Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Event Comment: The King's Company. Newdigate newsletters (Folger Shakespeare Library), 15 Nov. 1681: This being ye Q.s birthday ye K.s players acted Alexdr ye great after wch was a ball & entertainment given to ye Ct. (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80). Luttrell, 15 Nov. 1681: The 15th, being the birth day of her majestie, was kept with ringing of bells, bonefires, &c.; and at night there was a play acted at Whitehall before the king and queen, where the court appeared in great splendor (A Brief Relation, I, 144). The Earl of Arran to Ormond, 15 Nov. 1681: I am going to a play at court (HMC, Ormonde MSS., New Series, VI, 230). L. C. 5@144, p. 246, 22 Nov. 1681: Whereas Jeoffrey Ayleworth, Thomas ffarmer, Thomas ffinall & Richard Tomlinson foure of his Mates Musitians have neglected their dury in attending at ye play acted before his Mate at Whitehall on Tuesday night last for which I have suspended them (L. C. to the Treasurer of the Chamber, in Boswell, Restoration Court Stage, p. 100)

Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Event Comment: Benefit Mrs Walter and Mrs Pelling. Mainpiece: Written by the late Mr Congreve. [Tickets of Mrs Walter at Mr Hook's, Carpenter, in Stanhope Street; of Mrs Pelling at Mr Dagley's, Silversmith, near Castle Tavern, DL.]

Event Comment: Written on a plan of Shakespear by Colley Cibber. The characters new Dress'd. With New Scenes and Decorations. No persons admitted behind the scenes

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Event Comment: By Cibber and Company. Consisting of a Variety of Entertainments, intermixed with Singing, Dancing, &c. The Scenes, Machines, Habits, and Decorations &c., all new. Boxes 5s. Pit 3s. Gall. 2s. The Doors will be opened at Five; the Concert to begin at Six. To be continued (with Variations) on Mondays, Wednesdays, and Fridays, during the Summer season. Places for the Boxes to be had at the Theatre. The Performances depending very much on the Music, no Persons can be admitted into the Orchestra; and on account of the Variety of Scenery and Machinery, &c., that there may be no Interruptions in the Performances, 'tis hoped no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes. No money to be returned after the Curtain is drawn up; nor anything under the full Price to be taken during the Performance

Event Comment: Half past 5 went to the 5s. Gallery at the Opera House to see the comic opera La Buona Figliola, altered from Goldoni. The Music by Sg Nic Piccini, a Neopolitan composer. The Marq by Sg Lovatini, Castina by Sga Zamporini, the German by Sg Marigi. These I believe are reckoned the best of the company. I can't say I was greatly entertained, tho the music is very pleasing. There is something very absurd and truly characteristic of the present age in supporting a set of people at an immense expense to perform plays in a language which very few here understand. We had dances after every act by Sg Adriani, Sga Radicati, &c. It is said the dances at the opera are better than those at the theatres, but I am no great judge either of music or dancing. The scenes, particularly that of the Garden with waterworks &c. are very fine. They who go into the Pit &c. must be in a vile French dress (Neville MS Diary)

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Mainpiece [1st time; C 5, based on Le Dissipateur, by Philippe Nericault, dit Destouches. Authors of Prologue and Epilogue, and speaker of Epilogue, unknown]: Written by the late Samuel Foote Esq. [The attribution to Foote is dubious.] Afterpiece [1st time in London; MF-2. See CG, 28 Mar. 1778]: Now acting in Dublin with applause; written by [i.e. altered from, by T. A. Lloyd] the author of Love in a Village, &c. &c

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)

Event Comment: Mainpiece: 14th Night [i.e. in continuation of the reckoning for the previous season]. With new Music [consisting of 6 new songs (Gazetteer, 2 Oct.)], Scenes and Dresses. The new Music and Accompaniments to the adapted Airs by Shield. The Overture by Baumgarten. The Words of the Songs to be had at the Theatre. [It was "represented in an altered state . . . The second act is almost newly written, and the language of the whole opera amended and pointed with great neatness" {London Magazine, Oct. 1784, p. 315).] "At the end of the first act [of mainpiece], Davies came forward and informed the audience that Mrs Kennedy was of a sudden taken dangerously ill, and hoped that Cubitt might be permitted to read the remainder of her part; a request that was immediately complied with" (London Chronicle, 13 Oct.). [Afterpiece in place of The Positive Man, announced on playbill of 11 Oct.]

Event Comment: Afterpiece: Not acted these 12 years [acted 21 May 1782]. An Operatic, Comic Pantomime, with material Alterations and Additions, particularly a Grand Spectacle, being a Representation of a Jubilee Procession of the Nobles, Clergy, and People at Rome ["which consisted of artificial figures, horse and foot, cars, &c.; it was very well managed" (Morning Post, 1 Dec.).]. The new Airs, Chorusses, &c. by Reeve. With new Music, Scenes, Dresses, and Decorations. Words of the Songs, &c. to be had at the Theatre. Receipts: #264 19s. (255.4; 9.15)

Event Comment: Benefit for Mrs Billington. Tickets delivered for Monday the 8th of February will be received. Mainpiece [1st time; CO 3, by John O'Keeffe. Text 1st published in his Dramatic Works, Vol. III (T. Woodfall, 1798). Season of 1790-91 acted as The Fugitive]: With new Scenes, Dresses, and Decorations. The Music selected and composed by Shield, and consists of several Russian Melodies, and compositions of Handel, Sacchini, Pleyel, Rauzzini, Guglielmi, Weichsel, Dalayrac, Callcott, Reeve, Prati and Shield. Receipts: #366 9s. 6d. (255.2.6; 3.5.0; tickets: 108.2.0)

Event Comment: Benefit for Quick. Mainpiece: Written by R. Cumberland, Esq. Afterpiece: Written by Colley Cibber, with capital Additions by Fielding, Dean Swift, G. A. Stevens, &c. &c. &c. Public Advertiser, 20 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #327 4s. (177.2.6; 9.11.6; tickets: 140.10.0)

Event Comment: Afterpiece [1st time; BALL. P 1, by James Byrne. MS of Songs only: Larpent MS 919; synopsis of action in Universal Magazine, Oct. 1791, p. 308]: Taken from Ossian. With new Music, Airs, Chorusses, new Scenery, Dresses, and Decorations. The Ballet composed by Byrne. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. The Scenery by Richards, Hodgins, Pugh, &c. &c. The Dresses by Dick. Books of the Songs, &c. to be had at the Theatre. [For Harp and Pipes see 24 Oct.] Account-Book, 22 Nov.: Paid Byrne for Oscar & Malvina #50; 8 Dec.: Paid Mad. St.Amand expenses from Paris to London #14 6s. 8d. Receipts: #182 16s. 6d. (177.13.6; 5.3.0)