SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Hull"/1) | (@(roleclean,performerclean) "Hull")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2879 matches on Roles/Actors, 1013 matches on Performance Comments, 233 matches on Author, 84 matches on Event Comments, and 2 matches on Performance Title.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: No Ones Enemy but His Own

Dance: II: The Reel-Aldridge, Miss Valois, Miss Besford. [See17711030.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: No Ones Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: No Ones Enemy but His Own

Dance: I: The Lamplighters-Aldridge, Miss Valois [see17731207]; End Comedy: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Hull

Afterpiece Title: Comus

Dance: III: The Vintage Festival, as17741007

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Isabella Actor: Mrs Hull

Afterpiece Title: The Druids

Dance: III: Double Hornpipe-Blurton, Miss Mathews; IV: The Humours of Blackwall, as17750429

Performances

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Event Comment: Benefit for a Fund for the Relief of those who, from their Infirmities, shall be obliged to retire from the Stage. [Prologue by Thomas Hull.] Gazetteer, 19 May: Tickets to be had of Hull, Treasurer to the Institution, No. 31, Bow-street, Covent-Garden. The Fund at Covent Garden Theatre was instituted in the Year 1765, and confirmed by Act of Parliament, 1776. It has been almost entirely supported by the weekly Contributions of the respective Members, and no Application has been made ot the Public towards its Increase for the space of 19 Years. Notwithstanding the utmost Oeconomy has been practised to promote the Advancement of this Fund, the whole capital Sum hitherto amassed is now become so inadequate to the unavoidable annual Disbursements that the Committee hold it incumbent on them to solicit the Patronage and Encouragement of the Public, at the within specified Performance. "The capital of this fund, invested in various stocks, amounted to #27,710 in the year 1824" (Brayley, 14). Receipts: #128 11s. (104.15; 15.16; tickets: 8.0)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Dance: As17900417

Entertainment: Monologue. Original Prologue to the Institution [of the Theatrical Fund]-Holman

Event Comment: Benefit for Hull. Morning Herald, 14 May: Tickets to be had of Hull, No. 31, Bow-street, Covent Garden. Receipts: #235 11s. 6d. (143.1.6; 6.1.0; tickets: 86.9.0) (charge: #105)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Intrigues of a Morning

Dance: As17920420

Song: End I afterpiece: Wine cannot cure the Pain I endure, as17920412

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-a Gentleman, 1st appearance on any stage [Hull]; Young Wou'dbe-Dyer; Balderdash-Marten; Clearaccount-Collins; Fairbank-Anderson; Comic-Perry; Trueman-Smith; Richmore-Ridout; Subtleman-Dunstall; Alderman-Bennet; Captain-Wignel; Frisure-Holtom; Teague-Barrington; Mrs Midnight-Mrs Copin; Mrs Clearaccount-Mrs Ferguson; Constance-Mrs Vincent; Aurelia-Mrs Hamilton.

Afterpiece Title: The Contrivances

Dance: Comic Dance,The Threshers-Leppie, Granier, Mlle Capdeville

Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591017

Event Comment: Receipts: #118 16s. Paid Gum carpenter's bill #12. Paid Hull 16 nights from 24 Sept. at 6s. 8d. per night: #5 6s. 8d. Paid Mr Sanders 6 nights from the 13th inst. at 13s. 4d. per night: #4. [By this date Rich shows an income of #1,809 and an expenditure of #1, 541, holding a profitable balance of #268.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: As17591017

Event Comment: Mainpiece: Not acted these two years. [George II's death had closed the theatres on 4 Nov. the previous year.] Income from Boxes #14 15s. Paid Mr Powell for two years att[endin]g Office & pass [?] Ac[count]. #100. Advanced to Hull #20. Receipts: #64 16s. (Winston Theatrical Record)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Fair

Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Related Works
Related Work: Pharnaces Author(s): Thomas Hull

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Event Comment: Paid from treasurer's funds #16 12s. for a Lottery Tickett No. 5,603. Paid for playing the Organ 9 nights in the Oxonian in Town #2 5s. (Account Book). [Colman seems to have been dissatisfied with Mrs Lessingham's performance, for the Harvard Extra Illustrated Vol. of Genest (opposite p. 185) contains a MS note dated Tuesday Morning: "Mrs Bulkley's compliments to Mr Hull, as she is ready in the part of Mrs Sullen he need not call any rehearsal on her account." Presumably this note was written to the prompter the following Tuesday (24 Nov.). The next performance this season of the Stratagem did not occur, however, until 22 April 1768, at which time Mrs Bulkley played Mrs Sullen, for the 1st time.] Receipts: #155 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Oxonian in Town

Dance: IV: A New Comic Dance, as17671021

Event Comment: Paid to Mr Hull the Balance of the Theatrical Fund, the 9th Instant...#98 9s. (Account Book). Receipts: #225 15s. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: A New Comic Dance, as17671126

Event Comment: Benefit for Miss Jameson. Hull is to succeed Colman in the management of Covent Garden (Winston MS 10). Colman sold his share of the patent to Harris in the spring of this year, this departure to take place in June (Page, George Colman, The Elder). Michel Dyer Died (Genest, V, 424). Miss Jameson's charges #77 13s. 6d. Profit to her #59 10s., plus #66 7s. from tickets. (Box 127; Pit 138; Gallery 139). Receipts: #137 3s. 6d. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Author

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112

Event Comment: The Two Misers is unavoidably oblig'd to be deferr'd. Books of the Entertainment [The Two Misers?] to be had at the theatre. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons admitted behind the scenes, nor any money returned after the curtain is up. Places for the Boxes to be taken, of Mr Sarjant (only) at the Stage Door. The Doors to be opened at Half after Five o'clock. To Begin exactly at Half after Six. Vivant Rex and Regina. (Customary footnote for succeeding Playbills. It will not be repeated here. The Westminster Magazine, September, p. 459, indicates a Prelude was also given this opening night, consisting of several of the actors comparing notes on their various successes, casts of parts, droll accidents, which they had experienced during their different summer excursions. Mattocks, Dunstall, Lee Lewes, Miss Barsanti, and Hull participated. The reviewer reported the content of their reminiscences, but disliked the jumbled nature of the Prelude. Another account in the Morning Post, 21 September.] Note: For performance at hay 20 September, see Season of 1774-1775, p. 1905

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Padlock

Event Comment: Paid Hull on account of Salary as Acting Manager #30. Receipts: #179 2s. (178.3; 0.19)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Polly Honeycombe

Dance: As17761031

Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Event Comment: Mainpiece: Not acted these 12 years. [The playbill retains Wilson as Maclaymore, but "At the close of the Play Hull came forward and made an Apology for Wilson's not playing Maclaymore...on Account of his being taken suddenly ill with an Ague, and begged their Acceptance of Fearon in the Part, which was accepted with that good Nature which distinguishes a British Audience" (Morning Chronicle, 24 Oct.).] Receipts: #100 15s. 6d. (100.11.0; 0.4.6)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Reprisal

Dance: As17771016

Event Comment: The last Time of performing this Season. [This was Mrs Hartley's last appearance on the tstage.] Account-Book, 29 May: Paid Foulis for writing Music #101 17s.; 31 May: Received of Their Majesties for this Season #60, of Prince of Wales #30; 16 June: Paid Pattinson, tallow chandler, #332 8s. Paid Cooper, printer, #335 11s. Paid Harris, manager, #500. Paid Enderby, oil merchant, #1,061 17s. Paid Hull, salary as Acting Manager #150. Paid Mrs Hartley in lieu of a Benefit #105; 6 July: Received Stage Forfeits this season #42 3s. 6d. Receipts: #63 8s. (61.14.6; 1.13.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Siege of Gibraltar

Dance: As17800417

Performances

Mainpiece Title: The Walloons

Performance Comment: As17820420, but Hull in place of Clarke .

Afterpiece Title: Barnaby Brittle

Dance: As17811219

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .

Afterpiece Title: The What dye Call It