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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Betterton"/1) | (@(roleclean,performerclean) "Mr Betterton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6198 results for: Keyword - Mr Betterton
We found 4319 matches on Event Comments, 1376 matches on Performance Comments, 529 matches on Performance Title, 378 matches on Author, and 22 matches on Roles/Actors.

1526
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

1527
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

1528
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Revenge; or, A Match in Newgate Author(s): Thomas Betterton

Afterpiece Title: Taste

1529
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

1530
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

1531
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

1532
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

1533
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

1534
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

1535
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

1536
16 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

1537
07 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fourth Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

1538
01 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

1539
21 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

1540
22 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs

1541
30 July 1718 @ no theater listed

Performances

1542
29 May 1733 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

1543
19 March 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

1544
06 January 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

1545
08 December 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duel

Afterpiece Title: The Old Maid

1546
19 January 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

1547
05 January 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

1548
08 October 1660 @ The Cockpit in Drury Lane

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

1549
01 December 1662 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I to the Cockpitt, with much crowding and waiting, where I saw The Valiant Cidd acted, a play I have read with great delight, but is a most dull thing acted, which I never understood before, there being no pleasure in it, though done by Betterton and by Ianthe [Mrs Saunderson], and another fine wench [Mrs Norton] that is come in the room of Roxalana [Mrs Davenport]; nor did the King or Queen once smile all the whole play, nor any of the company seem to take anyPleasure but what was in the greatness and gallantry of the company

Performances

Mainpiece Title: The Valiant Cid

1550
01 February 1664 @ The (first) Drury Lane Theatre

Event Comment: Pepys, Diary: And took my wife out immediately to the King's Theatre, it being a new month, and once a month I may go, and there saw The Indian Queen acted; which indeed is a most pleasant show, and beyond my expectation; the play good, but spoiled with the ryme, which breaks the sense. But above my expectation most, the eldest Marshall did do her part most excellently well as I ever heard woman in my life; but her voice not so sweet so Ianthe's [Mrs Betterton's]; but, however, we came home mightily contented

Performances

Mainpiece Title: The Indian Queen