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53 results for: Keyword - K.
We found 43 matches on Event Comments, 6 matches on Performance Title, 4 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.

1
02 August 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; others-Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt; With the Reinforcement of Bayes's New Rais'd Troops-.
Cast
Role: Bayes Actor: Foote
Role: others Actor: Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt
Role: With the Reinforcement of Bayes's New Rais'd Troop Actor: .
Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham
Related Work: The Female Wits; or, The Triumvirate of Poets at Rehearsal Author(s): W.M.
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Padlock

Performance Comment: As17760708 but Diego-Bannister.
Cast
Role: Diego Actor: Bannister.
Role: Leander Actor: Brett
Role: Mungo Actor: Jackson
Role: Ursula Actor: Mrs Love
Role: Leonora Actor: Mrs Jewell.
Related Works
Related Work: The Padlock Author(s): Isaac BickerstaffeCharles Dibdin

Dance: Tambourine Dance-

2
07 August 1777 @ Haymarket Theatre

Event Comment: [Henderson's 1st appearance as Richard was at Bath, 20 Oct. 1772. Mrs Massey was from the Norwich theatre.

Performances

Mainpiece Title: K

Performance Comment: Richard III. Richard-Henderson (1st appearance in that character [in London]); King Henry-Younger; Catesby-T. Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Davies; Stanley-Fearon; Norfolk-Griffiths; Tyrrell-Kenny; Oxford-Stevens; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Hunter; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey (1st appearance on this stage).
Cast
Role: Richard Actor: Henderson
Role: King Henry Actor: Younger
Role: Catesby Actor: T. Davis
Role: Ratcliff Actor: Egan
Role: Lieutenant Actor: R. Palmer
Role: Lord Mayor Actor: Massey
Role: Buckingham Actor: Aickin
Role: Tressel Actor: Davies
Role: Stanley Actor: Fearon
Role: Norfolk Actor: Griffiths
Role: Tyrrell Actor: Kenny
Role: Oxford Actor: Stevens
Role: Prince Edward Actor: Miss Francis
Role: Duke of York Actor: Master Edwin
Role: Richmond Actor: Palmer
Role: Lady Anne Actor: Mrs Hunter
Role: Duchess of York Actor: Mrs Poussin
Role: Queen Elizabeth Actor: Mrs Massey

Afterpiece Title: Miss in Her Teens

Performance Comment: Captain Flash-Palmer; Captain Loveit-R. Palmer; Jasper-Egan; Puff-Fearon; Fribble (with a song)-Blissett; Tag-Mrs Gardner; Miss Biddy-Mrs Davies.
Cast
Role: Captain Flash Actor: Palmer
Role: Captain Loveit Actor: R. Palmer
Role: Jasper Actor: Egan
Role: Puff Actor: Fearon
Role: Fribble Actor: Blissett
Role: Tag Actor: Mrs Gardner
Role: Miss Biddy Actor: Mrs Davies.
Related Works
Related Work: Miss in her Teens Author(s): David Garrick

3
08 August 1777 @ Haymarket Theatre

Event Comment: ['The scene of the tent...was judiciously managed with regard to the lighting it withinside the tent only' (London Chronicle, 9 Aug.)

Performances

Mainpiece Title: K

Performance Comment: Richard III. As17770807.
Cast
Role: Richard Actor: Henderson
Role: King Henry Actor: Younger
Role: Catesby Actor: T. Davis
Role: Ratcliff Actor: Egan
Role: Lieutenant Actor: R. Palmer
Role: Lord Mayor Actor: Massey
Role: Buckingham Actor: Aickin
Role: Tressel Actor: Davies
Role: Stanley Actor: Fearon
Role: Norfolk Actor: Griffiths
Role: Tyrrell Actor: Kenny
Role: Oxford Actor: Stevens
Role: Prince Edward Actor: Miss Francis
Role: Duke of York Actor: Master Edwin
Role: Richmond Actor: Palmer
Role: Lady Anne Actor: Mrs Hunter
Role: Duchess of York Actor: Mrs Poussin
Role: Queen Elizabeth Actor: Mrs Massey

Afterpiece Title: The Recruiting Serjeant

Performance Comment: As17770703.
Cast
Role: Serjeant Actor: Bannister
Role: Countryman Actor: Davies
Role: Wife Actor: Mrs Love
Role: Mother Actor: Mrs Hitchcock. These two parts are here transposed
Role: Mother Actor: Mrs Love
Role: Wife Actor: Mrs Hitchcock

4
11 August 1777 @ Haymarket Theatre

Performances

Mainpiece Title: K

Performance Comment: Richard III. As17770807.
Cast
Role: Richard Actor: Henderson
Role: King Henry Actor: Younger
Role: Catesby Actor: T. Davis
Role: Ratcliff Actor: Egan
Role: Lieutenant Actor: R. Palmer
Role: Lord Mayor Actor: Massey
Role: Buckingham Actor: Aickin
Role: Tressel Actor: Davies
Role: Stanley Actor: Fearon
Role: Norfolk Actor: Griffiths
Role: Tyrrell Actor: Kenny
Role: Oxford Actor: Stevens
Role: Prince Edward Actor: Miss Francis
Role: Duke of York Actor: Master Edwin
Role: Richmond Actor: Palmer
Role: Lady Anne Actor: Mrs Hunter
Role: Duchess of York Actor: Mrs Poussin
Role: Queen Elizabeth Actor: Mrs Massey

Afterpiece Title: The Portrait

Performance Comment: As17770724.
Cast
Role: Leander Actor: Bannister
Role: Pantaloon Actor: Edwin
Role: Colombine Actor: Mrs Hitchcock
Role: Isabel Actor: Miss Twist.
Related Works
Related Work: The Portrait Author(s): George Colman, the elderSamuel Arnold
Related Work: Le Portrait Author(s): Saint Foix

5
21 September 1785 @ Covent Garden

Event Comment: Paid Music 19th Inst. #7 11s. 8d.; Properties 19th Inst. 10s. 8d. Receipts: #188 17s. 6d. (184/3/0; 4/14/6)

Performances

Mainpiece Title: K

Performance Comment: Richard III. King Richard-Henderson; King Henry-Clarke; Richmond-Wroughton; Buckingham-Hull; Stanley-Fearon; Tressel-Farren; Prince Edward-Master Farley; Duke of York-Master Simmons; Norfolk-Booth; Lieutenant-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Helme; Lady Anne-Miss Ranoe; Duchess of York-Miss Platt; Queen-Mrs Bates .
Cast
Role: . King Richard Actor: Henderson
Role: King Henry Actor: Clarke
Role: Richmond Actor: Wroughton
Role: Buckingham Actor: Hull
Role: Stanley Actor: Fearon
Role: Tressel Actor: Farren
Role: Prince Edward Actor: Master Farley
Role: Duke of York Actor: Master Simmons
Role: Norfolk Actor: Booth
Role: Lieutenant Actor: Cubitt
Role: Catesby Actor: Davies
Role: Ratcliffe Actor: Thompson
Role: Lord Mayor Actor: Gardner
Role: Oxford Actor: Helme
Role: Lady Anne Actor: Miss Ranoe
Role: Duchess of York Actor: Miss Platt
Role: Queen Actor: Mrs Bates

Afterpiece Title: Rosin a

Performance Comment: Belville-Johnstone; Captain Belville-Brett; Rustic-Davies; Irishman-Swords; William-Mrs Kennedy; Phoebe-Mrs Martyr; Dorcas-Mrs Pitt; Rosina-Mrs Bannister .
Cast
Role: Belville Actor: Johnstone
Role: Captain Belville Actor: Brett
Role: Rustic Actor: Davies
Role: Irishman Actor: Swords
Role: William Actor: Mrs Kennedy
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Pitt
Role: Rosina Actor: Mrs Bannister

6
05 December 1785 @ Covent Garden

Event Comment: Afterpiece: Not acted these 4 years [acted 28 May 1784]. "We see the present rising theatrical generation swinging back with a vengeance to rant and mouthing. The natural and just medium introduced by Garrick seems already forgotten, and speaking no longer deemed a requisite for the stage . . . But last night in Richard Holman was not more violent than the character required him to be" (Public Advertiser, 6 Dec). Receipts: #147 1s. 6d. (143/14/6; 3/7/0)

Performances

Mainpiece Title: K

Performance Comment: Richard III. As17850921, but King Richard-Holman; King Henry (1st time)-Aickin; Lady Anne-Mrs Rivers [i.e. formerly Miss Ranoe] .i.e. formerly Miss Ranoe] .
Cast
Role: King Richard Actor: Holman
Role: King Henry Actor: Aickin
Role: Lady Anne Actor: Mrs Rivers
Role: . King Richard Actor: Henderson
Role: Richmond Actor: Wroughton
Role: Buckingham Actor: Hull
Role: Stanley Actor: Fearon
Role: Tressel Actor: Farren
Role: Prince Edward Actor: Master Farley
Role: Duke of York Actor: Master Simmons
Role: Norfolk Actor: Booth
Role: Lieutenant Actor: Cubitt
Role: Catesby Actor: Davies
Role: Ratcliffe Actor: Thompson
Role: Lord Mayor Actor: Gardner
Role: Oxford Actor: Helme
Role: Duchess of York Actor: Miss Platt
Role: Queen Actor: Mrs Bates

Afterpiece Title: Poor Vulcan

Performance Comment: Vulcan-Quick; Joe-Brett; Bacchus-Palmer; Apollo-Meadows; Serjeant-Darley; Mercury-Doyle; The Squire (1st time)-Johnstone; Grace-Miss Stuart; Maudlin-Mrs Martyr .
Cast
Role: Vulcan Actor: Quick
Role: Joe Actor: Brett
Role: Bacchus Actor: Palmer
Role: Apollo Actor: Meadows
Role: Serjeant Actor: Darley
Role: Mercury Actor: Doyle
Role: The Squire Actor: Johnstone
Role: Grace Actor: Miss Stuart
Role: Maudlin Actor: Mrs Martyr
Related Works
Related Work: Poor Vulcan! Author(s): Charles Dibdin

7
26 October 1790 @ Drury Lane Theatre

Event Comment: Afterpiece: A revived Grand Pantomimical Ballet. To conclude with a superb Prospect of the Infernal Regions. [This was included in all subsequent performances; and see 6 Nov.] Books of the Pantomime to be had at the Theatre. With new Scenes, Dresses and Decorations. The Scenes designed and painted by Greenwood. Receipts: #272 14s. (238.18; 32.4; 1.12)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17900911, but Lady Elinor-Miss Hagley; Cicely-Mrs Bland (late Miss Romanzini).
Cast
Role: Lady Elinor Actor: Miss Hagley
Role: Cicely Actor: Mrs Bland
Role: Lord William Actor: Kelly
Role: Baron of Oakland Actor: Baddeley
Role: Edward Actor: Bannister Jun.
Role: Lewis Actor: Suett
Role: Robert Actor: Dignum
Role: Charles Actor: Sedgwick
Role: Hugo Actor: Moody
Role: De Courcy Actor: Whitfield
Role: Martin Actor: Williames
Role: Servant Actor: Lyons
Role: Hubert Actor: Webb
Role: Adela Actor: Sga Storace
Role: Maud Actor: Mrs Booth.
Related Works
Related Work: The Haunted Tower Author(s): James CobbStephen Storace

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Performance Comment: Don Antonio-Williames; Don Ferdinand-Dignum; Don Juan-Palmer; Don Guzman-Benson; Carlos-Haymes; Perez-Bland; Pedrillo-Banks; Lopez-Lyons; Gomez-Alfred; Vasquez-Fawcett; Host-Chapman; Masaniello-Fairbrother; Scaramouch (with a song)-Dubois; Alguaziles-Burton, Jones, Webb; Boatswain (with a song)-Sedgwick; Sailors-Phillimore, Danby, Maddocks; Donna Anna-Miss Collins; Isabella-Miss Heard; Inis-Miss Palmer; Katharina-Mrs Edwards; Viletta-Mrs Bland; Vocal Parts-Dignum, Sedgwick, Mrs Bland, Mrs Edwards, Miss Hagley; Edition of 1790 (C. Lowndes) adds: Waiter-Fairbrother (i.e. doubled Masaniello); 4th Sailor-Reynoldson.
Cast
Role: Don Antonio Actor: Williames
Role: Don Ferdinand Actor: Dignum
Role: Don Juan Actor: Palmer
Role: Don Guzman Actor: Benson
Role: Carlos Actor: Haymes
Role: Perez Actor: Bland
Role: Pedrillo Actor: Banks
Role: Lopez Actor: Lyons
Role: Gomez Actor: Alfred
Role: Vasquez Actor: Fawcett
Role: Host Actor: Chapman
Role: Masaniello Actor: Fairbrother
Role: Scaramouch Actor: Dubois
Role: Alguaziles Actor: Burton, Jones, Webb
Role: Boatswain Actor: Sedgwick
Role: Sailors Actor: Phillimore, Danby, Maddocks
Role: Donna Anna Actor: Miss Collins
Role: Isabella Actor: Miss Heard
Role: Inis Actor: Miss Palmer
Role: Katharina Actor: Mrs Edwards
Role: Viletta Actor: Mrs Bland
Role: Vocal Parts Actor: Dignum, Sedgwick, Mrs Bland, Mrs Edwards, Miss Hagley
Role: Waiter Actor: Fairbrother
Role: 4th Sailor Actor: Reynoldson.
Related Works
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Related Work: Don Juan; or, The Livertine Destroy'd Author(s): Chevalier Clough
Related Work: Le Festin de Pierre; ou, Arlequin fait las Valet de Dom Juan Author(s): Letelier

Dance: In afterpiece: under the Direction of D'Egville, Hamoir, Bourk, Miss Blanchet, Miss DeCamp, Edition of 1790 adds: Fairbrother, Whittow, Kirk, Whitmell, Walker, Bidotti, Nicolini, Mrs Davis, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Barrett, Mrs Harris, Mrs K. Davis, Miss Bourk

Performance Comment: Davis, Miss Bourk.
Related Works
Related Work: The Night Walker; or, The Little Thief Author(s): John FletcherJames Shirley
Related Work: Cleartes Author(s): Cav. Nicolini Grimaldi
Related Work: The Little Thief Author(s): John Fletcher
Related Work: Victorious Love Author(s): William Walker
Related Work: Marry; or Do Worse Author(s): William Walker
Related Work: The Wit of a Woman Author(s): Thomas Walker
Related Work: The Fatal Villainy Author(s): Thomas Walker
Related Work: Matrimony Author(s): Frances Abington

8
16 May 1749 @ Drury Lane Theatre

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.
Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.
Related Works
Related Work: Much Ado About Nothing Author(s): William Shakespeare
Related Work: Much Ado about Nothing Author(s): William ShakespeareJohn Philip Kemble
Related Work: The Law Against Lovers Author(s): William ShakespeareSir William Davenant
Related Work: The Universal Passion Author(s): William ShakespeareMolièreJames Miller

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17490307.
Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.
Related Works
Related Work: The Intriguing Chambermaid Author(s): Henry Fielding

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Related Works
Related Work: The Death of Captain Cook Author(s): Sir George CollierJean François Mussot
Related Work: La Mort du Capitaine Cook à son Troisième Voyage au Noveau Monde Author(s): Jean François Mussot

9
26 April 1796 @ Covent Garden

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Performance Comment: Zorinski-Holman; O'Curragh-Johnstone; Casimir-Pope; Zarno-Munden; Witski-Fawcett; Rodomsko-Toms; Radsano-Middleton; Amalekite-Townsend; Naclo-Williamson; Winifred-Mrs Martyr; Rachel-Mrs Mountain; Rosolia-Miss Wallis.
Cast
Role: Zorinski Actor: Holman
Role: O'Curragh Actor: Johnstone
Role: Casimir Actor: Pope
Role: Zarno Actor: Munden
Role: Witski Actor: Fawcett
Role: Rodomsko Actor: Toms
Role: Radsano Actor: Middleton
Role: Amalekite Actor: Townsend
Role: Naclo Actor: Williamson
Role: Winifred Actor: Mrs Martyr
Role: Rachel Actor: Mrs Mountain
Role: Rosolia Actor: Miss Wallis.
Related Works
Related Work: Zorinski Author(s): Thomas MortonSamuel Arnold

Afterpiece Title: A Nicknackatory

Performance Comment: Consisting of the following Songs: Master Thedy Shemus O'Shaughnessey O'Finnegin Delany's History of Himself-Johnstone; Black@Ey'd Susan-Incledon; The Quarrel of the Alphabet-; or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett. or, A Jig by A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z Fawcett.
Cast
Role: Master Thedy Shemus O'Shaughnessey O'Finnegin D Actor: Johnstone
Role: Black@Ey'd Susan Actor: Incledon
Role: The Quarrel of the Alphabet Actor:

Afterpiece Title: Lock and Key

Performance Comment: As17960414, but Servants and Sailors-_Gray.
Cast
Role: Servants and Sailors Actor: _Gray.
Role: Cheerly Actor: Incledon
Role: Brummagem Actor: Munden
Role: Ralph Actor: Fawcett
Role: Vain Actor: Knight
Role: Laura Actor: Mrs Serres
Role: Selina Actor: Mrs Castelle
Role: Dolly Actor: Mrs Norton
Role: Fanny Actor: Mrs Martyr
Role: unassigned Actor: Miss Kirton.
Role: Jack Haulyard Actor: Townsend
Role: Susan Actor: Miss Smyth
Role: Officers Actor: Williamson, Rees, Abbot, Wilde, Rayner, King
Role: Principal Warriors Actor: Simpson, Price.
Role: Herman Actor: Holman
Role: Ratibor Actor: Pope
Role: Holstein Actor: Harley
Role: Ulric Actor: Middleton
Role: Principal Judge of the Tribunal Actor: Hull
Role: Duke of Wirtemberg Actor: Macready
Role: Badendorff Actor: Powel
Role: Rudolph Actor: Claremont
Role: Minister of Vengeance Actor: Thompson
Role: Ellen Holstein Actor: Miss Morris
Role: Ida Actor: Miss Wallis
Role: Briton Actor: Byrn
Role: Boatswain Actor: Farley
Role: Midshipman Actor: Jackson
Role: Cabin Boy Actor: Simmons
Role: Captain's Lady Actor: Mlle St.Amand
Role: Sanguinaire Actor: Cranfield
Role: Monsieur L'Ingrate Actor: Holland
Role: Indian Characters Indian Chief Actor: Follett
Role: Female Savage Actor: Mr Goosetree.
Related Works
Related Work: Lock and Key Author(s): Prince HoareWilliam Shield

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Related Works
Related Work: The Little French Lawyer Author(s): John FletcherDavid Garrick
Related Work: The Night Walker; or, The Little Thief Author(s): John FletcherJames Shirley
Related Work: Alexander the Little; or, The Rival Queans Author(s): Colley Cibber
Related Work: May Day; or, The Little Gipsy Author(s): David GarrickThomas Arne
Related Work: The Poor Sailor; or, Little Ben and Little Bob Author(s): John BernardThomas Attwood
Related Work: The Cutter of Coleman Street Author(s): Abraham Cowley
Related Work: The Guardian Author(s): Abraham Cowley
Related Work: The Merry Wives of Broad Street Author(s): Charles Shadwell
Related Work: The Little Thief Author(s): John Fletcher
Related Work: The Little Hunchback; or, A Frolick in Bagdad Author(s): John O'Keeffe
Related Work: The Lawyer Author(s): James Brow Williamson
Related Work: The Puritan; or, Widow of Watling Street Author(s): Thomas MiddletonW.S.
Related Work: The Tragedy of Nero, Emperour of Rome Author(s): Nathaniel Lee
Related Work: Sophonisba; or, Hannibal's Overthrow Author(s): Nathaniel Lee
Related Work: Gloriana; or, the Court of Augustus Caesar Author(s): Nathaniel Lee
Related Work: The Rival Queens; or, The Death of Alexander the Great Author(s): Nathaniel Lee
Related Work: Mithridates, King of Pontus Author(s): Nathaniel Lee
Related Work: Oedipus Author(s): John DrydenNathaniel Lee

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performance Comment: End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett.
Cast
Role: and recited at Free Actor:
Role: Monsieur Tonson Actor: Fawcett.

10
03 February 1671 @ no theater listed

Event Comment: On this day Jeffreys Boys gave Punchinello 1s. See I. K. Fletcher, "Italian Comedians in England in the Seventeenth Century," Theatre Notebook, VIII (1954), 87, for Anthony Devoto, presumably the puppet player whom Boys saw

Performances

11
02 December 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K: & Q:. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406. BM Add. Mss. 27, 962v, f. 312 (a transcript of a newsletter by Salvetti), 14 Dec. 1674 (translation): On last Wednesday all the royal family were present at the theatre to hear the tragedy of Hamlet, which, for their greater entertainment, was adorned and embellished with very curious dances between the acts. [I am indebted to Professor George Hilton Jones, Kansas State University, for this item.

Performances

Mainpiece Title: Hamlet

Performance Comment: See16680831.
Related Works
Related Work: Hamlet Author(s): William Shakespeare
Related Work: Hamlet Author(s): Apostolo ZenoFrancesco GaspariniPietro Pariati

12
08 January 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: K & Q:. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Guardian

Related Works
Related Work: The Guardian Author(s): Abraham Cowley
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller
Related Work: The Guardian Outwitted Author(s): Thomas Arne
Related Work: The School for Guardians Author(s): Arthur Murphy
Related Work: Love Finds the Way Author(s): Thomas HullThomas Murphy
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

13
22 January 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216: Sr Martin Marall K & Q. See also Nicoll, Restoration Drama, p. 348. It is possible that this performance was at court

Performances

Mainpiece Title: The Feign'd Innocence

Performance Comment: . See16750121.
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

14
November 1678 @ Whitehall or St. James's

Event Comment: In November 1678 the Duke of Modena sent his troupe of comedians to London. They remained there until mid-February 1678@9 but apparently played only six times in three months. For an account of this troupe, see A. L. Bader, The Modena Troupe in England, Modern Language Notes, L (1935), 367-69, and I. K. Fletcher, Italian Comedians in England in the 17th Century, Theatre Notebook, VIII (1954), 86-91. See also Calendar of Treasury Books, 1676-1679, pp. 1160, 1230, and Boswell, Restoration Court Stage, p. 124

Performances

15
18 January 1681 @ Drury Lane Theatre

Event Comment: The King's Company. After the banning of The Sicilian Usurper, it was brought on again under a new title and survived two days before it also was banned. Tate's statement concerning its reception--see 11 Dec. 1680--may refer to these two performances rather than to the sequence in December. Newdigate newsletters (Folger Shakespeare Library), 20 Jan. 1680@1: K. Richd ye 2.d a play, being forbid acting att ye Ks house the Poet put the name Tyrant of Sicily upon it by wch means it was acted twice this weeke, but the Cheate being found out it was forbid acting againe (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: The Tyrant Of Sicily

Performance Comment: See The Sicilian Usurper, 11 Dec. 1680.
Related Works
Related Work: The Tyrant of Sicily Author(s): Nahum Tate

16
04 February 1682 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Performance Comment: Edition of 1682: The Prologue [Written by John Dryden]-; Seliman-Goodman; Tachmas-Clark; Ismael-Major Moon; Arbanes-Griffin; Osman-Saunders; Begona-Mrs Corey; Semanthe-Mrs Cook; Sunamire-Mrs Guin [Quin]; The Epilogue [Written by John Dryden]-Semanthe [Mrs Cook].Mrs Cook].
Cast
Role: ] Actor:
Role: Seliman Actor: Goodman
Role: Tachmas Actor: Clark
Role: Ismael Actor: Major Moon
Role: Arbanes Actor: Griffin
Role: Osman Actor: Saunders
Role: Begona Actor: Mrs Corey
Role: Semanthe Actor: Mrs Cook
Role: Sunamire Actor: Mrs Guin
Role: Written by John Dryden] Actor: Semanthe
Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne

17
10 May 1686 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125: The K: & Q: & a Box for ye Maydes of honor. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: Sir Courtly Nice

Performance Comment: See16850509.
Related Works
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne

18
28 May 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

19
04 November 1690 @ Whitehall or St. James's

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Performance Comment: [Part I (?).] Willmore-Mountfort?; With a Concert-.
Cast
Role: Willmore Actor: Mountfort?
Role: With a Concert Actor: .
Related Works
Related Work: The Rover; or, The Banish't Cavaliers Author(s): Aphra Behn
Related Work: The Rover Author(s): Aphra Behn
Related Work: The Second Part of the Rover Author(s): Aphra Behn
Related Work: The Rover, Part II Author(s): Aphra Behn
Related Work: The Rover, Part I Author(s): Aphra Behn
Related Work: Love In Many Masks Author(s): Aphra BehnJohn Philip Kemble
Related Work: The Lady’s Revenge; or, The Rover Reclaim'd Author(s): William Popple

20
01 January 1691 @ Whitehall or St. James's

Event Comment: This work was published in 1691

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.
Cast
Role: on New@Year's@Day Actor:
Role: ThomasD'Urfey Actor: .

21
07 January 1692 @ Dorset Garden Theatre

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honr K Arthur. See also Nicoll, Restoration Drama, p. 352. Luttrell, A Brief Relation, II, 331: The queen and queen dowager went this evening to the play of Mr Dryden s opera. [See also the reference to this play under January 1691@2 above.

Performances

Mainpiece Title: King Arthur

Performance Comment: See May 1691.
Related Works
Related Work: King Arthur; or, The British Worthy Author(s): John Dryden
Related Work: King Arthur Author(s): John Dryden
Related Work: Arthur and Emmeline Author(s): Henry PurcellDavid GarrickThomas ArneJohn Philip KembleThomas Linley Sr.

22
01 January 1694 @ Whitehall or St. James's

Event Comment: For the poem, see Matthew Prior,@The@Literary@Works, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 125-28; II, 856-57

Performances

Mainpiece Title: Concert

Performance Comment: Hymn to the Sun-. Set by Dr Purcel, and Sung before their Majesties on New-Years-Day, 1694.
Cast
Role: Hymn to the Sun Actor: . Set by Dr Purcel, and Sung before their Majesties on New-Years-Day, 1694.
Role: on New Actor: Years-Day, 1694.
Role: Years Actor: Day, 1694.

23
28 April 1710 @ Queen's Theatre

Event Comment: For the Entertainment of Four Indian Kings lately arriv'd from America. Tee Yee Neen Ho Go Row, Emperor of the Six Nations. Sa Ga Yean Qua Rash Tow, King of the Marquas. K Tow oh Koam, King of the River Nation. On Nee Yeath Tow no Riow, King of Granahjoh-Hore [in Daily Courant, 26 April]. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hydaspes

Performance Comment: See17100323.
Related Works
Related Work: Harlequin Hydaspes: or, The Greshamite Author(s): Mrs. Aubert
Related Work: Hydaspes Author(s): Francesco Mancini

24
16 November 1731 @ Goodman's Fields

Event Comment: The Letter Sign'd J. K. was receiv'd by Mr Giffard, and the Request shall be comply'd with if the Person thinks fit to make himself known

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Performance Comment: Careless-Giffard; Ruth-Mrs Giffard; Teague-Collett; Blunt-Huddy; Story-Rosco; Day-Norris; Abel-Bullock; Obadiah-Bardin; Bookseller-Williams; Mrs Day-Mrs Morgan; Arabella-Mrs Haughton; Mrs Chat-Mrs Palmer.
Cast
Role: Careless Actor: Giffard
Role: Ruth Actor: Mrs Giffard
Role: Teague Actor: Collett
Role: Blunt Actor: Huddy
Role: Story Actor: Rosco
Role: Day Actor: Norris
Role: Abel Actor: Bullock
Role: Obadiah Actor: Bardin
Role: Bookseller Actor: Williams
Role: Mrs Day Actor: Mrs Morgan
Role: Arabella Actor: Mrs Haughton
Role: Mrs Chat Actor: Mrs Palmer.
Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Honest Thieves; or, The Faithful Irishman Author(s): Thomas Knight
Related Work: The Committee Author(s): Sir Robert Howard

Afterpiece Title: The Lovers Opera

Performance Comment: As17311105.
Cast
Role: Dalton Actor: Huddy
Role: Edgar Actor: Jenkins
Role: Moody Actor: Excell
Role: Varole Actor: Bardin
Role: Prim Actor: Morgan
Role: Clodpole Actor: Rosco
Role: Lucy Actor: Mrs Roberts
Role: Flora Actor: Miss Tollet
Role: Clara Actor: Mrs Palmer.
Related Works
Related Work: The Lovers Opera Author(s): W.R. Chetwood

Dance: As17311104

25
19 March 1747 @ Drury Lane Theatre

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17470312.
Cast
Role: Bevil Jun Actor: Barry
Role: Tom Actor: Macklin
Role: Sealand Actor: Sparks
Role: Indiana Actor: Mrs Elmy
Role: Phyllis Actor: Mrs Clive
Role: Sir John Bevil Actor: Berry
Role: Myrtle Actor: Mills
Role: Cimberton Actor: Taswell
Role: Humphrey Actor: Bridges
Role: Lucinda Actor: Mrs Ridout
Role: Isabella Actor: Mrs Bennet
Role: Mrs Sealand Actor: Mrs Bridges
Role: In Act II Singing Actor: Lowe.
Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: The Dragon of Wantley

Performance Comment: As17470310.
Cast
Role: Gubbins Actor: Reinhold
Role: Dragon Actor: Blakes.
Role: Margerina Actor: Mrs Clive
Role: Moore Actor: Lowe
Role: Mauxalinda Actor: Mrs Mozeen.
Related Works
Related Work: The Dragon of Wantley Author(s): Henry Carey
Related Work: Margery; or, A Worse Plague than the Dragon: Being the Sequel to the Dragon of Wantley Author(s): Henry Carey

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son