SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr George Garrick"/1) | (@(roleclean,performerclean) "Mr George Garrick")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7967 matches on Author, 4980 matches on Event Comments, 2422 matches on Performance Comments, 711 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Related Works
Related Work: The Jew of Venice Author(s): George Granville, Lord Lansdowne

Afterpiece Title: Love a la Mode

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Benefit for Miss Jameson. Hull is to succeed Colman in the management of Covent Garden (Winston MS 10). Colman sold his share of the patent to Harris in the spring of this year, this departure to take place in June (Page, George Colman, The Elder). Michel Dyer Died (Genest, V, 424). Miss Jameson's charges #77 13s. 6d. Profit to her #59 10s., plus #66 7s. from tickets. (Box 127; Pit 138; Gallery 139). Receipts: #137 3s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Author

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112

Event Comment: Afterpiece: By desire. Last time of the company's performing this season. [The Epilogue recites the mock burial of this King of Brentford reviewing certain high points of his management. A mock heroic written by Colman and printed in the Gentleman's Magazine for June 1774 (p. 280). He sold his share for #20,000, which was #5,000 more than he paid for it. (See Page, George Colman, The Elder.) Rec'd half value of ticket returns from 13 servants amounting to #98 3s. 6d. Receipts: #124 8s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Midas

Entertainment: After Opera: the Last New Occasional Epilogue, on the Departure of the Manager,-Miss Barsanti

Event Comment: A sacred Oratorio selected from the works of $George Frederick Handel, Esq.

Performances

Mainpiece Title: Omnipotence Judas Maccabaeus

Music: End Part First: A New Concerto on 3 Chromatic French Horns-(being their first performance); After Part Second: a Concerto on the Violin-Lamotte

Event Comment: The Prologue to the Capuchin, written by George Colman, Esq printed this day in the Public Advertiser: @"Critics, whatsoe'er I write, in every scene,@Discover meanings that I never mean, etc."

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Dance: The Venetian Regatta-

Event Comment: [Afterpiece: Prologue by George Colman elder.] The Doors to be opened at 5:15. To begin at 6:15 [see 30 Apr. 1777]. Receipts: #194 18s

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick

Dance: As17761107

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time in London; C 5, by Robert Hitchcock, 1st acted at Hull, 14 Nov. 1775]. Afterpiece: Written by George Alexander Stevens. [This was not Charles Macklin's play, The True-Born Irishman, 1st published in Jones' British Theatre, 1795, but Stevens's The French Flogged; or, The British Sailors in America.] Tickets delivered for the 23rd of September and for the Evening will be admitted

Performances

Mainpiece Title: The Coquette Or The Mistakes Of The Heart

Related Works
Related Work: The Modern Fine Gentleman; or, 1757 Author(s): David Garrick

Afterpiece Title: The True Born Irishman or The English Sailors and Soldiers in America

Dance: End IV: a Hornpipe-Miller

Entertainment: ImitationsEnd: Imitations, Vocal and Rhetorical,-Decastro ; several new ones, and those which Foote introduced him in before their Majesties

Event Comment: Public Advertiser, 22 Mar.: At the particular Desire of the Nobility and Gentry, the Subscribers to this Theatre, on account of the young Prince's Christening there will be no Opera to-morrow. This delay will prove very convenient for compleating the great Preparations which in every respect are necessary to present [the new] Opera [see 25 Mar.] in all the Magnificence it requires. [Prince Octavius, 8th son of George III, was christened on 23 Mar.

Performances

Mainpiece Title: None

Event Comment: Benefit for Daly. Public Advertiser, 14 Apr.: Tickets to be had of Daly, No. 8, George-street, York Buildings

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Event Comment: [Mainpiece: Prologue by George Colman elder.

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Midas

Dance: As17790610

Event Comment: Afterpiece: Not acted these 2 years. [Prologue by George Colman, the elder.

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: Bon Ton

Related Works
Related Work: Bon Ton; or, High Life Above Stairs Author(s): David Garrick
Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers Or Taylors To Arms

Related Works
Related Work: The Volunteers; or, Taylors to Arms! Author(s): George Downing

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans or The Life and Death of Alexander the Little

Dance: End IV: As17791013

Event Comment: By Permission of the Lord Chamberlain. [1st time; M.ENT 3, by George Alexander Stevens. Larpent MS 533; not published. Songs published by R. Snagg, 1780.] The Overture, most of the Airs [see 6 Nov.], and Decorations entirely new. Ne Quid Nimis; or, Too much of one Thing is good for Nothing. Boxes 5s. Pit 3s. Gallery 2s. The Public are respectfully informed that the Upper Gallery will not be opened. The Doors to be opened at 6:00. To begin at 7:00. The Songs, written by G. A. Stevens, are to be had at the Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy Or Evening Exhibition

Performances

Mainpiece Title: The Cabinet Of Fancy

Performance Comment: As17801101, but added: Written by George Alexander Stevens, with considerable Alterations and Additions; the Overture, Recitatives, most of the Airs and Chorus entirely new, composed by Claggett.
Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle or A Wife at her Wits End

Performances

Mainpiece Title: Seventeen Hundred And Eighty One Or The Cartel At Philadelphia

Afterpiece Title: Sir Courtly Nice or It Cannot Be

Afterpiece Title: Whod have Thought It

Performance Comment: Characters-Wilson, Whitfield, Wewitzer, Cubitt, Thompson, Booth, Lee Lewes, Mrs Wilson, Mrs Lewis, Mrs Webb; [Partial cast adjusted from hay playbill of 7 July 1781: Strap-Wilson; Ishmael-Wewitzer; Broadhem-Mrs Wilson; Caroline-Mrs Lewis; Mrs Strap-Mrs Webb; Larpent MS lists the other parts: Hawser, Spangle, Lord George Willmore, Clinker, Clod, Box, Frank, Pillage.] Prologue-Lee Lewes.
Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne
Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

Event Comment: Mainpiece [1st time; c 5, ascribed to Frances Burney (see Boaden, Siddons, 1, 272). MS: Larpent 596; not published; synopsis of plot in London Magazine, July 1782, p. 312. Prologue by George Colman, the elder (Colman, Prose, III, 235). The play is anonymous.]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Wont See

Dance: As17820613

Event Comment: Afterpiece [1st time; F 2, by John Dent. Prologue ascribed to George Colman, the elder (see Town and Country Magazine, Aug. 1782, p. 400)]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Candidate

Related Works
Related Work: The Theatrical Candidates Author(s): David Garrick

Dance: As17820613

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: Rosina

Dance: As17820927

Event Comment: Mainpiece [1st time; c 3, by Denis O'Bryen. Prologue by the author; Palmer was obliged to read it, he "not having received it in due time". Epilogue by George Colman, the elder, with name of speaker (Town and Country Magazine, July 1783, p. 339). MS: Larpent 626; not published; synopsis of plot in Public Advertiser, 7 July]

Performances

Mainpiece Title: A Friend In Need Is A Friend Indeed

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Lallegro Il Penseroso

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Miss George, Mrs Kennedy. 1st Violin by Richards .

Afterpiece Title: The Coronation Anthems

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Drydens de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill