spanish Priest Author(s): John Fletcher
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: [The bills for 26 and 27 Feb. had also advertised Dryden's Ode. The Ode is retained in Daily Advertiser, 28 Feb.

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles
Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Receipts: #30 5s. 6d. Daily Journal, 11 Jan.: [On Sunday] Night the Corpse of Mr Boheme...was interr'd at Greenwich. The Pall was supported by Mr Quin, Mr Ryan, and 4 other Comedians

Performances

Mainpiece Title: The Mistake

Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Afterpiece Title: Flora

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Dance: WWooden Shoe Dance-Nivelon; Scottish Dance-Mrs Bullock; French Sailor-Salle, Mrs Laguerre