SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMiss Pope"/1) | (@(roleclean,performerclean) "MMiss Pope")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1259 matches on Performance Comments, 194 matches on Event Comments, 40 matches on Performance Title, 14 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Ray, W. Vaughan, G. Burton & ye Sub-Treasurer (Cross). Tickets of Ray, at the Crown and Anchor Tavern, St Clement's Church; at the Black Swan Tavern, in Bartholomew Lane; the Old King's Head Tavern, Facing Somerset House; For Vaughan, at the One Ton Coffee House, St. James' Market; for Burton, at Pope's next the Stage Door, Russel St.; and of Hobson at the Stage Door. Tickets deliver'd for the Lady's Last Stake, or the Wife's Resentment will be taken. Receipts: #214 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Benefit for Mr Berry. Tickets at Mr Pope's Peruke maker, Russel St., Covent Garden. Receipts: #180 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Event Comment: This day at noon will be published at 6d. A Letter to Mr Henry Woodward, Comedian, occasioned by his letter to the Inspector. by Simon Partridge, the facetious Cobbler of Pall Mall, and son to the late Mr Partridge, famous for his dispute with Isaac Bickerstaff. "Barbarian to attack, a chymist, Critick, Journalist, and Quack" (Anon). Printed for H. Jeffrey in Pope's Head Alley, Cornhill. [Another mock defense of Hill, casting opprobrium on him in the manner of the eightenth-century bully boys of the bathroom. A second edition of Sampson Edwards' Letter to Woodward appeared this day. See Comment, 9 Dec.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: TThe Italian Gardeners, as17521221; Le Matelot Basque, as17521005

Event Comment: Mainpiece: By Particular Desire. Last time of performing till the Holidays. This Day publish'd at 6d. Dr Bobadil's Monody: Occasioned by an unhappy Accident he met with at Ranelagh last summer, with a preface and notes Variorum by Quinbus Flestrin [Ch. Smart?]. What lane but knows@Our purgings, Pumpings, Blanketings and Blows?" Pope. Sold by W. Owen, at Temple Bar, and the pamphlet shops. [Another document in the Woodward-Hill feud.] Receipts: #150 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disappointment

Event Comment: Benfit for Berry. Afterpiece: By Desire. Tickets at stage door, and of Berry at Mr Pope's, a Peruke Maker in Russel St., Covent Garden. Berry's figure was well adapted to Sciolto, Acasto and characters of that cast; No man had more feeling than he, and it generally had its proper effect, but by being too fond of aiming at tenderness, he grated upon the ear of an auditor (Genest, IV, p. 363, from State of the Stage). Receipts: #220 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Double Disappointment

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Benefit for Mr Berry (Cross). Tickets at Pope's, a Peruke-Maker, in Russel Street, Covent Garden; of Benoni Sedgley, at the Ship and Anchor, Temple Bar, and at the Stage Door. Receipts: #230 (Cross)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Shepherd's Lottery

Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's, Peruke Maker, in Russel St., Covent Garden, and at Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Devil to Pay

Dance: I: As17550203; V: The Last New Comic Dance-Sg and Sga Sabatini

Song: III: Rule Britannia, as17550402-Beard%; concluding with: Hornpipe-Mathews

Event Comment: This night the Riot was very Great, the Gentlemen came with Sticks, & tho' the play went on quiet 'till the last Act, we had there a great Stop, notwithstanding we ended it, & then the rout went on, ye Boxes drove many out of the Pit, & broken heads were plenty on both Sides; the dance began,--was Stop'd--& so again & again--while this was doing numbers were assembl'd in the Passages of the pit, broke down & were getting into the Cellar, but were repuls'd by our Scene men &c.--heavy blows on both sides--Justice Fielding--& Welch came with Constables & a Guard; but without effect, tho' the Justices stood upon ye Stage--I thought ye proclamation must have been read--after ye battle in the Passages numbers went & broke Garrick's Windows in Southhampton Street, --part of ye Guard went to protect it-Garrick was oblig'd to give up the Dancers-& ye Audience disperc'd (Cross). This day publish'd at 1s. The Country Coquet; or, Miss in her Breeches, a Ballad Opera, as it may be acted at Drury Lane. @Men, some to business, some to pleasure take@But every woman is at heart a Rake.@ Pope By a Young Lady. Printed for and sold for J. Major, in Three-Tun Court, leading from the Ship in Ivy Lane into Newgate Market. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Chinese Festival

Event Comment: Wrote by Mr Pope. Mr Barbauld's First Subscription Oratioro,...and set to Musick by Mr Charles Barbault, in Two Parts. One ticket for all three oratorios--one Guinea; for one performance half a guinea; gallery 3s. 7 p.m

Performances

Mainpiece Title: The Universal Prayer

Event Comment: MMr Barbandt's Third and Last Subscription Oratorio. [Pope's poem set by Charles Barbandt in two parts, with solos interspersed: violin, flute, Lute, Frenchhorn, hautboy, and Organ.] Books of the Oratorio stitch'd in blue paper at 1s. each sold at Mrs Browne's in the Haymarket

Performances

Mainpiece Title: The Universal Prayer

Event Comment: MMrs Cibber continuing ill, Miss Bellamy from Covent Garden Did Sigismunda for Mr Berry (Cross). Benefit for Berry. Tickets at Mr Pope's, Peruke Maker, in Russel St., Covent Garden, and at stage Door. Part of pit laid into Boxes. N.B. As Mrs Cibber's illness prevents her from performing the part of Sigismunda for Mr Berry's Benefit, he apply'd to Mr Rich, who very readily consented to let Mrs Bellamy play that part for him, which she as obligingly comply'd with. Receipts: #210 (Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Chaplet

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Oracle

Performance Comment: By the children. Cross Master Simson, Miss Pope, Miss Simson, Miss Poplin. [See17551218.]
Event Comment: This day is publish'd at 1s. Amphitryon; or, The Two Sosias, a Comedy altered from Mr Dryden, as it is now perform'd at the Theatre Royal in Drury Lane. With a New Interlude of Music, an Occasional Prologue, and some account of the Alterations. Printed for J. Payne, at Pope's Head in Paternoster Row. Receipts: #180 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Lethe

Event Comment: Benefit for Berry. Tickets of Berry at Mr Pope's Peruke Maker in Russel St., Covent Garden; of Mr Hyde, Engraver, in Cutter Lane, Cheapside; and at the Stage Door. Receipts: #147 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Chaplet

Song: I: Miss Young

Event Comment: Benefit for Mr Berry. Tickets of Berry at Mr Pope's Peruke Maker, Russel St., Covent Garden, and of Varney at the Stage Door, where, Places may be taken. Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fatal Marriage

Afterpiece Title: The Englishman in Paris

Dance: IV: The Italian Peasants, as17571004

Event Comment: Benefit for Berry, who having been confined for some time past by a severe Illness, humbly hopes those Gentlemen and Ladies, who intend to favor him at his Benefit, will send for Tickets to his Lodgings at Mr Pope's, a Peruke Maker in Russel St., Covent Garden; the Star Tavern, in Coleman St.; or to Mr Varney at the Stage door where Places for the Boxes may be taken. Receipts: #130 (Cross); #104 8s. 6d. (Winston MS8)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Event Comment: A Sacred Oratorio by Pope, set by Charles Barbandt. Benefit for the Composer. Box 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock

Performances

Mainpiece Title: The Universal Prayer

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.
Event Comment: MMr Foote's Night. Miss Haughton play'd Elvira, Miss Pope being very ill (Hopkins). Receipts; #64 4s. (MacMillan). [Charges.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Mayor of Garratt

Dance: TThe Italian Gardiners, as17631119

Event Comment: Mainpiece: By Particular Desire. Beard's Night. Charges. #64 5s., Balance to Beard #198 12s. (Account Book). Got but a bad place in the 2s. Gallery at Covent Garden where I saw Love in a Village with the Citizen...At the end of Act 2, we had the dance of the Female Archer, by Mad LaRiviere, Miss Wilford, &c. with Miss Pope of the other House. Ought to be particularly encouraged because she is virtuous. Mr Elliot has sold her to Cumberland (Neville MS Diary). Receipts: #262 17s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Performances

Mainpiece Title: The Clandestine Marriage

Cast
Role: Miss Sterling Actor: Miss Pope

Afterpiece Title: The Register Office

Performance Comment: As17671125, but with a new Character [Mrs Doggerel] Miss Pope.

Dance: I: Comic Dance-Shuter, Mrs King

Event Comment: [The Young Gentleman who played Zaphna was Wroughton. "His real name was Rottan, but altered euphonia gratia. He was designed for a surgeon and served his apprenticeship at Bath. The following playbills show that he met with approbation on the stage. He remained with Covent Garden from this time till the end of the season 1785-86. He then played in Ireland one Winter, and was engag'd at Drury Lane Theatre in the beginning of the season 1787-88. This was the occasion of Mr Wroughton's leaving Covent Garden, I mean it was thus conjectured. Mr Lewis had been appointed manager of that theatre for Mr Harris. Mr Lewis and Mr Wroughton lived next door neighbors in Broad Court at the top of Bow Street, and were sworn friends:--they laughed together, lived together--In the season 1784-85 two new performers Mr Holman and Mr Pope, appeared on the Covent Garden Stage--these young men were great favorites with Mr Harris; Mr Holman, attracting at this time very crowded audiences, stood so particularly high in his regard, that his partiality made him guilty of some injustice to older and abler actors in the theatre. Mr Henderson had really cause to complain of neglect; and Mr Wroughton thought himself equally oppressed. At this time we had a Club and met every Wednesday fortnight during Lent at the Long Room in Hamstead at dinner. Our Club consisted of a certain number of us belonging indifferently to either theatre, and two or three other gentlemen who were not actors. Mr King, Mr Quick, Mr Farren, Mr Mattocks, myself, etc., etc. When the bottle had a little warmed Mr Wroughton he threw out some sarcasms on his Friend Mr Lewis's management; Mr Lewis retorted; Their tempers grew hot, their words grew aggravating; Mr Wroughton struck Mr Lewis; Mr Lewis returned the blow. They were parted; all the pleasures of the day were over, and the Club broke up in confusion. I was not present this day, but have related what Mr Siddons told me of this Quarrel, and I imagine that Mr Wroughton's attack on Mr Lewis sprang from a suspicion that he was too willing to execute Mr Harris's designs in favour of Mr Holman. Be this as it may, Mr Wroughton was discharged from cg at the expiration of his Articles with Mr Harris."--Hopkins MS Notes.] Receipts: #186 3s. (Account Book)

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus