SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes and machinery of the Pantomime pretty"/1) | (@(roleclean,performerclean) "Miss Vincent The scenes and machinery of the Pantomime pretty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14669 matches on Performance Comments, 4822 matches on Performance Title, 3399 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Holland; Siffredi-Love; Osmond-Aickin; Rodolpho-Ackman; Officers-Keen, Strange, Marr; Laura-Mrs Hopkins; Sigismunda-Mrs Dancer, 1st appearance there.

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Hay@makers, as17670919

Event Comment: Mainpiece: By Desire. Music [to afterpiece] by Barthelemon. I often go to both theatres, have seen Garrick and Mrs Yates, who are the first in this theatrical sphere. The former has hitherto [i.e., this season] appeared only in comedy, --his manner, his humour, and his judgment are not to be equall'd. The adoration he meets with from the English is equal to his merit. His every motion they attend to, and every turn of his eye seems to transport them. Mrs Yates [at Covent Garden] has much tragic merit. Her low voice is very tuneful, her feeling great, her action peculiarly graceful and her figure uncommonly fine. She has more power than Mrs Dancer (at Drury Lane] and more variety than Mrs Fitz-Henry, tho' less strength and compass. On the whole she is superior to the former and inferior to the latter. Barry and Mrs Dancer are engag'd here (MS Letter from Henry Grattan to Cornet Broome giving his first impressions of living in London, 27 Oct. 1767, in Folger Library). Neville MS Diary: Went into the Pit to see As You Like It a second time. Reddish did Orlando for the 1st time. He is a pretty good player. End Act I, Hearts of Oak. The Entertainment was the new Farce called a Peep Behind the Curtain. Glib by King who is the author. The piece is not unentertaining, whatever other merit it may have. The Prologue and an Address to the Town by way of Epilogue, are spoken by Mr King, the music by Barthelemon

Performances

Mainpiece Title: As You Like It

Performance Comment: As17671022, but Orlando-Reddish, 1st time.
Cast
Role: Orlando Actor: Reddish, 1st time.
Role: Phebe Actor: Miss Simson

Afterpiece Title: A Peep behind the Curtain

Dance: I: Hearts of Oak, as17671022

Event Comment: Mainpiece: By Desire. At half past 4 went into the Pit to see Garrick do Archer a 3rd time....It is not agreeable to see Packer make love--he is oblig'd to do Aimwell, Palmer being ill....Moody does Hob pretty well, but not so well as Yates. Hartry did not do Old Hob so well as Parsons (Neville MS Diary)

Performances

Mainpiece Title: The Stratagem

Cast
Role: Cherry Actor: Miss Pope

Afterpiece Title: Flora

Cast
Role: Hob's Mother Actor: Mrs Bradshaw
Role: Flora Actor: Miss Young
Event Comment: Oratorio By Particular Desire. Charges: #35 (Account Book). Theatrical Review: His [Duport's] execution is truly masterly, his tone very brilliant, and his taste pleasingly delicate and chaste. What he performs on this instrument is wonderful, when the genius of it is considered. As this celebrated Lady [Sga Sirmen] has been in England some time, her abilities are pretty generally known. Her tone and style of playing is very pleasing, and her execution truly chaste, without any of those unnecessary and extravagant liberties, which the generality of solo players on the Violin too frequently give in to

Performances

Mainpiece Title: Judas Macchabeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Afterpiece Title: The Wedding Ring

Performance Comment: Parts by Vernon, Bannister, Davies, Mrs Wrighten, Mrs Smith. Zerbino-Vernon; Pandolfo-Bannister; Henrico-Davies; Lisetta-Mrs Wrighten; Felicia-Mrs Smith (Genest, V, 350-51).
Cast
Role: Pandolfo Actor: Bannister
Event Comment: [The Westminster Magazine this month continues to develop its familiar theme that the English stage is in a state of decline, proven this time by reference to the influx of new dancers, pretty maids (who cannot act), dull plays which will admit of some pageantry. Yet the author praises Garrick for acting at dl so often himself this early in the season.

Performances

Mainpiece Title: None

Event Comment: 2nd piece [1st time; INT 1, author unknown. Not in Larpent MS; not published]: An Occasional Interlude of Singing and Dancing. With new Dresses and Decorations. [This was written as a compliment to the Duchess of York, daughter of the King of Prussia; on 29 Sept. 1791 she had married the Duke of York (see European Magazine, Dec. 1791, p. 459) "It was a pretty, slight compliment, touched up by Byrne, St.Amand, Incledon and Mrs Mountain, with a couple of airs and the Pas Russe a little lamed. Byrne carried his arm in a scarf [see 29 Oct.], and Incledon and Mountain their parts in their hands" (Oracle, 22 Nov.). 3rd piece in place of Oscar and Malvina, advertised on playbill of 19 Nov.] Receipts: #221 4s. (208.16; 12.8)

Performances

Mainpiece Title: Notoriety

Cast
Role: Sir Andrew Acid Actor: Wilson

Afterpiece Title: The Prussian Festival

Afterpiece Title: The Farmer

Cast
Role: Landlady Actor: Mrs Platt
Event Comment: Benefit for Miss Morris. The Continuance of Miss Morris's illness rendering it impossible for her to appear at present on the Stage, she takes this Opportunity of returning her most grateful Thanks to those Ladies and Gentlemen who have honoured her with Commands at her Benefit, for which Mrs Bellamy has kindly undertaken to perform the part of Juliet. Charges #69 19s. Balance to Miss Morris #56 19s. 6d. plus #94 15s. from tickets (Box 379). Received from Mrs Vincent her deficiency the 13th inst.--#4 2s. 6d. Receipts: #126 18s. 6d. (Account Book)

Performances

Afterpiece Title: The Upholsterer

Cast
Role: Termagant Actor: Mrs Green. u§¨cg IInterlude: The Royal Garland. As17681010.
Role: Nymph Actor: _. u§™cg A+A New Occasional Interlude: The Royal Garland.
Role: Mrs Mattocks Genius of England Actor: Mahon
Role: to conclude with a Grand Ballet Actor: Fishar, Sga Manesiere
Role: Chorusses of Shepherds and Shepherdesses Actor: .
Role: Mrs Motherly Actor: Mrs Copin
Role: Dwarf Actor: Miss Ford

Dance: End: The Merry Sailors, as17680920

Cast
Role: The Merry Sailors Actor: Aldridge.

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.
Event Comment: A New Ballad Opera, [By George Lillo.] Receipts: #91 9s. 6d. Daily Courant, 12 Nov.: On Tuesday Night...Sylvia...was perform'd for the first Time...where there appeared a Set of People, who seem'd inclined to damn the whole Performance (if it had been in their Power)by their continual Hissing and Cat-Calls; notwithstanding which, the same was perform'd with Applause, by the general Approbation of the Pit and Boxes

Performances

Mainpiece Title: Sylvia Or The Country Burial

Performance Comment: Parts-Walker, Hulett, Laguerre, Hippisley, Hall, Salway, Ray, Mrs Cantrell, Mrs Kilby, Mrs Vincent, Mrs Egleton, Mrs Martin; but edition of 1730 lists: Sir John Freeman-Walker; Welford-Hulett; Timothy Stitch-Laguerre; Gaffer Gabble-Hall; Ploughshare-Salway; Jonathan-Hippisley; Sexton-Ray; Silvia-Mrs Cantrel; Dorothy Stitch-Mrs Kilby; Lettice-Mrs Vincent; Goody Busy-Mrs Martin; Goody Gabble-Mrs Rice; Goody Costive-Mrs Forrester; Betty-Mrs Egleton.
Event Comment: Benefit Nivelon. Mainpiece: Written by the late Mr Congreve. Afterpiece: Containing Variety of New Songs, to old Ballad-Tunes [By John Hippisley]. Receipts: money #84 2s. 6d.; tickets #53 8s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Sequel to the Opera of Flora or Hobs Wedding

Performance Comment: Hob-Laguerre; rest by Walker, Salway, Hippisley, Hall, Mrs Cantrell, Mrs Vincent, Mrs Egleton, Mrs Forrester; but edition of 1731 lists: Sir ThomasTesty-Hippisley; Truelove-Salway; Woodville-Walker; Saywell-Aston; Probe-Houghton; Old Hob-Hall; Young Hob-Laguerre; Lady Testy-Mrs Cantrell; Lucia-Mrs Vincent; Mary-Mrs Forrester; Betty-Mrs Kilby; Hob's Mother-Mrs Egleton.
Cast
Role: Lucia Actor: Mrs Vincent
Role: Hob's Mother Actor: Mrs Egleton.

Dance: new Wooden Shoe Dance by Nivelon-Nivelon, Mrs Laguerre; Afterpiece:A new Dance-Nivelon for the Afterpiece

Event Comment: Mainpiece: Never Acted before. [By George Lillo.] Alter'd from Pericles Prince of Tyre. By the Author of George Barnwell

Performances

Mainpiece Title: Marina

Performance Comment: Principal parts-Stephens, Hallam, Boman, Stevens, Penkethman, W. Hallam, Stoppelaer, Dove, Mrs Vincent, Mrs Hamilton, Mrs Marshall; but edition of 1738 lists: Pericles-Stephens; Lysimachus-Hallam; Escanes-Shelton; Leonine-Stevens; Valdes-Boman; Bolt-Penkethman; Thaisa-Mrs Marshall; Philoten-Mrs Hamilton; Marina-Mrs Vincent; Mother Coupler-W. Hallam; Prologue-; Epilogue-.

Afterpiece Title: The Mock Countess

Event Comment: Play Never acted there before. The Characters new dress'd. [See comment in London Chronicle, March 8-10, 1757, which quotes the lengthy Admonition and Exhortation of the Scots Presbytery to be read from all pulpits, against stage plays. "This Exhortation," writes the London Chronicler, "was probably occasioned by the greatness of the crowds who flocked for many successive nights to see the tragedy of Douglas acted" It had been played in Edinburgh 14 Dec. 1756.

Performances

Mainpiece Title: Douglas

Performance Comment: Characters by: Barry, Ridout, Smith, Sparks, Bennet, White, Mrs Vincent, and Mrs Woffington. Douglas-Barry; Lord Randolph-Ridout; Glenalvon-Smith; Stranger-Sparks; Anna-Mrs Vincent; Matilda-Mrs Woffington; Prologue-Sparks; Epilogue-Barry (1757 Edition).
Cast
Role: Lord Randolph Actor: Ridout
Role: Anna Actor: Mrs Vincent

Performances

Mainpiece Title: The Careless Husband

Cast
Role: Edging Actor: Miss Pope
Role: Lady Betty Modish Actor: Miss Farren.

Afterpiece Title: The Island of St

Performance Comment: Marguerite. As17891113, but Mob-_Fairbrother, _Webb; unassigned-_Wilson, Webb, _Danby; _Shaw; _Vincent; _Boyer; _Stageldoir; _Horsfall; _Dorion; _Capon. _Shaw; _Vincent; _Boyer; _Stageldoir; _Horsfall; _Dorion; _Capon.
Event Comment: Benefit for Lewis. 2nd piece [1st time; M. INT 1, arranged by Thomas Goodwin. Monologue by Miles Peter Andrews (Yale, Folio Pamphlets No. 10, p. 157)]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #466 5s

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: As17920917, but Sulky-Cubitt; Sophia-Miss Grist; Hosier-_; Sheriff's Officer-_; Jacob-_; Mrs Ledger-_.
Cast
Role: Sophia Actor: Miss Grist

Afterpiece Title: The Relief of Williamstadt or The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Performance Comment: A new Occasional Address in the character of Goldfinch ,-Lewis.

Performances

Mainpiece Title: Erter

Performance Comment: Werter-Holman; Sebastian-Williamson; Leuthrop-Claremont; Albert-Harley; Laura-Miss Logan; Charlotte-Miss Wallis.
Cast
Role: Laura Actor: Miss Logan
Role: Charlotte Actor: Miss Wallis.

Afterpiece Title: Merry Sherwood

Performance Comment: As17951221, but added: Attendants on Arthur of Bradley-Abbot, Powers; in Part II, Scene VI: A Dance-; Martha's song, i.e. transferred from Scene X; Principal Vocal Characters-_Johnstone, _Munden, _Haymes, _Street, Mrs _Serres; and the songs in Part I, Scene X and in Part II, Scenes IV and VI Song by the Earl's Daughter-_; Song by Irish Pilgrim-_; Song by the Old Knight-_.
Cast
Role: Midge the Miller Actor: Street
Role: Prince of Arragon Actor: Holland
Role: Maid Marian Actor: Mlle St.Amand
Role: Dialogue Ballad Actor: Robin Hood, the Tanner
Role: The Witch of Sherwood Actor: Mrs Martyr
Role: The Bellman's Chaunt Actor: Fawcett
Role: Song by the Damsel Actor: Mrs Clendining
Role: Song by the Earl's Daughter Actor: Mrs Serres
Role: A Grand Dance of Warriors Actor: in the Field of Combat. Part II. Scene I. A View of Fountain Dale
Role: Song by the Old Knight Actor: Munden
Role: Song by the Witch Actor:
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Otaheitan Actor: Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Peruvian Actor: East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: East Indian Actor: Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Chinese Actor: Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Arab Actor: Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Turkish Actor: African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: African Actor: North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: North American Actor: Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lapland Actor: Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Russian Actor: Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Polish Actor: Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Flemish Actor: Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: To conclude with a Grand Dance of Archers Actor: Byrn

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Juliet-Mrs Cibber; Capulet-Sparks; Montague-Bridgwater; Escalus-Bransby; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Fryar Lawrence-Ridout; Gregory-Cushing; Sampson-Collins; Abram-Dunstall; Balthazar-Riccard; Mercutio-Macklin; Tibalt-Dyer; Nurse-Mrs Macklin; Masquerade Dance- proper to the play, and an Additional Scene Representing the Funeral Procession of Juliet; accompanied by a Solemn Dirge-; the vocal parts-Lowe, Howard, Legge, Baker, Mrs Lampe, Miss Young, Mrs Chambers.

Afterpiece Title: The Contrivances

Cast
Role: Betty Actor: Miss Pitt
Event Comment: Mainpiece: By Particular Desire. [Cross suggests Contrivances for the afterpiece, but the Public Advertiser advertised Damon and Phillida.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17521113, but Minuet-Cooke, Miss Hillyard to the Masquerade Scene.

Afterpiece Title: Damon and Phillida

Cast
Role: Arcas Actor: Anderson
Role: Phillida Actor: Miss Young.

Dance: GGrand Scots Ballet, as17521216

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Sheridan; Capulet-Sparks; Montagu-Redman; Escalus-Anderson; Benvolio-Gibson; Paris-Hurst; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennet; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-Mrs Bellamy; Masquerade Dance- proper to the play; And an additional scene will be introduced representing the Funeral Procession of Juliet-; Which will be accompanied with a Solemn Dirge-; The vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers.

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Smith; Capulet-Sparks; Montague-Redman; Escalus-Anderson; Benvolio-Gibson; Paris-White; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennet; Sampson-Collins; Abram-Dunstall; Balthazar-Wignel; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-Mrs Bellamy; With a Masquerade Dance-proper to the play. And an Additional Scene representing the Funeral Procession of Julietv, accompanied with a; Solemn Dirge-; the Vocal Parts-Lowe, Howard, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers.

Afterpiece Title: The Lottery

Event Comment: Benefit for Mrs Clive. Mainpiece: Written by Colley Cibber. [The Old Maid for 8 May 1756 reviewed this performance of Lethe, or possibly the one with the same cast on 30 April. The reviewer was 'particularly diverted with Mrs Clive's Italian Song, in which this truly humorous actress parodys the Air of the Opera, and takes off the action, of the present favorite female at the Hay-Market, with such exquisite ridicule, that the most zealous partisans of both, I think, must have applauded the comic genius of Mrs Clive, however they might be displeased with this application of it." The reviewer is lukewarm in praise of the "New Character"..."What is there new in a Lord's having Gout, loving a bottle, pretending to taste, or being follow'd by a flatterer?"] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Performance Comment: Lord George Brilliant-Woodward; Lord Wronglove-Palmer; Sir Friendly Moral-Berry; Lady Gentle-Mrs Pritchard; Mrs Conquest-Mrs Davies; Miss Notable-Miss Macklin; Heartshorn-Miss Minors; Lady Wronglove-Mrs Clive(, being the first time of their appearance in those characters).
Cast
Role: Miss Notable Actor: Miss Macklin
Role: Heartshorn Actor: Miss Minors

Afterpiece Title: Lethe

Performance Comment: With a new scene-Garrick; New Mimic Italian Song-Mrs Clive; Lord Chalkstone-Garrick; Mercury-Beard; Fine Gentleman-Woodward; Mrs Riot, Fine Lady-Mrs Clive; Aesop-Bransby; Charon-W. Vaughan; Drunken Man-Yates; Frenchman, Old Man-Blakes; Tatoo-Marr; Mrs Tatoo-Miss Minors (Edition of 1756).
Cast
Role: Mrs Tatoo Actor: Miss Minors

Dance: IV: New Sailor's Dance, as17560217

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17611226, but Juliet-Miss Bride (first time); Minuetin Masquerade scene-_.

Performances

Mainpiece Title: The Good Natured Man

Performance Comment: Croaker-Shuter; Honeywood-Bensley; Sir W. Honeywood-Clarke; Lofty-Lewes, first time; Leontine-Wroughton; Jarvis-Dunstall; Mrs Croaker-Mrs Pitt; Olivia-Mrs Baker; Garnet-Mrs Green; Miss Richland (with the original Epilogue)-Mrs Bulkley; In Act III, (by particular Desire) will be restored the Original scene of the Bailiffs-; Bailiffs-Morris, Quick.

Afterpiece Title: Man and Wife

Performance Comment: As17730430 but Lettice-Mrs Mattocks; Landlady-_.

Dance: After the Epilogue: A Minuet-Aldridge, Mrs Bulkley; End II of Comedy: A New Dance-Mas. Langrish as17730426 being his third appearance

Ballet: The Wapping Landlady, with Sixfold Hornpipe. As17730424

Event Comment: Mainpiece: With a New Medley Overture of Favourite Sea-Tunes. Paid Housekeeper's Bill #3 10s. 5d.; Properties #1 8s. 11d.; Chorus 2 nights (this incl.) #3 6s.; Printer's Bill #18 4s. (Treasurer's Book). [These four items are weekly constants with averages and totals as follows. No further mention of them will be made except in unusual cases.] Receipts: #228 6s. (Treasurer's Book). @Item Weekly Average Total Season Payment@Housekeeper's Bill #5 10s. #203 10s.@Properties #1 5s. #55 10s.@Chorus #4 10s. #203 10s.@Printing #9 6s. #347 4s.

Performances

Mainpiece Title: The Fair Quaker Or The Humours Of The Navy

Performance Comment: Rovewell-Lamash; Commodore Flip-Moody; Capt. Mizen-Dodd; Capt. Worthy-Jefferson; Sir Charles Pleasant-Brereton; Lt. Easy-Norris; Binnacle-Weston; Dorcas-Miss Pope; Cockswain-Ackman; Purser-Griffith; Hatchway (with Song)-Bannister; Arabella Zeal-Mrs Greville; Belinda-Miss Hopkins; Jiltup-Mrs Bradshaw; Jenny Private-Miss Platt; Bar Maid-Mrs Davies; Advocate-Mrs Millidge; Cribbidge-Davies; With a Grand Naval Review-; in Which will be introduced a Dance of Sailors-Atkins, Mrs Sutton; and the Favourite Song Rule Brittania-Davies.

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Elopement

Performance Comment: Harlequin-Rooker; Pantaloon-Grimaldi; Clown-Ackman; Colombine-Mrs Sutton; Lover-Messink; Drunken Valet-Griffiths; Scaramouche-Keen; Country Girls-Mrs Scott, Miss Jarratt; Concluding with the scene of the Waterfall-as it was originally Performed.
Event Comment: Mr Grist made his first appearance upon any Stage in the Character of Othello his figure is well enough, a good Voice and powerful, when he knows how to manage it-he is Awkward-but it was a very good first appearance, and if there is proper care taken of him, he may make an Actor (Hopkins Diary). Paid 2 extra flutes #2 10s.; 1 suit Brocade cloaths #12 12s.; Mrs Brereton, 4 nights not on list, #3 6s. 8d. Receipts: #220 4s. (Treasurer's Book)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Young Gentleman, first time on any stage; Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Iago-Bensley; Duke-Bransby; Ludovico-Packer; Montano-Davies; Gratiano-Wrighten; Messenger-Whitfield; Emilia-Mrs Hopkins; Desdemona-Miss Younge.

Afterpiece Title: The Elopement

Performance Comment: Harlequin-Wright; Clown-Carpenter; Scaramouche-Cubitt; Pantaloon-Grimaldi; Lover-Messink; Drunken Valet-Griffiths; Colombine-Mrs Sutton; Country Girls-Mrs Scott, Miss Jarratt; to conclude with the Scene of the Waterfall-as originally performed.