SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr "/1) | (@(roleclean,performerclean) "Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.
Event Comment: GGeneral Advertiser: On Wednesday next at Drury Lane will be reviv'd the Historical Play of King Henry the Fifth, written by Shakespear, the Part of King Henry to be performed by Mr Barry; and the Chorus to be spoken by Mr Garrick. Receipts. #130 (Cross); #132 5s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17471212.

Afterpiece Title: The Anatomist

Performance Comment: See17471130.

Dance: II: New Comic Dance call'd The Savoyards-Matthews

Event Comment: Benefit for Barry. Pit and Boxes laid together, and Stage, for better accommodation of the Ladies, will be form'd into Front and Side Boxes. Tickets to be had of Barry at the corner of Bow St., and of Hobson at the Stage Door. [This month was printd The Town, a Satire by Wm. Kenrick, with especial attack upon Garrick and Garrick's plays. In Miss in her Teens, he boasts the strange pretense, To satire Coxcombs, while he murders sense." Kenrick is one of the few who criticizes Garrick (p. 21) for playing a low character Abel Drugger, rather than a king. He yields indirect praise to Janeton Auretti by blaming the town for cheering her dance, while neglecting the players: @Yet if Janeton shakes her slender feet@How loud the thunder clatters through the Pit.@ Prologue intended to have been spoken on the Revival of The Distress'd Mother, for the Benefit of Mr Barry, but omitted through some misunderstanding. Written by Mr Rolt, printed in Gentleman's Magazine, March 1748, p. 134.] Receipts: #270 (Cross); house charges, #60 (Powel); cash, #80 3s. 6d.; tickets, #118 5s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Orestes-Barry for first time; Pyrrhus-Delane; Hermione-Mrs Pritchard; Andromache, with the original Epilogue-Mrs Cibber; Pylades-Havard; Phoenix-Winstone; Cleone-Mrs Ridout; Cephisa-Miss Minors.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17480209, but Loveit-_; Puff-_.

Dance: Cooke, Anne Auretti

Event Comment: Benefit for Ryan. Mainpiece: Not acted these 7 years. [see 2 Nov. 1743]. Afterpiece: Several scenes taken from The Muses Looking Glass, written by Mr Randolph. [See letter to Mr Ryan 5 March acquainting the town with Randolph's works.

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Performance Comment: Rover-Ryan; Col. Belvil-Gibson; Frederick-Bridgwater; Ned Blunt-Cibber; Angelica-Mrs Horton; Helena-Mrs Vincent.

Afterpiece Title: The Muses Looking-Glass

Performance Comment: Colax-Ryan; The Extremes of Fortitude Liberality Meekness Justice, in the Characters of Aphobus, Deilus, Anelitheurus, Asotus, Orgylus, Argus, Nimis, Nihil-Ridout, Collins, Morgan, Cibber, Bridges, Cushing, Dunstall, Rosco; their Clerks (Plus and Parum)-James, Bencraft; Mediocrity in the character of Urania-Mrs Bland; To conclude with a new masque of Music representing the Intellectual Virtues, compos'd by Lampe: Fortitude-Beard; Modesty-Mrs Storer; Truth-Mrs Lampe; Dancing-Villeneuve, Desse, Delagarde, Oates, Miss Vandersluys, Mrs Villeneuve, Mrs Gondou, Mrs LaFont, Master, Miss Granier.

Song: Singing In Italian and English-Miss Faulkner [Songs unspecified]

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: As17480310 but Cephisa-Mrs Bennet.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17480310.
Event Comment: Benefit for Mr Luke? Sparks. Tickets and places to be had of Hobson at the stage door, and of Sparks at Courteen's Coffee-House in Bow St., Covent Garden. Dramatic Censor, I, 34-35: The whole part of the King, except his soliloquy, is truly wretched for an actor: and, to say truth, I never saw one who did not make a very insipid figure in it, the late Mr Sparks excepted; he was great in the formentioned soliloquy, respectable in every passage of the least regard, and so peculiarly happy in falling, when stabled, from the throne, that we may truly say, a good end apologized for a very bad character. Receipts: #150 (Cross); house charges, #63 (Powel); cash, #80 7s. 6d.; tickets, #91 5s. (Clay MS)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17480303.

Afterpiece Title: The Double Disappointment

Performance Comment: As17480412.

Song: III: Sullivan

Dance: V: Comic Dance, as17480314

Event Comment: The Fourth Day. We hear, there will be an Execution this Day at the Puppet Show in Panton Street near the Haymarket [Mlle delaNash]; and as Mr Foote hath thought proper , instead of Tea to give Punch, Mr Punch will give Foote (General Advertiser)

Performances

Mainpiece Title: Auction Of Pictures

Performance Comment: See17480418% .
Event Comment: Benefit for Mr Mills and Mrs Mills. Last time of performing the Mainpiece this season. By Desire 3 rows of the Pit will be laid into the Boxes. Servants will be allow'd to keep places on the stage. Mr and Mrs Mills take but one benefit this year that they may not be troublesome to their friends. Receipts: #210 (Cross); house charges, #60 (Powel); cash, #49 8s.; tickets, #153 10s. (Clay MS)

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17480321 but Heartfree-Mills; Col. Bully listed "with songs proper to the character"; Belinda-Mrs Mills; Taylor-_; Justice-_.

Afterpiece Title: The Lying Valet

Performance Comment: To conclude with The Sailor's Rendezvous at Portsmouth- [see17471117]; the Sailor's song-Lowe; the Hornpipe-Mathews.

Dance: III: Savoyards, as17471215; IV: Pastoral Dance-Cooke, Janneton Auretti[, as17480320

Event Comment: Benefit for Burton, Raftor, I. Sparks (Cross). Last week Mr Garrick Paid to Mr Belchier, Banker in Lombard St., #208 1s., being the whole money receiv'd at the Benefit Play of King Lear, which he most generously gave for the relief of the unhappy sufferers by the late most dredful fire in Cornhill, &c., whithout deducting any charges whatsoever. [See note, 3 May] Receipts: #180 (Cross); house charges, #63 (Powel); cash, #56 19s. tickets, #128 10s. (Clay MS)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: As17480328 but Beggar-Burton; add Player-Bransby; Mrs Slammekin-Mrs Green; Sukey Tawdry-Mrs Yates; Jenny Diver-Miss Royer; Moll Brazen-Miss Minors.

Afterpiece Title: The King and Miller of Mansfield

Performance Comment: King-Burton; Miller-I. Sparks; Dick-Blakes; Joe-Lowe; Peggy-Mrs Mozeen.

Dance: I: Savoyards, as17471215

Event Comment: [See Occasional Prologue spoken at cg by Mr Barry (28 Sept. 1750): @When vice and folly overruns the state,@Weak politicians lay the blame on fate...@If Shakespeare's Passion, or if Johnson's art@Can fire your fancy, or can warm your heart,@That task be ours;--but if you damn, their scenes@And heroes must give way to Harlequins.@We too can have recourse to Mime and Dance@Nay there I think we have the better chance;@And should the town grow weary of the Mute@Why--we'll produce--a Child upon the flute@ This infant piper referred to again satirically in a Guide to the Stage, 2nd ed., 1751, p. 7.] Rec'd of Mr Warner for arrears at his Benefit 16 May last, #5 14s. As this belong'd to last season's Account, I shall make an allowance, and accordingly subtract it from the sum total (Powel). Receipts: #70 (Cross); #92 12s. (Powel)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Performance Comment: Manuel-Yates; Don Philip-Sparks; Octavio-Havard; Diego-Ray; Soto-Neale; Trappanti-Woodward; Corrigidore-Winstone; Alguazile-Bransby; Lewis-Usher; Stephano-Wright; Flora-Mrs Green; Rosara-Mrs Mills; Viletta-Mrs Clive; Hippolita-Mrs Pritchard.

Afterpiece Title: The Lottery

Performance Comment: As17480910.

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17481031, but in Act II Singing-Beard; Scotch Cantata-_.

Afterpiece Title: Lethe

Performance Comment: Parts-Garrick, Woodward, Yates, Beard, Taswell, Winstone, King, Vaughan, Bridges, Mrs Green, Mrs Clive. [Poet, Frenchman, Drunken Man-Garrick; Fine Gentleman-Woodward; Taylor-Yates; Old Man-Taswell; Charon-Winstone; Tatoo-King; Aesop-Bridges; Mercury-Beard; Mrs Riot-Mrs Clive; Mrs Tatoo-Mrs Green.-Edition of 1749.]
Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: GGeneral Advertiser: This day is publish'd at 6d. An Apology to the Town, for Himself and the Bottle. By J. Nick-all. N.B. Mr P- was mistaken in the name. To which is prefix'd an exact representation of the scene of Harlequin's Escape into the Bottlev , introduc'd into the Pantomime of Apollo and Daphne, or the Burgomaster Trick'd, the Character of Harlequin by Mr Phillips. Printed for B. Dickenson, the corner of Bell Savage Inn, Ludgate Hill

Performances

Mainpiece Title: None

Performance Comment: [No Performance.]
Event Comment: fterpiece]: A Masque by Mr Dodsley. Went off Toll (Cross). New Dresses, Scenes, Decorations, &c. Music compos'd by Mr Arne. Nothing under Full prices will be taken. [Customary note for all subsequent performances this season. Will not be repeated.] Receipts: #170 (Cross); #161 19s. (Powel)

Performances

Mainpiece Title: The Miser

Performance Comment: As17490125, but Clerimont-_; James-_; Furnish-_; List-_; Mrs Wisely-_; Wheedle-_.

Afterpiece Title: The Triumph of Peace

Performance Comment: Mars-Cooke; Mars' followers-Blakes, Vaughan, Marr, Adams, Shawford, Harvey, Yates, Harrison; War-Winstone; Power-Lee; Ambition-Palmer; Peace-Mrs Mills; Justice-Mrs LaFont; Liberty-Mrs Ansley; Shepherds-Havard, Beard, Reinhold, King, Master Maddox; Shepherdesses-Mrs Clive, Miss Cole, Miss Medina; Britannia-Anne Auretti; Hungarians-Cooke, Janeton Auretti; French-Mathews, Mrs Addison; Dutchman-Pelling; Spaniard-Shawford; concluded with a view of the Temple of Peace-.
Event Comment: Supposed for Mr Garrick (Cross). Receipts: #190 (Cross); #187 6s. (Powel). N.B.: This Play was for benefit of Mr G-k, clear of all charges as before, which must be subtracted from the Account (Powel)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17481223.

Afterpiece Title: The Triumph of Peace

Performance Comment: As17490225.
Event Comment: Benefit for Barry. Pit and boxes laid together, and Front and Side Boxes built on Stage [see 7 March]. Tickets to be had at Mr Barry's, the corner of Bow St., Covent Garden. Mr Garrick first play'd Iago (Cross). [He had played it in Dublin 28 Feb. 1746.] Receipts: #289 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Othello

Performance Comment: As17490106, but Iago-Garrick 1st time; Cassio-Palmer.

Afterpiece Title: The Devil to Pay

Performance Comment: As17481105.

Dance: Cooke, the Aurettis

Event Comment: Benefit for Berry. Tickets to be had of Berry at Mr Pope's, Peruke Maker in Russel St., Covent Garden and of Hobson at the Stage Door. [From the Gentleman's Magazine Register of Books for this month: An Account of the Life of that Celebrated Tragedian, Mr Thomas Betterton, containing a distinct relation of his excellencies in his profession and character in private life, and interspersed with an account of the English theatre during his time. Printed for J. Robinson.] Receipts: #160 (Cross); house charges, #60 (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17490302, but Montague also omitted. In Place of the Masquerade Dance%.

Afterpiece Title: The Anatomist

Performance Comment: As17490117.

Dance: In I: a Dutch Dance, as17481203; Savoyards, as17480920

Event Comment: Benefit for Sowdon. Tickets to be had of Sowdon at Mr Haymer's in James St., Covent Garden, of Hobson at the Stage Door; at Will's Coffee House, Cornhill, and of Mr Thomas Sowdon, in Blackman St., Southwark. Receipts: #160 (Cross); no house charges. N.B.: A present was made to him of the charge of the House, because he had acted this season and receiv'd no salary (Powel)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: Pyrrhus-Sowdon for the first time; Orestes-Barry; Pylades-Havard; Phoenix-Winstone; Cleone-Mrs Green; Cephisa-Mrs Bennet; Hermione-Mrs Pritchard; Andromache-Mrs Cibber.

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17490307.

Dance: II: Savoyards, as17480920; IV: The Gondoliers-Cooke

Music: III: Concerto on Flute-the Child

Song: V: Mad Bess-Beard

Event Comment: Benefit of Sga Frasi. The breakfasting in the Haymarket is deferred till Saturday morning on account of the [benefit for] Sga Frasi; and Mr Foote has promised to give his first entertainment tomorrow at Covent Garden for the Benefit of Mr Bencraft and Mrs Hale

Performances

Mainpiece Title: Concert

Event Comment: Benefit Miss Oldmixon. Composed by Mr Handel. At Hickford's Room in Brewer St. Tickets 5s., to be had of Mr Hickford. To begin at 7:30 p.m

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Parts-Sga Galli, Beard, Reinhold, Miss Oldmixon; Solo-Dubourg who conducts the Performance.
Event Comment: Benefit for Will Hill. Mainpiece: By Particular Desire of his friends. N.B. The Gentlemen are desired to meet Mr Hill after the Play at the Rose Tavern, Temple Bar. [He had advertised since 15 April that "Gentlemen and Ladies who intend to honour him with their presence," should take tickets at: the Thatched House, St. James's St; Jack Bridell's, the One Tun in the Strand; Half moon in Holborn; Rose, Temple Bar; King's Head, in the Poultry; Castle, Lombard St; Bell, East cheap; King's Head, Tower Hill, Rummer, Bishopsgate St; West India and Jerusalem Coffee Houses near the Royal Exchange; Chapman's, Swordcutler, in Exchange Alley; and at Will Hill's Lodgings, Mr Geves's in Abchurch Lane.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17481202.

Afterpiece Title: Damon and Phillida

Performance Comment: As17481028.

Dance: Master J. Granier, Master J. Granier's Sister

Performance Comment: Granier, Master J. Granier's Sister.
Event Comment: [Note by Croza says in view of the actions against him he was not the "Undertaker of the Operas" but came under Articles with an English Gentleman, who employed Mr V-i as Director and Mr C-d as Treasurer, that V-i received 3 per cent of the gross every night (General Advertiser). The persons referred to are Vaneschi and Crawford.

Performances

Mainpiece Title: Don Calascione

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for boxes to be had of Mr Page at the Stage door. To begin at 6 o'clock. [Usual notice not to be repeated.] Rec'd from Mr Delamain for balance of his acct: #30; Commenced with a deficit brought over from Day Book I: #212 13s. 6d. Paid Nightly charges; #54 11s. 2d. Bridgewater in part of his bond: #50. Rich on Acct. #5 5s. (Account Book). [The income reduced the initial deficit to #124 10s. 2d. Day Book No. I, referr'd to seems not now to be extant. See note of solvency 9 Feb. 1750]. Receipts: #167 19s. 6d. (Source for all cg receipts is Account Book. Covent Garden, British Museum Egerton 2269.

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Brute-Quin; Constant-Ridout; Heartfree-Ryan; Bully (with a Song in Character)-Lowe; Rake-Gibson; Justice-Marten; Razor-Anderson; Mademoiselle-Miss Morrison; Belinda-Mrs Barrington; Lady Fanciful-Mrs Vincent; Lady Brute-Mrs Woffington.

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Lowe; Arcas-Anderson; Corydon-Arthur; Cymon-Collins; Mopsus-Dunstall; Phillida-Miss Young.
Event Comment: SSignor Campioni first danc'd here--well (Cross). Afterpiece: With Scenes, Music, Cloths and Decorations entirely new. Paid Rigg (a Smith) #2 10s.; Mr Oram (Scene Painter) on acct #30 by order Mr Lacy (Treasurer's Book). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Berry; Careless-Mills; Mellefont-Havard; Sir Paul-Yates; Lord Froth-Shuter; Lord Touchwood-Winstone; Brisk-Woodward; Saygrace-James; Lady Froth-Mrs Clive; Lady Pliant-Mrs Pit; Cynthia-Mrs Willoughby; Lady Touchwood-Mrs Pritchard.

Afterpiece Title: Acis and Galatea

Performance Comment: A New Grand Entertainment. Acis-Sig Campioni 1st appearance that stage; Galatea-Mad Auretti; Polypheme-Grandchamps; Savages-Matthews, Mrs Addison; Shepherds-Macneale, Pelling, Shawford, Simons, G. Yates, Master Shawford; Shepherdesses-Miss Baker, Mlle Mariet, Mlle Memi, Miss Cole, Mrs L'Font, Miss Shawford.
Event Comment: Benefit for Mr Plummer. Mainpiece: By particular desire of Several Ladies and Gentlemen. A cheesemonger announced that his distresses arose from [an] unperformed engagement with the late manager of Drury Lane (Winston MS 7). Mr Plummer being reduced to great distress, by some unfortunate engagements for a late manager of Drury Lane Theatre, has obtained the Indulgence of a Benefit Night, and humbly hopes the Favour of the Publick on so charitable an occasion will effectually make it such, especially as it is the last time he intends to give them the like trouble (General Advertiser). Receipts: #40 5s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17491023.

Afterpiece Title: Miss in Her Teens

Performance Comment: As17491109.
Event Comment: Afterpiece: A New Musical Entertainment in Two Interludes. The words to be sold at the theatre (General Advertiser). Some Gentlemen crowding behind ye Scenes, ye Audience resented it & ye farce was stop'd for half an hour--I drew lines with chalk, but Miss Norris applying publickly to Capt. Johnson, desiring he wou'd retire, He did & ye farce went on with great Applause. The words of this piece were by Mr Mendez, & set by Dr Boyce (Cross). Added to salary list, Mr Campioni. Paid him for cloaths #21, and for 51 days work, #42 10s. (Treasurer's Book). Receipts: #140 (Cross); #142 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Performance Comment: As17491014, but Ananias-Woodward.

Afterpiece Title: The Chaplet

Performance Comment: Damon-Beard; Palamon-Master Mattocks; Pastora-Mrs Clive; Laura-Miss Norris (1750 ed.); To conclude with a Rural Dance-Grandchamps, Matthews, Miss Baker, Pelling, Macneale, Harrison, Master Shawford, Miss Cole, Mrs L'Font, Mlle Mariet, Mrs Pit. (General Advertiser) .