SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses"/1) | (@(roleclean,performerclean) "Grigsbys Shadwells Janeways and Sams Coffee Houses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1843 matches on Event Comments, 833 matches on Author, 211 matches on Performance Title, 141 matches on Performance Comments, and 0 matches on Roles/Actors.
Event Comment: [The Westminster Magazine for Sept. Comments on Miss Jackson: "She is extremely stiff in her delivery and action. Could she, however, divest herself of stage formalities, there would be few better Juliet s at either house, and she would prove a very decent second-rate actress."

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Lewis; Capulet-Clarke; Friar Lawrence-Hull; Mercutio-Woodward; Benvolio-Booth; Escalus-Fearon; Paris-Young; Tibalt-L'Estrange; Peter-Quick; Lady Capulet-Mrs Poussin; Nurse-Mrs Pitt; Juliet-Mrs Jackson (first appearance on this stage.); In I Masquerade Scenev incident to the play; and a Minuet-Daiguville, Mrs Jackson; end IV, the Funeral Procession of Juliet with the Solwmn Dirge: vocal parts-Mattocks, Reinhold, DuBellamy, Baker, Fox, Miss Brown, Miss Dayes, Mrs Masterson, Miss Valois, Mrs Willems, Mrs Lampe, Mrs Jones.

Afterpiece Title: St Patrick's Day; or, The Scheming Lieutenant

Event Comment: Mrs Jewel from the Haymarket Theatre made her first appearance upon this stage in Lucinda and was receiv'd with great applause (Hopkins Diary). Paid 3 days salary list #134 15s. 6d.; Lampmen #2 12s.; Bill stickets #3 12s.; Handbills 8s.; Candlemen Bill #2 15s. 6d.; Taylor's Bill #13 16s. 3d.; Mantua Maker's Bill #8 12s.; Mr French #12 12s.; Painter's Bill #3 6s.; Heath andWife #2; Roye #4 1Os. (Treasurer's Book). [The following items among those listed in the Treasurer's Book were constant weekly expenditures. Their averages and totals appear in the following table and will not again be mentioned]: @Week's Average Total expense for season@Lampmen #4 5s. #171@Billstickers #2 14s. #92 12s.@Handbills 12s. #22 16s.@Tailors #8 10s. #323@Mant. Makers #2 5s. #85 2s.@Candlemen #12 #456@Mr French #10 10s. #388@Painters #7 #266@Mr Heath and Wife #2 #76 [A spectator writes to the Public Advertiser (to inform the country readers) about the changes in the interior of Drury Lane Theatre resulting from the remodeling by the Adams@brothers. They had managed to give the impression of greater magnitude to the house. They removed the old heavy square pillars at the side of the stage, raised the sounding board on the side next to the stage, greatly improving the sound of the music and the actors' voices. Much new decoration went into the boxes making them more light and gay. Much panel glass, ornamentation, and ceiling decoration, giving it the effect of a dome. The author believes the crimson drapery over the stage is too dark for the objects around it, and the gold fringe lacks the brilliant effect. The lobby behind the front boxes was remodeled and kept clear of servants, by means of an adjoining room prepared for the servants. New arches lead into the entrance from Brydges St. toward the boxes.] Receipts: #235 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy Twinkle-Whitfield; Sotherton-Lamash; Cupid (with song)-Mas. Blanchard; Landlady-Mrs Love; Miss Griskin-Miss Jarratt; Chamberlain-Burton; Filagree-Mrs Bradshaw; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; With a Postillion Dance incidental to the piece,-Giorgi, Lauchery, Mrs Sutton; To conclude with a Country Dance-.
Cast
Role: Landlady Actor: Mrs Love
Event Comment: Afterpiece: A Pantomime Entertainment not acted these eight years. [See 20 Oct. 1768.] New Scenes, Dresses and other Decorations. Doors open at 5 o'clock. To begin exactly at 6 o'clock. Theatrical intelligence, Covent Garden: Mrs Hunter, lately returned from Ireland was very well receiv'd in Mrs Oakly, and to do her justice she played the part throughout better than it has been performed for some time at either house. The labourings of Mr Wroughton's jealousy in Oakly reminded us of the progressive workings of a fatt of small beer, when inflated with powerful yeast....Orpheus and Eurydice was reviv'd after the play-the dullest of all dull Pantomimes (Harlequin's Jacket excepted). The two additional scenes we were summoned by the bills to behold, are two of the late memorable regatta:-The first is a perspective of Ranelagh Gardensv to the water, illuminated with party-coloured lamps, which terminates with the temporary obelisk erected on that occasion:-Behind this we just catch the streamers of the barges and etc., supposed to be rowing up to the stairs, and landing their company, to martial music and under the discharge of cannon, imitated by the unnatural slamming of one of the Green Room doors. This scene, however, had a tolerable appearance, but being on too confined a scale, its intended effect must have been lost. The other represented the inside of as much of the Temple of Neptunev as was possible to give the spectators in a theatre:-we cannot extol it by any means as a perfect representation:-and to prevent it coming too near the original, Harlequin, Perot, Pantaloon, and etc. were made to lounge in the orchestra instead of its being occupied by a good band of music:-in short the whole pantomime went off rather flat. It is recommended to the managers here never to suffer the scene shifters to appear again in such garb as they did; old greasy plush waistcoats, with red-stocking sleeves!-such a habit may be in keeping with a blacksmaith's forge, but not for a theatre royal in the metropolis of a polished country (Folger News Clipping)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: Harlequin-Lee Lewes; Orpheus-DuBellamy; Pantaloon-Banks; Squire Gawky-Wewitzer; Clown-Cushing; Witch-Thompson; Fish Woman-Walters; Drawer-Jones; Eurydice-Miss Brown; Rhodope-Miss Dayes; Dwarf-Mas. Jones; Nymph-Mrs Masters; Maid-Mrs Lawr; Colombine-Miss Matthews; first time. The Dances-Sg and Sga Zuchelli, Daguville, Sga Vidini; the Whole to conclude with Two Additional Scenes-. See17751016 .
Event Comment: Mainpiece: By Particular Desire. Paid half a years rent to Duke of Bedford to Mich. Last #164 2s. 10d.; Ditto to Mr Wegg to ditto #57; Mrs Scott (laceman) #99 7s.; Mrs Chitty for coals #92 10s.; Mrs Sutton for women's cloathes #12; Tabor and Pipe 7 nights #3 13s. 6d.; Two additional flutes #3. Receipts: #272 1s. 6d. (Treasurer's Book). At the Play Mr Garrick acted and the house was so full you could not have thrust your little finger in, not withstanding the plague sweeps us away by dozens (Cumberland's Letters; Hampden, Journal)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: May Day

Dance: III: The Merry Peasants, as17751018

Event Comment: Queen Mab is reviv'd with Alterations and Additions particularly Grand New Scene with a Representation of a Regatta very well executed but is too much like The Naval Review (Hopkins Diary). [MacMillan's note from Hopkins differs slightly. He also adds from the Public Advertiser, 13 Nov., The last grand scene is a Representation of the whole Regatta sailing by Ranelagh. That and the Red House were invented and drawn by Mr deLoutherberg, and painted by Messrs French, deRoy, Greenwood, and others."] Rec'd stopages #11 12s. 6d. Paid Salary list #626 16s. 6d. Receipts: #152 12s. (Treasurer's Book). [Fuller descriptions of the Regatta scene appeared in the Westminster Magazine for Nov.: The Scene affords a picturesque view of the Thames on the Surry Side to Ranelagh Gardens representing the procession of barges etc., of the different squadrons, previous to their landing the company. The effect produced by this united scenery and machinery was very pleasing; every barge appeared to be rowed to the time of the band of music which is supposed to be upon the water, and evepy man and oar keeps a regular stroke: the sky, flat behind, was finely designed and executed for the general relief, and disposition of the men and boats near shore, in the foreground, was beautiful and did the painter great credit. The whole concluded with a Tar 's song in character, by Mr Bannister, and a dance by sailors and their doxies.'

Performances

Mainpiece Title: Old City Manners

Cast
Role: Drawer Actor: Garland

Afterpiece Title: Queen Mab

Performance Comment: Parts-Wright, Garland, Grimaldi, Burton, Carpenter, Cubitt, Kear, Griffith, Norris, Mas. Blanchard, Fawcett, Legg, Bannister, Mrs Bradshaw, Mrs Smith, Mrs Sutton.
Event Comment: In Mr G. fine Scene with Thomas , Just as he was going to trust him with the Secret the House was very Silent and Mr G. very fine a fellow in the Gallery bawld out--Speak louder--It disconcerted Mr G. very much (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Paid Mr Waller's Bill (hosier) #30 16s. 9d.; Mr Pryer [Turner] #3 2s.; Mr Bannizter [sic] for two songs #5 5s. Receipts: #242 6s. (Treasurer's Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-A Young Gentleman, first appearance any stage (Webster); Lord Randolph-Wroughton; Officer-Thompson; Glenalvon-Aickin; Old Norval-Barry, being their first appearance in those characters; Anna-Miss Dayes; Lady Randolph-Mrs Barry.
Cast
Role: Lord Randolph Actor: Wroughton
Role: Lady Randolph Actor: Mrs Barry.

Afterpiece Title: The Cheats of Scapin

Performance Comment: Scapin-Wilson, first time; Thrifty-Cushing; Leander-Young; Octavian-Thompson; Shift-Wewitzer; Sly-Bates; Gripe-Quick; Lucia-Mrs Masters; Clara-Mrs Poussin.
Cast
Role: Leander Actor: Young

Dance: End Tragedy: Mirth and Jollity, as17760102

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

Cast
Role: Servants Actor: Legg, Kear, Cubitt, Carpenter, Garland
Event Comment: Benefit for Webster. Mr Barry being ill, the tragedly of King Lear oblig'd to be deferr'd. [A comment in Lloyd's Evening Post for 29 Feb. refers to an incident in cg this evening: "A fellow who sat on the sixth row of the Upper Gallery...Threw a Keg (which he had brought full of liquor into the House) over the Gallery front. It fell upon a lady's head, who sat in that part of the Pit which was railed into the Boxes, but the Lady's hair being dress'd in high ton, the artifical mountain luckily prevented the mischief that otherwise might have been occasioned....The fellow who threw the cask was carried to the Public Office, in Bow Street, and from thence committed to Tothill Fields, Bridewell. As the custom of throwing mugs, bottles, apples, &c. from the galleries of the theatres is equally as wanton and wicked and is frequently the cause of great mischief, it is thought the present culprit will made an example of" (Quoted in Hampden, Journal).

Performances

Mainpiece Title: Douglas

Cast
Role: Lord Randolph Actor: Wroughton
Role: Lady Randolph Actor: Mrs Barry.

Afterpiece Title: The Syrens

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Cyrus-A Gentleman [Lacy]; Cambyses-Smith; Mithranes-Bensley; Harpagus-Packer; Astyages-Palmer; Mirza-Whitfield; Officer-Norris; Aspatia-Miss Hopkins; Mandane-Mrs Yates.
Cast
Role: Mandane Actor: Mrs Yates.

Afterpiece Title: A Peep behind the Curtain

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon.

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No admittance behind the Scenes, nor any Money returned after the Curtain is drawn up. Doors to be opened at 6:00 p.m. To begin at 7:00.Servants to keep places to be at the House at 5:00 p.m. [Note repeated on subsequent bills and will not be repeated here.

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Fearon; Leander-Davis; Sir Jasper-Lloyd; Harry-Stephens; James-Walters; Hellebore-Jones; Charlotte-Mrs Palmer; Dorcas-Mrs Love.
Cast
Role: Leander Actor: Davis

Dance: The Merry Lasses-

Event Comment: Human Nature cannot arrive at greater Excellence in Acting than Garrick was possess'd of this Night All words must fall far short of what he did and none but his Spectators can have an Idea how great he was-The Applause was unbounded. House (Hopkins Diary). Receipts: #309 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Dance: A Hornpipe-Walker

Event Comment: Last time but one of the Company's performing this season. House. Mr Garrick as before Mr Vernon being hoarse Mr Davies play'd Sr. John Loverule some body in the Pit call'd for Vernon as his Name was in the Bills Mr Davies told them that Mr Vernon had been ill these two day [sic] and it was thought unnecessary to trouble them with an apology they afterwards call'd for the Early Horn Mr Davies told them he did not know of doing the part till after two therefore he was not prepar'd. they call'd out & bid him go on his own way (Hopkins Diary). [MacMillan's note from Kemble omits the comment on the afterpiece. Song The Early Horn had been traditional for the part of Sir John for over 30 years. See 10 Sept. 1741.] Paid Mr Short, Chorus, 5s.; Blurton 4 days salary in full #1 6s. 8d.; French on acct #100. Receipts: #305 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].
Cast
Role: Alexander Actor: West
Role: Cassander Actor: Comerford
Role: Aristander Actor: Thomas

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Event Comment: Benefit for Mrs Newton, box-keeper. As Newton superintends the whole Performance of the Play, Farce and Interlude, the greatest care will be taken to gratify the taste of a most generous Public. Tickets to be had of Mrs Newton at the Seven Houses

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-A Young Gentleman (Pupil to Newton; 1st appearance on any stage [unidentified]); Gonzalez-Lloyd; Garcia-Garland (of Deptford); Selim-Johnson; Perez-Kenny; Alonzo-Dancer; Heli-Smith; King-Comerford; Zara-A Young Lady [unidentified]; Leonora-Miss C. Newton; Almeria (the Mourning Bride)-Miss Reynolds.
Cast
Role: Garcia Actor: Garland

Afterpiece Title: The Life and Death of Harlequin

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Ware (of Deptford); Young Wilding-Sparks; Old Wilding-Taylor (of Deptford); Dapper-Dancer; Quildrive-Smith; Beaufort-Johnson; Young Philpot-Garland; Maria (with Theatrical Imitations)-Miss Reynolds.
Cast
Role: Young Philpot Actor: Garland

Song: As17760925

Entertainment: Monologue.End 3rd piece: Bucks have at ye all-Master Russell

Event Comment: Benefit for Lewis, Dancer & J. Smith. Tickets to be had of Lewis at the Europa; of Smith at the Ship, Seven Houses

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Life and Death of Tom Thumb the Great

Dance: End: The Wapping Landlady; or, Jack in Distress-; [with a Hornpipe [in character,-a Lady from London [unidentified]

Song: As17760925

Entertainment: Imitations. As17760930 Monologue. Teague's Ramble to London. Captain O'Blunder-Broderick

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: High Life below Stairs

Dance: As17761015

Event Comment: Benefit for Smith. Public Advertiser, 18 Feb.; Tickets to be had of Smith at his House in Beaufort Buildings, Strand. Receipts: #260 4s. (144.4; 13.8; 0.19; tickets: 101.13) (charge: #74 14s.)

Performances

Mainpiece Title: The Rivals

Cast
Role: Faulkland Actor: Reddish

Afterpiece Title: Harlequin's Invasion

Dance: End III: The Irish Fair, as17761031

Performances

Mainpiece Title: L'ali D'amore

Song: In III: 'Sventurata in van mi lagno-Sga Davies; with the flute accompaniment-, from Antigono

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Bon Ton

Cast
Role: Orlando Actor: Reddish

Dance: End II: a Grand New Ballet (composed by Ricci), The Chaconne-Ricci (1st appearance on the English stage), Sga Crespi, Sga Ricci; End V: The Savage Hunters, as17761024