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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14003 results for: Keyword - John Day
We found 9825 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.

13626
May 1671 @ The (first) Drury Lane Theatre

Event Comment: In the Term Catalogues a new edition of John Wilson's The Cheats was announced as licensed on 30 May 1671. This play had previously been given in March 1663. The edition of 1671 states that it has been given by the King's Company at the Theatre Royal, and it may have been revived at this time

Performances

13627
14 December 1671 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Contrast: A Tragi-Comical Rehearsal of Two Modern Plays: Match Upon Match; or, No Match at All, and the Tragedy of Epaminodas Author(s): John Hoadley

13628
02 December 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Edition of 1673: Prologue [by Sir C. S. [Sir Charles Sedley]-; Prologue to the King and Queen [spoken at Whitehall-; Epilogue-; [Downes (Roscius Anglicanus, p. 33): Rains-Harris; Bevil-Betterton; Woodly-Smith; Justice Clodpate-Underhill; Carolina-Mrs Johnson; Lucia-Mrs Gibbs; Mrs Jilt-Mrs Betterton; Bisket-Nokes; Fribble-Angel.
Cast
Role: Carolina Actor: Mrs Johnson

13629
05 May 1673 @ York House

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

13630
July 1673 @ no theater listed

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Performances

13631
03 July 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Edition of 1673: The first Prologue at Court-Lady Elizabeth Howard; The second Prologue at Court-Lady Elizabeth Howard; Prologue at the Play House-; Muly Labas-Harris; Muly Hamet-Smith; Grimalhaz-Batterton; Hametalhaz-Medbourne; Abdelcador-Crosby; Laula-Mrs Batterton; Mariamne-Mrs Mary Lee; Morena-Mrs Johnson; Epilogue-.
Cast
Role: Morena Actor: Mrs Johnson

13632
10 September 1674 @ Whitehall or St. James's

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 10 Sept. 1674: This Evening their Maty & Court are diverted by a play Acted by his Royall Hss Servants at Whitehall. [Transcribed by Professor John Harold Wilson.

Performances

13633
29 September 1674 @ Music School, White Fryars

Event Comment: London Gazette, No. 923, 21-24 Sept. 1674: At Mr John Banisters house in White-Fryers, called the Musick School, will be several Masters performing Vocal and Instrumental Musick, on Tuesday next, and every evening for the future. Beginning exactly at five of the clock

Performances

Mainpiece Title: Concert

13634
02 December 1674 @ Mr Slingsby's residence

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

13635
22 December 1674 @ Whitehall or St. James's

Event Comment: [Evelyn, Diary: [I] was at the repetition of the Pastoral, on which [occasion] my friend Mrs Blagg, had about her neere 20.000 pounds worth of Jewells, of which one she lost, borrowed of the Countesse of Suffolck, worth about 80 pounds, which the Duke made good; & indeede the presse of people was so greate, that it was a wonder she lost no more. There is some doubt that this was a full performance of the work, for Evelyn refers to it as "the repetition" and other evidence points to 15 Feb. 1674@5 as the first complete production. See Boswell, Restoration Court Stage, pp. 180-81. It is probable that Mrs Blagge's loss of jewels occurred, not on this date, but on 15 Feb. 1674@5. For a more complete account of that incident, see The Life of Mrs Godolphin by John Evelyn of Wotton, ed. Samuel Lord Bishop of Oxford (London, 1874), pp. 97-101. See also 15 Feb. 1674@5

Performances

Mainpiece Title: A Rehearsal Of Calisto

13636
26 January 1675 @ Music School, White Fryars

Event Comment: London Gazette, No. 958, 21-25 Jan. 1674@5: Mr John Bannister that lived in White-Fryers, is removed to Shandois-street, Covent-garden, and there intends to Entertain, as formerly, on Tuesday next, and likewise every Evening for the future, Sundays only excepted

Performances

Mainpiece Title: Concert

13637
19 March 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this play. See VanLennep, Nell Gwyn's Playgoing, p. 407, where VanLennep speculates that it might have been John Crowne's The Country Wit, which is not otherwise known to be acted until 10 Jan. 1675@6. It should be noted that this performance falls on a Friday in Lent

Performances

Mainpiece Title: Ye Country Knight

13638
August 1675 @ Drury Lane Theatre

Event Comment: The date of the premiere is not known, but Robert Hooke, attended play on 27 Aug. 1675 which might well refer not to Psyche but to Duffett's travesty of it. In addition, John Harold Wilson has argued that the reference in the Prologue to "The new-come Elephant" probably concerns the elephant imported by Lord George Berkeley and sold by 12 Aug. 1675 (see The Diary of Robert Hooke, p. 174). The cast also contains a number of "young actors" who might well have had an opportunity to act in a play in the summer vacation

Performances

Mainpiece Title: Psyche Debauched

13639
25 November 1675 @ Bannister's home

Event Comment: London Gazette, No. 1045, 22-25 Nov. 1675: At Mr John Bannister's house in Chandois-street, Covent-garden, called the Musick-School, will be variety of Musick every Evening, beginning this present Thursday at six of the Clock

Performances

Mainpiece Title: Concert

13640
02 April 1677 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. This play was not published. It might be John Fletcher's The Captain

Performances

Mainpiece Title: The Captain; Or, Town Miss

13641
29 May 1677 @ Whitehall or St. James's

Event Comment: See 22 May 1677. John Verney to Edmund Verney, 31 May 1677: On Wednesday his Majesty's birth night was some gallantry at Whitehall, where was acted a French opera, but most pitifully done, so ill that the King was aweary on't, and some say it was not well contrived to entertain the English gentry, who came that night in honour to their King, with a lamentable ill-acted French play, when our English actors so much surpass; however, the dances and voices were pretty well performed (HMC, 7th Report, Appendix, Part I, 1879, p. 468)

Performances

Mainpiece Title: Rare En Tout

13642
June 1677 @ Drury Lane Theatre

Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge

13643
27 August 1677 @ Bartholomew Fair

Event Comment: The Diary of Robert Hooke: With John? Oliver saw tigre in Bartholomew fair 2d. Saw the child doe strange tricks

Performances

13644
14 March 1678 @ Whitehall or St. James's

Event Comment: The Memoirs of Sir John Reresby, ed. Browning: I was with the King at the French play that night (p. 136)

Performances

13645
22 November 1678 @ Essex Buildings

Event Comment: London Gazette, No 1356, 18 Nov. 1678: On Thursday [sic] next, the 22 of this instant November, at the Musick School in Essex Buildings, over against St Clement's Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at five of the Clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

13646
25 November 1678 @ Essex Buildings

Event Comment: London Gazette, No 1358, 21-25 Nov. 1678: This present Monday, at the Musick School in Essex Buildings, over against St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick, beginning at Five of the Clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

13647
06 January 1679 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The Memoirs of Sir John Reresby (p. 168): Being at a play wher I sat near Collonel Macarty, who was shortsighted a gentleman in drinke quarrelled with him, and drawing his sword passed at hime before Macarty was ready, or indeed saw it, and had certainly wounded him had not I putt by the sword with mine that was drawn whilst he recovered himselfe but they were then parted without harm

Performances

13648
09 January 1679 @ Essex Buildings

Event Comment: London Gazette, No 1371, 6-9 Jan. 1678@9: At the Musick School in Essex Buildings near St Clements Church in the Strand, will be continued a Consort of Vocal and Instrumental Musick; beginning at six of the clock every evening. Composed by Mr John Bannister

Performances

Mainpiece Title: Concert

13649
February 1679 @ Drury Lane Theatre

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

13650
15 May 1679 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The Memoirs of Sir John Reresby (p.181): The Duke of Albemarle carryed me this afternoon to the play, which I had not leisure to take the diversion of for some time

Performances