SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMr Handel"/1) | (@(roleclean,performerclean) "MMr Handel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 391 matches on Event Comments, 197 matches on Performance Title, 184 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Timon Of Athens

Dance: I: Tambourine, as17340504. III: Swedish Dal Karl by Delagarde and Mrs Ogden. IV: Two Pierrots by Pelling and Le Sac. V: Les Amans Conssentants, as17340508

Song: II: By Leveridge and Mrs Wright

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

Performance Comment: Cast not listed, and none in edition of 1736, but Deutsch, Handel, p. 399, lists: Soprano-Signora Strada; Contralto-Mrs Arne-Young; Tenor-Beard; Bass-Erard, with violoncelli by Andrea Caporale and Pasqualino de Mareis and harpsichord by Walsh .
Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: See17580210. Time-Champness, bass; Counsel (or Truth)-Miss Young [Mrs Scott?] [mezzosoprano; Beauty-Signora Frasi[, soprano; Pleasure-Beard[, tenor; Deceit-Signora Beralta[, soprano (Deutsch, Handel, p. 783)., soprano (Deutsch, Handel, p. 783).
Event Comment: Among the Principal Instrumental Performers are G. Ashley, Leader of the Band; C. Ashley, Principal Violoncello; Wm. Parke, Sarjant, J. Mahon, Boyce, Bridgtower, Parkinson, Lavenu, Taylor, W. Ware, Flack, Dressler, Gwilliam, Nicks, [the] Munros, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, Jackson, Wood, Coyle, Cornish, Purney, Leffler, Woodham, Piele, [the] Cantelos, Skillern, Beale, Lloyd, Franki, Simpson, Jenkinson, &c.; J. Ashley, Organ; R. Ashley, Double Drums (used at Westminster Abbey). The Chorusses will be numerous and complete. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the imprimatur of E. Macleish) to be had at the Theatre. [Sga Galli did not sing in The Messiah when it was originally performed in Dublin in 1742, or in London in 1743, in which year the cg oratories under Handel were established.] "I had the curiosity to go, and heard [Sga Galli] sing, 'He was despised and rejected of men' in the Messiah. Of course her voice was cracked and trembling, but it was easy to see her school was good; and it was pleasing to observe the kindness with which she was received, and listened to; and to mark the animation and delight with which she seemed to hear again the music in which she had formerly been a distinguished performer. The poor old woman had been in the habit of coming to me annually for a trifling present; and she told me on that occasion that nothing but the severest distress should have compelled her so to expose herself, which after all did not answer its end, as she was not paid according to her agreement" (Mount-Edgcumbe, pp. 19-20). [At the rehearsal, 1 Mar., I know that my Redeemer liveth sung by Mme Mara; Comfort ye my people by Braham; But@thou didst not leave by Miss Poole (Morning Herald, 2 Mar.).] "The chorusses are not such as would give satisfaction to a musical amateur: in this department we must endeavour to be content with noise and bawling, instead of sense and science:--they are not, however, worse than usual" (Monthly Visitor, Mar.1797, p. 262)

Performances

Mainpiece Title: The Messiah 0

Performance Comment: Principal Vocal Performers-Master Elliot, Braham, Sale, Bartleman, Mme Mara, Miss Poole, Sga Galli (Who is in her Seventy-Fifth Year, and will sing He was despised, which was originally composed for her by Handel, and which she sung when the Oratorios were first performed under his Direction, in the year 1741).

Music: End I: concerto on the violoncello-C. Ashley

Event Comment: [Text by Haym. Music by Handel.] Pit and Boxes at half a guinea. Gallery 5s. By Reason of the shortness of the Opera, to begin exactly at Eight a-Clock

Performances

Mainpiece Title: Flavius

Performance Comment: No cast listed in edition of 1723, but Deutsch, Handel(, p. 153) lists: Flavio-Berenstadt; Guido-Senesino; Emilia-Signora Cuzzoni; Teodata-Mrs Robinson; Vitige-Signora Durastanti; Ugone-Gordon; Lotario-Boschi.
Event Comment: [Text by Haym. Music by Handel.] Admission as 14 Jan. Daily Journal, 21 Feb.: Last Night his Majesty, the Prince and Princess, with great Numbers of the Nobility, went to see the new Opera

Performances

Mainpiece Title: Julius Caesar

Performance Comment: Edition of 1724 lists: Giulio Cesare-Senesino; Cornelia-Mrs Robinson; Sesto Pompeo-Signora Durastanti; Cleopatra-Signora Cuzzoni; Tolomeo-Berenstadt; Achilla-Boschi; Nireno-Bigonsi; Deutsch, Handel, p. 157 adds: Curio-Lagarde.
Event Comment: Benefit Holcombe. At the Desire of several Ladies of Quality. Pit and Front Boxes at half a guinea. Gallery 5s. See also Deutsch, Handel, pp. 238-39

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the Best Masters from the Opera House. [According to Mrs Pendarves, Holcomb sang six songs; there were overtures by Handel and two concertos by Corelli.

Performance Comment: [According to Mrs Pendarves, Holcomb sang six songs; there were overtures by Handel and two concertos by Corelli.]
Event Comment: Composed by Mr Handel. [Prince and Princess of Orange, Princess Caroline, Mrs Pendarves, Lady Rich, and Egmont present.]

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Deutsch, Handel, p. 362, conjectures it to be: Deborah-Signora Strada; Barak-Signora Maria Caterina Negri (?); Abinoam-Reinhold (?); Sisera-Carestini; Jael-Signora Rosa Negri; Israelite Women-Signora Durastanti; Chief Priest-Waltz; Chief Priest of Israelites-Reinhold (?) .
Event Comment: An Opera, compos'd by Mr Handel. Intermix'd with Chorusses. 6:30 P.M. [Prince of Wales present.]

Performances

Mainpiece Title: Pastor Fido

Performance Comment: Cast not listed, but Deutsch, Handel, p. 365, suggests a possible cast: Mirtillo-Carestini; Amarilli-Signora Strada; Eurilla-Signora Durastanti; Silvio-Scalzi; Dorinda-Signora Maria Caterina Negi; Tirenio-Waltz .
Related Works
Related Work: The Faithful Shepherd Author(s): George Frederic Handel
Event Comment: A New Opera. [Text by A. Salvi. Music by Handel. King, Queen, Princesses Amelia and Caroline present.]

Performances

Mainpiece Title: Ariodante

Performance Comment: Cast not listed, but Deutsch, Handel, p. 382, lists: Il Re di Scozia-Waltz; Ginevra-Signora Strada; Ariodante-Carestini; Lurcanio-Beard; Dalinda-Miss Young; Polinesso-Signora Maria Caterina Negri; Odoardo-Stoppelaer .

Performances

Mainpiece Title: Sophonisba; Or, Hannibal's Overthrow

Afterpiece Title: The Toy Shop

Music: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance by Glover, Miss Rogers, Le Sac, Miss Baston, Delagarde, Mrs De l'Orme

Song: Tippling Philosophers by Leveridge

Event Comment: Ijmdon Daily Post and General Advertiser, 27 March: We hear . . . that to perfect the Performance, Mr Handel designs to introduce, to-morrow Night (in the Oratorio of Deborah) a large new Organ, which is remarkable for its Variety of curious Stops; being a new Invention, and a great Improvement of that Instrument

Performances

Mainpiece Title: Deborah

Performance Comment: Cast not listed, but Dean, Handel's Dramatic Oratorios, p. 238, conjectures: Deborah-Signora Strada; Barak-Carestini; Jael-Miss Cecilia Young; Priest of Baal-Hussey, with Reinhold and Beard possibly singing also. With a new Concerto on the Organ;..

Afterpiece Title: the two Concertos in the Oratorio of Esther

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Toy Shop

Music: Handel's Overture to Ariadne

Dance: The Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Harlequin by Miss Norsa Jr. Scot's Dance, as17350311

Song: As17350422

Performances

Mainpiece Title: The Beggar's Opera

Music: Handel's Water Musick, in which will be performed a Preamble on the Kettle Drums by Job Baker

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The School Boy

Music: Handel's Water Musick, with Preamble on Kettle Drums by Benj. Baker

Dance: Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers

Performances

Mainpiece Title: Abra Mule; Or, Love And Empire

Afterpiece Title: A City Ramble; or, The Humours of the Compter

Music: Handel's Water Musick

Dance: Clown by Nivelon. French Peasants by Lalauze and Mlle D'Hervigni. Sailors (from Orestes), as17360302

Song: A Mock Italian Song by E. Roberts

Event Comment: A New Opera. [Text possibly by A. Salvi. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

Performance Comment: Deutsch, Handel, p. 424, lists: Arminio-Annibale; Tusnelda-Signora Strada; Sigismonde-Conti; Ramise-Signora Bertolli; Segeste-Reinhold; Varo-Beard; Tullio-Signora Maria Caterina Negri.
Event Comment: A New Opera. [Alteration of libretto by N. Beregani. Music by Handel.

Performances

Mainpiece Title: Justin

Performance Comment: cnl, but Deutsch, Handel, p. 426, lists: Anastasio-Conti; Arianna-Signora Strada; Leocasta-Signora Bertolli; Amanzio-Signora Maria Caterina Negri; Giustino-Annibali; Vitaliano-Beard; Polidarte-Reinhold; La Fortuna-Savage.
Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales [who were present]. An Ode, written by Mr Dryden. The Pit will be floored over, and laid into the Boxes. London Daily Post and General Advertiser, 17 March: The Prince and Princess of Wales seem'd to be highly entertain'd, insomuch that his Royal Highness commanded Mr Handel's Concerto on the Organ to be repeated

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Deutsch, Handel, p. 429, speculates concerning a possible cast. With Concertos on the Organ-, and other Instruments.
Event Comment: By their Royal Highnesses' Command. A new Oratorio, [Text by Morrell. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Performance Comment: Deutsch, Handel, p. 430, offers this conjectural casts: Tempo-Reinhold; Disinganno-Signora Maria Caterina Negri; Bellezza-Signora Strada; Piacere-Beard.

Music: WithConcertos on the Organ-and other Instruments

Event Comment: A new Opera. [Text by A. Salvi. Music by Handel.] By His Majesty's Command, [Their Majesties expect to attend.

Performances

Mainpiece Title: Berenice

Performance Comment: Deutsch, Handel, p. 435, lists: Berenice-Signora Strada; Selene-Signora Bertolli; Alessandro-Conti; Demetrio-Annibali; Arsace-Signora Maria Caterina Negri; Fabio-Beard; Aristobolo-Reinhold.
Event Comment: A new Opera. [Text possibly by Zeno. Music, a Handel pasticcio.

Performances

Mainpiece Title: Alessandro Severo

Performance Comment: Deutsch, Handel, p. 451, lists a conjectural cast: Alessandro-Signora Merighi; Claudio-Caffarelli; Sallustia-Signora Francesina; Albina-Lucchesina; Guilia-Signora Chimenti; Marziano-Montagnana.
Event Comment: A New Opera. [Music by Handel.

Performances

Mainpiece Title: Xerxes

Performance Comment: Deutsch, Handel, p. 456, lists: Serse-Caffarelli; Arsamene-Signora Lucchesina; Amastre-Signora Merighi; Romilda-Signora Francesina; Atalanta-Signora Chimenti; Ariodate-Montagnana; Elviro-Lottini.
Event Comment: A New Oratorio. [By Handel.] Pit and Boxes put together at half a guinea each. Gallery 5s. 6 p.m. [The King, Duke, and the princesses present.

Performances

Mainpiece Title: Saul

Performance Comment: Deutsch, Handel, p. 473, lists: Saul-Waltz; Jonathan-Beard; David-Russell; Merab-Mrs Arne Miss Cecilia Young; Michael-Signora Francesina; Doeg-Butler; Witch of Endor-Signora Lucchesina?, or Mrs Arne?-Young; Apparition of Samuel-Hussey; An Amalekite-Stoppelaer; High Priest-Kelly.
Event Comment: A New Oratorio. [By Handel.] 7 p.m

Performances

Mainpiece Title: Israel In Egypt

Performance Comment: Deutsch, Handel, pp. 478-79, lists: First Soprano-Signora Francesina; Second-Master Robinson; Alto-Savage; Tenor-Beard; First Bass-Waltz; Second Bass-Reinhold; With several Concertos on the Organ-; particularly a new one-.