Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Crudge at the Stage Door. [This notice appears on subsequent bills and will not be repeated further.] Receipts: #32 6s. [Paid] Dall (scene painter) a week's salary, #1 10s. (Account Book)

Event Comment: No mention of Box income. Pay lists as of 26 Sept. Add Mrs Hamilton, enter'd from 1st Inst. at #1 10s. per day being return'd from Ireland that day; Mrs Storer enter'd from 20 Sept. at 6s. 8d.; Mr Maguire and Wife from 2nd at 10s.; Dall a week's salary #2; Thorne for scenemen #12; 19s. 6d.; Serjeant three months' salary to 29 Sept. #10. Total pay list came to #322 8s. 1d. Receipts: #86 15s. (Winston Theatrical Record)

Event Comment: Benefit for Bensley. Mainpiece: Written by Dryden not acted these 15 years.[See 23 April 1750.] Charges #68 2s. Profit to Bensley #37 19s. 6d., plus #38 5s. from tickets (Box 153). Paid Mr Hopkins for the hire of Horses in the Fair #6 16s. Paid Read (scalemaker) #3 13s.; Dobosch (furrier) #4 17s. Paid Dall on acct of his salary #42. Receipts: #106 1s. 6d. (Account Book)

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Event Comment: TThe Jovial Crew deferred because of Indisposition of Miss Brent. Receipts: #135 16s. Paid Kemp for Lamps #6 8s. Dall returned to salary list at #1 10s. Paid John Rich #500

Event Comment: Boxes #24 15s. Paid Dall for a modal and making a Crown intended for the King's Box-#1 2s. 6d. (Account Book). Receipts: #134 17s. (Account Book)

Event Comment: Paid Messrs Richards and Dall for their expenses to Stratford #14 14s. (Account Book). [Apparently for gathering material for painting appropriate scenes for Harlequin's Jubilee (see 27 Jan. 1770) or for Man & Wife, 7 Oct.] Receipts: #91 8s. 6d

Event Comment: Afterpiece: Not acted these 2 years. [See 21 April 1770.] Paid Dall (scene painter) for expenses to Windsor #6 17s. 11d. (Account Book). Receipts: #176 6s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Afterpiece; We suppose it was reviv'd for the purpose of introducing a new scene, viz. a representation of the wonderful and surprizing feats lately performed at Stockwell in Surrey, by an invisible agent, who, we apprehend is very nearly related to the celebrated Cock-Lane Ghost of famous Memory. [See 28 Jan. 1762.] We cannot help considering it a lucky hit and we hope it will meet with encouragement, as the turning the transactions of the Stockwell Conjurer into ridicule may prevent that mysterious affair making improper impressions on the minds of the ignorant and superstitious. When considered in this light, the additional scene must be acknowledged to have merit, and, we confess, it is extremely well conducted to produce risibility (Theatrical Review, II, p. 85). [See notice of the additional scene 1 Feb. and see An Authentic...Narrative of the Astonishing Transactions at Stockwell...on the 6th and 7th days of January, 1772, containing a series of the most surprising...events that ever happened (London, 1772), with the cryptic comment upon it in the Gentleman's Magazine, Feb., p. 84, A new edition of the Cock-Lane Ghost, altered from the original of Miss Fanny, with additions but no amendments." The Gentleman's Magazine (Historical Chronicle for 6 Jan.) mentions the explosion of two powder-mills on Hounslow Heath: About the time explosion was felt at London, some families at Stockwell were terrified with the ratting and braking of their china, which they attributed to a preternatural cause. A Lady of fortune was so firmly Persuaded that some invisible agent was concerned, that she discharged her maid, whom she suspected of having an intercrouse with the wicked spirit; and when she was gone, as no mischief ensued, consoled herself that she had rid of so dangerous an intimate." See also bill for 8 Feb.] Rec'd from Condell on account of Fruit rent #20. Paid Dall on account of his salary #50 (Account Book). Receipts: #202 8s. (Account Book)

Event Comment: Afterpiece: By Particular Desire. Paid Sutton (goldsmith) for gold & silver Lace &c. #43 2s. 7d. Paid Dall on account of his salary #30 (Account Book). Receipts: #168 13s

Event Comment: Paid Dall on Account of his salary #31 10s. (Account Book). Receipts: #115 6s

Event Comment: Mainpiece: By Particular Desire. Paid Dall on Acct of his salary #40. (Account Book). Receipts: #190 2s

Event Comment: Benefit for Miss Catley. Neither piece acted this season. Part of Pit will be laid into Boxes. Fifth Night of She Stoops will be Thursday next. Charges: #77 4s. Profit to Miss Catley #76 5s., plus #118 10s. from tickets (Box and Pit 474) Paid Dall on acct of his salary #31 10s. (Account Book). [Miss Catley was the highest paid actress at cg this season.] Receipts: #153 9s

Event Comment: Paid Dall on Account of his salary this season #42. Receipts: #137 9s. 6d. (Account Book)

Event Comment: Paid Dall on account of his salary #130. Receipts: #117 7s. (Account Book)

Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Event Comment: Paid Dall, painter, on account of Salary #60. Receipts: #125 15s. 6d. (124.12.0; 1.3.6)

Event Comment: Mainpiece: With a New Scene and New Dresses. Afterpiece [1st time; CO 2, by Charles Dibdin and Edward Thompson. Thompson's name does not appear on the title-page of the text; it has been added by J. P. Kemble on the half-title of his copy now in the Huntington Library]: The Music chiefly composed by Dibdin [Public Advertiser, 15 Nov.: Three of the airs and the finale were composed by Samuel Arnold; one air by John Abraham Fisher]. With New Scenes [ibid: by Dall, Richards, and Carver], Dresses and Decorations. Books of the Songs to be had at the Theatre. Account-Book, 7 Feb. 1777: Paid Dibdin in full for copyright of the Seraglio #20; ibid, 2 June 1777: Received of Cooper for Songs & Books sold of The Seraglio #19 10s. 9d. [Mrs Ward was from the Birmingham theatre]. Receipts: #221 11s. 6d. (219.7.0; 2.4.6)

Event Comment: Afterpiece [1st time; P 2 (?), author unknown]: An Alteration of Prometheus. The Overture and Music composed by Fisher. The Scenes painted by Dall and Richards. Books of the Songs, Masque, &c. to be had at the Theatre. Receipts: #208 3s. 6d. (205.14.6; 2.9.0)

Event Comment: Tickets delivered by the Widow of the late Dall, Sga Tinte, Thompson, Jones and Bates will be taken this Night. Receipts: #283 8s. 6d. (54.5.6; 1.4.6; tickets: 127.18.6)

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)