SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edinburgh"/1) | (@(roleclean,performerclean) "Edinburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 53 matches on Performance Comments, 37 matches on Event Comments, 11 matches on Performance Title, 10 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Wescomb, from the Theatre at Edinburgh; Sir Jasper-Norris; Leander-Stoppelaer; Hellebore-Roberts; Charlotte-Mrs Mullart; Dorcas-Miss Raftor. hathi.

Music: As17330926

Dance: As17330926

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17391009, but Gomez-Julian, from the Theatre at Edinburgh, the first time of his appearance on this stage; Fryar-Paget, who has not appeared on this stage these seven years.

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Pierots-Lalauze, Leviez; II: Drunken Peasant-Master Ferg; V: Muilment

Song: V: Miss Karver

Performances

Mainpiece Title: Patie And Roger; Or, The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder; with several Scots Songs-Lauder; He will speak a Prologue-; Epilogue by Dr Smollett-; Patie, Roger, Bauldy, Peggy-Performers from Edinburgh their first performance in London.

Performances

Mainpiece Title: The Duenna

Performance Comment: As17820202, but Jerome-Mills (from the Theatre-Royal, Edinburgh; 1st appearance on this stage) . 1st appearance on this stage) .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Deserter

Dance: As17820409

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Ward (from the Theatre-Royal, Edinburgh; 1st appearance on that stage); Mr Strictland-Bensley; Frankly-Palmer; Bellamy-Farren; Jack Meggot-Dodd; Tester-Burton; Buckle-Wright; Ranger's Servant-Phillimore; Jacintha-Mrs Wells; Mrs Strictland-Mrs Brereton; Lucetta-Mrs Hopkins; Clarinda-Miss Farren .
Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act II of mainpiece a New Dance by Second and Miss M. Stageldoir

Performances

Mainpiece Title: Tamerlane The Great

Performance Comment: Tamerlane-Calvert (from the Theatre-Royal [Smock Alley], Dublin); Moneses-Kent (from the Theatre-Royal, Norwich); Axalla-Diamond; Dervise-Nash; Bajazet-A Gentleman (1st appearance in that character); Selima-Mrs Clapham (from the Theatre-Royal, York); Arpasia-Miss Shelbourn (from the Theatre-Royal, Edinburgh) .
Cast
Role: from the Theatre Actor:

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Performance Comment: Gray and Harcourt- Two of the Gentlemen who perform in the Tragedy; Woodville-Taylor (from the Theatre-Royal, Edinburgh); Governor Harcourt-Baker (from the Theatre-Royal, Dublin); Lord Glenmore-Villars (from the Theatre-Royal, Norwich); Vane-Wilkinson; Jacob Gawkey-Simpson//Bridget-Mrs Simpson; Miss Mortimer-Miss Achmet; Mrs Warner-Mrs Heaphy; Cecilia-A Lady (1st appearance [unidentified]). Fpilogue spoken by Simpson .unidentified]). Fpilogue spoken by Simpson .
Cast
Role: from the Theatre Actor:

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William-A Gentleman [unidentified]; Patie-McDonald; Roger-Burnat; Symon-Middlemist; Glaud (with the Cries of Edinburgh)-Boyack; Bauldy-Walker; Peggy-The Lady who performed it with universal Applause last February [Mrs Moss]; Jenny-Miss Ross; Madge, Elspa-Mr Wilson; Mause-Mr Hamilton; New Prologue-Walker.

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly; or, The Highland Lad and Lowland Lass

Performance Comment: Donald-Gray; Jockey-Clarke; Kate-Miss Wheatley; Old Woman-Mr Graham (from the Theatre Royal Edinburgh, 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

Performances

Mainpiece Title: Patie And Roger

Entertainment: CCries of Edinburgh-Lauder, by Desire

Dance: Middlemist

Performances

Mainpiece Title: The Gentle Shepherd

Entertainment: The Cries of Edinburgh-Lauder

Dance: McClean, 1st appearance on the stage

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Apprentice

Dance: Between the Acts: Dancing-

Entertainment: CCries of Edinburgh, with a new Scotch Cantata-Boyack

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Apprentice

Song: III: The Flowers of Edinburgh-

Dance: Hornpipe-Clark

Entertainment: End of Play: The Three Old Women Weatherwise; Description of a Storm-Wooler

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Irish Widow

Dance: As17820318athi

Song: The Cries of Edinburgh added to Glaud; End of Act I of mainpiece The Merry Roundelay by Miss Hemet

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Gentle Shepherd

Dance: End 1st song: The Dance in Fetters-Allison

Song: End: The Cries of Edinburgh-Shaw; End I afterpiece: Hark hark to the Woodlands-Miss Thompson (1st appearance)

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Spoil'd Child

Afterpiece Title: No Song No Supper

Song: End I: Within a mile of Edinburgh-Dignum; End II: I never lov'd any dear Mary but you (composed by Hook)-Dignum; End I 2nd piece: Sally in our Alley-Dignum; End 2nd piece I that once was a Ploughman a Sailor am now (composed by Dibdin)-Dignum

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Hob in the Well

Afterpiece Title: Britain's Glory; or, A Trip to Portsmouth

Song: In 3rd piece: Within a mile of Edinburgh-Mrs Bland; Rule Britannia-

Dance: Piece to conclude: Dance of Sailors-

Entertainment: Monologue End: (by permission of the Author [John Taylor]) Monsieur Tonson-Palmer; [Imitations End II: a Variety of Imitations-Caulfield

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: Thomasand Sally

Dance: End of Act II of mainpiece, as17831018; Afterpiece to conclude with a Treble Hornpipe by Williamson, Mills, Miss Stageldoir

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: from the Theatre Actor: Royal, Edinburgh

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mrs Charke; Polly-Miss Royer; Peachum-Haswell; Mrs Peachum-Mrs Mount; Lockit-Holtham; Mrs Slammekin-Mrs Chetwood; Diana Trapes [General Advertiser gives Mrs MacTrapes]-a lady from Tiperary; Lucy-a young Actress[ from Edinburgh. from Edinburgh.
Event Comment: During this month the dissident players from the King's Company--Goodman, Gray, and Clarke--returned from Edinburgh. For details, see Hotson, Commonwealth and Restoration Stage, pp. 262-63

Performances